âJo, thatâs so boyish!â âThatâs why I do it.â The tomboy: for centuries,
sheâs broken all the rules, captivating audiences
with her nonconformist spirit and strong sense of self. âJust let me smash
this ball downtown.â Looking at this character across her many appearances
in film, TV, and literature, we can identify
some of her common traits: The tomboy loves traditionally
masculine activities and interests, like cars or sports. "There's no way
that's MADMAX." "Yeah. Girls don't
play video games." She often has an open disdain
for anything overly feminine. âYou can only put on
so much lip gloss, princess.â She usually prefers boysâ clothing,
baggy shirts, or athletic wear instead of dresses and skirts. âI have a strict
no ruffles policy.â The tomboy might rather be
friends with the boys, too, and have difficulty
relating to other girls. âI would never play
with those girls.â Sheâs adventurous and confidentâ
sometimes even impulsive and headstrong. [Screaming] âIâll kill you!â Crucially, she doesnât cave
to the pressure to conform. The tomboy marches
to the beat of her own drum, which has made her a strong role model for women and girls
who feel like they donât fit in. âI am Merida, and I'll be
shooting for my own hand.â But she also tends to be treated
as an anomaly by her community âYou're a girl! Be
a girl and beat it!â and possibly be her story, which can reinforce the idea
that a tomboy personality is abnormal. âZack kissed a girl!â âIt wasnât a girl,
it was Max!â Often, her story presents
being a tomboy as just a phase, one sheâs expected to grow out of. âYou canât be a tomboy
all your life.â More recently, it seems like
even we as a culture have outgrown the tomboy, and some have questioned
whether the trope is still compatible with our more modern ideas
about gender identity. Hereâs our take on the Tomboy:
the liberation she represents, the limitations
of this characterization, and whether thereâs a place
for her in our future. âYeah letâs break some rules!â Hi everyone! Iâm Susannah. And Iâm Debra. And youâre watching The Take. Be sure to share it,
and subscribe. And never miss a take! This video is brought to you by Mubi,
a curated streaming service showing exceptional films
from around the globe. Itâs like your own
personal film festival, streaming anytime, anywhere. âHey Miss Dubose.â âDonât you say hey
to me, you ugly girl!â The word âtomboyâ originated
in the 16th century to describe âbrash, boisterous
or self-assuredâ young boys. But it soon shifted to girls
who behaved immodestlyâ in other words, like a boy would. âCareful tomboy, you get all that grease
washed off you might discover youâre a girl after all.â There is an inherent judgment
to the word âtomboy,â implying sheâs acting
in a way that girls shouldnât. But this is exactly what makes
her such a popular character: she defies restrictions, âI'm saying it's not ladylike
to chew with your mouth full.â âWhat I've gotta finish
chewing before I can talk?â becoming a fun, rebellious role model
for other not-so-girly-girls. âMerida, a princess does not set
her weapons on the table.â âMom, it's just my bow!â One of the first and most enduring
examples of the tomboy is Jo, the fiercely independent protagonist of Louisa May Alcottâs
1868 novel Little Women, whoâs more interested
in books than marriage. âYou oughta be the happiest
boy in the world.â âOh, a fellow canât
live on books alone.â âI could.â In the first of many
film adaptations in 1933, Jo was played
by Katherine Hepburnâ a famous tomboy herself. âYou neednât whistle like a boy.â âThatâs why I do it.â Jo provided a powerful
example for women by being unapologetic
about her career ambitions. âOh, wait til I become
a famous author and make my fortune.â In the wake of World War IIâ for which American women
had volunteered in record numbersâ the 1949 version of Little Women emphasized Joâs own desire
to serve, in the Civil War of her period. âLook at me dying to go
and fight by fatherâs side and here I am
sitting and knitting.â And more modern Jos in Little Womenâs
iconic 1994 and 2019 adaptations still carry an edge in their refusal to bow to societyâs
expectations for women. âI just canât go be a wife.â âI only sold what was my own.â âJo, your hair!â âYour one beauty.â âYou look like a boy.â âWell, it doesn't affect
the fate of the nation." In 1960, Harper Leeâs novel
To Kill A Mockingbird gave us Scout, a 6-year-old tomboy whoâs defined not just
by her confidence, but also by her curiosity. âIf you shouldnât be defending
him then why are you doing it?â As the 1962 film version arrived at the dawn of the civil
rights movement, Scout's scrappy nonconformity helps her see the deep flaws
and injustices in her society. âDonât say n***er, Scout.â âI didn't say it, Cecil Jacobs did. That's why I had to fight him.â While Jo and Scout offered models
of ambition and fortitude, the â70s tomboy was tough,
loved sports and junk food, and was often just as lazy
and rude as the boys. âGrab a bat, punk!â As played by actors like Tatum OâNeal
in The Bad News Bears and Paper Moon, and Jodie Foster in Candleshoe
and Freaky Friday, the â70s tomboy was free-spirited in a way that mirrored the rising
womenâs liberation movement, âYesterday I was made captain
for today's playoff game. Kind of neat, huh? I'm also
pretty good on water.â and her fearless swagger would become
one of the tomboyâs defining traits. âYou think I canât bust out
of juvenile hall, huh? You think I canât? I can bust
out any time I want, do you hear? Any time I want!â As the â80s gave rise to
shopping-and-makeup-obsessed âMaterial Girlsâ and Valley Girls, âThis one is so tubular!â the tomboyâs rebelliousness
became part of an implicit class war. âCould you tell Mrs. Onassis
here to stay out of my way?â Working-class, motorcycle-riding, Jo
on the NBC sitcom The Facts of Life was a thorn in the side
of posh, perfect Blair. âThe countessâs motto
is âdare to be you.ââ âYou mean dare to put on
all this goop and go out in public.â In Some Kind of Wonderful,
Mary Stuart Mastersonâs Watts is a leather jacket-wearing,
punk-rock drummer who takes no guff from the rich kids. âI've just never seen a girl
wearing boys underpants before.â âHave you ever seen a girl
with a drumstick shoved up her nose?â And Punky Brewsterâs
thrown-together tomboy reflected her hardscrabble
home life as an orphanâ a stark contrast to
her snobby classmates. For Punky, like for many
of these young women, being a tomboy was a statement
of fierce, empowering individuality. âI use Punky Power.â âWhat's that?â âIt's believing in myself,
it's never giving up. But most of all, it's knowing that I can do anything
I want if I really try.â By the â90s and early 2000s,
tomboys could be all of these things: adventure-seeker, âIâm running away.â âWhere are you running to?â âCalifornia. Iâm going to Hollywood
to live with the Brady Bunch.â athlete, âI love soccer more than
anything else in the world.â intellectual, âI only surround myself with people
who I find intellectually stimulating.â or even just a smartass. âExpressing my opinion
is not a terrorist action.â But even though many of these tomboys
were positive role models, they were still portrayed as oddities:
outcasts, antagonized by their peers. âMake sure sheâs in the back
for the group photo.â Meanwhile, by making
this character aspirational through associating her
with typically male qualities, these stories could end up suggesting that the feminine, âgirly traitsâ
the tomboy rejected were inherently inferior or undesirable,
a bias thatâs still a problem today. âIf you weren't a girl,
I'd beat your face off.â âYeah? If you werenât a girl,
Iâd beat YOUR face off.â âLose the tomboy thing,
and grow up.â A reoccurring feature
of the tomboyâs story is the expectation that sheâll
eventually grow out of it. For My Girlâs Vada,
getting her first period signals the beginning
of her transition into womanhood. âItâs not fair, nothing
happens to boys.â Itâs not long before
sheâs wearing dresses, and hanging out with
the girls she once shunned. âJudy and I are gonna be
in the same homeroom.â Freaky Fridayâs Annabelle isnât interested in getting
her hair or nails done until she switches bodies
with her mother, âJust a touch of color. Beautiful. Whoops! Perfect. Just gorgeous.â and this brush with womanhood
convinces her that conventionally feminine
interests arenât so bad after all. âYouâre just like your motherâ âThanks.â Even Punky Brewster begins
dressing more stereotypically girly after developing a crush
on an older boy. Again and again, weâre
told that growing up means putting aside
that tomboy playfulness and embracing
a more feminine side. âI'm almost 12 and I'llâ
I'll be getting a bra soon⌠Well, maybe in a year or so. I can't be playing no dumb baseball.â This idea has historical roots
in the wake of the American Civil War, when young white women were
encouraged to behave as tomboysâ to engage in greater physical activity, so they would be hearty
enough to bear strong children. Still, they were expected to become
ladylike wives and mothers once they married. "Amy, you're too prim. Take care or you'll grow up
and be an affected little goose. And as for you, Jo, now that
you turn up your hair, you should realize
you're a young lady." In our modern era, this pressure
to grow out of it is especially explicit in stories
about older tomboys. Miss Congenialityâs Gracie
is a lifelong tomboy, âYou calling me a girl?â âYou called me one.â yet she canât be truly happy until
she gets a beauty-pageant makeover, attracts the attention
of a handsome guy, and finds some female friends. âI really do want world peace.â Like Gracie, Kat in 10 Things About You has failed to transition into proper
womanhood during adolescence. She begins as a blunt, aggressive,
and outspoken high-school athlete, âPeople perceive you
as somewhat...â âTempestuous.â âHeinous Bitch is the term
used most often.â who shows little interest inâ
or even tolerance forâboys. âI guess in this society
being male and an asshole makes you worthy of our time.â But rather than fully applauding
her feminist, independent streak, the film reveals this personality
to be more or less a postureâ an armor she uses to protect herself from the harsh social
environment of high school, âI don't like to do
what people expect. Why should I live up to othersâ
expectations instead of my own?â âSo youâre disappointed from the start
and then youâre covered right?â and in the end (like the heroine of Shakespeareâs
Taming of the Shrew sheâs based on) Katâs happy ending is to be tamed
through falling for a boy and putting away these childish things
to become more traditionally feminine. âWhereâd you get the dress?â âOh, just something I had,
you know, lying around.â Itâs a common trope for a female character who starts
out as unpopular or maladjusted to put on a pretty dress
and some makeup as a symbolic expression
of her coming of age, opening themselves up to others,
and really finding themselves. âAnd for me this experience
has been one of the most rewarding and liberating experiences of my life.â This plot device doesnât just rule out
the idea that a woman might like to continue dressing and acting in
whatever unconventional way suits her; it also limits who gets to be tomboy
in the first place. Women of color have
historically been excluded from markers of conventionally
âproperâ femininity. Black women in particular have long
been stereotyped as ânonfeminine.â Thus, most on-screen tomboys who have the privilege of rebelling
against the expectation to be âladylikeâ are white girls. Notably, the few non-white
tomboys weâve seen tend to face even greater pressure
from their families to be more feminine. âYour sisterâs getting engaged and youâre sitting here
watching this skinhead boy.â The parents of these characters
often express an anxiety steeped in a fear of their
confirming racial stereotypes. âI donât know why I keep hoping
youâll grow out of this tomboy thing.â Compounding this anxiety is the fact that tomboys have also long been
associated with being queer. âHow long have
you been a lesbian?â âExcuse me?â On screen, tomboys are often presumed
to be lesbians by their peers. âAll this touching, and hugging
girls, and 'I love you'? Boy, are you strange.â Society has long conflated gender
expression with sexuality, leading to the heteronormative
assumption that lesbians present themselves
as more masculine. âJust because I wear
trackies and play sport does not make
me a lesbian.â Homophobia also contributes
to the general unease around tomboys who
donât grow out of it as they transition into the adult bodies
that will then become sexualized. âNo boyâs gonna wanna
go out with a girl whoâs got bigger
muscles than him.â By presenting as more masculine, the tomboy denies the male gaze
the right to sexualize her. And the historical discomfort
around tomboys speaks to the fact
that, for centuries, a womanâs value has been defined
as her potential to be a mate for men. âYou look really pretty.â âAnd therefore I have value?â Even the stories that ostensibly
celebrate the tomboy tend to neutralize any potential threat the tomboy might represent
to social norms by almost inevitably
pairing her off with a man. âAnd don't just think you canââ Even if not all of these
tomboys are queer, allowing some of them
to remain single would be more true
to their characters. âThereâs more to life
than stupid boys, you know.â Greta Gerwigâs 2019
adaptation of Little Women expresses this frustrating false choice,
naturally through Jo March. âIâm so sick of people saying that love is just all
a woman is fit for. Iâm so sick of it.â While author Louisa May Alcott
was pressured into marrying Jo off âAnd if the main character is a girl
make sure sheâs married by the end.â and later regretted not letting
her protagonist end up a âliterary spinsterâ like
she considered herself, Gerwig gives Jo a more ambiguous ending that focuses instead on her
achieving artistic consummation. âItâs the book! The happy
ending is the book. I donât think there are
enough movie romances between women and their books.â While some have interpreted this ending
as suggesting Jo is queer, the director sees Jo as
more fluid than that: âI didnât want to give her some sort
of label,â Gerwig told The Advocate. âI just wanted to live
with the kind of openness of it.â âI don't believe I will ever marry. I'm happy as I am. And I love my liberty too well
to be in any hurry to give it up.â In doing so, Gerwig brings
one of our most enduring tomboys into a more complex present, where the âtomboyâ label
has become increasingly reductive. So why does this characterâ who was once considered
such a positive role model for individualism
and self-expressionâ seem to be disappearing? One reason is that itâs become
less tabooâor remarkableâ for women to be interested
in traditionally masculine pursuits. âIt's just sometimes I get
emotional over sports.â As women continue to
excel at STEM studies, run big corporations, take political
leadership, and dominate sports, there are increasingly few arenas that
are still viewed as explicitly male. âHello, Fabiola.â âAnd hello to you,
Gears Brosnan.â Calling girls âtomboysâ only
reinforces this outmoded idea that having certain
skills or interests makes one more
like a boy or a girl. âI mean, whatever you think
about the whole superhero movie genre at least people are now
reading the source material.â âI cannot believe that
you read comic books. I mean, you're a girl.â As Melissa Atkins Wardy, the author
of Redefining Girly, writes, âtomboyâ has become
âan unhelpful word that suggests if girls are brave
or athletic or strong, theyâre tomboys, and being the opposite
of those things is girlie.â Thus, letting go of the tomboy trope
may be a necessary step toward normalizing these characteristics
and interests as universal. More recently, the conversation
has shifted toward gender being expressed
along a spectrum, rather than as a dichotomy. âGender to me is a bit
like languages and money in that it exists and itâs real and it informs how humans interact
with each other a great deal and itâs important
but we made it up.â The transgender rights movement
has brought increased visibility for gender-non conforming people, âI think having trans folks
onscreen telling their stories is big for the community
because itâs a source of inspiration.â and weâve seen a number of celebrities who identify as genderqueer
or gender non-binary. âThere's so many ways
that I feel like I have the opportunity
to express myself now especially visually providing this kind of weird genderqueer
bending representation.â This neutrality is starting
to trickle down to the smaller details of our lives: in 2015, Target announced that
it would remove gender-based labels, seeing no need to designate
toys or bedding as strictly for boys or for girls. This shift has been reflected
on TV and film, in characters like Sadie
in Good Girls and Theo in The Chilling
Adventures of Sabrinaâ both of whom were assigned
a female gender at birth, but who later came out as trans boys. âYou did it Suze! No way Coach Craven
doesnât let you on the team now!â âUh, actually guys, itâs Theo now.â Across movies and TV, weâre now seeing a variety
of nuanced portrayals of gender-nonconformance in characters who express themselves
however they want, without this becoming
their entire personalities. âI donât even know
if sheâs into girls. Iâm good.â âShe wore a polo shirt to prom.â âWell, thatâs just
her gender performance. Itâs different from
her sexual orientation.â Although some of these characters
still resemble the tomboys of the past, "When was the last time you didn't
wear a hoodie and sweatpants?" they speak to the cultural progress
of our present moment, in which gender-bending characters
are no longer defined as anomalies, or as the opposite
of their girlier peers. âCan we please stick together?â âDuh, Iâd never leave youâ Arguably, many of todayâs onscreen
narratives and media conversations realize the future that past
tomboys envisioned: a world in which confidence,
ambition, and adventurousness are no longer seen as
the slightest bit unusual in girls, just as beauty, sensitivity,
and gentleness are perfectly normal for boys. âI thought you said
you were a boy.â âSo? Boys can be a nurse.â Ultimately, the best fate
for the âtomboyâ trope is to fade completely
out of existence, outdated by a world in which
this label doesnât need to exist and doesnât even make sense, because thereâs no longer
an oppressive binary dictating which traits are seen
as female or male. âBoth men and women should
feel free to be sensitive. Both men and women should
feel free to be strong. It is time that we all perceive
gender on a spectrum instead of two sets
of opposing ideals" Despite our many steps forward,
this is still very much not the world that many of us confront
in our daily lives. So until we get there, we can continue to channel
the tomboyâs fearlessness: to defy the rules
that donât feel right to us, never give in
to societyâs expectations, and embrace our own individuality,
however we choose to define it. âIâm not looking
for anyoneâs approval. I know who I am.â âThere are some natures
too lofty to bend.â This is The Take. What do you want
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I really liked this overall. A bit too...over polished maybe? But yeah really enjoyed it.