What Would Snow White *Actually* Wear? || Making a Historically Accurate Disney Snow White Costume

hi can you for once just pretend you like me honestly hi and welcome to the snow white chronicles in this video i will show you how i researched and recreated an outfit that maybe perhaps could have been worn by an actual snow white i don't know so just a disclaimer that recreating iconic disney gowns in a historical style is absolutely nothing new it has been done by it by the cosplay and costuming community for like ages and i'm definitely not the one that came up with that snow white has been done a thousand of times as well a lot of these times were absolute jeff's kiss but hopefully the whole process will still be uh mildly interesting i don't know if why did you click if you're not interested i just realized my brooch was like off the whole time so snow white may not be my favorite disney princess but it is the og disney princess it was literally the first disney princess and because of that her outfit is pretty iconic and very recognizable so let's start off by figuring out or like trying to figure out when the movie is set so snow white and the seven dwarfs was released in 1937 it was disney's first animated feature film and people were crazy about it they loved it so obviously a lot of the elements of snow white's whole visual appearance can be traced to 1930s fashion because that's when the movie came out and back in that time a lot of historical outfits were basically 1930 styles historicized a bit so the hair and the puffy sleeves and even the shoes can definitely they do resemble 1930s fashion more than anything else but the whole thing is obviously not set in 1930s and the movie is based on the grimm brothers story that was first published in 1812 apparently but you know the movie is obviously not set in 1812 either like there is no regency fashion no raised waistlines the prince doesn't look very regency era either and even the architecture and the detail in the interiors and exteriors suggest some earlier time but how much earlier when exactly so german historian eckhart sander eckhardt zander eckhardt came up with a theory that the grimm's brother fairy tale was based on an actual story of margareta von valdec who was a german countess and and there is indeed several elements of her biography that do sound familiar a despotic stepmother a handsome prince that she's fallen in love with and dying young possibly to poison so it is not certain whether the grimm brothers were actually influenced by the story or whether the original story was influenced by mar garetha bon vallec's story but it does seem like the movie has taken visual hints from that time period which was 16th century i didn't mention that so i'm sticking to this one because it seems like the visuals and aesthetics of the movie are heavily influenced by 16th century germany so assuming that and assuming we're stuck with 16th century german fashion i was trying to find a particular style that would fit the aesthetics of the movie outfit and the time period because as you know 16th century was a long time 100 years to be precise for those of you who did not learn that in school why am i telling people useless information so was it early 16th century was the late 16th century i knew sort of when margareta von valdec was born and when she died but i didn't know if disney knew if that makes sense so my brain immediately went lucas chronic portraits so lucas chronic the elder was a german painter that often focused on wealthy german women and just portraits of them and biblical characters but portrayed in 16th century germany so there was a lot to work with and also one of the most iconic elements of chronic style when it comes to like what he portrayed was sleeve rolls and sleeve rolls with colored slits showing a different type of fabric was sort of the most iconic part of snow white's outfit for me so i was like um sleeve rolls are an item or element of clothing that appears on pretty much most of chronic portraits and the other element of snow white's outfit which i think is pretty iconic is the high standing color and i think it's that element that turns it from a typically 1930s dress to something much more historically inspired so i was looking for a portrait that featured both the sleeve rolls and that tall standing collar and it wasn't easy but lo and behold there she is a perfect snow white material so the only problem was that this portrait was painted in 1534 which is when margaretha margaritha von waldek was a one-year-old but while the higher colors were still a thing in 1550s when she sort of lived and died by that time the puffy sleeves were almost completely gone so i had to compromise and pick a style that i think works better with the movie outfit even if historically doesn't make a lot of sense but considering the whole project is evolving around the story of a girl named snow white um i think i should be fine so once i had a clear inspiration in the means of this particular portrait i had to redesign the dress because obviously the color palette is completely not snow white so i tried changing the color palette to make it resemble the movie outfit the most like i wanted to stay with the silhouette all of the elements i wanted to stay the same but make it a 1937 snow white color palette if that makes sense and i also wanted to stick to not only the colors but also the placement of them for example the sleeves being lighter than the bodice the skirt being yellow etc i didn't want to mix it too much so i turned the bodice dark blue and i turned the inside of the color white and then i turned the sleeves light blue with red fabric peeking through i originally actually made it white because most of the fabric peeking through the slits and sleeves in the chronic portraits i noticed that they're usually white but for this project i thought you know what let's just stick to the original inspiration which is of course the beautiful 1937 design so and then i decided to make the decorated cap that she's wearing on her head which is sort of if you look at it closely it sort of resembles snow white's hairstyle shape a little bit so i wanted to make it red because she is wearing a red bow bow bow on her head in the movie and then i made the skirt sort of banana yellow and the rest remained unchanged because those elements i thought were typical for the era and what exactly was typical for the era most of the dress is portrayed by chrono the elder are early 16th century german saxon dresses gowns gowns anyway the research started and not only was i not familiar with fashions in the in that particular time period but i was also not familiar with that particular style of dresses so it was um a lot of fun for a noob like me i needed to figure out not only what those dresses consisted of but also how they were constructed first of all a huge shout out to my 16th century reenacting friend who helped me out and explained several elements of the outfit for me even though that's not the style that she is specializing in but you know a lot of 16th century germany stuff is made in a similar way so shout out to you my my friend thank you i also used information found on several facebook reenacting groups and 16th century costuming groups jeff's case i also use the german renaissance.net blog a lot like a lot because that lady is an angel and she posted a lot of patterns and specific information and links to research and analysis of particular garments so god bless her there was also like several blogs documenting and making of a saxon gown one specific one that featured a lot of useful research for me was sarriduencreations.weebly.com and here's what i found out there isn't much information available like pretty much all of the sources that i've read are are different like a lot of people are speculating about what the dresses looked like so there there's several information that people sort of agreed upon but also there is a lot of stuff that is like we don't really know how that was made but it makes sense that it would probably be made like this so as far as we know there isn't an extern garment of this type the closest we get is mary of habsburg gone that was made in 1520s which is a completely different style it doesn't look like that at all so it's also kind of useless like it doesn't have the pleating of the skirt the sleeves are completely different the bodice is all completely it's just it wasn't useful to me at all let's just say that and most of the construction knowledge that we have is from the visual cues that we get from the portraiture caricatures all sorts of that information is because that seems to have been quite a niche style like that wasn't what half of europe wore unlike let's say tutor gowns or spanish renaissance outfit and what makes things even more complicated is that a lot of these dresses and these garments varied from portrait to portrait and it is also very likely that chrono invented half of these styles himself or at least used some sort of artistic license to spice things up a bit so you know you never know maybe i just made something that didn't even exist i don't care it's nice anyway here is what i did find out so the cap is uh how by which i'm assuming is pronounced hoiber in german which is called goldberg in numerous sources but i think it's a modern name for it i don't think they used that name and a plain okay i'm just gonna say how because i have no idea how to pronounce it a plain halbeck consists of two or more elements like you have an under cap you have something to fill the shape and then you have an over layer but it seems like the gold halberd was actually just one single cap heavily decorated that's what i found out about the helper i'll tell you about the construction later the fabric peeking through at the neckline is hemmed which is an undershirt with a decorated color in this case so the color was either pinned or sewed on the basic hand often featured some sort of smocking in the neck area so okay the bodice is where it gets a little messy construction wise so my first instinct was okay so it's the shirt peeking through at the stomach right but then where did the gathers go where did all the little pleats go why is the shirt not bulking under the black cord it's like completely flat out there and it's not just this painting it's every single painting of this type i've seen there is usually some sort of like white panel there that is completely smooth so chronic may have decided not to paint the bulks and gathers for aesthetic reasons but then why would he be so precise at depicting gathers just above this area but not at like the stomach area it doesn't really make sense to me like him just going like oh yeah this is going to be so realistic and then getting to the stomach and going like um let's just smooth it out here because i'm bored and also you can you can tell that the cord lays super flatly on this particular spot it's not pushing onto the fabric so it must be something that's moderately stiff and i've seen people go around it several ways and i have no idea which is the right one but it's just some logical thinking here so i've seen someone made a white curdle to go underneath the gown and true a supportive undergarment makes total sense in that era because that is something that was probably used but it doesn't make sense for several reasons to me firstly there are lots of depictions of women with their bodices undone and there is no curdle there it's just the undershirt secondly chronic models always had pretty round breasts it was a very different look from what we were used to when we're talking about tutor fashion for example like the bodice is always very flat and the boobs are either like flattened or pushed upwards whereas chronic gowns if you look at the depictions of them sideways the the boob area is always pretty prominent like it's just round you can see the boob is there it's not like completely stiff and and um and stiff so it looks to me like they're not flattened by any sort of structured underbodies some people have made curls with boning or stiffening just below the bust just just so the bust stays sort of composed and then i've seen some people that made a square piece resembling an 18th century stomacher that was just sort of slid into the dress which also i think it works except the skirt is really heavy and the place in front would probably just go like that so i thought it would probably have to be attached to the skirt at some point so analyzing the paintings it looks like the white stomach piece was something that was attached to the skirt in front and then laced under the bodice and this is the version i decided to do and then lastly the sleeves i was pretty sure the fabric that peeks through the sleeves in the original portrait is not in fact the undershirt because there is no way it would look this puffy and perfect even on the porch red and also like you know every movement the undershirt would just slid from the path and just like go it's just too messy i don't think that's what they did so i decided to make the sleeve roll filling if that makes sense so once i more or less had an idea of what i wanted to do it came to choosing the fabric and i must admit i messed up because that was very early stage of research and i had to order it as fast as possible for fear of it not coming to me fast enough so i focused too much on the painting itself and just assumed that something that rich and patterned must have been brocade when it was actually most likely damask which would probably be a lot thicker and heavier so i ordered a pile of brocade only to find out that it's a lot lighter like as in thinner than i thought but at the same time finding that many different shades of affordable damask which is a lot more rare than like just random brocade would probably be impossible so i think i'm still happy with my brocade choice even though it was not super fun to work with i also lowkey thought that buying brocade in a shop that has you know silk in their name would mean that the brocade is silk but um it's actually not so that kind of hijacked my efforts to make this out of just historically accurate as possible but so i figure out that the best way to start it is to focus on the most time consuming elements because i just cannot make these last minute and i did have a specific deadline for this originally because i thought i will be allowed to film at a castle didn't happen never mind it did affect a lot of my decisions when it came to making of this dress so one of those decisions was starting off by focusing on all the things that require me to sew pearls on and the very first thing was the color so the fabric i intended for the color turned out to be like bright orange which was not what i had in mind so i embroidered it on the wrong side and it actually worked i used real pearls which were a pain to work with because i literally have not managed to find a needle that will go through them i bought the thinnest needle in the city and it was still too thick so i had to use a wire to put them on a string and then sew that particular string onto the collar it was a mess and they are also expensive as hell obviously and super heavy so for the rest of the outfit i decided to use fake pearls because the fabric was plastic anyway so it kind of felt like a waste to embroider polyester brocade with real pearls if you know what i mean another thing i attempted was making a card using a le set and i here i'm showing you how it works and i don't know what happened because i have done it before and i made a pair of shoelaces and it was all okay and it's legit not complicated but yet this time every time i took a break and then picked it up like a day later i messed it up i didn't know which way to go so the first time i messed it up was during a live stream i think i messed it up again i don't know what i'm doing and then basically every time i stopped and i had to stop like obviously i'm not gonna make the whole cord i'm not gonna just sit the whole day and make it i wanted to do like half an hour daily but every time i stopped i just couldn't figure it out afterwards so this was going on for weeks before i finally gave up and i just braided the cord so next up was the halber hoiber whatever and this damn thing literally took me months i first used a disappearing pen to sort of mark all the lines and then i started working on it but i obviously didn't manage to do it during the day right because it's a lot of work so then the next day i look at it and all the marking lines are gone and i'm like oh it must have been the water from when i was setting my hair so i do it again with the same disappearing pen and then the next day guess what it's gone again so eventually i marked it for the third time and this time using chalk and that's when i really started working on it but that that that process alone was like two weeks and i know this is a nice side job for when i'm watching something so i watched bbc's pride and prejudice and then i watched north and south and then sense and sensibility and then i watched my best friend's wedding and dark victory and trouble in paradise and the awful truth and set it up and return of the hero and anglory's bastards and jackie brown and when all this was done um i finished one part of the halberd but that was the most time consuming part it was a continuous process that took months so let me just show you what i did in the meantime as always i wanted to start with the foundations first so i researched the hemmed or the undershirt and it seems like it didn't change much from early 16th century to late 16th century and i've already done late 16th century so it wasn't too bad most of the shirts opened in front though and i thought if i if the collar has no front opening i would have to either stitch it on every single time when i wear it and like it's not easy to stitch something on when you're wearing it or i would have to pin this on but judging by how heavy the collar was it was it made no sense for it to be pinned because it would just drag the whole thing down so i decided to close my shirt in the back i'm not sure how historically accurate that is to be honest but it makes sense and also there is no slit scene in the painting so it was either not there or it was just hidden well enough so i used a smock pattern from german renaissance.net and it was pretty straightforward and as i said i've made an early 17th century smoke before so it was pretty similar and those types of garments would usually be linen but in the portrait it appears to be something much thinner it would be pretty much impossible to achieve such thin gathers using any type of linen even the thinnest linen possible so i decided to use silk chiffon and at first i contemplated whether the whole thing is like a separate decorative piece but i just made it a hemmed anyway like if that was a rich lady and judging by the amount of gold that she has she probably was she could afford a silk hemmed even if it was impractical and see-through and a lot of renaissance shirts feature decorative smocking at a collar but i thought it would be kind of a waste to spend hours making it and then cover it all with the pearly collar so the kitty was a bit distracting in my research not gonna lie so the way i made this smoke was just i cut two pieces of fabric which were mostly rectangles except for some adjustments in the neck area and then i sewed the shoulder seams together and marked several rows of dots on the collar the dots served as guidelines for me for my needle so i did seven lines of very wobbly stitches and here i demonstrate how the whole thing is gathered but i actually had to do all seven rows first and then gather the whole thing and the counterweight by the way is not a cinematic touch but my room is so damn dark that it actually helped when i had a candle on my uh working space let's say which was obviously my carpet so i also realized that i can't fully gather a color before finishing the embroidery piece so i decided to go back to the pearl disaster and finish it up first and shout out to my sister for coming in for a rant and then realizing she's on camera what up update time so it's going super slow it's taking me it's taken me a week to embroider like two pieces and it's not even embroidery i'm just like sewing pearls on so here is the color the color of the hem apparently if that's what you say in german and then here is the hauba which is like halfway less than halfway done because i also need to like put some details inside those it's super wobbly and uneven but i'll be happy to be done with it and then apart from this piece which is like the main part of the how bad you also have like strips of fabric that will also need to look somewhat like this so there's still a long way and this is what a semi-finished hemp looked like like this was before pressing the seams and and stitching on the collar and as you can see the way underarms are constructed is using gussets which in my case were just like squares of fabric folded in half and i stitched the decorative color on and i adjusted the gathers and then added some pearls and loops in the back of the color to close it and thus the first garment was mostly finished though there was some decoration left which i'll talk about later now when ordering the fabric i was sort of expecting it like not all of the colors to be what i imagined and to not match my project slightly and to be fair most of it was identical to what i had in mind except the orange fabric of the color and the blue fabric for the sleeve and at first i thought you know what people will get the idea it's still blue right but then that combined with the questionable red decorative spots that look like period blood made me go like um it just started bothering me so i wanted to buy blue fabric dye and just dye it but for some unknown reason the whole supply of blue fabric dye in my city was sold out and i literally checked like several shops and they all said even though those were like different brands they were like oh we're out of blue though i don't know what happened one lady told me it's like a manufacturing issue but it was basically gone and i was running out of time as i said so my back-up plan was just fabric paint and that's what i did i bought a lot of fabric paint and i just painted it and it did make fabric much stiffer but because it was all going to be used on the structured sleeves anyway it actually worked quite well when it was stiff so painting was a bit annoying not gonna lie but it did turn out almost the exact color that i had in mind and also my dumb self realized at some point that i can actually just pull out the red threads that were responsible for the period stain look so here is a brief footage of me working on a curl bodice until i realized it would be too stiff to give me the round but silhouette of the era but i did spend some time on that before i resigned and i believe the dress was structured enough not to have any sort of garment especially if your bust wasn't too big and that is sort of supported by the portraits like there is just the undershirt underneath but you know so after painting the sleeves by the way it looks like i've been wearing the same outfit for months at this point so after painting the sleeve fabric i cut out the sleeves sort of like the base of the sleeve using german renaissance.net pattern and then i divided the sleeves into seven sections and the original sleeve actually has eight rolls but you know sue me and those sections were then cut into strips of equal width it sounds really complicated but basically i just wanted to make sure that sleeve rolls follow the shape of the sleeves rather than just being random strips of fabric sewn onto the sleeve so originally i thought i would just bound the edges with black tape and just call it a day you know but i ended up cutting strips of wool a little wider than the strips of brocade and then i sewed them together which stiffened the whole thing at the same time and then i flipped it on the right side and repeated this process 116 times um the sleeves were definitely the most complex and mentally draining part of this whole process let's just say it took me two weeks to complete a single sleeve and i'm not even joking anyway i then sewed the top of the wool lined strips to the sleeve lining and then i put some red fabric underneath and i pushed the straps a little bit and sewed the bottom and it was hell it by the way i didn't sew for like three days because my cat was sitting on my chair and that happened so rarely i didn't feel like making him leave so i just accepted my fate so when rolls were sort of done all that was left was to cover the raw edges of the strips and the brown lining picking through the rose with some fabric and that's super counterproductive and 0 out of 10 would not recommend and my dad saw me do that and he was like why didn't you just make a sleeve a bit longer and then make the splits and then just pushed it upwards but i was like no no my dude um first of all i'm not that kind of a math magician and second of all even though the painting makes it look like there's no scene between the roll and the flat piece i'm pretty sure the strips would not be that puffy naturally and third of all i would still have to attach the top fabric to the lining to avoid the rolls just going flat like that and finally i would have to bound each sleeve by hand with some sort of like black tape so that sounds like even a bigger nightmare than the one i was already living with those sleeves so there is no easy way to do it so long story short my solution is definitely debatable and counterproductive in many ways but it gave me a lot of control over the shape of the rolls how puffy the rolls are how much of the red fabric is peeking through and overall i felt much more of a sleeve magician than i would otherwise i think then i made a mock-up of the bodice even though i should have actually done that before i started the sleeves but i thought the sleeves are a superior part of this outfit so worst case scenario would be that i had to modify the bodice to fit the sleeves who decides which part of the outfit is more important anyway like it is time to ditch societal arms and go sleeves are dictating the rules here and that's okay so first of all i grossly overestimated the size and height of the collar okay i look like 85 right now but just to show you that like i think i went a little overboard with the color perhaps i don't know did i maybe it should just be like like that this side is just not working actually um i will try and do this though like instead of just having this wide piece that i thought would just stay like that i'll just do this like fold it and see if that works the rest of them like it ain't too bad it was a little bit difficult trying to make a mock-up of something that is basically an open bodice and i made a bust panel that was supposed to imitate the decorative recipes and that helped a little bit but the most tricky part was definitely the color i wanted it to be as close to the one in portrait as possible but it was too tall and then it was too white and then to widely set and overall it was just messing my other ways perfectly good mock-ups a lot so eventually after gazillion adjustments i decided that i'm sticking to this mock-up and let's just move on so of all the brocades i ordered the dark blue one is definitely the most vibrant and the prettiest so here are some sexy brocade montage for [Music] you [Music] and after i cut out the blue pieces i sewed them together and then i used my last linen mock-up as the lining and that was of course an environmental decision that had nothing to do with me just being lazy anyway i joined the fabric and the lining together and like all the edges except the sleeves and the bottom just so i could flip it inside out i pressed it so it laid nicely so oh it gets my bra so i'm trying this on right and i mean it's not like super impressive but wait um [ __ ] excuse me and then it was time for the brush fact so this lovely piece this lovely sounding piece is just a decorative oh my god i just farted with my hands that's so strange anyway this lovely piece is basically the decorative element across the bust and it features some heavy decorations it's one of those like statements of this style so i cut the piece of fabric and i cut a piece of linen and i joined those two together and i flipped it inside out and then i realized that it's actually too narrow so i had to do the whole thing again then i left it for when i feel like adorning it with pearls which was not anytime soon at that point so i moved on to the skirt and there isn't much of the skirt that we see in the painting but most chronic skirts were heavily pleated and quite long and also featured a decorative strip of fabric at the bottom which i think is called a guard and the movie snow white skirts is actually really plain but i wanted to add that decorative strip just to sort of spice things up a bit because the skirt just compared to how heavy the top of the outfit was that would be just one plain skirt so i cut long strips of leftover fabric from the helper and then cut the hem of the skirt off and sew the red fabric in and you know this is before pressing the seams so it looks super wobbly but you get the idea so when it comes to depleting there are several pleating techniques and the one that gave the closest results to what i was looking for was rose bleeds and it seemed complicated at first but once i figured out the math it went quite fast now taking a break from the skirt we're back to the burst [ __ ] and from what i understand the bruce fleck is just the decorative piece and not the white stomach piece so for the white piece i needed something stiff enough not to bulk under the cord but at the same time something soft enough not to flatten my chest in any way so i cut one layer of white silk tafta two layers of thick linen and one layer of thinner linen as the lining and then i joined all those layers together and i flipped it inside out and it worked it i sewed the bodice to the skirt and then i sewed the white piece to the front of the skirt and i tried the whole thing on it was okay it was fine that was also more or less the time that i watched the last movie and finished the big hauba piece and i made other elements too and i cut out the lining for each piece with two pieces of linen lining for the main piece as it turned out a little too heavy i didn't want the purse to drag the whole thing down and not gonna lie the whole construction of a gold helper left me hella confused like i had no idea how to do it so i kind of winged it so i realized that if i'm not making a curdle there is no way the skirt will look right it's just really floppy and i first tried making a wool petticoat and just put it underneath the skirt but but i slowly came to the conclusion that yes i will in fact have to pick the whole thing apart and undo both the petticoat and the skirt and just treat them like one layer of fabric and replete it all again and you can imagine my surprise and joy so i did just that and pleated the two layered skirts and sewed it together with the bodice and tried the whole thing on and you can see that in the meantime i added the metal hoops to the sides of the bodice and i finished the decorated brush like by the way it is i think the most sloppily done piece of the whole costume like the heavy pearls just ain't it it's really difficult to make them stay like lay nicely so um i should probably just redo it using a different technique but never mind and one of the most important things left to do was finding a way to stiffen the collar so i asked my dad to buy me a nice and bendy wire and he delivered and then i turned the wire into sort of a bow shape and that could be inserted into the collar between the outer fabric and the lining and then i just stitched that in place and it kind of worked i don't i don't think it's super nice because it didn't like completely smooth out the color which i only noticed after recording the dress and that starts bothering me a bit but also at the same time the whole shape and the angle is pretty similar to what i see in the portrait so i'm okay with that and then unfortunately i didn't have any more excuses not to work on the other sleeve i was running out of excuses and and i had to get back to the gazillions wool bound strip and honestly at this point anything in the world sounded better than the sleeves hi and welcome to i am so done with the sleeves so let me move on to a wire instead come on no that's just nasty [Music] and then i tried everything on and not gonna lie it looked quite dope and apart from some minor fixes i needed to do the only major thing left to do was shorten the chains that i got on etsy um generally speaking sourcing the right jewelry was a pain in the ass because i didn't really feel like spending thousands of dollars on you know meticulously made replicas of renaissance jewelry for a snow white outfit so i tried to go around it and i ordered some like i don't even think they're like decorative chains they look pretty hardware to me i bought some cheap replicas of renaissance rings that you can buy in like uk museum shops and then i bought two beautiful tudor inspired jewelry pieces from etsy that i just ripped apart to salvage useful parts then i also had a gold covered medallion that my dad 3d printed for me and then covered it in gold because he was bored and then i also bought a 1980s brooch that i again found on etsy and at this point i legit know every single brooch and pendant on etsy that is posted under the name of renaissance tudor antique gold black and white i know it all so i glued pearls to the salvaged pieces and then i sewed the pieces onto the decorative collar because if you look at the portrait there is a lot more going on at the collar than just the pearls so i pinned the 1980s brooch on as well and i stitched some real pearls in the corners and it was pretty much done and one last element of this outfit which was pretty spontaneous and it was sort of a last-minute audition when i realized i have more time than i did think i have uh was this pair of the world's ugliest shoes um unfortunately renaissance shoes were ugly af and those worn under chronic dresses seemed to be no exception so i splurged on a pair of these bad boys and though now that i'm thinking about it they're still looking better than most balenciaga shoes these days what is interesting is because different shoes for your left and right feet were not invented yet and these are apparently quite historically accurate these two are literally the same shape and i actually wore them on wrong feet first when i first tried them on foreign [Music] [Applause] [Music] yes [Music] show them what they never anyway summing up i'm pretty pretty okay with this outfit there's obviously like a thousand things i already see that i hate but overall it was a fun project to work on it was definitely one of the most complicated projects i've ever attempted because of the amount of elements and then because of the amount of jewelry and decoration it was just very rich if i could say that also we were trying to film it at a castle twice and actually at two different castles and one of the castles we had to cancel cause we went into lockdown and then the other castle didn't let me in so luckily enough i live in an oldest city that has a lot of 16th century buildings so hopefully that will be good enough but it was also raining and um let's just say i want to get this dress a proper photoshoot once with like flowers and apples and 16th century castles but you know i'm willing to wait until it's safe anyway i hope you guys enjoyed it and if you ever um did a disney inspired snow white costume you can share it in the comments and i'd love to have a look if you if there's a way to post a link to that actually but there should be so anyway thanks for watching and sorry for talking for such a long time i'm actually a bit sore now bye

Channel: Karolina Żebrowska

Views: 426,995

Rating: 4.9875426 out of 5

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Id: 1cmDY4EYRpg

Length: 40min 23sec (2423 seconds)

Published: Tue Apr 20 2021