I hope you're having a great day and making
it an awesome one. Thank you so much for watching this video. It truly means the world to me. Before we talk about Seamless Patterns, let
us first understand what the hell is 'seamless'. So 'seam' basically means 'the edge'. Here's the Google definition of it. So 'seamless' obviously means 'one which doesn't
have an edge'. However, you cannot convert any texture directly
to a seamless pattern. Let me explain. So this is a pretty looking texture, right? So if we select all of it, and then we go
to Edit and then Define Pattern, and let's say we name it 'Concrete'. All right, let's hit OK. Now let's test the pattern. Press Ctrl or Command + D to deselect that,
and then click on the Adjustment Layer icon and let's choose Pattern. The same pattern is going to show up that
we just created. At the moment it looks just fine. However, as soon as we change the scale to
something like 50, look, or let's go even lower, 20. Right. This is a pattern, but you see the edge. If you just zoom in, you see these edges,
right? Let's increase the size of that we can see
it more clearly. If you just zoom out, the edges are very clearly
visible, which means the seam is visible, which means it is not seamless. It does have a seam. So today we are going to learn how to convert
these textures and pattern images into seamless patterns - how to make them seamless. It's going to be fun. So without any further ado, let's get started. Here we are back in the brilliant world of
Photoshop and although there are tons of ways to create seamless patterns, today, I'm going
to share with you three examples. And any other photos that you want to download
from this tutorial, all you got to do is check the link in the description. So let's take a look at this photo. First of all, to check whether this is going
to translate into a pattern well, you can use the Offset Filter. So with the Background image selected, you
can go to Filter, and then Other and then just select Offset. Once you choose that, you can actually check
Wrap Around, and then if you just increase or decrease the Horizontal and Vertical, the
image shifts. If it's not clear to you, let me just show
you what it does. So this is the original image. As I increase the Vertical, see, the image
comes down and comes back from the top and you can see the edge very clearly. It's not aligning properly, which means that
if we convert this into a pattern, that's going to be a problem. Let's try the Horizontal. The horizontal is pretty okay, but you can
still see the edge. Look at that. It's so crisp and clear, the vertical edge,
right? So we need to make sure that both of them
align properly. For the vertical one, we can clearly cut it
off and crop it nicely, but for the horizontal edge, look at this, we need to fix it. We need to do something to fix it. Let's start with the vertical. Hit Cancel. This was just for checking. You saw that the edges were not matching. And the reason was probably it's not straighted
well. So first, let's start with straightening it. Press C for the Crop Tool, and then at the
top you will see Straighten. Just click on that and choose any one of these. And I'm going to choose this line, going to
click and drag and create a straight line along that line between the wood. Alright. It seems to be a little straightened. Hit Enter or Return to apply the change. Now, we need to crop it well. With the Crop Tool still selected, click on
the middle to bring up the crop. And then I want to bring this a little bit
inside so that it starts with that edge. Check till the top whether there is some area
left out. See, there is some area left out. So we're going to take it even further. And here as well, I think, there are some
areas left out. Take it even further. Let's do the same in this area. We're going to start with that edge. Let's take this. If you want to keep the white, you can, but
I'm just making sure that it's all well aligned. Once the edges are well defined, hit Enter
or Return and also make sure, at the top, I would always recommend to keep it checked
off, which is Delete Cropped Pixels. But in this case, I want it to be checked
on so that you can check it well with Offset. If you keep this checked off, these areas
on the outside of the crop will not be deleted, which can be a good thing and for the most
part, it is a good thing. But in this case when you're creating a pattern,
just make sure it is checked on and hit Enter or Return. Now don't forget to check it off later for
your future projects. Now, let's try the Offset again. Let's go to Filter - Other - Offset. Forget about the Vertical. Let's look at the Horizontal. Horizontal is fine, right? We are not seeing any edges. It's all looking great. But we still need to work with the Vertical. As we are bringing it down vertically, look
at the horizontal edge. It's just not matching. So we need to do something for it to match. What if we bring the top area of this image
and invert it and place it at the bottom? That way, it would exactly be the same, right? So, with the background layer selected, press
Ctrl or Command + J to make a copy of it. Now press Ctrl or Command + T to bring up
the Transform, right click on it and choose Flip Vertical. All right. What we want in this layer is only the bottom
area, just this area. So click on the Mask button, and we just want
to keep the bottom, right? So let's take the Gradient from black to white
and let's create a very simple gradient. So just the bottom area is changed and placed
with the top area inverted. That's what it is. You can play with the gradient to see what
suits the best. Once you have done all of this, one other
thing that you can do at the end is that, it looks perfect by the way. One other thing that you can do here is, you
will see some repeating pattern, look at this dot, right, look at this dot, it appears again. So when you change this to a pattern, it will
give the viewer a sign that this is clearly a pattern which is repeating again and again
and can be disturbing. So what you can do, you can create a brand
new layer at the top and with the help of the Clone Stamp Tool or the Healing Tool,
so I'm going to choose the regular Healing Brush Tool, just remove some of these dots
and irregularity so that they don't repeat again and again and make it uneven. Just break away from the patterns. There you go. Let's remove them and let's keep them in the
bottom. The goal is not to make it look like it has
been inverted and placed at the bottom. Also, the goal is that when it's repeated
again and again, the same patterns or the same dots or irregularities don't show up
again and again. So you can take all the time in the world
to clear these up. See, this is repeating. See this irregularity. See it's repeating again and again, so we
need to remove one of these. All right, I think it's enough. You can extend it even more if you wish to. Once you have made all the changes, let's
create a Stamp Visible Layer at the top. So press Ctrl + Alt + Shift + E or Command
+ Option + Shift + E. This creates a merged layer of everything that you see in the canvas
right now. Now, you can select all of it or leave it
at that. So I'm going to select all of it by pressing
Ctrl or Command + A, or if it's small, it might be useful to also press Ctrl or Command,
hold Ctrl or Command and click on the thumbnail. It will also select all of it. And then let's go to Edit and then Define
Pattern. Now, let's name this 'Colorful Wall'. Hit OK. Now let's test this pattern. You can test it in the same image or a different
image. I'm just going to create a pattern. Click on the Adjustment Layer icon and then
choose Pattern. It's going to create and it's going to show
the pattern that you last created. And at the moment, it's looking fine. And also if we just decrease the scale, it
will look fine. And here's the great part, you can move it
any which way you want. You can take it up, you can take it down,
you can take it to the left and right. Even with scale 100, you can just adjust it
according to your taste. Move it up, move it down and it will look
fantastic, because we have removed what? The seam. Thus making it seamless. It's time we move on to example number two. Sometimes you might have an image which is
already well established as a pattern. However, you cannot directly convert it to
a pattern. Have a look at this. Let's test it with Offset. So let's go to Filter - Other and let's choose
Offset. So if you have a closer look at this area,
see, it suddenly ends, right? See this line, it suddenly ends right there
and something just doesn't feel right even though it is a well established pattern. Probably it's not cropped right. So we need to find a starting point and an
ending point such that after the ending point, if the starting point repeats, it looks seamless. Makes sense? No? Let me show you. So first of all, let's hit Cancel. And we need to find just a starting point. This would do. Look at this area where this area starts and
we need to make a selection of it. Select the Rectangular Marquee Tool right
there and then just zoom in and find a starting point. So this seems to be a good starting point
and I'm going to start from right here, from the very first pixel. So this seems to be a nice place. Let's create a rectangle. Now, we need to transform the selection and
stop at a point where just this area repeats. So right click inside the selection and choose
Transform Selection. Now let's drag it to the right. You can make it bigger if you wish to, just
a little bigger, and drag it and find where it repeats. See, it repeats again right there and stop
before the very first pixel. So let's drag it and stop about right there. This seems to be right. Let's do the same for the top and the bottom
as well. So let's drag it. This seems to be a good starting point. So I'm going to start right there. And just end where it repeats. See it repeats right there. And we're going to end it just above that
area. Once you're satisfied with, I think I need
to move it a little bit to the top. Be very careful with this. Once you are satisfied with the selection
transformation, hit Enter or Return. Now you have this selection. You can move it to a brand new layer by pressing
Ctrl or Command + J. Now you could have done it in the same layer, but it's always good
to have the pattern on a separate layer. Anyway, hold the Ctrl or Command, click on
the thumbnail to make a selection of that and then let's go to Edit and Define Pattern. You can just name this 'Abstract', hit OK
and let's now test this pattern. Ctrl or Command + D, click on the Adjustment
Layer icon and then choose Pattern and it will show the last pattern. Even if I decrease the scale to, let's say,
53, see, there is no seam. Zoom it. Zoom on it and check. You will find no seam. Everything seems to be perfect in this case. Coming back to the texture that we witnessed
in the beginning, let's start with third example. If we just directly convert this into a pattern,
it didn't work as we learned. Let's check with the Offset. Let's go to Filter - Other - Offset. See, the edges are showing up. However, this time, we are going to use Offset
to our advantage. So let's try to put this along the middle. So it is somewhere in the middle, it's okay. You can play with the Vertical. Once it's around the middle, you don't have
to be accurate about this, this is just for your reference, hit OK this time. Now all we need to do here is to remove these
lines. The top and the bottom and the sides, the
left and the right are already seamless because we have actually brought them, we have actually
slided them and the edges are the ones that we need to fix. So, very easy to fix in this case. We just need to fill it with Content-Aware
Fill. With the Rectangular Marquee Tool selected,
let's create a selection around it. All right, and let's add to this selection
by holding the Shift key and then just add this line as well. All right. Is there any other extra area that you need
to add? I think this white area might be a disturbance. Let's add that. Any other area? It seems to be nice. Once the selection is made, let's go to Edit
and then Content-Aware Fill. This will be shown in Photoshop CC 2019 and
above. If you don't see it, you can just go to Fill
and then choose Content Aware. So we are going to go to Content Aware. It shows you a lot of options to fill up these
areas. You can play with Color Adaptation, Rotation
Adaptation and all of that stuff. However, in this case, I'm going to leave
it to default values and it does a pretty good job in this case. Hit OK if you're satisfied. If you're not, you can change the values and
see what looks good to you. Hit OK. All right, now that area is filled. Now let's try converting this to a pattern
to see if there are any changes we would like to make in this case. So let's select all of it or you can also
directly do it by going to Edit and then Define Pattern and we can name this 'Concrete Wall
Draft 1'. Alright. Now, click on the Adjustment Layer icon and
then choose Pattern and decrease the scale to about 40%. Let's see if we see any issues. Well, this looks pretty seamless. However, there is one thing I see. See this white blob? That's something we need to fix. So hit Cancel for now and have a look. Do you see the white blob at the top? I do. So let's make a selection around it. You can use the Rectangular Marquee Tool or
the Lasso Tool. I'm just going to make a selection around
it or anything. Just zoom out and see if anything looks like
it will repeat and look bad. These are some areas that we need to fix. Now, once you have made the selection, you
know what to do. Let's go to Edit - Content-Aware Fill and
hit OK. Done. Now let's try to convert this into a pattern. Let's go to Edit and then Define Pattern and
you can name it whatever you want - 'Concrete Wall Final'. Hit OK. And now, let's test it. Click on the Adjustment Layer icon and then
choose Pattern. And this time let's set the scale to about
40%. Yes, it looks so much better. Now there are areas like these that I would
like to remove. But anyway, it looks really good. Now you can also use Curves Adjustment Layers
and burn this area just a little bit, make it a little darker, and then create a pattern. It's just a lot of trial and error here and
there. But it's a pretty good pattern. You can just put the scale to about 60%. And the great part is you can move it around,
which is amazing. You can just adjust it according to the subject
if you're using this as a background. So that's how to transform any, actually,
convert any texture or pattern image into a seamless pattern. All you have to keep in mind, and the basic
goal, is always to remove the same. Also, it's important that you remove the stuff
that stands out too much because when you convert that particular image into a pattern,
that standing out feature is going to repeat again and again, and it's not going to look
good. Like in the last example, we had that white
blob that we removed? It's important to remove those distractions. In this video, we did learn a few tricks. In the first example, we learned the art of
inversion, right? So we took the top part of the image, inverted
it and put it at the bottom to make it seamless with the help of the Gradient Mask. Remember? In the second example, we properly cropped
it so that we could have a proper starting point and an ending point, and after the ending
point, if we put the starting point, it should look seamless. And in the third example, we simply used Content-Aware
Fill to cover the seam. I hope this video helped you in some way or
the other. If it did, make sure to give us a like and
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don't miss any other future tips, tricks or tutorials. I would like to take this moment to thank
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free for everybody forever. Thanks so much for all your support. Thank you for watching. I'll see you guys in my next one. Till then stay tuned and make sure that you
keep creating.