What's The Cost Of Being The Hardest Workers In The World? | Deciphering Japan | Episode 2/4

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Tokyo's central business district. A temple to the Japanese work ethic. A stone's throw away is a staircase that leads up to the Atago Shrine. Many working professionals in the city climb these stairs known as "the steps to success'" at least once in their working life. To the Japanese, they symbolise climbing the corporate ladder. But even getting to the work gods is hard work in Japan. Worshippers here primarily pray for anything related to their careers. From new jobs and promotions... to booming business ventures. The number of salarymen who trek here daily to beseech the business gods is a glimpse into just how obsessed the Japanese are with work. Japan's workforce puts in some of the longest hours in the world. Clocking in close to 1,700 working hours per person per year, compared to 1,500 in the UK and 1,300 in Germany. But ironically, Japan is among the least productive global economies today. I'm Yumi Araki. I left Japan as a teenager and now I'm back as a journalist to explore my country as it enters a new era. In this episode, I want to understand why the Japanese work so hard. As the country grapples with the impact of COVID-19 and ever greater economic pressures... I explore if this unbending dedication to work... still has a place in the hearts and minds of the Japanese today. Enduring rush hour in Tokyo is just one example of how committed the Japanese are to work. But the dedication to work in my country also manifests in other, often extraordinary ways. From the efficiency of our trains... to how our restaurants are run, down the tiniest details in a shop window. Everyday mundane objects can take mythical forms here in Japan. Even fruit. And if anything embodies the Japanese work ethic, it is this melon. Wow. Priced at 32,400 yen, which is about US$330 to US$350. Some have even been auctioned for a whopping US$45,000. These incredibly expensive melons are considered the pinnacle of perfection in Japan. But what makes a perfect melon? I'm heading 180 kilometres south-west of Tokyo to Shizuoka prefecture to find out. Master farmer Yuko Yagi grows the most revered of all of Japan's couture crops... the crown melon. Venerated for its taste... and its aesthetics. 42-year-old Yagi-san is a second-generation muskmelon farmer. She learned how to grow melons from her father, who passed away three years ago. To understand the hard work that goes into producing Japan's crown melons, I'm joining Yagi-san as she tends to her crops. Here, timing is everything. After 50 days of precision watering, the plants begin to flower. But the hard work of raising them has only just begun. Yagi-san sees the melons as her children, all individually beautiful. To me, they all look pretty much the same. And just like many an over-doting mother, there is no end to her nit-picking. Yagi-san's eye for detail, mixed with a certain obsession is quintessential of the Japanese work ethic. It's to achieve the best. And in Yagi-san's case, it's to produce the perfect melon. One of the most important features farmers look out for is a melon's webbing. When you walk through the process of how this is done and the amount of care and love that Yagi-san puts into the product, it's sort of hard to dispute how much of a love of labour this is and maybe it is, you know, worth the 200-plus dollars that it costs to buy these things. After 100 days of TLC, these melons are ready for harvest. But not all of them appear to live up to Yagi-san's exacting standards. Only one in 1,000 melons are considered top grade and displayed at the markets not just as food, but as edible works of art. Back in the farmhouse, I finally get to try Yagi-san's famous crown melons. All right. I'll try it now. Usually, when you have cantaloupe or other melon, it's like, it's fine, it's just a fruit. This is like top-notch. Really sweet, really luscious. In just four years of farming, Yagi-san has won awards for her fruit for two consecutive years. In Japan, there is a word for the kind of care Yagi-san puts into her work. <i>Kodawari. The relentless and uncompromising pursuit of perfection. In my mind, the word kodawari used to have a negative connotation. So, someone who can't see the forest from the trees, they're so into what they do. That's all they can see. With Yagi-san and her crown melons, it gave a new meaning to me for what kodawari means. There's a phrase that Japanese people always say when people eat something really delicious, they're saying... (Japanese) which means, "Oh, there's so much love imbued into this." And I never really, in the past, have eaten anything that literally felt that way until I had this melon. <i>Kodawari permeates almost everything <i>in Japanese life.</i> From food, to design, and even business. On average, employees here work more than 49 hours a week. That's six days cramped into five. But such unbending commitment to work comes at a cost. There has been a growing and disturbing phenomenon in the country that the Japanese call karoshi. Death by overwork. To understand what it is about Japan's work culture that drives over 200 employees to their deaths every year, I've signed up to experience the worst place you could ever choose to work in Japan. Japan's renowned work ethic turned post-war debris into a first world economy. But by the 1990s, this economic giant was in a financial bubble. The bubble popped and growth shrivelled. From a high of around 7% down to 1%. Three decades later, the country can't seem to get itself back on track. But the Japanese are working as hard as ever. A quarter of full-time employees work more than 80 hours overtime a month. The result has been karoshi, or death from overwork. And a key driver of it are exploitative, sweatshop-style corporations, called "black companies". My director, producer and I have signed up for an event that lets people experience first-hand what working at a black company is like. These actors are playing managers and employees who are going to simulate scenes based on real situations at black companies, although names have been changed. It may look odd, but company slogans have long been a Japanese tradition to boost morale and bind employees to a company's culture. At some firms, morning rituals include group exercises and singing songs about productivity and defeating rival businesses. At black companies, anyone out of step is made to suffer. Super Miracle Happy! In the next scene, an actor playing a new recruit is being trained to sell the company's products, in this case, medical equipment, door to door. It seems a bit over the top, but these scenarios are based on true stories. At black companies, training sessions like these typically turn into a hazing session. I know this is play acting, but it is incredibly uncomfortable to watch. The lines between reality and fiction are getting pretty blurred for me. Oh, my god. What's horrible about that scenario was, like, they make a hostage out of the person that -they're trying to make an example of. -Yes. And so, it creates a scenario where it's like... "No, you can't step in, because if you step in, that's going to be you." It compels them even more to fall in line because when you're watching it being like, "Oh, god, I would do anything to make sure that's not me." Right, exactly. That's the point, to divide and conquer. -Yes. -Yes. So that they won't form solidarity against the company, and say... That's right, that's exactly right. While specifics vary, black companies tend to hire younger employees who end up working over 80 hours overtime a month. They only get a 10-minute break a day and they don't receive any insurance, benefits, or pensions. Employees are invited to participate in these black company simulations to raise awareness about their rights as workers. Masuyama-san believes this mentality stems from a code of ethics developed by the Japanese samurai in the 17th century called bushido, or "the way of the warrior". With Japan's economy facing its worst crisis since World War II, it seems work has become the be-all and end-all for many people. The relationship between employer and employee in Japan has traditionally been for life. Since the 1950s, Japanese businesses have hired recruits fresh out of school, trained them on the job, and kept them until retirement. All in exchange for an employee's lifetime devotion to the company. Black companies in Japan have become so common, there is now an annual ceremony that gives an award to the most evil corporation of the year. Previous nominations include local firms, Fortune 500 companies, and even public broadcasters. At the risk of being labelled as one, our director calls it a wrap. In 2018, there were over 2,000 work-related suicides across a range of industries in Japan. I'm speaking to 41-year-old Fumiyoshi Shimizu, who has personally experienced how overwork can severely affect mental health. Fourteen years ago, Shimizu-san was one of the 800,000 workers employed at convenience store chains across Japan. Because of punishing schedules and general labour shortages across Japan, 24-hour stores are difficult to staff. Shimizu-san tells me his company refused to offer him support. Shimizu-san's dedication to his job reminds me of a pervasive Japanese phrase. <i>Ganbaru or to persevere through hardship. But persevering on just three hours of sleep a day puts the body and the brain under enormous stress. A year into the job, Shimizu-san was diagnosed with depression. But he ignored his doctor's advice to take a break. For better or for worse, there is a deeply ingrained mentality in Japanese society that the group comes before the needs of the individual. Because Shimizu-san was put on unpaid leave, he asked the company to compensate him for his overtime hours. Shimizu-san took the company to court... and won. Shimizu-san was awarded US$15,000 in compensation for his overtime hours and for the damage the work had done to his health. A rare outcome in Japan. The relationship between employee and employer in Japan reminds me of an abusive relationship where the victim keeps coming back to an abuser. A sort of lethal corporate devotion and reliance that has subsumed every other relationship in a salary person's life. I want to find out how leaders at the highest levels are tackling the epidemic of stressed and overworked employees. Japan's government recognises that the country's work culture needs to change. In 2018, the government passed a work style reform bill that introduced mandatory off days and caps on excessive working hours. Yet critics point out that caps can be extended for half a year during busy periods, back up to 100 hours of overtime a month. But there has been some change. To encourage a healthier work-life balance, some companies have introduced automated computer shutdowns at the end of the day, shaming workaholics with capes, and afternoon exercise breaks to help employees de-stress. I've heard of one particularly unique initiative that claims to ease the pressures of work. These salarymen have been sent here by their company for a form of therapy called ruikatsu. Yoshida-san has a tough task ahead. According to an international survey on adult crying, the Japanese are among the least likely of all nationalities to shed a tear. In the first film, a son is telling his dying mother at the hospital that he regrets not appreciating her enough growing up. It doesn't take long for me. In the second clip, an estranged father and daughter are reconnecting at her wedding. In the last film, a man is reading a poem in memory of his cat, his lifelong companion. Man, this guy is tough. But there is one participant who kept it all in. Companies offering therapies like these are encouraging their employees to step outside the traditional confines of the stoic salaryman. It's a step towards acknowledging the individual as a human being in a society that has long favoured the collective. I notice that Owada-san, who didn't cry, looks sceptical. While there's been progress at recognising the overwork epidemic in Japan, solutions like tear therapy may only be the band-aid and not the cure for overwork in the country. But maybe there still is something to having a good cry at the end of the day. But if it takes this long for grown adults to find out if their jobs are the right fit, I wonder how young graduates who are about to enter the workforce feel. In Japan, the pressure to get a traditional salaried job begins early. University students spend most of their final year preparing for the one event they believe will make or break their careers. <i>Shukatsu or job-hunting season. An intense, year-long process in which thousands of students attend multiple job fairs, seminars, and interviews, to secure full-time employment by the time they graduate. Roughly 80% of Japan's graduates find jobs during shukatsu. Fail to get hired, and the chances of finding work after graduation are next to nil. The stakes and the stress are so high, that one in five students are said to contemplate suicide. I want to understand how the shukatsu system affects the lives of young Japanese and the nation's work culture. But before I join the job hunt, I've got to dress the part. <i>Shukatsu has strict guidelines <i>for interview attire.</i> The first rule of shukatsu, suits must be black or navy blue. And the colour of a blouse is usually white. Women are also advised to keep makeup and accessories to a minimum. Though there is one sartorial choice that female students do get to make. To wear pants or a skirt. I set aside my misgivings about the bland suit and try it on. It's actually a pretty comfortable suit. You typically do more than one interview a week. Every day, essentially. So, if I have to do this every day and these are machine washable, not too bad. But the individual in me can't help it. All right, so this is the more outlandish choice, because it is not black, it is blue, navy blue, way different than black. It has one button, instead of two, so the chest area shows a bit more, maybe too risqué on your first interview. But it's still a pretty conservative suit in my opinion. Like I could walk into an interview with a financial firm and they'd take me seriously. If I walked into an interview with creatives, it'd be like, you know, you can be our accountant. I can't say the suit's aesthetic represents who I am. But maybe that's not the point. As I'm thinking about what distinguishes myself from somebody else, in a prospective interview, it's the ideas, it's the thoughts that actually make the difference. So, if you can take that sort of, "Oh, what am I going to wear?" out of this situation, maybe it is that you can actually just focus more on your responses. With my standard suit in hand, I'm ready to find out how Japanese students prepare for the dreaded job hunt. To prepare thousands of students during shukatsu, or job-hunting season in Japan, there is a billion-dollar industry that provides guidance on everything from aptitude tests and job attire, to resume writing and interview etiquette. And I'm diving into this world. I've joined a workshop that teaches students how to navigate group interviews. It's a common practice Japanese companies use to whittle down prospective candidates. Consultant Yuki Kondo is giving the students tips on how to stand out in the crowd. The class is splitting into two teams for a mock group interview. My group, team A, are the prospective job candidates who have to prepare a presentation on a given topic. While team B play the part of company recruiters, assessing how the students engage in team discussions. The stress around the table is palpable. Everyone wants to get a word in. The competition is fierce and it's not easy to get a word in. With only a short window of time, the students have to make every sentence count. Sometimes it pays to stay silent. That was really stressful. Just observing students was really, really impressive, but the thing that she's trying to encourage is thinking of... not just academic smarts but street smarts. How flexible are you? How analytical are you? The stress of the job hunt doesn't end here. Just getting invited for an interview in the first place is a huge undertaking. And getting your foot in the door? It starts with the resume. I've joined Satoshi Sekiguchi, one of the students from the workshop at his meeting with a career counsellor to go over his job application. Students typically submit between 10 and 100 applications to increase their chances of getting an interview. And here in Japan, they are traditionally handwritten. In Japan, companies aren't interested in the hours you've spent getting the font and layout of your CV just right. Resumes are more or less the same format across the country. Companies believe filling all these boxes in by hand will reveal a candidate's true personality and help them find the perfect long-term match. Satoshi is not alone. A common concern among students is having no idea what kind of job or company would suit them. Though lifetime employment is on the wane, the average Japanese worker will remain at the same company for 10 years, or longer. To me, committing to a long-term relationship at such a young age feels like being pressured to marry someone you haven't even met. Many say a revamp in the shukatsu system is long overdue. The shukatsu system, in a way, feels like it requires a lot out of people to know exactly what they want and the stakes are really, really high. And that's why I think people are really, really stressed out. You know, I have to imagine that there are many people who just go through the motions and go work for a place without really having to think about, "Is this where I want to be? Is this where I'm best suited?" I'm curious to know what happens to people when they opt out of Japan's rigid employment system. I'm meeting 39-year-old former architect Kashiwa Hang, who quit his job when he was hospitalised from overwork four years ago. He's been playing the handpan ever since. These days, Kashiwa earns a modest income from performing and teaching the handpan. His way of thinking is rare in Japan. Only 17% of Japan's labour force is self-employed like Kashiwa compared to 25% in South Korea and 35% in the US. Kashiwa has invited me to join him at his workplace on the busy sidewalks of downtown Tokyo. Unlike his old office, the work environment here is friendly, relaxed, and engaging. And Kashiwa can call it a day whenever he feels like it. I think Kashiwa Hang is among the growing number of people who are of working age in Japan who are starting to get tired of the traditional cultural routes of going to work. I think there's a lot more introspection about who am I outside of being a worker and what are the possibilities that are out there? For so long, working hard has been synonymous with what it means to be Japanese. I've seen some of the best of that work ethic. And also, some of the worst. I think Japan is at a precipice point where it's trying to preserve the traditions of how things used to be done with new paths that are being forged about how to go about work life. As the country charts choppy economic waters in the future, the nature of work will change. And Japanese society's relationship to it will also have to change tack. Captions: IYUNO Media Group
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Channel: CNA Insider
Views: 967,080
Rating: 4.8766494 out of 5
Keywords: cna insider, cna insider documentaries, deciphering japan, Japan, work, overwork, karoshi, tear therapy, ganbaru, kodawari, crown melon, shukatsu, job hunt
Id: 2ajH2Id5FY4
Channel Id: undefined
Length: 47min 47sec (2867 seconds)
Published: Fri Aug 07 2020
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