Hi there, this is Unmesh from PiXimperfect
and today I'm going to share with you one of the easiest ways to Color Grade in Photoshop. We are going to explore some essential Photoshop
and Camera Raw tips and tricks to create drama with color. Also, if you want to go a little more advanced,
you will also learn some lighting techniques to bring life to your images. So without any further ado, let's get started. Before we begin, I have something special
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you can use the code PIX20 to get 20% off Milanote Pro forever. Back in the magical world of Photoshop and
if you want to go ahead and download this photo and follow along, you already know what
to do. Check the links in the description. Now let's get started. What we're going to use here is Adobe Camera
Raw, but as a filter. Now anytime you apply any filter, you want
a backup. So first of all, let's make a copy of the
Background layer by pressing Ctrl or Command + J. Make sure that the Background layer is
selected, then press Ctrl or Command + J. Now you have a copy. You can actually name this Color Grade if
you wish to keep it organized. Before you apply any filter, keep in mind
to convert this into a Smart Object. Why? So that any filter you apply, you will be
able to change the values later and it's completely non-destructive. So with the Color Grade layer selected, go
to Filter - Convert for Smart Filters and hit OK. You can always click on 'Don't show this message
again' so that the second time you do it, or the next time you do it, this message won't
show up. Hit OK. But, I keep it off because I teach you and
I teach people, so I got to tell them. So, once this layer is converted to a Smart
Object, which you can tell by the symbol right there, you can go to Filter and then Camera
Raw Filter and inside of this, we want to apply some colors to the highlights and the
shadows. That's it. And the easiest way to do it is going to Split
Toning right there. You see this icon right there. It's called Split Toning. If you hover over it, it will say Split Toning,
self explanatory. Now, in here, we're going to talk about Balance
later, just focus on Highlights and Shadows. So, what color you want in the highlights
and what color you want in the shadows? However, if you just change the Hue, if you
just select a color, let's say I want blue in the shadows, it just won't show up. Why is that? Because the Saturation is zero or the amount
of color is zero. You need to push it. But, what's the best way to check which color
will suit the best? Well, I've got a trick for you. All you got to do is to hold the Alt key,
or the Option key on a Mac, when you move through Hue. So, when you hold the Alt key or the Option
key and then when you drag this, it will assume momentarily that the Saturation is at 100%. So, let's say, if we stay at 185, this is
the look, if we hold the Alt key. So finally hold the Alt key and if I click
and drag in here at 189, this is the look. If I increase the Saturation, it's the same
look. So temporarily, it will assume that the Saturation
is at 100. So it helps you choose the right color. But you can later control the Saturation anyway. So let's decrease the Saturation all the way
to zero. And you can use this trick by holding the
Alt key or the Option key, just drag and see which color suits the best in the shadows. So I'm going to go with somewhere about this
Cyan-ish kind of color, or more bluish, let's go for 222. That suits best. Now, let's control the Saturation. How much of this color do you want? So I'm going to go for, let's go for a little
higher number in here. We're going to make it moody. All right, this is fine. Let's choose the Highlights. So hold the Alt key or the Option key again,
and then click and drag on this slider and we're going to go for a yellowish color. Let's go for 65-ish. Yes, that looks nice. But it's kind of too much, of course, because
it assumes the Saturation to be at 100. So we're going to choose the Saturation of,
let's say, let's go for about 70-ish / 74-ish. And there we have a kind of look. It's not absolutely amazing, but you've got
a good starting point. Now, what is balance? Balance determines what is shadow and what
is highlight. So, it is that kind of borderline. So, let's suppose this is shadow, half of
this table, this is shadow, and half of this table is highlight. And if we choose blue for the shadows, it's
going to apply blue to half the table on the right hand side, or your left hand side, and
it's going to apply half the table as yellow. Now, if you change the Balance, this border
between the highlights and the shadows, or I don't know which side was which, will change. That's it. So if we change the Balance, see, the Highlight
border is moving towards the dark area, meaning now you have less color in the shadow, and
more of the color in the highlight. If you move it towards the left hand side,
the opposite will happen. So for me, I'm going to keep it at about,
let's go for, how about we take it to the negative side, just a touch, -2 or -3 is good
for us. Now that we are here in Camera Raw, why not
explore more sliders other than the Split Toning. So, let's explore the Basic tab. So this is actually the Basic tab. Select that and play with the Exposure a little
bit. So let's set the Exposure in here to..let's
decrease the Exposure to create the mood in this case. This looks nice to me. Now, to make anything impactful, we increase
the contrast. So let's bump it up a little bit to about,
say somewhere about.. let's go a little higher. So we are going a little higher. I know it's crushing the shadows, but we're
going to increase the shadows later. That doesn't matter. So we're going to go for about 30. Okay, so let's set the Highlights. So how much Highlights do you want? Do you want less of it, more of it? I think Normal was fine, maybe just a hair
to the right hand side. Now, as I said, since we increase the Contrast,
it crushed the Shadows a little bit. So let's increase the Shadows. So we're going to increase it to about 40. What do you think? Even more if you want to add some more brightness
in the shadows, So let's go for about 50% or 50 number, whatever you want to call it. Now Whites. I'm going to keep it the way it is because
if I increase it, it looks good, but later, we're going to add some lighting effects. So let's save it for that. But anyway, I'm going to just increase it
a touch about 13% / 14%. Blacks, let's decrease it. Now, if you hold the Alt key or the Option
key, it's going to show you which areas are losing details, but we are not worried about
that. It's all about creating that mood. As long as it looks beautiful, as long as
the results are amazing, the client is not going to look at the image and say, 'Oh, that
area is clipped. I'm worried about that.' Don't worry about anything. Just go to a Photography Art Gallery, you
will find some international award winning images and also some historic, most important
images with the background completely clipped out, and maybe the sky clipped out. It does not matter. Photography, in my opinion, is an art. As long as it looks cool, we're good. All right. Anyway, so this is all right. So do you want a little bit of Clarity? Let's just give a little touch of it, Dehaze
a little bit. Wow. Dehaze does bring a little difference in there. So let's go for 12. Yes, that number looks good. Now, there's a difference between Vibrance
and Saturation. Saturation amps up the color of every single
pixel, doesn't matter if it's a highlight or shadow. Doesn't matter if it's the darkest pixel of
the image or the brightest one. Unless it's black or white, exactly completely
black or white, it will amp up the saturation or the amount of color of that pixel. We do not want that. We just want to increase the color of the
midtones and the areas that are already saturated a little bit. So for that, we need to just bump up the Vibrance. So, let's increase the Vibrance to about,
usually I don't go beyond 45, so for this example, 33 or 30 is good. So let's keep it at that. And keep in mind, anytime we can come back
to this and change the value, so that's cool. Now that we're here, let's go ahead and apply
some Sharpening to it. So let's go to the Sharpening tab, which is
the Detail tab right there, and increase the amount all the way to the right first, that's
the one thing that I do all the time, then control the Radius and then, in the end, we
adjust the Amount. So, when you control the Radius, hold the
Alt key or Option key and keep on increasing it and stop at the moment where you begin
to see these halos around the edges. So, from the left hand side, keep on increasing
it. Just when you begin to see the halos, stop. For me, it's going to be about 1.3/1.4. Little bit halo here and there is fine. And how much details you want? Hold the Alt key or the Option key, if you
take it to the right, you'll have more, if you take it left, you'll have less. If you hold the Alt key, it will show you
where the details are. I'm not really sure if you can see it on your
screen because I'm working on a 4K monitor right now. So watch in 4K if you can. So, there we go, and let's just control the
Amount. So we're going to keep the Amount somewhere
about 70/71. That's fine. I want you to have a close look at the lipstick. It's not popping enough. We really want it to pop. We just add some Saturation to it. We just add some Saturation to the reds. So, let's go to the Saturation tab or HSL,
let's go there, and we just want to play with the Saturation of the reds. So, we simply increase it. And have a look. Lips become interesting. So here's the before, here's the after. Interesting, isn't it? So we're going to keep it at about 53. Now, time for us to add some special effects
to it. To add special effects inside of Camera Raw,
we need to go to the 'fx' or Effects folder, click on that one right there. Now, if you want to add Green, you can, but
first, let's add some Vignetting. So, we're going to take it to the left to
add some darkness around the edges. Now, let me give you a tip right there - take
it all the way to the left, right, and then decrease the Feather all the way to the left. That way you're seeing which areas the Vignette
is applied. Then you control the Midpoint and the Roundness. So, how inside you want it to be or how outside
you want it to be. For this image, 50 is fine. And Roundness is something you can also control. If you want it to be completely round or square
like that, that's also something you can do. Once you have adjusted those, and then, you
can Feather it all out and control the Amount. So you're going to keep the Amount and adjust
the Midpoint. So for me, we just want the focus over there. So let's keep it at about 24, so that only
that area that we want our viewers' attention to go, only that area is bright, rest of the
areas are black. So now, let's add some Feather to it. How much Feather do you want? About 50 is fine. Now Amount, I think it's very dark. So let's go for somewhere about this, 38 or
39 looks good to me. Keep in mind, when the Amount is in minus,
it goes dark, and the Amount is in plus, it goes bright. So, we're going to go to -40. That's okay. And once you're satisfied with all of this..and
by the way, why not add some grain to it? So, let's zoom in and add some Film Grain
effect. So let's add about 43%. You see the grain right there? You're adding a little bit of grain. You can also control the size of the grain
if you wish to. So for me, I'm going to keep it at that. And also the Roughness, how rough you want
the grain to be. I just want minimal grain effect. And there you go. Just that simple. And if you don't want to have it, you can
keep it at zero as well. That's also something you can do. I want to have a little bit. It just adds some texture to the photo which
is pleasing to the eyes. Alright, once you're all good, hit OK. Now, as I said, keep in mind, you can always
change these values if you wish to. So, if you sometimes think, 'Oh, I need to
increase the highlights a little bit', you can always go back here by double clicking
on Camera Raw. It takes you back to the exact same settings
you had put in, have a look at this, and then you can just adjust the highlights from here. For me, it's fine. So I'm just going to hit Cancel. See how easy this was to Color Grade this
image. Have a look at the before and after. So here is the before, here is the after. Drastic change, isn't it? Now, you can control the Opacity if you think
this is too much. Decrease the Opacity and then you can increase
it. That's absolutely upon you. I can keep it at that, about 49% Opacity. This looks cool. But if you want to take it a step further,
if you want to add some lighting effects and interesting shine to the image, stay tuned. So first of all, let's start with adding more
attention to the eyes. Here's how you do it. Create a Curves Adjustment layer. So click on the Adjustment layer icon and
then choose Curves. Now, take this slider right there, as you
can see, this slider to the left, making the brights brighter. Just focus on the eyes. Look nowhere else, where you're losing the
highlights, it does not matter. Just the eyes matter. Right, so we're going to take it to the left. Actually, the eye balls, that's it. This is okay. Now, you will select the Mask and then press
Ctrl or Command + I. Now, you can do this the simple approach,
you don't have to do it in a complex way. I've made videos about it, but you can just
simply do it. Look at where the light is coming from. So the catch light is here. So always, always, the reflection light or
the light that reflects off the iris, will always be on the opposite side. So here, this area will be bright. So let's make sure the Flow and Opacity is
at 100 and the foreground color is white. Make the brush a little bigger, make it just
a little softer and just dab right there. Okay, this looks good. Now make the brush smaller, softer and paint
with black on the areas where it shouldn't have been. So, we're going to just paint black right
there, easy stuff, paint black around the pupil. All right. Now we have something. If you want, you can also apply some Blend
If to it. So double click on the right hand side of
the layer, take the slider of the underlying layer from left to right, just like this. Hold the Alt key or the Option key, click
on the slider to break it apart to make the transition smoother. Hit OK. Now, you do not have to create this eye highlight
for the other eye as well. You can just simply copy it. So with the Curves 1 or let's name it Eye
1 or Eye Left, our left. Just select that and then press Ctrl or Command
+ J. We have a copy. It looks awful because we haven't moved it. Just the help of the Move tool right there,
move it to the right eye. There you are. Simple. Now, we have to do some erasing here, so we
will make sure the Mask is selected. Take the brush, black as the foreground color
and then just simply erase it. No big deal. Now have a look, here's the before, here's
the after. We have some highlights there as well. Now you can control the Opacity of individual
eyes. So this is Eye Right and that one is Eye Left. I think Eye Left has a little more intensity
because the light is falling on there, but I still think there needs to be a reduction
in Opacity. So we're going to go for 75, right eye is
okay. And have a look at the before and after again,
here's the before, here's the after. Such a magical difference. If you look at the image closely, there is
light coming from the back, and you can tell that by looking at the edge of the hair and
the body, right. So the light is of course coming from the
back and on the left hand side, so let's add some Flare to it. Very simple to do. There are lots of ways to add Flare in Photoshop. However, what I'm going to do is select the
top most Curves Adjustment layer so that the next Curves that we create is on top of that. With the top one selected, click on the Adjustment
layer icon and then Create Curves. Now, we want it to be a little brighter, so
we are going to take it to the left. And this is before creating Flare. So we are not creating a real flare, just
an atmosphere of light. We are just making it a little brighter. The light has a little yellow color to it. So how do we get yellow inside of Curves? Just decrease the blue. Why? Because blue is the opposite of yellow. RGB opposite of CMY. I'm just trying to make sure that you remember
that. Blue..decrease the blues in the highlights,
something like that. Well, that is also a nice effect, isn't it? But anyway, we don't want it all over the
image. If you want it, you can keep it at that. That's your image. You got to choose. Okay, so with the Mask selected, press Ctrl
or Command + I to invert it. Then you can take the brush, take a huge brush
like this and then just paint with white right there. We are creating that nice kind of light. See what I did? Added that dimension. If you want to erase it, you can do that as
well from certain areas. So we can change the color to black by pressing
X. X toggles the foreground and the background color. Now, let's zoom out and let's decrease the
Flow a little bit. Let's go for 20%. We're just making it a little softer, something
like this. This works for us. I like that. Or alternatively, you can also do this with
the Gradient tool. So this is the Gradient tool right there. You can choose the Radial one, the second
one, which is called the Radial Gradient. Now with the Radial Gradient, you can select
the Gradient here, this one, the first one, which is black to white, hit OK. Now if you do it, opposite thing will happen. So you can just click on Reverse. Now, the light will be added that way. That's also something which you can do. Right. So this is also a type of light that you can
add. Have a look at the Mask right here. That's what it's doing. Look at that. Okay, now once we have that, you can choose
to add a Flare if you wish to. There's an easy way to do it. We've already talked about it. It's using a Gradient. You can click on this Adjustment layer icon
and then choose Gradient, the second one. Now you can create a Gradient, single click
on it here, you can create a Gradient from color to transparent. So the second one here, right there, is actually
Color to Transparent, or you can just make sure that the top slider on the left has Opacity
100 and the top right slider has Opacity zero. And the top bottom slider, you can choose
any color you want. You can double click on it to pick the color. So we're going to choose, let's say, this
yellow color right there, let's saturate it a bit. Hit OK and as it goes to the right, we can
choose, you know, an orange-ish color, something like that. Hit OK. Hit OK again and then change the Style from
Linear to Radial. And you can actually move this anywhere you
want. So I'm going to keep it somewhere about there. You can actually increase the size by increasing
the Scale. So you can just increase it how much you want
it. So for us, if we want this much, hit OK and
then you change the Blend Mode to Screen because we always want to make sure that this is brightening
it. Screen is the Blend Mode which brightens stuff. We always want to make sure that even by accident,
it's not darkening anything. So let's change the Blend Mode from Normal
to Screen. There you go. That way, it makes sure that it just brightens. So this is Normal, which is just the color
on top. It's darkening the hair. If you have a look, the hair was even brighter. After applying it, the hair went a little
darker. We don't want that to happen. So select..Sorry, change the Blend Mode from
Normal to Screen. So now we have something to go for. Here's the before, here's the after. Do you like it, do you not like it? Zoom out and have a look. Zoom out at the image, look at it, before
- after. If you don't like it, decrease the Opacity
and see if you like it or not. For me, personally, if you ask me, I don't
like it. So I'm not going to keep it. But I gave you the option, if you want it,
you can have it. Also, if you always want a change, if you
want to change the location, you double click on the symbol right there, you can just move
it anywhere you want, just for, you know, certain effects. So, I'm going to keep it right there and keep
it turned off just to show you what can be done. So I'm gonna keep it. Let's turn it off. Let's add some more effects in here. And this is one of the most important effects
that will make a world of difference. Now, as the light is coming from the back,
we want some parts of the subject to give some shine. And how do we add some shine to it? By simply Dodging. And by the way, if you're not aware, Dodging
means brightening and Burning means darkening. And that's why we get the term Dodging & Burning. Alright, so let's create a Curves Adjustment
layer. We're going to do a different kind of Dodge
because in the dodge, we want a little bit of the yellow. So we're going to add a little brightness
in there. Alright, and we're going to add a little yellow
by going to the Blue Channel, we're going to decrease the blues to add the yellow to
it. All right. Now in the yellow, we want to remove the greens
or if you want to add a little magenta. So we will go to the Greens and decrease it. So we have a Dodge layer right there for brightening
stuff. Let's go back to the RGB and increase the
overall. All right. Now select the Mask right there and press
Ctrl or Command + I to invert it. We only need to paint on the areas which we
want to brighten. So simply select the Brush with the Flow of
1 or 2 or 3, anything you are comfortable with. I'm going to go with 2%. Make sure you have selected the Soft Round
Brush and then just start highlighting a couple areas. If you're using a Wacom tablet, you can, of
course, choose a higher flow and then set the Flow to Pen Pressure and Opacity to Pen
Pressure as well. So I'm just going to decrease the size of
the brush. All right, and then just start highlighting
these areas with white. Make sure the foreground color is white. Simply start highlighting these areas, parts
of the hair here and there, randomly. For the sake of this tutorial, I'm going to
go for 10% and I'm going to keep it at Pen Pressure. So I'm going to choose the Brush, one of my
favorite ones, Soft Round Pressure Opacity and Flow. So it sets the Opacity and Flow to Pen Pressure
meaning the harder I press, the more the Opacity and the Flow will be. So let's set it that way. Probably want to set it to 15%. See, easily I'm adding some highlights here
and there. If you think the brightness is not high enough,
you can actually increase it. And I think it needs more yellow. So I'm going to go back to the Blue Channel
and decrease the blues and go back to the Green channel and decrease the greens a little
more. All right. And that's the advantage of creating these
Curves Adjustment Layers because anything can be changed later. Look at the difference we made. Here's the before, here's the after. Just a little difference here. Alright, so we have added some on the hair. Here's the before, here's the after. Just some shine. Let's just make sure all of the areas that
need the shine have to shine. And it's absolutely fine if some area clips,
it just adds to the beauty of the photo. I'm going to show you later in the tutorial
how to get rid of that and how to solve that, fix that in an artistic way. It's okay if you lose data in some areas,
that's fine. All right, now have a look at that. Here's the before, here's the after. Adding some really bright spots helps. Now, let's have a look, before - after. I'm just decreasing the Opacity. If you think this is too much, you can always
decrease the Opacity. So I'm going to keep the Opacity at somewhere
about 75%. There we have it. This is just for the hair. We can actually name this Hair. Now make another copy of this one. Just with the Hair layer selected, Ctrl or
Command + J, and with this one, we will just do it on the skin and the other areas. So first of all, let's delete the Mask, delete
it and we're going to create a new Mask. Hold the Alt key or the Option key. Click on the Mask button to create a Negative
Mask. Now let's start painting on these areas. So before - after, before - after. Just a touch of shine there and you can actually
change that. If you want a lot more magenta here, we will
go to the Green Channel and decrease it. This adds a little more Magenta. Go to the Blue Channel and decrease it, it
will add a little more yellow. If you go to the RGB channel, this is for
brightness. A little more brightness does go a long way. There you go, before - after, before - after. Just a touch. Now let's have a look at the overall before
and after. Here's the before, here's the after. It is going in the right direction. Let's go back to this one. And let's do a little bit, just a touch on
the face and the neck right there. See what kind of highlights we're adding. It's really making a difference here. Now, for this part, you can actually do with
a Soft Brush like this and then erase it in the end. So now, press X, get the black color and then
erase it. You can increase the Flow for that one, let's
go for 20%. If you want to see the Mask, you can hold
the Alt key or the Option key, click on the Mask to see it and you can erase it from the
top if you want to. Hold the Alt key or the Option key, click
on the Mask to view it again. Now if you want to remove this brightening
from the dark areas, you can also do that. Let me just go back a little. Alright, if you want to automatically remove
it from the dark areas, double click on the right hand side of the layer. This takes us to the Layer Style dialog box. Inside of that in Blend If, take the slider
of the underlying layer from left to right. It will automatically hide in the dark areas. We don't want to keep it that harsh. So we'll hold the Alt key or the Option key,
click on the slider to break it apart and then break it like this. There we are. have a look. Here's the before, here's the after. You can also do this in other parts of the
image as well, like the nose. So select the Mask right there, and this time,
let's try on the nose. Now, you can also do it in the hand as well. We really have come a long way. Now, I know what you're thinking, and I've
not forgotten that. You might be saying 'The highlights are too
much, we're losing details in the highlights.' That's fine. All you got to do is to add Curves Adjustment
layer at the top. Click on the Adjustment layer icon and then
choose Curves. It's okay for the brightest bright to be a
little dark, just a tad bit dark, so that when you print it, that area just doesn't
go completely inkless. So here's what you do. You take the right-most point and bring it
down a little, just a touch, like that. There we are, and have a look. Here's the before, here is the after. Now remember, everything we did was absolutely
non-destructive, which means that if you want to change something in Camera Raw, you can
go there. So let's go to Camera Raw right here. All you got to do is double click on it, Camera
Raw will open up. Now I think we need to add some faded effect
to it. So let's go to the Tone Curve right there
and just add some brightness to the shadows. Just make sure you are in Point Curve right
there. So we will add that and add an overall shadow
just like this. See what kind of mood we are creating here. Hit OK. See what changes it makes. Have a look. Makes a world of difference, doesn't it? So have a look. Here's the before and here is the after. If you want to add some more edge to the light,
I think we need to add more yellow to it. If you look at the light right there that
we had added, I think we need more yellow. So let's go to the Blue Channel right there
and take it down even further. See that? See what it's doing to do it. We're going to increase the Opacity to 100. See the yellow we're adding there. I am absolutely liking it. Let's increase the brightness. Not much, just a touch. Have a look now. It's much better than before. And there you are, before - after. So there you go. That's one of the easy ways to Color Grade
in Photoshop. Now some of you, my friends, might say, 'Unmesh,
that wasn't easy. That was way, way difficult.' It's okay. All you need to remember was the Camera Raw
Adjustment step. That's it. Anything after that requires a little mastery
over the Curves Adjustment layer, and I highly recommend this video. Once you go through this video, I can guarantee
that Curves will be a breeze for you. And you can do all of the things that we did
today, yourself, very quickly, maybe even quicker than me. Just remember, I don't want to confuse you,
just remember, make a copy of the Background - convert to a Smart Object - open Camera
Raw - go to Split Toning. Now inside of Split Toning, hold the Alt key
or the Option key, play with the Hue of the shadows and the highlights. It will assume that the Saturation is at 100. Select the color and then choose the Saturation. After that, just play with all the sliders
in there. That's what I did. You don't have to think about how much exposure
I need, how much shadows I need. Just see what looks good to you. That's it. Don't even worry about clipping or anything
or White Balance and all of that stuff. If it looks good to you, good to go. And after that, we added some lighting effects
using Curves Adjustment layer. I hope this video helped you and if it did,
make sure to give us a like and also don't forget to subscribe and not just subscribe,
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free for everybody forever. Thanks so much for all the support. Thank you so much for watching. I'll see you guys in my next one. Till then stay tuned and make sure that you
keep creating.
