Why is the triple axel such a big deal? This is 1991, the last year of the
Cold War, the year Street Fighter II hit arcades “Mr. Gorbachev Hadouken this wall. and the year Tonya Harding became the first
American woman to perform a triple axel in competition. The famous rivalry that bloomed is the one
between Tonya Harding and Nancy Kerrigan. And in 1991 at the Target Center in Minneapolis,
MN, that meant: “Nancy Kerrigan.” “Very elegant.” “Here comes Tonya Harding.” “Very powerful skater.” Kerrigan had this music. (elegant music) Tonya Harding had Batman. “I’m Batman.” And the triple axel is the 58 frames at the
heart of that elegant/powerful split. Mirai Nagasu’s the only other America woman
to land a triple axel in competition, and when you ask her to define it in one word: “Triple axel?” She has to think about it. And the thing is, the more you know about
the triple axel, the more impressive it gets. "Jump. Jump to it, to it, you know you want to do it do it.” "Jump to it, to it, you know you want to- The triple axel really starts with the approach. The triple axel has a forward takeoff where
the skater pushes off the outside edge of the skate, unlike say, a toe loop, where the
jumper relies on the toe of their skate to thrust up and turn. The approach is also forward instead of backwards. Axels are forward-edge jumps, landing backwards
on the opposite foot. Because they turn from facing front to facing
backwards, it’s an extra half rotation, without the help of a toe pick. All that makes the approach... Deborah King’s studied figure skating and
the biomechanics of single, double, and triple axels. “They need to generate the vertical velocity,
but they also need to generate their angular momentum, or their rotational momentum for
the jump, and that’s all gotta happen during the approach up to the takeoff.” You’ll see skaters with a slight skid on
the ice that helps, but most of the twist comes from their bodies, not the ice. Once you’re in the air, you have to deal
with what you generated on the ice. So great skaters have big jumps. But rotation speed makes or breaks a triple
axel. This chart shows a small sample of single,
double, and triple axel jumps. You can see the triple axel jump length is
often shorter than the double axel length. That’s because that extra energy is going
into extra rotation. Harding needed to snap into a tight rotation
as quickly as possible. The triple axel is a physics problem. “But in terms of body position, you don’t
want your elbows sticking out, you don’t want your arms right out in front of you,
you don’t want your knees sticking out, you should look sort of as close as you can
to a pencil.” Skaters have to use a lot of upper body strength
to keep their arms tucked in so it won’t slow down their spin. It’s only once they’ve spun three and
a half times in the air that they can start figuring out how to land. And then, their big obstacle is slowing down. Skaters try to land on the ball of their opposite
foot to absorb the speed of the rotation and the big weight of their descent. Midori Ito was the first woman to do a triple
axel in world competition in the late ‘80s. When she wobbles like this
or Tonya Harding nearly falls over, they’re compensating for a huge rotational
velocity, all the while trying to look good. A triple axel turns physics into poetry, and
that’s probably the reason it’s hard to describe, for anybody, in just one word. “Triple axel?” In the triple axel, power and elegance are
complements, not contradictions. Bruce Wayne and Batman? They’re the same person. A lot happened after 1991. But in the Target Center in Minneapolis, Minnesota? Tonya Harding landed. “Oh the zamboni’s coming out, it’s gonna
be loud.” “Oh the zamboni’s coming, it’s gonna
be loud.”
Such a great idea, and yet horrendous video editing that makes this otherwise awesome video painful to watch.