Unmesh Dinda 0:03
Hi there, this is Unmesh from PiXimperfect. And before we begin, we all need to understand
this, as of recording this video, there's no easy way to cut out hair from a busy background. But the good news is, it's not impossible. We can definitely do it no matter how difficult
or crowded the background might be. Since we will be painting and creating here
in the process, I would highly recommend using a Wacom tablet. This will help you not only work way faster,
but also in creating realistic hair by taking advantage of Pressure Sensitivity. Trust me guys, it's not that hard, just five
simple steps. So without any further ado, let's get started. So here we are back in the magical land of
Photoshop. And if you want to go ahead and download any
of the photos shown in the tutorial, you know what to do, check the links in the description. Now please keep in mind for these kinds of
work, we need to have some time in hand. Now, to begin with, step number 1 is Making
a Selection Using the Pen Tool. Now, with the Pen tool, this is actually a
starting selection, on the hard edges, we will be on the edge, but on the hair, we will
stay a little inside. So let's go ahead and select the Pen tool,
here it is, let's select that. Now let's zoom in, start from one corner,
click to make a point, click and drag to make a curve. Right. You can always hold the Ctrl or Command and
play with the handle to match with that of the edge. This gives you a very clean edge. And by the way, if you want to learn how to
use the Pen tool, you can watch this video. Now, I've already created the path for you
so that you don't have to wait through the entire process. Now as you can see, we have already created
the path in here. And when it comes to hair, we have stayed
a little inside and when it comes to other hard edges, like these flowers, we have been
on the edge. Now, I know this flower is a little out of
focus, but we are still on the edge. We can blur the edges later. Don't worry about that. Now, once you have finished your path, you
can always go to the Paths tab and rename it. By default, it will be Work path, but rename
it. I have renamed it to Subject by double clicking
on it and just rename it. That way it saves the path. Now, you can hold the Ctrl or Command, click
on the thumbnail to make a selection out of it, or the other way is, once you have finished
creating the path, you can always right click on it and choose Make Selection. It does the exact same thing. Make sure Feather Radius is zero pixels. Hit OK. Now get back to layer. Now click on the Mask button with the selection
active. Now we have a mask. Now, this is not perfect, but keep in mind,
this is perfect around the hard edges. We need to blur it a little bit. But, apart from the hair, this is perfect
everywhere else. Now, it's best to put a background just for
reference. Since this is a bright image, we're going
to put a black background. Click on the Adjustment layer icon and then
choose Solid Color. Now, inside of that, choose black, hit OK. And we need to place it beneath the Subject
layer. Let's name this Subject layer - Subject. There you have it. Now, let's work on the hair. Now it's time for us to create some hair brushes
inspired from this image, and here's how to do it. So, let's zoom in and turn off the Mask momentarily. By holding the Shift key, click on the Mask
to turn it off. So first of all, we need to create a Single
Hair Brush, right. Now, to paint hair properly, of course, you
can create a new layer, and this is just for painting here and there. Now, let's choose the brush, the Brush tool
right there. How do you want single hair to be? So first of all, let's make the size a little
smaller. I'm going to go for 4 or 5. This is okay. And we'll try painting some hair next to the
hair to see how well it matches. So, this is not matching at all. We need to customize that a little bit. So let's go to Window and then Brush Settings. To make the brush realistic, we need to set
some settings to Pen Pressure. And that's where the advantage of a Wacom
tablet comes in. Because if you're using a mouse, it's either
clicked or not clicked, on or off, it's either painting or not painting. There's nothing between those, there are no
shades of gray. I hope you're understanding what I'm trying
to say. So, with this, I can set Opacity to Pen Pressure,
which means the harder I press, the more opaque it's going to be, the lighter I press, the
more transparent it's going to be making it more realistic. Now of course, you can use the Fade feature
with the mouse. But, honestly, that's not very realistic and
it can be time consuming. So, if you're using a mouse, I'm going to
show you what to do, but it's always best to invest in something like this. I'm using, right now, a Wacom Intuos Pro. Now, all you got to do is to check Transfer. Now, inside of Transfer, set the Opacity to
Pen Pressure, set the Control to Pen Pressure. We don't want any Jitter here. You can also set the Flow to Pen Pressure,
as well. You see how the edges become more natural. Now let's try painting a hair. So, with white color, we'll do that with white,
let's see how natural this looks. Yeah, it looks fine. But, it's not getting thinner around the edge. And we can easily do that with Shape Dynamics. So, we can set the Size to Pen Pressure as
well. So, let's go to Shape Dynamics and let the
Size be controlled by Pen Pressure. And now have a look. Now when I draw the hair, let's go back a
little, erase all of that, now see, it's more natural, right? It's getting there. I'm liking this. Now if you want the hardness of a brush to
be increased a little bit, let's go to the Brush Tip Shape, and you can increase the
Hardness a little bit. Let's see how that does. That is good too. Do you want it soft or do you want it a little
hard? Completely hard won't look nice. So, I'm going to keep it at about 35%. That's okay. So, now we have a Single Hair Brush and we
need to save it. So click on the grid right there and we need
to choose New Brush Preset, and let's save it Hair Single. We need to choose Capture Brush Size in the
preset so it's always set to 4. We can always change it here and there, but,
by default it will be 4. Include Tool Settings, Color is not important,
hit OK. Now we have the Brush - Hair Single. Now, we need to put it inside our own group. So, let's create our own group. Let's collapse everything first to make things
clear. You can click on this gear right there, I'm
so sorry, click on the gear in the corner and then choose New Brush Group. Now, let's name this Hair Brushes - PiXimperfect. Hit OK. Now we're going to put this brush - Hair Single
to inside this group. Time for us to create one more brush with
multiple hair. Let's collapse this and let's delete this
layer. Let's create a brand new layer. Now in here, you're going to choose, again,
the Soft Round brush and just make dots according to the hair. That's what I mean when I say inspired by
this hair. So, we're going to zoom in on one particular
area where we have a regular density of hair, maybe this area, or let's choose a nice area. This seems to be nice. Now, according to how opaque, thick or thin
the lines are, we're just going to make some dots which are equidistant or a little bit
spread out to each other. So, take the brush, make sure the color is
black, on a brand new layer we are doing this. Now make sure the Flow is somewhere about
at 20%, that's okay, or let's go for 10%. Now, let's create a dot exactly to the thickness
of the hair right here. That's it. Just one dot. Right. Now, since this hair is very opaque, very
bright, we are making the dot darker. The brighter it is, the darker you make it. Now let's create one more here, not as dark,
but a little dark, just like this. Now let's create a dot right there, a little
light one. This is okay. Now we're just creating dots here and there
randomly. This is going to be very bright. Probably one more right here. Or how about this area? Now, you can always customize things later. I'm going to show you how to do that. Let's go for this one, let's go for one in
the middle or somewhere about this area and one here. All right. Now we have something to start creating our
brush with. So, let's first of all, set the background
to white so that we can clearly see what's happening. So with the Subject layer selected, just above
it we're going to create a Solid Color Adjustment layer. Click on the Adjustment layer icon, choose
Solid Color, and this time let's choose white to see what's happening right here. So, this is the base of the brush. We can take the brush and, as you can see,
the points are very close to each other. So this is going to be a close knit brush. Now let's delete, I think this is very thick,
so I'm going to erase it a little bit. Erase this a little bit from there. There you have it. Now let's define this as a brush. And how can we do that? Well, simple. So, with the Rectangular Marquee tool right
up there, let's make a selection of all of this. Now, let's go to Edit and then Define Brush
Preset. And we can name this Hair Close, hit OK. Now we have that brush. Press Ctrl or Command + D. Now, it doesn't
look like hair at all. It just doesn't look right. We need to make it work. Let's go to Window and then choose Brush Settings. Now in here, first of all, we need to decrease
the spacing because right now it has a lot of space between the dots. So let's decrease it to the point where it
begins to join. All right, 5% or 4% is okay. Now again, Transfer - we need to check that,
Control - Pen Pressure, Flow Control - Pen Pressure, both, Opacity and Flow at Pen Pressure. Let's check, sorry, Shape Dynamics too. Let's set the size to Pen Pressure as well. Seeing how natural this looks right now? Angle is fine. You don't have to touch any of that. Now, let me show you an interesting stuff. See how natural this is. See the hair. That's why I'm saying it's not possible with
the mouse. Now, if you want to do it with the mouse anyway,
you can set the Transfer to Fade, and the Flow to Fade as well, and Shape Dynamics to
Fade, as well. So, you might have to give the Fade a little
number, so let's give it 200. So, after 200, it will fade or after 400 or
1000, whatever number there is, it's going to fade. You can also give the Shape Dynamics and number. That way, you can do that, but, that's not
going to be awesome. Or let's give this 400. Alright, so 400 looks good. Let's give this 400 here as well. Let's give the Shape Dynamics 400 here. So yeah, you can do this with a mouse, but
it's always going to be this way, big and then it's going to go small. So, that's the way it is. If you want to do it with the mouse, it is
possible, but it's going to take you a while. Let's go back to Pen Pressure here. Let's go back to Transfer and here as well,
let's set everything to Pen Pressure. There we have it, look at the hair. So we can create some pretty nice hair just
by painting with that. And now we also have the single hair. Now before we move forward, let's save this
as well. Click on that grid and let's click New Brush
Preset - Capture Brush Size - Include Tool Settings - Hair Close Final. This is the final one with all the settings
put in. Hit OK. Now we have it. Now, let's see Hair Close Final. Let's also put it inside the Hair Brushes
- PiXimperfect. Now we need one more, just one more. The individual hairs are going to have a little
more gap between them. So now, let's delete this layer, let's create
a brand new layer. Now, we can turn this white off and move to
some other area of the image where we can create some gap. So now, let's go back to the Soft Round brush
again, and similarly, we'll do the same thing. But this time, keep in mind, they'll have
some gaps. We can actually turn the white on and guess
it now that we have an idea of what we want to do with it. Let's create one here, let's create one there. All right, let's create one up there. There you have it. This is something. All right, we need to be as random as possible
here. So this is wide enough. You can create more dots if you want to, but
I'm going to leave it at that. This is enough. Now, let's select this area, Edit - Define
Brush Preset. There you have it. Now, Hair, let's name it Wide / Far / Apart,
whatever you want to name it. I'm just going to name it Wide. Okay. Now we have something. Let's set the same settings. Go to Window and then Brush Settings. In here, we're going to set, first of all,
inside the Brush Tip Shape, 4% Spacing. Let's get back to Shape Dynamics and set the
Control to Pen Pressure. Let's get to Transfer and set these controls
to Pen Pressure, as well. So Opacity and Flow, both, to Pen Pressure. Now let's paint with the brush and see how
it paints. Yeah, it paints pretty nice. See that? Right? Right now the Flow is at 10. Let's increase it. There you have it. So, this is a wider one. And now let's save it. Click on the grid right there, New Brush Preset
- Hair Wide Final - with all the settings. Hit OK. Now we have this. Now, before we move on to the next step, let
me show you a couple of tips. You don't have to create a lot of hair brushes. You can actually customize this brush to look
a little different so that all of the areas don't look the same. Here is how. Inside the Brush Tip Shape, if you want to
change the brush just a little bit, just change the Angle. Have a look at this. See how the angles and the patterns of the
brush are changing just like 3D. It's fun. So, if you're bored with something, you can
move to a different angle like this. I'm liking this angle right now, right, you
can change the angle to something like this if you're painting some other areas, right. So, keep on changing the angles for different
areas. Now that we have created the brushes, we are
ready to move to the next step. By the way, if you are a Patreon member for
PiXimperfect, you can download all of the brushes that we created for this tutorial. Please check the link in the description. Step number 3 is Refining the Hair Inside
the Mask. So first of all, let's delete both of these
layers, so Layer 1 and the Color Fill layer, and let's turn on the Mask. Now we need to use these brushes that we just
created to bring back some of the hair naturally. So take the brush, white as the foreground
color, and first of all, let's choose the Hair Close one, the final one with all the
settings in there. Now, let's go to these areas and all we got
to do is to paint back in the hair. Now, we can increase the Flow to 100. But it's not doing anything. You know why? Because it's destroying the image. Let's go back. It's painting white over the image. We don't want that. We need to select the Mask and then do it
with white, foreground color white, and now paint back in the hair. See, how nicely it's doing. Now, by default, the Flow is 10, because when
we were creating the brush, we had set the Flow to 10. It's also essential for some of the other
areas to create that fill. But if you are creating the outer areas, increase
it to 100. Now, let me give you a tip. If you want to see up to which extent you
need to go, you can click on the Mask, open up the Properties, if you cannot see the Properties,
go to Window and then make sure Properties is checked; in the Mask Properties right there,
just decrease the Density to see how far you can paint. Right. So, with the Density decreased, you can actually
see where you can paint. So, I'm going to keep the density at about
76 for now just to see where I'm painting and just paint back in some of the hairs. We don't need to do it excessively. And by the way, as you're painting, we cannot
paint in all directions easily. If you want to rotate your canvas, you can
hold the 'R' key. This takes you to the Rotate tool. You rotate it accordingly. And then when you release the 'R' key, it
gets you back to the Brush tool. Isn't that fantastic? If you don't get back to the Brush tool, just
select the Brush tool. As easy as that. Now, whenever you want to reset it, hold the
'R' key again, click on Reset View and it resets that for you. Now we're going to speed up the process so
that you don't have to wait through it all. Let's begin. Keep in mind anytime you want some variety,
you can always open the Brush Settings, go to Window, and then here you can choose Brush
Settings. It can be opened right here, and then you
just have to move the Angle. See, it changes the brush a little bit. You don't have to be always so straight, you
can be a little random here and there. So, let's say, you went a little random here,
random there. In this area, as you can see, if I turn off
the Mask, it's right at the edge. So what I would do, I would push the hair
a little inside, push the Mask a little inside first, so we can always take the Lasso tool
and start from here, right. I'm just pushing it inside so that we can
paint back in the hair, right, and fill that area with black. Black as the foreground color, Alt + Backspace
or Option + Delete. Now we can easily take back the brush and
just fill that area in. Now keep in mind, the Mask is selected and
the color is white. Now, this area has a little too extra hard
edge, so you can change the color to black and just erase a little bit from this area
and then paint again with white. Now, if you want to see more, you can always
go back to the Properties and decrease the Density even more to see what area you need
to paint. Now, we didn't need to paint that area. So, what I'll do is I'll take a brush, a soft
round brush, and erase the extra area so that we can paint back in with the hair. Shouldn't have been so close. But anyway, we'll just paint all of that back
in. Just erasing the extras. All right. Let's get back to the brush, the hair brushes,
the close one. So, inside of the Hair Brushes - PiXimperfect
- Hair Close Final and let's just paint these areas back in with white, white as the foreground
color. Now, to add more reality to it, you can also
incorporate the wide brush. So here, this was close and this was wide,
Hair Wide Final. So let's put it inside of the Hair Brushes
- PiXimperfect. Now, let's choose the Hair Wide Final. Alright, just for some areas, it's going to
be used later for painting. But for now, not so many places, it's fine. Let's go back to the Hair Close Final and
increase the Flow. The default was 10, that's why, again and
again when we choose the brush, it is 10. If you want to change the default, set it
to 100, let's go back to the Brush Settings and we're going to create a new Brush Preset,
which is Hair Close Final with Flow 100. So, you can create ones with Flow 10, 20. If you really want to make your work faster,
you can create those. But anyway, it's okay for me. For this area again, I'm going to go back
to the brush which was Hair Wide Final. Let's go back to Hair Close Final, Flow 100. Let's have a look at the Mask up until now. So we can open up the Properties, increase
the Density and see, how nice the Mask is. Of course, there's a lot of work we need to
do. This is just the beginning, but it's way better,
right? Now, let's get back to decreasing the Density
- 75%. Now, get back to the brush and let's paint
the rest of the areas. From time to time, you can always turn off
and see what areas you need to paint. Now, you don't have to get back all of that
hair. It's not necessary. So, of course, we're going to make some compromises
by not selecting all of the hair. But, if you want, you can always paint them
later. And anyway, nobody's going to know after we
do the Composite, that which hair is real, which hair is fake and which are you have
not selected. It's not about accuracy, it's about making
it realistic. N£ow, as you can see, we have refined the
hair and the Mask with multiple hair brushes. So, if we zoom in, first of all, let's go
to the Properties of the Mask and then increase the Density. A basic Mask is done, but, we still need to
work on it. Now the next step would be, you can choose
the single hair brush - Hair Single, and then just draw a couple hair here and there inside
of the Mask. Of course, we will be painting hair on top
of that later, but for now, let's just work on the Mask. See the Mask right there, see how realistic
this looks right now? Of course, there's so much more work to do. But even if you have a look at this one, see
how nice this is. Now, we need to paint hair on top of that
and we need to blur things out. But right now, it looks awesome. Now, we have finished refining the Mask and
let me show you the result. If we simply increase the Density to 100,
you'll be able to see how amazing the Mask is. Have a look at from this side. So every random hair, randomly we just painted
with a single hair brush. Have a look, most of the work we did with
the single one, and for the fuzzy areas or the areas you want to fill, you can do it
with multiple hair brush as we did right there. But if you have a close look, something just
doesn't look right. You know, something doesn't look right. Can you gess what it is? Look at it closely. Look at this area specifically very closely. Something just doesn't look right. The hair looks beautiful, the masking looks
amazing, but, what is wrong with this area? Tell me. Have a closer look. If I turn off the Mask, look, this area is
out of focus and blurry. But when we created the Mask, the hair is
so detailed. That cannot happen, right? This brings us to step number 4, which is
Blurring the Edges According to the Depth of Field. Now, in this step, we will just be blurring
the Mask, we won't touch the image, just the Mask. Now, before moving forward, since we took
a lot of time to create this Mask, why not save it? So, hold the Ctrl or Command, click on the
Mask to create a selection out of it, and then let's save it by going to Select and
Save Selection. We can save this as Subject Hair mask and
we can save it in a New Channel. So, anytime you want to access it, let's press
Ctrl or Command + D to deselect that, if you modify this and you want to go back to this
mask, you can always go to Channels, it will be here - Subject Hair, as you can see. All right, let's come back to this. It's time for us to blur it according to the
depth of field. So, simply choose the Blur tool from here,
you can increase or decrease the Strength, if you want to. So, I'm going keep it at about 50 and start
the blurring process. Keep in mind, we're blurring the Mask, not
the Subject. According to the depth of field we don't need
to blur too much, just a touch. Let's get the Strength to about 30%.. not
03, 30. All right, let's blur them out. We can momentarily turn this off and on to
see how much they were blurred. Turn this off, turn this on. Yeah, that seems to be about right. Look, now how realistic it looks. Let's turn this off, these areas were absolutely
blurred, so we can blur them out as well. Now, keep in mind, these flowers were in focus. So, don't blur that area. Be very careful here. Now, have a look at these flowers, if I turn
off the Mask, have a look, the edges were soft. So now we need to blur this as well. Look how natural this looks right now. Now, some of these areas will be in focus. Let's look at these, some of these areas as
well, will be in focus..just the other areas. All right, now let's have a look at the top. These areas are in focus, these areas as well
in focus, these areas are a little blurred. So we can actually just zoom in and blur this
area out, just a touch, like this. Let's turn this on. Yes, everything else is in focus. Now we have an even better Mask. The next step is where the magic happens. And therefore step number 5 is Painting Additional
Hair. You can get as much creative as you want,
and create as many hairs as you desire. So, let's go ahead and create some hair. Now, for this step, you don't have to be accurate
and refer the original image again and again, but if you want to, you can. But on the other hand, you can go creative
and paint the hair according to your taste. So I'm just going to go back to the brush,
and first of all choose my favorite one, which is Hair Single and let's create a brand new
layer. Click on the New Layer button and let's name
it Hair 1 and number this. You might have to create separate layers. Now, with the Brush selected, make sure you're
able to sample the hair. If you're not able to sample the hair color,
you can go to the Eyedropper, right there, and just make sure Sample All Layers or Sample
Current and Below is selected, and then 5 by 5 average is fine. Now, let's get back to the brush. You can also decrease it to 3 by 3. Let's get back to the brush, and then just
paint additional hair. Take a sample of the hair color nearby and
paint it. That's it. Wherever the hair is originating from, so
if it's starting from here, take a sample from there, just like so. And you won't be disturbed by anything. You can just paint as many as you like. Now, if you're looking for inspiration, you
can, of course hold the Shift key, turn this off and see how this is, and follow that pattern
if you wish to. See that? Now we can follow that pattern. Also what you can do, you can decrease the
Density just to see how the hair is, just to take a reference and from there, just paint. Let's get back to the Hair layer and then
take a sample and paint. Now, once we have done this, refer it again,
and maybe you want to add some blur to it depending upon how much blur there was in
the original one. So, you need to look at the depth of field
and accordingly add some blur if you want to. So let's go to the Blur tool and decrease
the Strength to 20%, that's all right, and just adding a tiny bit of blur here and there,
all right, just to make it look realistic. So this is Hair 1. You can create one more layer - Hair 2. I'm having it separate, so that if you want
to change anything later, having different hair layers for different areas, it's going
to be more convenient and keep things organized. Now let's look at the depth of field. So, this is actually very sharp. You don't have to blur it too much. But this area might need a little bit of blurring. So, take the Blur tool, need to blur this
area just a bit. Just that area. Alright, let's get back to the brush. Now, it's a good idea to create a new layer
and call it Hair 3. Again, this is just for organization. Let's see how the hair is in this area. It's mostly folded and a couple of hairs on
the outer side. Simple. We can create something like this. So the top area has been taken care of. Let's look at the side area. This area is going to be a little blurry,
and most of the areas we have actually created it with the Mask, and we have to paint over
the Mask, that's fine. But, for this area, let's create one more
layer and let's name this Hair 4 because we might have to blur this area. I think we've done this area pretty well. But still, let's blur it out. So with the Blur tool, let's increase the
Strength to 50% and blur it out. Just these extra hair here and there. Let's go to Hair 3 and blur these too here. And there we have it. Now down here, it's going to be a little tricky. Let's create a new layer called Hair 5. Let's refer the original. So there's a lot of fringes in there that
we need to create, and most of them are in focus, no problem. So we'll go back to the brush, and creating
fringes is very easy. If you're using a tablet, just let your hand
go wild, that's it. Take a sample and let your hand go wild. And let's reset the View and there we have
it. It looks fantastic. And it seems like we are done, the five steps
are over, but we might have to make some corrections still. So, if we go back to the Mask, and first of
all increase the Density, as you will notice, some parts of the hair are pink. Why? Because while we were painting on the Mask,
painting hair inside the Mask, we painted a little bit on the background as well and
the background has pink. So how do we take care of that? No issues. We just need to create a layer on top of it. And now when we take a brush, whatever we
do, whatever we paint will be painted all over, right? What if you want to limit it just to the subject? Simple, create a Clipping Mask. So hold the Alt or Option, click on the line
between these two, see this arrow right there, it means that it is now a Clipping Mask. Now, you can just take a sample of this color
and paint in. Take a sample and just paint over those areas
which are pink. Take a sample and paint, take a sample and
just dab. You can actually decrease the Flow so that
it doesn't make it absolutely flat. Now, let's paint over these areas as well. Now, if you just want to change the colors
and maintain the texture, you can create one more and clip that as well by holding the
Alt key or the Option key, click on the line between these two and change the Blend Mode
to Color. That way you only change the color, so you
don't have to worry about it making it flat. See, we are taking away those pink areas,
and there we have it. Let's look at all over the place. Yeah, it's fine. Have a look at the Mask. Tell me this is not an awesome Mask. Look at this, the hair is so nicely selected. And let me show you the original image. So, this is the original image and see how
busy the background was. It was actually impossible to select it but
if you give it some time, if you paint your own hair, and if you have some patience, well,
you can actually do it pretty easily. Now you can change the background to anything
you want maybe a solid colour or another image, your choice. So, that's how to mask hair from an extremely
busy background. All you need to remember are the five simple
steps. Step number 1 - Using the pen tool, make a
selection, make a starting selection, and on the hard edges stay on the edge, and when
it comes to hair, stay a little inside. Step number 2 - Create Hair Brushes based
on the hair. Create a single hair brush, create one which
is close together, create one which is further apart. So three brushes are more than enough. If you want to create more you can and to
customize the brush with multiple hair, you can always change the angle. Step number 3 is Refining the hair in the
Mask. So using the brushes that you created, go
to the Mask and just paint back in the hair with white. Step number 4 is Blurring the hair in the
Mask according to the depth of field. Now, you might not need to do this step if
everything is in focus with your image, but if it has a shallow depth of field, if some
parts of the hair are out of focus, you might have to blur it out inside the Mask with the
help of the Blur tool. The last step and the most magical one, step
number 5 is Painting additional hair. So using, again, those three brushes, usually
the single one the most, the single hair one, just paint hair. Now, you can create different hair layers
if you want to, you can just organize them if you want to. And if there's a need, you might have to blur
out certain areas based on depth of field. So that's all for this video. I hope this tutorial helped you and if it
did, make sure to give us a like and also don't forget to subscribe and not just subscribe,
ring the bell so that you, my friend, don't miss any other future tip, trick or tutorial. I would like to take this moment to thank
all these nice and amazing people for supporting this channel on Patreon and helping keep PiXimperfect
free for everybody forever. Thanks a lot for all your support. Thank you for watching. I'll see you guys my next one till then stay
tuned and make sure that you keep creating. Transcribed by https://otter.ai
