Hello, my name is Rikard,
and in this tutorial I'm going to show you how to recreate this
Red Riding Hood image using Adobe Firefly and Photoshop. Firefly is Adobe's new AI image generator
and it's currently in beta. At the beginning of that tutorial
I do show you how to request access. However,
to get the most out of this tutorial you should already have access to it. You could also use one of the other
AI image generators such as mid journey or stable diffusion
for the first steps. However, this tutorial is specifically
on Adobe Firefly. I do introduce the user interface. How do you use it? What are some tips and tricks
to get the best results out of it? And then how you can take that result? And with Photoshop, clean it up,
kind of show you the workflow of AI image generator
through Photoshop to a final image. So if you do want to follow along,
I have included a link in the description with all the images that I use,
including the image generator outputs. So if you want to skip all the AI part
and just do the Photoshop part, you can do that as well. Go ahead, download all that
and then let's dive into Firefly. Okay, So to access Adobe Firefly, you're going to go to Firefly Dot
Adobe dot com. Now when you go there,
you're going to see a screen like this and here you can
if you scroll down, you can see the three API modules
that are currently in beta being tested. And then if we go down here, scroll down, you can see other ones
that are in here in exploration, meaning these are ones
that Adobe is working on now. They don't exist yet, but in the future
they plan on adding these both to the beta and then in the future into the Adobe
suite of programs. So to request access,
what you're going to do is click on this button right up here,
request access, and then you're going to put in your information,
answer these questions, and then go ahead and apply
to become part of the beta. I applied about four weeks ago and I was let in last week. So if I sign in here, I'm going to have access and let's go ahead and sign in. Okay? Okay. So we're now logged in
and now I have access to these. I can click here to generate and the one
I want to cover today is text to image. Text to image allows you to generate image from a text description. So in order to start,
what we're going to do is either click on the generate
or just click anywhere in this window. And here it's
going to give you some instructions about the beta, what you can expect. Basically, it's welcome message,
what data it's using, what kind of feedback
it wants from you as a beta tester, some user guidelines to follow
and then some limitations. Now it's important
to read these limitations. Let's quickly go over them. So Firefly does not support,
upload or export of video content. Firefly cannot editor iterate on your own artwork
at this time. So this is really important to know
and is one of the big limitations with. I as it exists today. Whether it's Mid Journey,
Firefly or Dally or any of the other AI generative programs
is that they don't iterate or edit your own artwork. The reason for that is Firefly
has been developed using content available for commercial use,
including content from Adobe Stock. Now there is a whole argument
about the ethics of a AI and you know, it's sampling artwork from people who haven't consented
to have their artwork sampled. But in the grand scheme of things, it's
really no different than us humans looking at
and being inspired by other artworks. At the end of the day, the AI general
models are going to get smart enough and have enough inputs to be able
to pretty much recreate any artwork. So Adobe is taking some measures
to make sure that, you know, they aren't there aren't going to be copyright issues with AI in terms of creating an image
that's too similar to others. Now, how they do that, I have no idea. But it's something that you do need
to consider when you're working with a AI is understand
that there are ethical implications. And then right now
Firefly is not for commercial use. It's only for noncommercial use while it is in beta. Now what that means is
you cannot use the artwork for advertising or doing something where you're selling
or creating packaging or what have you. You obviously campus the images to social media
or you use them for training purposes. Okay? So having done all of that,
we're now going to be and you're what? We just went through that little
welcome screen that's not going to appear
the next time you log in. It'll only appear the first time. Okay. So down here we have our input field. This is where
we're going to put in our prompt to start the generative
AI model, working on creating an image. Now, the other way you can do
this is you can also scroll through the sample images
and use these as a starting point. That's actually what I'm going to do. I'm going to scroll through these until I find an image
I kind of like as a starting point. And for this, we're going to do a little bit of exploration
on kind of a landscape image. So I'm going to scroll through here. I kind of like this one. I like this one. Now, all of these we can
just try the prompt, but let's scroll through and see if we can find one
that's a little bit more. So something like this. But maybe with a little something
a little more fantastical. I kind of like those, and I really like this one. Maybe this one. And you'll see when you scroll over these
the prompt that was use a stream of consciousness
in a vast landscape. You can kind of see where A.I. does well and where it doesn't it
it is rather hit or miss. I've found in terms
of understanding your instructions. So you have to work with that
for quite a while and try different prompts to get it to basically
get the result that you're looking for. Now, as I'm scrolling up
here, we're starting to see repeat images, which means we're probably
getting kind of close to the end of the images
that are currently in the gallery. I'm going to go ahead and choose this one,
which is a modern house sitting on an island and a pond surrounded by mountains,
and then come a concept art. So let's go ahead and try a prompt. You'll notice that the concept art at
the end was moved down here to a tag. So this is the basic interface for Adobe
Firefly. Down here is where you're going
to create your prompt. And then here they're always going to show
four options for that prompt. So this gives you kind of a way to iterate
on the prompt. For example, if I really like this one,
you can you rate the result. You can also download here and then here
you can submit to the Firefly Gallery uses a reference image which will cover
a bit later or copy to the clipboard. That's
if you want to paste it somewhere else. So if I were working in Photoshop,
I could go here, copy to the clipboard, and then go into Facebook and then in Facebook
I could go ahead and paste it. Right. So and when you paste it, you'll notice
that this has been added automatically. That is the basically the little signal
that this is from the beta. It was created by Adobe Firefly
and it's not for commercial use. If you want to stay within the Firefly
beta, I would suggest not erasing that or removing it from any artwork
that has been created by Adobe Firefly until it's out of beta. Okay, so that's what those commands are. On the left here you have similar results. What this does is if you click it,
it'll regenerate at the other three using this as kind of a reference. So the other three will be a little bit
closer to that. In terms of the artwork. And then down here you have the rating. So whether you like or dislike the result
and then here if you want to report it to the beta team in terms of
maybe it didn't match a prompt or it did something that was offensive, whatever it is,
that's where you're going to report it. Okay,
So those are your basic options here. Now, let's look at the right side here
where we have a few more options. So the first one is the aspect ratio. Here you can change whether you wanted
landscape portrait square and wide screen. Now these are pretty common formats across social media outlets,
which is probably why these were chosen. The landscape and the portrait correspond with the landscape in portrait image sizes
that you find on Facebook and Instagram. And then obviously Square is a very common
Instagram format. And then finally, widescreen 16 by nine. That's the standard movie size
or format for widescreen. And it's what
a lot of monitors are set to. So when I create artwork,
that's usually what I'm going to be using. So let's
go ahead and switch it to 16 by nine and let's see what kind of results we get. Now, I have noticed that
rather than just expanding the same image, it'll actually regenerate all of them
when you change the aspect ratio. So that's something to consider. If you really like one of the outputs, don't change your aspect ratio before saving it
because you'll lose that output. All right. Next we have content type
and for all the ones here, content type, styles, color and tone. When you add these, what it's going to do is it's going to add a tag here. And that tag will influence
how the AI generates your model. So on some images, I found that changing
these has a very drastic result, while on others
the result is rather subtle and in some cases
you actually won't even see a difference. For example,
for this image because of the landscape, there is no people in it. Generally,
these content types are not going to have a huge influence on the artwork. So just so that you can see
what I'm going to do here is I'm going to change the content type
from none to graphic and just take a look at the difference
that it makes. So slightly less details, a little more flatness in the background, but beyond that,
not significantly different. Different in style. What if we change this,
get rid of the graphic and add photo and then we'll do the same thing. Finally, with art. So there you can see the effect that these have on this image. They're rather subtle. So that's just something to consider
when you're working with these tags. Now, on the next one after content type is
we have styles and again, this allows you to influence the way the generative AI model works. You can also, by the way, type these. So for example,
if I went here and typed in digital art and head generate,
what it's going to do is it's going to move that down here
and add it to my styles and you'll see that this is checkmark here so you don't actually have to go in here,
but this gives you a reference to what are the different styles that the AI will understand in your prompts
and also sometimes is an easier way
to explore different options. Some of the styles
that I really like are steampunk, and that works well with kind of any image
that features a person. The other one I really like is fantasy. Oftentimes
that'll give you some really nice results. And you can see here with adding that fantasy,
we have, you know, some outgrowth
growing on top of the building. It added that it kind of made
this more built into the scenery. So little changes like that
are really nice to take a look at. The other one that I really like is
if you scroll all the way down to Effects and turn on this bio luminescent, that usually gives the artwork
some cool lighting effects. Just something that you usually find
in digital art that makes it look really cool and it's something
that's pretty easy to add here. You can see now
the inside lights are more glowing, kind of shining,
more light into the scene. All right. And materials here you can influence. Now, I have noticed on something like this the kind of influence
that it has on the scene really is hit or miss. So, for example, here,
if I turn on layered paper and hit generate, it doesn't actually create
an effect that looks like layered paper. It just makes my shadows stronger and kind of gives a weird pattern effect to some of my shading
and also some of the background elements. So that's something to consider. All right, next, let's go ahead. I'm going to delete some of these. I'm going to get rid of the art. I'm going to keep come digital art,
fantasy and bioluminescence. And then let's start playing
with the prompt itself. So this is where you're going to have the largest effect
on the image that you're creating. So here a modern house
is obviously creating this very cubic house with a lot of glass. What if we change this to an old house and then hit generate? Let's see what we get. So immediately, a very cool look and very different from the last pieces
of art that we were getting. What if we go in here
and let's change this from surrounded by mountains to surrounded by alien desert? And you'll notice now that in addition to the background
being changed, it is also made some serious changes
to the building itself. So this is one thing
whether you kind of have to get used to the way the air works, it doesn't think in the same way
a human does. If I had just changed this
and told you, Hey, instead of having it
in a mountain setting, put it in, put it in a desert setting,
you probably wouldn't have changed the entire structure of the building
or anything like that. You would have changed the background. So these are the things where the way us humans think and the way
the eye thinks is quite different. And you have to kind of think with
or learn that and kind of learn
the limitation of AI and intentionality. You could almost imagine yourself
as being an art director for a really stupid
but very talented designer, and you kind of have to learn
how you can art direct this designer
to get the results that you want. Okay, so let's go ahead here. I'm going to change this back
to mountains. I think that was giving me a nicer look. And you'll notice that it went right back to my previous response. It actually didn't regenerate this. Okay. So I'm going to change this to Lake
and let's see how much that changes
the actual image. Now, in theory, the image, the images that I had had already
generated were showing a lake. So I'm interested to see what lake,
as a word, changes in the eyes mind. You'll notice
that it just seemed to more influence the size of our background
more than anything else. That's something interesting to note. I really like this one. Let's go ahead
and make some similar ones to that, see if we get any other cool results. So some interesting results. None of them really that
I like better than this. I'm going to go ahead
and in my tags I'm going to add hyper realistic,
see if we get better results from that. I'm also going to go to Effects
and turn off the bioluminescent. Now I can turn it off
by either clicking it here or I can just go ahead and hit
the little X here. Now generate and see what we get there. And as an image, I really like this one. I really like this. I think either of those
would be really cool images. So maybe for
this one we'll finish with this. I really like that. So I'm going to go ahead, download
that and I'm going to say don't
show this again and hit. Okay. Obviously, I'm going to leave the
content credentials on there. Okay. So now that we've downloaded this,
I'm going to go ahead and open it in Photoshop. And here, really
the only thing that I would fix up is I might get rid of this weird thing here and here and then get rid of these weirdly shaped birds and maybe add
some of my own birds into the sky. And I could do that
relatively quick here with the air tools and Photoshop
such as the Patch tool. So here I'm just going to use the patch
tool and select this kind of scoop
that and line that up like that. And then maybe we'll do the same
with this weird object. And for this I'm going to turn on content. So we're now done looks. Let's try normal instead. Okay, that looks good. And then let's
go ahead and get rid of these. All right? And then I might just go to my brushes,
go to my nuclei birds here. I just want to have some birds
kind of flying in the sky here. So maybe I'll take these, make it smaller, and I want them kind of in the distance. So select a color from about where
I want the birds to be. So some are about there
and I'm flying there like that. That's we're going to put these
on their own lawyer and with birds I kind of have to play with
whether they look better, dark or sometimes they look better
light lights. If I do command, you
turn them white, kind of put them over here,
they might look a little better. And I
think they were looking better, darker. So I'm going to command Z and we'll put these right there. Maybe use my lasso tool and just move a couple a little bit
kind of spread them out. So they're not all in one little clump. They're and there you go. I'm pretty happy with that. And that finishes our first image
that we've now created with A.I.. The next thing I want to show you, and I'm
going to go back to Adobe Firefly, for this is how we can create something
with a little more intentionality. And in this case, sorry, in this case,
what I want to do is I want to create an image of Little Red Riding Hood in the forest,
and I want it to be kind of a cute, almost painterly,
somewhat realistic image. So let's
go ahead and clear the styles in here. Let's start with Little Red Riding Hood in a foggy forest and let's head generate. Okay, So some interesting results. I kind of like this
and this looks to out of focus, so this looks kind of cool
but for this image I want to see her face. So what we're going to do
is we're going to go in here and go Little Red Riding
Hood, cute, adorable girl with large blue eyes, and then we'll just have Foggy
forest, Little Red Riding Hood. Okay, So let's change the prompt to this
and let's see what kind of results we get. Okay, so some interesting results, since you'll notice that air is not great
when it comes to human eyes. They look kind of terrifying. And let's try a few other things here. I'm going to add realistic. And I also want to add flying birds in the foreground and the background and let's hit generate. Okay, So a few more interesting results. I kind of like this one. Now we're going to change
a few of our settings here. So first I'm going to change this to photo and I also want to go under Styles. I'm going to go to all there
and I want to turn on fantasy. And then down here I'm going to turn on hyper realistic. And then down here
we haven't really spoken about these much, but we do have options down here to effect the color tone,
lighting and composition. And similar to the other styles, what image you're working on is going to affect how much
these influence is your final image. But in this case,
I want to go to muted colors. I want to change this to backlighting. And then under composition,
I want to go narrow depth of field. So let's go ahead, generate
this one more time. Let's see what kind of results we get. So starting
to get more close to what I want. I kind of like this one. So let's try to iterate on this. Hmm. Still not great. Let's try. And so this is where it becomes
a little bit of a challenge because I don't know what to tell the AI to get closer to the result I want. I kind of like this, so maybe I'll say
adorable girl with big blue eyes instead. See if that changes anything. Maybe I'll change this to Misty Forest,
see if that changes anything. So basically want the same prompt? I just want more results. And I've noticed that
if you keep hitting that the refresh and just generate more,
it'll eventually arrive at about three and it'll just keep
feeding you the same ones. So again, these two on the left are closer,
closer to what I want. So here
what I'm going to do is I'm going to just reject these
in the hopes that when I refresh, they won't give me ones
that are too similar to those. Okay. So I kind of like these, so maybe
I'll try using this as a starting point. So here we have two random detached wings on her head. Otherwise this one's actually quite nice. So let's
see if we can get similar results to that. But hopefully with that the random wings on her head. I'm going to add blond girl just because I want the girl to be blond and beautiful and nostalgic. See if that pushes
it more toward what I want. Also going to add under here, I'm
going to change it from photo to art. The other thing I want to try is just changing this to normal landscape that that'll sometimes
give you different results, meaning it will always give you
a different results, but sometimes it'll get you closer
to where you want to be. Or I'm just changing my prompt back to a little bit more similar
to what I had before. It's kind of like those results, so this is close to what I want. The problem is
I want the face to look more real. So generally, if you want face to look more real, you can go to photo, but then you do
start to get kind of strange. Just a photo face pasted onto the artwork. So it's one of these where you to kind of toe the line test different things and I'm fast forwarding
through a lot of the generating part. So this is actually taking much longer
than it's showing here in the tutorial. But essentially I'm
just generating over and over hoping to get the
AI a little closer to what I want and I can give it some feedback
by saying things I don't like and things I do like to try
to kind of influence that. But honestly, I don't know how immediate the beta feedback is to the I building engine. All right,
so now that I have an image I'm happy with from Firefly, I'm going to go ahead
and open it in Photoshop. Now, I have included it
here in the tutorial assets so that you can just start from the same image I'm starting from. So here's the image. I think it's quite cute. The only thing that I don't like
is obviously her eyes need to be fixed
and these birds just don't look very good. So let's go ahead and make a copy and we'll leave the original intact. The first thing I want to do
is get rid of these birds. So let's do that with our patch tool. Actually, for this, I'll just use the content-aware fill So I'm going to go ahead and select this first bird
and then go to edit content to where Phil And there you can see it's done
a good job. So we'll just hit. Okay. And then I want to do the same thing
with this bird here. Make sure I'm on the right layer. That looks good. Let's hit. Okay. Now this one, you can see there's
still a bit of a bird shape in there. So I'm just going to take this copy. Sorry, this layer, make a copy of it and then add a guardian blur to it. And I will smooth out those lines like so. Okay,
so I'm now ready to put in the new birds. So if I go to file place embedded inside my assets,
you're going to see two birds. I'm going to take the bird. Oh, one. Go ahead and place that one first. And I want this bird to parallel the colors that she has. So I like this blue and this red. I want this bird to have similar colors. Also, the bird needs to be
a little more painted looking so that it matches up
with the rest of her image. So to do the paint,
I'm just going to go to stylize oil paint and I'll turn off the lighting,
turn on the preview, and we can just adjust the cleanliness
and stylization here. I don't want to overdo it. So maybe around 2.3 here. Okay. And then on this mask,
I want to go in here and just where the eye is with a brush on this mask, I'm going to paint out the eye. So I want that nice and focus. And same with these, the beak here and the feet. So that looks good. The other thing I may want to do here
is because of this strong back lighting on her, there would be
a similar strong light on this bird. So I just add kind of over
where the head is here, a strong highlight on this bird. So we'll just do that. I'm just going to do that
with a curved layer. So with this part selection selected, just add a curved layer and I'm going to clip this. So it's only applying to the bird like so. And that looks good. And then we'll add the other bird here
in the foreground kind of out of focus. So let's do file place embedded. Oh, actually, before I do that, I do want to adjust these colors,
so I'm just going to do command the U or go up to image adjustments hue
saturation it's command you and here I want to select this which will allow me
to target a specific color. I want to select this kind of orange color
in there. Once it's selected,
you'll see this has been added down here and I can push this
a little more toward red, and then I'm going to do this again. But this time for the blue colors here. And with those blue color selected, we'll push them a little bit more towards
cyan, like this color here, and then maybe take down the saturation
just a little bit as well. Again,
I'm trying to match it to this color and I think that looks good. I'll hit okay. And then I'm going to go file place embedded. And in here,
I want to grab the second bird and this one, we're going to move it so that it's on its own layer over here. Now, this one, the colors are kind of already
adjusted a bit, so I think we can just place it
about there. And then I want to make this out of focus. So we'll just add a gotcha and blur on it, something like this, and then maybe add
a little more contrast to it with a curve. So something like this. And then the next thing I want to do
is clean up her eyes. Some of the zoom in here, and I'm going to go ahead
and turn off this pixel grid because it makes it hard
to see when you're zoomed in. Okay. So first there's this blue
that's on her skin here. Let's go ahead and get rid of that first. So I'm going to go right above her. We're going to call this skin cleanup. Also going to take all these layers
that make up the birds. We'll just put them in a layer
called birds. Okay. And then on the skin cleanup, I'm
going to change the blending mode to color so that this layer only affects color
and then with my brush tool, I can select the surrounding
skin color here and then just paint over this
area of the skin that should not be blue here like that. And we can do the same
on this side as well. Just all this
where the blue of the eyes bleeding out. That's okay. Then I need to replace our actual eye. If we go to file open, I have this
Alexandre Gray file from Unsplash. What I want to do is
I just want to kind of steal this. I Now this I was taken in a very high key situation,
so the pupil is kind of tiny, whereas if we look at this,
she's in a kind of a dark forest. So her pupils would not be that bright. So we're going to have to factor that in and I might just fix that first. So to fix that, what I'm going to do
is take my elliptical markey kind of select
right in the middle of the iris here out to about where the catch light there ends. And then I'm going to just do Q for quick
mask go to filter got and blur and with this all I'm doing is feathering this selection edge a tiny bit and then I'll do command
J That'll put the pupil on its own layer. I can do command T for transform
hold down option. So it scales from the middle and then just
scaled this up to about there. That looks good. All right then I'm going to go head and with my pen to make a selection around this, I make selection and I'm going to merge these two
with command E and then I do command J
and we'll call this new I and I'm going to right mouse click, convert this to a smart object
and then throw it into my scene here and put the opacity on 50%
by just hitting five on the keyboard. And then I'm going to zoom in here
and line up the irises and try to make this the approximate size of the previous. I saw something like pass. And then in here we need to create a mask. So I'm going to do that again. I'm going to go P for my pen tool
just draw a mask around where this eye is, so we'll make a selection. I'm going to do .05
just to add a little bit of Anti-aliasing and then add the mask to our eye and then we can take the opacity
back to 100. You can see as far as an eye go,
that looks much better, but it looks like it's bulging out of her eye
because there's no shadows. So here we'll add a eye shadow. And this I'm going to clip to my eye layer
by just doing that, and then I'm going to go B
for brush and select just this darker color here. And then with a really big soft brush,
just kind of start brushing a little bit of that shadow
onto the eye there on the left and then a little more along the top here
like this, that's I'm actually going to
go even darker, almost black, and that looks more natural. And here we can also add another layer
that will just darken around the eyes. So for this I'm going to put it on overlay
default my colors with D two, black and white, and then with the black, just paint along the top of the eyes so that most of the color
is happening at the bottom. And take the opacity down on that
just a little to about 80%. So I'm happy with that. I next, we're going to do this. AI So what I'm going to do here
is take all these layers and hold them in option, make a copy of them
and then move this to the other eye and we'll just line that up there. And then I do need to adjust it. A tiny bit. So I'm going to go ahead and delete this mask and then we'll go ahead temporarily
turn it off and with our pen tool will draw a new mask for this. I and then maybe move the shadows. Just actually,
I'm going to delete this shadow and do the shadow new leaf for this. I and again,
I want to make sure it's clipped. And also because this is just a tiny bit closer
to us actually going to take it and do a transform
and make it just a tiny bit bigger like that. Just attach. Okay. And then the other thing
I think would also kind of add to the charm of
this is adding some eyelashes, some stronger eyelashes to her,
maybe a little bit more of some highlights on her lips
and maybe some freckles. So for the eyeliner,
I'm going to do that with a brush. So I'm going to go B for my brush tool
and I'm going to go import brushes and inside the assets for that tutorial, you're going to see the sample brushes
go ahead and load those. And then if we scroll down to those
brushes, you're going to see we have a top eyelash. So here I'm just going to select
the brush, make sure I have black as my color kind of lined this up
with our character here. So something like this. And then we'll do the other side
now to flip my brush. If we go to our brush presets here
under brush tip, we can flip X and flip Y. In this case, I want to flip X, and now you can see that
it's shaped to that. I, I do need to tip it a bit. So if I right mouse click
I can change the angle a little bit like this and then also maybe make
it just a little bit smaller. There you go. All right. And then we'll do the bottom
eyelid as well. Or bottom eyelashes. There's another brush here for that. And then we'll also do the other eye
again. I'm going have to go to brush tip, flip X, and then we'll adjust our angle
just a little bit like so so a little bit. But it just does add
to a little bit of that charm, that kind of storybook look. And then we're going to add a layer
for freckles. And here again, if I go to my brushes,
I have this freckle brush. And to make that a bit smaller,
kind of select her darker skin color here. So maybe this and then just hit a few
times with the freckle brush and on the freckles. I'm going to put these on multiply,
and then I'm going to do a command U to bring up my Q saturation. When to colorize this, pump up
the saturation, just make them a little bit lighter. So about there, I think probably saturation is a little too much
so something around their head. Okay. And then I also want to double click
and under the blending options, I don't want the highlights
to have such strong freckles. So I'm going to go to underlying layer,
hold down options, split
this and just drag this to the left until the highlights start to come on
top of the freckles there and then hit. Okay, so pretty. And then finally the last one is the lips. So we'll just call this lip highlight. And here
I'm just going to go to my brushes, maybe go to the dry brushes, select this one here, make it very small, kind of select the highlight color there and just add some highlights to the lip there. And then I think we can also add some
I catch lights or do I catch lights in here? I just want to add a little bit
more of the catch light to her eyes. So we'll select this color there, maybe add a little bit there like this and then we'll do a similar thing here. I found that for kind of like cute, adorable pictures. You want more catch light in the eye? It just makes makes for a cuter look. So there you go. That looks pretty good to me. The only thing I might want to change
is make her hair a little bit blonder. So for that, I'll just make
a selection here of her hair. Okay. And here I'm going to add a curve. And in my curve I'm going to go to the
Reds, bring that up just a tiny bit. And in the blues and bring it down
just a bit. That'll add a little more gold to her
hair there. So pretty subtle,
but just kind of takes her hair out of that gray kind of color that it was having. And we might want to also just with a brush on our mask and we're going to take my opacity down and just lightly brush over this hair here so we get some of that color transfer
onto this hair as well. So there you go. I'm pretty happy with that. The final thing I might just do
is add a vignette at the very top. To do that, I'm
going to take my elliptical Marcie, kind of select out
the center like this and then add a curve, make it a little
bit darker, and then go to my mask here. And if we open this up,
you'll see the invert button. Then I can add feather, and then here I can adjust how much I want my vignette. So maybe like this. And then finally we can even add
a little bit more of a color grade. So I'm going to do that also with a curve. But this I'm just going to go to the blue
kind of pick up the bottom that's going to add a little bit of blue
into our shadows, take down the top. That's going to give it a little bit
more yellow in our highlights. And then finally for the green, I just want to add a little bit
more green in the highlights. Give it a little bit
of a magical, mystical look. So there you can see that is the direct output from Firefly, and this is our fixed up final image. So there you have it. That's an introduction to Adobe Fireflies
Text the image generator and also how you can incorporate
AI imagery into your Photoshop workflow. Now, right now we are very limited. You can use these images
for any commercial purposes, but I do suggest that you start learning how to interact the AI image generators,
how to get the most out of them, because I think in the future you're going
to see more and more of these tools incorporated into Photoshop
and become more prevalent. So let's start learning them now. And if you want to accelerate
your learning in Photoshop or your creative learning,
check out nucly.com. We've got a lot of courses, tools
and assets there that you can purchase. Otherwise, here's
some more tutorials that you can check out and I'll see you next time.
