VFX Artists React to BOLLYWOOD Bad & Great CGi 2

i am still having trouble wrapping my head around this oh dude he's just chilling so hard we just discovered a hidden secret visual effects shot hey what's up welcome to another episode of this oh god what happened to the couch where's clint [Music] oh what's up everybody welcome to another wonderful episode of visual effects artists react this time we are back with bollywood tollywood jollywood there's a million names for it we're calling it bollywood because it sums it up nicely i'm very excited for this bollywood episode because i mean honestly i i truly love bollywood i love the passion behind it all when bollywood is good it's like just any american blockbuster but on like total steroids because it's got this crazy like over-the-top influence to it and when it's bad it's kind of like a really awesome high production quality like tim and eric movie either way it goes i love it [Music] [Applause] dude i love how they just try to kill this guy they're like let's crank the bar up so high [Applause] you did it somehow got more velocity to like grab the handlebars is this a commercial yeah it's basically a pepsi commercial some hardcore product placement [Music] so how did they do it they just did it for real i guess probably this looks like the most classic bollywood type of effect wire removal wire removal that's an intense shot so how do they so how do they oh yeah so if it's on looking down at it the wires would be i guess they'd have to like hide it between the wires the camera he might be on some sort of like hip thing he looks like he's on a hip thing you can even see it in his shirt a little bit it looks like he's not that high off the ground and also the ramp disappeared and the like pole vault thing disappears everything disappeared yeah basically and maybe that bar is cg the bar is probably cg because the wires would have clipped it yeah also there's like no definition in that bar yeah it's like black solid or a red solid i'm colorblind oh how are you a vfx artist it's sometimes it's hard you know [Music] wait a second all the signs are fake yeah every single sound is fake effects is probably the visual effects house that works on this movie so this movie is about a guy who's got like mythological ancestry and powers which is why he's basically a superhero in the modern day so when he's not doing sweet jumps he's fighting bad guys yes basically he's got the bloodline of an ancient swordsman [Music] wait who's this who's this his portly buddy oh dude yes oh damn they actually did that that was a that was a sweet stunt there my first reaction was like oh it's miniatures and then like what kind of doesn't look like miniatures no it's like an actual set with a green screen it looks legit i mean it could be it certainly could be a miniature i think they just did it it looks legit yeah i think they just took a thing like that and threw it on a ramp and just like freaking sling shot at it well look at the the way the helicopter actually moves after it's being hit it flexes in a way a miniature can't flex and that fire coming out of it like i love the power range the power rangers like [Applause] look how tiny the jump is in that angle that was a tiny jump yeah that's real that's that's all real 100 so they're manually rotoscoping that fire do you see that yeah oh my god there's so many errors look at the mask and then look at the feather on the right side too what's the plan dude [Laughter] once again it's just the impact is the transition point he's actually holding on and you'll see right around there see click yeah in motion you don't see that little glitch overall other than the fact that the the cg arm looks kind of like a hot dog yeah you know the actual execution of doing that shot is really good agreed agreed oh and also notice how he's actually specifically turning so that his arm that just got chopped is away from camera had he rotated the other way you'd have to use effects to track in a stump yeah it'd be a lot harder to paint out the arm too because it's going to be oh absolutely it's easy to paint out an arm this but once it's over your body if you paint it out now suddenly you have an arm-sized gap you have to now fill in with custom elements speaking of arm-sized gaps i actually got a clip for you guys to watch what a segway [Applause] [Music] what i can tell you right now i know this actor and he's a normal sized guy so this this is a movie about a little person who is very well off and they're trying to find themselves he's actually 5'7 and in the movie he's 4 8. the effects in this movie are so flawless it hurts my brain that's a full-on camera move like it was tracking backwards and also panning to the right yeah is this like lord of the rings stuff or there's just no because it's it's easy enough to do a camera move and have you know regular sized people and small sized people they did that on lord of the rings we broke that down in a previous episode but they're holding hands here that's what's blowing my mind i am very confused isn't doesn't it doesn't this hurt your head dude but it does let me let me break this down for you guys so every shot in this movie which had this actor shrunken down to four eight they had to shoot five takes for one take and they pieced everything together in post when we did boss time dynamics that was probably like a five six maybe seven step process this is a 28 step process to get this guy to look like a little person so the first take that they did was just the actors walking together with the floor removed all of their sets were kind of like legos so all the floors could be moved around and and taken out so he's sunken down and he's holding hands they're holding hands they're both in the shot but they're still holding so the hand holding is real the handling is real okay the next take they do that actor on the right doing his motion with no people in the background no extras holding his hand out without the main actor the next take is a clean plate no extras just just the background they do another take extras only and then the final take is the main actor holding an invisible hand it's just him no extras walking down holding his hand out because speaking of arm-sized gaps when you're painting something out and you have a hand-sized hole that you need to replace you need that information so the actor by himself is the information that you would need to shrink him down and fill in the gaps with but but that doesn't make sense though like what but how is it like it's not just him being shorter he's like scaled yeah no exactly smaller and thinner so what take are they using for that i think they're using all the takes and different pieces of it so it's like they're able to merge different parts of each take together yes that's what it seems like to me this has to be a motion control system right yes they had some pretty intense uh technology to shoot this movie because if that was the case then that crazy camera move they do at the end isn't all that crazy because it's repeatable so i guess that the body double is like the reference yeah look at that okay the very next shot after this where it's just like kind of a medium shot on both of them they still shrink him they still shrink him like his shoulders aren't as wide yeah his shoulders yeah there's less distance between his shoulders see that's the thing if it was just lower it would look janky yeah it would exactly i see what you're saying like this is some tricky compositing yo you guys you guys really want to see something nuts dude that hurts my head like she's interacting with him i am still having trouble wrapping my head around this i see the elements here but i i can't tell how they're piecing them together still how do they look so naturally locked and synced together i don't know if you guys have any insight on some zero visual effects besides the one behind the scenes video on the internet please leave a comment below let us know how this is done we gotta crack the case on this one man this one is intense a lot of guys what you gonna do when they come for you when they come for you oh watch out we're good though because we got this guy duty's just chilling so hard look at that look at that track look at that janky track dude oh my god you see like the edge the edge matte feather on the side [Music] they're all superheroes yeah seriously oh two bbs oh explosion bombs still fire babies oh i got a car coming at me no problem just going to stop it all right so this is ambala 2015 one of my favorite bollywood action scenes here let's go back to that jeep jump this one actually for once looked like it wasn't done in the original shot oh dude so this is like photoshop yes nephew photoshop effects because the perspective doesn't change as it goes from frame right to frame left but they did put a reflection on the van yeah like i was about to say wire work for this stuff but now i'm watching it it's like oh wow but stay tuned because the very next shot the very next shot is the wire work stuff okay that's definitely a at least a wire shot because the perspective of the car is changing yeah yeah i feel bad for the stunt man on the jeep in that shot look at that impact he's just like crunch the snapshot freeze frames are honestly the best part about this and i can tell you how they did them so they took the camera from three different angles and the onset still photographer was like all right photoshoot time [Music] dude those matrix bowls are actual wait never been touched by a human hand like perfectly perfectly pristine so this is probably a vfx shot because they're rotoing out the ramps the cars are hitting like it's a real explosion but then the uh looks like the base of the explosion is fake yeah cause i think they're like reworking it to paint out the ramps was he winking at the camera or the ladies the ladies the ladies i mean you can see the ladies in his glasses oh you're right you literally see the ladies in the reflection of his and the reflection is actually tracked onto his glasses that's visual effects we just discovered a hidden secret visual effects shot yeah you see how the people are moving with these glasses as opposed to like i'm asking that question as a joke but you're totally right they literally tracked the ladies into the reflection see they should be in one spot and his glasses reveal them and then when he moves away they stay in place as it wipes away but in the shot here the ladies actually move with his glasses it's like he has bifocals that means he has eyes only for these ladies no matter where he looks yes yes it's ladies yes i had no idea until just i don't think i think it's a detail of the shot that no one noticed ambala ambala bravo yes bravo if you guys have any sort of bollywood scenes that feature a dude cooler than this i will not believe you but maybe leave it in the comments down below hey guys jake here you might know me as the 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compact design with a nice noise isolating fit they also come in new fun colors now i don't know about you but if you're interested in finding and obtaining inner peace consider clicking the link in the description below and you'll get 15 off your first order come on thanks for watching feel free to subscribe because we got some cool stuff coming out next week we experimented with long exposure photography and drones and if you missed it there's a whole adventure about me trying to learn how to fly a jet suit watch this video right here it's in the past it's over there it's over there and i hope to see you next week so subscribe [Music]

Channel: Corridor Crew

Views: 5,317,895

Keywords: vfx artists react, cgi, shot breakdown, react, visual effects, explained, bollywood, hollywood, india, zero, Rajinikanth

Id: ekNjcWNfgDg

Length: 14min 17sec (857 seconds)

Published: Sat Jan 25 2020