Checking Out MORE of My Guitars w/ Dave

hey everybody i'm rick piatto dave honorado so today we're going to continue to talk about some of the other guitars that i play that you've seen me play in my videos and dave's going to since he's set all of them up and taking care of them over the years he's going to tell what he's going to actually explain to me what he did to them yes i'm going to tell him what he owns so this particular guitar this black it's actually it's actually a classic a 1960 classic even though it says standard on it yeah this is a guitar i've had for a long time i don't know uh maybe early 2000s yeah i was gonna say because it's um it's a 90 2005. yeah so i've had so i had a um i used to have a black standard then i got this classic here i use this forever on many many records and everything and eventually the frets wore out on it and dave refretted it so let's once you take it from there dave and talk about the pickups and things like that yeah yeah yeah yeah because we always change everything on all these things well and this you know this one came with the i forgot what was a 49 or 4 98 model ceramic humbucker so they were hot anyways but um so which are actually good pickups from they have good mids for metal and stuff like that if you want yeah i output pickups but yeah yeah yeah um basically as rick said he wore the frets out of it um so wait oh hold on i gotta tell this story so i give dave the guitar for some other thing to take care of and then it comes back and he changed the pickups out well and he's like you always bring this story up but i was laughing because it's um the original pickups were fine but they were just kind of anemic sounding to me i remember cranking the guitar up after i'd done the work on it i'm like this could target sound better you know and so i just was like all right well screw it i got some pictures you just changed them out yeah i had i didn't say anything i don't even know if i noticed the first time i played i was like man's guitar sounds great yeah you did it's so funny the best part they went from black to being double cream color and he didn't even know i didn't know this [Laughter] so i remember that that was i don't know what she did but but the guitar sounds great yeah i've changed the pickups i remember it because and he was like man these sound great i'm like they should they're new pickups anyways but so um so yeah so i refredded it with um 6100 fret wire which is like the big tall fret wire um and i put a set of grovers on it for him uh because he did a long time ago though yeah this was this was actually the first thing i did was i did the grover's first um put a real bone nut on it refretted it uh put um some mci um sort of medium hot pafs basically um this one's like an eight four k this was like seven seven um replace the vine pots with better pots had some match cts um put orange bubble uh the bumble bee caps in this one sorry talk about the ugly fred markers ugly fret markers why do they turn green dave well they don't turn green they actually made these that color so um in the early 2000s you know that people have say in the comments they want you to change them out some people hate them some people like them i to me on a black guitar it doesn't it doesn't bother me that's why i've never done anything about it right and i noticed that and i never noticed this until i started making videos on youtube and people like what's up with the guitars get really ugly fret markers well and you know it i don't know i mean i think they look really cool you know they do and it kind of gives it its own look and but anyways but so i remember when i was rewriting it there was a bunch of comments oh make sure you get rick to replace those inlays when you reprint the guitar is that even a thing to even replace it you can it's it's i mean you know i guess if you really wanted to i could've but i don't know it was fine so i would like leave good enough alone um the one thing that did change this guitar quite a bit was uh the all the cream parts i kind of went uh this is this is my my little inside thing for this guitar was i wanted to kind of make it look like al d'amiola's um guitar on an elegant gypsy because he had the black custom with all the cream parts and they really had the same thing in the 70s i just like that one okay so talk about the talk about the tone turn on the guitar for a minute here today talk about the the what kind of what some of the things that you you that you did on that um well the pickups um i didn't want to go super hot with them i just want him kind of medium range because he's got so many amps that have a lot of gain in them and we got he's got enough pedals you know for days to to boost anything so i just wanted as the stock kind of sound just to be a really good tight uh les paul [Music] then you clean it up so recording wise you can get a lot out of just that one pickup and then in the middle it's just wired uh normal i didn't wire it out of phase so it's like so it gets kind of that funky thing and then you can back out of the neck pick up and get like more of a kind of rock that's nice too right right yeah the single line stuff on this guitar is great because you can like [Music] so it has a lot of tones just right there you don't have to really do a whole lot and then the neck pickup is classic like 59. [Music] so it does all the right so those are definitely not eights on there though are they i think there's another one these are nines on this one yeah uh we have done eights on this but it was a little too slinky yeah so i played this guitar on on on many many records and stuff that was that was an old standard and everything although i haven't played it that much on my channel lately one of the reasons was dave had it for so long oh i'm almost done with it and i'm just kidding yeah okay so let's talk about this dave so this is my telly that that you actually don't see that often yeah but this guitar is actually the one i played most on records i would say i love this telly yeah dave this is one of the oldest guitars you have yes this guitar i've had in my old man billionaire yeah i didn't really play it much i played i was a les paul guy but i would use it in the studio all the time yeah yeah yeah and this has had the least amount of work done on it yeah the only thing i've done stuff i've reef planed it and re-crowned it a few times uh did the nut on it just cleaned it up and rounded it and made it really kind of where it's not catching or anything other than that it is bone stock um to me it's one of my most beautiful guitars i think and i can't remember oh no there's one thing you did on this i i dropped it and i got a cut in the neck in the back of the neck yes that you fixed i did the chips yeah and it's like i can't even find it now because i did such a great job oh yeah it was up in here yes there it is there it is yeah and um i drop filled some lacquer into it yeah i said dave i i dropped my guitar or something fell on it and chipped it and it's really notice it on the back of the neck can you fix this he's like yeah no problem and i can't even find it and this one's a 96 totally stock uh you know i mean just right off the wall yeah i mean you bought this brand new or did you buy use i can't remember i can't remember i have no idea actually uh but either way it's just straight up long time ago nothing changed electronics are totally stock [Music] [Applause] typical telly but a great one i remember using this on a crowfield record right and um i remember we had a couple of strats which you don't have anymore but i remember we're trying to get uh we're kind of going for like a stacks mg look brickety and mg kind of thing we use the magnatone amp on that i think yes use the magnitude like a 50s magnetometer even though i have the reissue which are great yeah yeah no you had the real one and um i remember going through a bunch of strats going like man none of these sound right and um i was like man let me try the tally with the neck position and this this actually sounded better than the strats so i remember going like wow that's actually got a really good neck pick up yeah so um which typically these are not maybe the greatest but uh this one's got this is this is a great guitar really cool [Music] this has that kind of it's almost a strap but it's not you know [Music] everybody thinks i'm a gibson guy but i've always owned fenders too so yeah no man this is i mean you've got a lot of fenders though i have a lot of fenders i do i'm serious so yeah it's a great guitar man just you know this is just one of those things like every once in a while you get one right off the rack and it's great and we love that [Laughter] okay so the next two guitars this is my dan electro from what year dave uh that's like mid-90s and like 94.95 i've had this this is one of my oldest guitars that i have uh people that see me playing instagram if you don't follow me on instagram follow me at reekbeard01 [Music] has a beautiful clean tone to it [Music] uh that i use for playing jazz and it's just anytime i want a good clean sound [Music] anytime i want to get a play any type of complex chords with any real distances in them i use them because the lipstick pickups just sound great with that yeah they're real low output and the definition is really good in them and um they have their own thing it's like you know they're not you know they kind of sound like sort of offender but they kind of don't right so they have their own thing i i love them for um open tuning stuff too they sound really good [Music] yeah it's um i'll play with distortion two but i just and this guitar is totally stocked nothing's been done in this guitar now it doesn't have a truss rod in it right so anytime dave has to do yeah fix it and he's gonna take the guitar neck off well it's it's kind of right yeah i mean it's kind of like you really can't do anything as far as adjustment as far as the back so it's all at the bridge um and i mean the action on this one it isn't super super low it's got some no this is actually really i'm struggling to play this i think it needs to be adjusted actually now probably but i can't adjust it no um but the bridge uh you can't adjust obviously the bridge saddles but the neck it doesn't have a truss rod it just has a metal rod but it's not adjustable later on in the late 90s early 2000s they put a adjustable truss rod in them and the new ones have adjustable truss rods so um but it's all stuck i mean it's just a decatur new was like 2.99 it was super inexpensive masonite body you know um i don't even know if i paid to it i think i paid like 150 bucks for it then boy that was something money nothing [Music] yeah it's a great guitar they're fun i think everybody should have a dana in their arsenal honestly so okay this is my gibson red special i guess you'd call it but it's a uh um it's a stock yes a 1963 i think uh reissue 6263 sg special with the with p90s on it i love the guitar wrap around tail piece um completely stock haven't done anything to this one um and they gibson really nailed this guitar as far as being accurate i've owned a lot originals of these neck is definitely right on as far as the 1 11 16 width um and it's great the right i always love the wrap around tail pieces personally i think they sound the best of of the bridge combinations but um and it just does the p90 thing great [Applause] [Music] that's great because [Music] [Applause] and yet again this one cleans up really well when you back it off yeah [Music] if you're in the market for a gibson i would this is one that i really you know recommend this is you know they're super lightweight um and like i said as far as um being accurate to the original guitar this is pretty dead-on i mean they're really getting them good now so um i'd say in the last two or three years uh they've come even further than they were so um and this is all solid mahogany one piece neck one piece body and um and for what they are you can pretty much god i mean cover so much ground that's really versatile it plays really in tune yeah it has see to me it has a little bit wider neck than normal than than uh maybe it's just the sg's that have a wider neck than this series one does yeah this is the 62 neck yes and it's it's uh it's great for playing more complex chords and things like that and uh it really tunes well yeah and this is i mean you know there's a reason wyoming and uh towns and used these for so many years among many others so um yeah i highly recommend these guitars they're great okay up next we got my 335 here and the key my kesel dave let's talk about the kiesel first um yeah this was um one that uh i remember i think you went to a namm and and saw one of these and and and uh i love painted guitars everybody's like oh you know uh we have you know everybody's talking about the tops on guitars and everything so no i i like painted guitars yeah yeah yeah and this is uh this is a great guitar this is um i for the life of me i can't remember the model name of this guitar it sounds great sorry i love i love the uh i love the pickups on this guitar yeah and it plays really well yeah the pickups are great they um they're just the stock paf kesel pafs uh not super high output kind of medium um and the one thing i i do love about the case of stuff and the earlier carving stuff which they started we've always been a fan of the car yeah their fretwork is great they always play really well i mean this guitar um set up to be i mean literally action is like on the fingerboard of this guitar you really couldn't get any lower yeah he does have eights on this guitar we originally had tens and then we we went to the eights um locking gears and just a real straight ahead guitar nothing necessarily fancy um but it does everything really well no those stainless steel there's nickel frets right uh these are stainless stainless okay yeah the keys does the stainless yeah um a graphite nut and then the tremolo which you don't have a lot of tremolos on your guitars this is typically like one of this in the prs stuff yeah so when i need a tremolo on a video this is that's one of the ones that i will that i will uh that i will play this is a great great sounding guitar i mean [Music] [Applause] let loose on me a little bit um and it's i think i like it but they really clean up well [Music] that sounds great real strategy when it's something yeah it's full humbucker i don't have it it's amazing it really i don't have it there's a cool tap in it but i'm not using the cold tabs why is that why why does it sound like that dude is it the position of the pickup um well it's just the way it's wound for one and how they this i think this is their standard paf so it's just very straight ahead yeah um i like it in the neck position a lot because it is straight it's very different than any of my humbuckers yeah it really does like you can tap it it definitely has some it's a strat i mean it's really strapped yeah you know but it plays like a gibson which is cool yeah with that style guitar [Music] so it's cooled in there's a push-pull coil tap on the tone coolant really get a lot of varied sounds super versatile and um if you have if you don't know about the kiesel stuff i highly recommend them check them out they're really great company and um really make great stuff okay so yeah this is um what what year reissue is this dave this one is like uh 2019. but it's but it's a uh what is it um 2018. what is the uh what is it this is a 59.net reissue um what's the finish though the finish is kind of cool this is actually argentine gray that's what yeah and it's um it's basically just devoid of red in the burst but it kind of gives it a gray look to it a little bit in some lights and this was an original color that gibson made in late uh like mid 59 to like 60 61. they're extremely rare original you know there's like i would say probably maybe 20 or 30 of the originals in that color they're super rare um but the cool thing about this was when he got this guitar he didn't know it was that color when he opened the guitar the case up i looked out and goes like man that looks like argentine gray and i'm like look i'm like it is argentine gray and then we looked it up and they're like no it is arts degree so i was like wow i didn't even know they were reissuing the color actually so i don't know if this was a one-off or one they did in a small series or whatnot but uh great guitar really cool this is for him this is surprising this guy this has a ball bat neck on it this is total fifty i'm always one that says i don't like these baseball bat necks on it but that's actually not true it all depends on how they play because my gold top 56 gold top plays amazingly well and that's got a baseball bat that's true that's a total louisville slugger you know you've got a couple so i got to give you that man so um but no this and this one's totally stock haven't done anything to it uh it's got um burst bucker pickups in it i did pop in the look to see those are burst bumper two and three um the rest of it i like the burst bikers on that yeah yeah this is i mean totally does all the the 335 stuff as you'd expect [Music] really responsive too like you can just you can really feel it ring it's a great it's a great guitar [Music] totally bb king and all that stuff thing i like about these two is um i've owned a lot of original uh 50s and 60s 335s and here again like his sg they really got right it feels like a real one it looks really really close um you know they just did it right and this one does have the weather checking and relic work which a lot of his guitars didn't have so it's kind of you only have a couple i think like i do yeah i'm not i'm not one into you know i mean i it's not not that i mind them most of my guitars look like they relict i've done done right exactly i've done myself right right yeah so this one but this i like this one because it's realistic wear it doesn't look like somebody purposely took a file to it and just like made it you know really beat up but um great guitar and i hear it again i totally would suggest one of these if you were looking for a really good 335 the other ones are really really decent and um it's a great axe and i really love like i said i really like because this finish was really kind of an oddball finish for this it's um unfortunately the camera it's not quite as gray but if you see it in person here it looks a little more gray but i'll color grade it after yeah totally okay next we have my univox high flyer this is a mid 70s i'd say what is it 77 55. now these are secret weapon guitars i to me the uh the pickups on here sound phenomenal especially for heavy music and [Music] incredible clarity i mean that is just so it rings acoustically amazingly well any type of chord voicing to you that you play on are just [Music] [Applause] [Music] just love this guitar it's a great guitar you mix with another guitar in the mix it really it really helps um and the wrap around tailpiece gives it a lot of more sustain the bodies are actually plywood so it's not it's not like a you know some fabulous wood it's plywood this is something that that uh you can find them pretty easily yeah they're around um obviously cocaine boosted the popularity of them quite a bit because he had one for a while yeah but they aren't great guitars if you can find one they're not super expensive i mean i think they're typically under a thousand dollars for something even less you know if you can find one but um yeah i i really like this guitar i haven't used it much but uh in videos but i'm going to start using it some more no it's a great axe and they're uh like you said they're a sleeper you know that's one of those guitars most people just pass over but it's a great guitar okay so next we have this one is the 1990 uh white basketball custom yup and i looked for a long time for a white custom i got one a 74 and it came in the neck the headstock was broken off yeah ups unfortunately broke the headstock i think that honestly the guy that sold it to me it was broken anyways oh i don't know so i looked around for a long time dave explain about the about the customs and and the years that gibson went to the maple necks and things like that yeah and there's nothing wrong with maple necks no no no not all um originally uh he wanted the the edge guitar kind of the early in the rainy roads model you know which is the early 70s mid 70s like 73-74 mahogany neck originally um so uh unfortunately we got one but they had broken that one so we're looking for a really good white one and um i suggested that i wanted really wanted it to have this specific age look like this yeah sort of the half cream yes not stark white but you know yeah um so i i said well you can find we kept finding maple neck once but i kept saying well the maple net one really isn't totally the one you probably want because the maple neck does affect the sound quite a bit um so i said from 82 like early mid 82 to like up till now they they went back to mahogany so um i said you know find it find a good late 80s it was hard honestly it was it was really hard i sent dave so many reverb listings and stuff it was hard to find one that was in good shape and that and that was the right color yeah most of the time you find that they're either broke or they're really modified or they're played to death like all the you know all the cream is or they're in japan now why is i said to dave why are there so many white gibson customs last ball customs in japan why is that dave well a few reasons i mean they're uh they always i mean originally the 70s ones all went over there a lot of them early on before and actually before they even got a high in the market here they went to japan so they they're buying them up and all the nice ones a lot of nice ones went overseas uh and i know i've sold a few myself overseas to them um but uh i think the other reason also uh obviously the randy rhodes connection they were huge right in japan that's right and so everybody wanted a white custom um [Music] and they are hard to find in good shape i mean they are as he said i mean they're tough so um so he ran across this one i think on reverb yeah and um it's a nineteen lucky yeah it's a 1990 he sent me pics of it i said well basically it's all original um and it's clean it's not broke has original frets even um and the early i like the like 90 to 93 or four the neck shape uh i really like them they're kind of medium thin they're not too bulbat yeah feeling um and the frets are a little bit bigger than the 70s the 70s had their little tiny fret wire which some of them did yeah yeah they had really small the fretless wonders um which isn't good for bending typically so um so the 80s and 90s guitars had the bigger frets so this one has the regular bigger front wire this one has a stock uh you know pickups so nothing it's 498 and you know pickups um and everything in here stock um and it's a nice weight actually most of the 70s ones were like 10 pounds or more right so they're super heavy this one actually i would say is probably like a nine pound eight and a half nine pound which is is just about right for a custom um and uh it's all there i mean yes and nothing's been done to it um the knobs were changed but that's the only thing that started and they there's it had had really no fret wear or anything on it when i got it so this was tough it's hard to find a guitar that's 30 years old that doesn't have any fret wear yeah or broken and that does never broken headstock yeah yeah so it's you know and that's the right color and how long does it take typically to age to get that cream color dave um well these were really white new so i would say you know about it depends on where they're played if they're playing like smoky bars they turn quicker because of nicotine but um so a lot of the ones that were like really mint models are really bright um this one's kind of in the middle you can tell this one was played but it wasn't abused so uh yeah i don't know probably five to ten years to get this this patina on it and it's cool because the binding matches it too that's like like when you see the new ones the bindings always start white that's right and then the body's cream and it looks a little strange now i'm not one to be to worry about these things about how they look but honestly since i make youtube videos yeah uh and you just become hyper aware of the color of things and the combinations that wear a lot of black shirts so white a cream guitar looks good yeah it does man you're really sure i mean i have other obviously i have other les pauls but but if i'm gonna have a les ball custom it's my only custom i wanted a white custom because i played one in high school yeah and the cool thing i like about these two the 90 ones they have a good dish top on them you can kind of see it's a more exaggerated like 50 style dish which is cool the 70s were real flat yes so this has got more of a neck angle to it and actions really well and it's a great guitar i mean it's typical custom it just does its thing [Music] [Music] i don't know these pickups are quite as high as some of my other guitars though they're not they're in fact they're uh this is probably like yeah the least probably the least gaining any uh pickups that i have and um i'm trying to remember but great for recording having these having the pickups that are actually not as hot because you can let the amp do the work yeah and then plus with the um ebony fingerboard these have a tendency to at least when you record they're a little brighter yeah sounding so um but it's a great great guitar and um very you know obviously iconic it's a great the white is so cool can't go wrong yeah okay next we have my lake placid uh blue esquire single pickup is telecaster but with one pickup so it's an esquire yeah this actually has a baseball bat neck on it but it plays great i do have a couple of baseball bat neck teles i have another one that's uh one with a humbucker that's a 70s it's a japanese one but yeah but this is a really great playing guitar i've got nines on this once again you guys know that i like blue guitars this is a little bit different than my signature that's it's not quite like what a pelham blue guitar would be but this is a it's close it's close it's a very light guitar i'm not sure what the body's made out of this one is a pine body so it's um super light um the neck is a 51d style um broadcaster uh tele style neck early fifties uh seven and a quarter radius normal fret wire uh the electronics are just a basic 51s 52 esquire setup uh so it's got the buffered control up top since it doesn't have a neck pickup it's got a big cap in there and it makes it sound real dark cool guitar really you know they're esquires it's like it's like having a junior it's the same thing initial it's it's cheesy i mean i like juniors i like specials i like esquires yeah so that one's that's a cool ax now this is my jazzmasters custom shop okay yeah so this one is a 66 uh ice blue metallic custom shop fender custom shop jazz master uh blocks binding um and set up just as a normal jazz master would be um great guitar these are phenomenal i've had a bunch of vintage ones of these that i love and these are another sleeper guitar for recording well this is like shoe gazer guitar you know when i interview adam franklin from swerve driver he's always played a jazz master yeah you can't really play shoegaze music unless you have a jazz master you're inside whatever i mean you gotta yes you know you have to have the weird looking pickups these offset guitars are the way to go yeah and these are uh these are basically you know big single calls that's what they are so um and this guitar is funny enough it was called the jazz master because fender they were people to play j jazz on them yeah leo was like i needed jazz guitars but they're way better as rockets yeah right totally you know so but uh but yeah [Music] [Applause] [Music] [Applause] [Music] it just really cuts through a mix yeah they've got that real sparkly kind of high-end thing and real jangly of course you can clean them up and they're very cool and they look great i mean that's just a great looking guitar man it looks like it's doing 50 miles an hour and it's standing still so um actually and you don't have a jaguar do you i do not okay yeah so that'll be the next one [Laughter] okay lastly something i don't talk about that much on on my channel although i've used bass on on many videos are my bases i have four basses that i typically use i have an ernie ball over there five string i have a rickenbacker and then i have these two fender basses is my fender jazz and my fender p bass this bass i've had for years and years i'm not sure what year this is dave dean uh that is a 2004. 2004. i have had this through a lot of my producing career it plays incredibly well dave has set it up a thousand times yep that neck likes to move on that one it does it really does i had the pickups changed out one time and then i think we changed them back yeah i can't remember why or what you had you had put emgs in it no no i didn't have emgs no i had some other type of pickup but it was not emgs but i didn't like the sound of them okay you did have a jazz bass with the mg's at one point yeah long time ago yeah i just love jazz necks they're they're just they fit my hand really well easy to play down on low register they're so thin down here yeah this base is a baseball bat has a baseball bat next this is what what is this one dave this is a 2019 reissue lake placid blue um and it's a standard p-bass neck but it's much wider and and fatter than the jazz bass neck that's what he's talking about yeah this one i did do some work too i remember um i did a lot of network on this and this is another neck that likes to move a lot during the season so every like six months yeah this really i've had a lot of adjustments on both both these bases yeah i've had to have adjusted but i mean there's a lot i think there's probably one more tension on basically that yeah totally and um and you you actually have some heavy duty strings on this these are like 110s yeah because you tuned down a lot with these so they you know you use the heavier string so they don't get too floppy which is funny that i use the eights on the guitar nice heavier gauge on the base right not sure how that works but i think these are i think there's a hundred on this one though i think yeah that's annoying this one's got the 110 and it's i can feel it it's really stuck yeah it's that's uh those are some serious cables on there yeah and this is a great i mean it's a great sounding bass it's nice and light um and like i said of course the light past the blue that's the rick biato approved blue so i like i like blue yeah but you know what i i do i'm a massive fan of jazz basses that i have uh um that are sunburst i like strats that are sunbursts like this too yeah yeah um yeah i always did i think it's really cool on this base and uh uh it's classic man it is classic yeah it's classic and i think um as far as i remember um yeah these are both stock except for the yeah we did the pickup thing swap one time on that um but everything else was totally totally straight i mean i've thought about changing the bridge and getting maybe a a badass bridge on it yeah but they sound fine i mean i they both ring really well and it was like they tuned fun so you know yeah mess with them don't don't mess with it yeah don't give dave more work to do it's not even that it's just i don't think it would improve it in fact the badass sometimes even is more dead than the original base the original bridge you know so that's the thing with dave is if something if something doesn't need to be done he won't do it right yeah i mean even even i've talked him out of doing things you know so he was like well maybe i should you know put this and that or this i'm like why this sounds so good you're like yeah you're right or you don't need that well you don't yeah i mean i'll just because like some other some guitar or something yeah you don't need that well i always tell you whether it's him or other friends of mine or anybody that i work for you know i'll be the first one to say it's like you know i've spent and wasted so much money on so many upgrades for so many things some of them are great some of them aren't so if they didn't work i'll i'll just tell them they'll say hey i didn't have good luck with it and you know one of the things though that i want to stress with this video and the last one that we did is that and i'm not saying this to justify having all these instruments but they really are very different if you think i even take my four bases a jazz bass a p bass a rick and a five string or any ball i mean those could not be any more different in tone yeah and and the purp the purpose of using them are so different yeah rick has a very very unique sound my ernie ball with the active pickups on it and it's a five string yeah you know so there's nothing alike and really most of these guitars maybe with the exception of my gibson my les paul's although the les pauls are pretty different because the custom as you guys saw has the pickups are are very different than that yeah you know you have maybe one or two guitars that are kind of this similar type thing but uh no you bought all of these guitars as from a producer standpoint of going i need something different and it was so and anytime we he would ever call me or whatever say hey i'm looking for this it was always like yeah i can understand why because it's so you don't have that and anything i've bought for my channel like i bought this for a particular video that had to have a p bass and i just didn't i don't know why i had a p bass before i got rid of it there was something wrong that i just didn't like about that yeah my neck went bad i got rid of it yeah so i bought this one in particular for that and that's why i bought the blue because it looks good on camera but um everything has a reason or at least i'm trying to justify it anyways leave your thoughts in the comments tell us what guitars you have that are are repeats that you can get rid of i'm always curious about that if you have things that are that you just keep around and you really don't know why yeah i i love reading those kind of those kind of stories i love them one i had a friend of mine said uh i've had my first guitar which is the biggest piece of junk and won't play but it's the only one i've never sold and he still has i'm like yeah i understand i got one too like that so there you go yeah all right thanks for watching thanks

Channel: Rick Beato 2

Views: 108,040

Keywords: rick beato, rock music, les paul, gibson les paul, rhett shull, truss rod, guitar setup, guitar maintenance, les paul guitar, les paul vs stratocaster, guitar repair, guitar buying guide, guitar buying, guitar buying tips, guitar collection, guitar collections of the famous, guitar collection 2021, rick beato guitar lesson, rick beato guitar solos

Id: K0iLysTGxic

Length: 37min 38sec (2258 seconds)

Published: Tue Sep 14 2021