QUEEN Replacement Singers - Who Did It Better? Freddie Mercury - Adam Lambert - Paul Rodgers

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Hey everybody welcome back again to Ken Tamplin  Vocal Academy where the proof is in the singing.   I'm doing this really interesting series and it's  called Replacement Singers Who Did It Better. Next   up is Freddie Mercury, Adam Lambert and Paul Rodgers  all singing for Queen. Now I know this one's going   to be a little heated so hang in there guys I want  to hear your opinions but please post respectfully   and we're going to talk about the criteria that we  always talk about about what makes them better but   before we get started, please like and subscribe to  my channel that'd be really cool. I just finished   getting over a million subs I'd love to get to the  next million I'm not sure how long that'll take   and then I have a singing course if you're  interested in wanting to learn how to sing   or you're already an intermediate singer or advanced  singer. It's called How to Sing Better Than Anyone   Else and we cover all these nuances of how these  guys got great at singing. You can find it right   here at KenTamplinVocalAcademy.com where I also  have a free singing forums or a singers forum with   over 25,000 singers talking about how to get great  okay at singing. So I want to dive right in. Now I   want to say a few things that I think that are  important. We've talked a lot about this criteria   of what makes a singer great and we've said okay  you know was the original material only written   for the original singer and it was so unique and  so characteristically unique that it would be   hard for someone to come in and replace absolutely  with Freddie's case. What was their showmanship   like gonna be really hard to beat Freddie. Did they  contribute significantly creatively to the band   after the singer left the new replacement singer  came in and did they represent the art of that   original band's intent and take it to a new level  okay. All these things are important because I   think it's the only fair way of evaluating whether  or not this who did it better okay. Now I'm going   to dive right in but I also want to point out some  other things Freddie Mercury rode the wave of   just immortalizing him to be the greatest singer  that's ever lived, the greatest performer that's ever   lived, blah blah blah. Some of that's true but would  I call him the greatest performer that's ever liv,  there's a lot of really good, great performers I  mean you know they're all different unique and   that's why people are attracted to them is because  they resonate, you know audiences resonate with   artists differently. When it comes to actual  live performance I like using live performance   because there's no doubt that he was an  unbelievable songwriter, unbelievable orchestrator,   unbelievable producer of his own music and whatnot ,an unbelievable showman but when it comes to   where the rubber meets the road and  let's be really honest about it.   How well do they really perform without  the eulogization of putting them so high   in a pedestal that when they do something wrong  everyone ignores it and pretends it doesn't happen   okay. So this these all these things are really  important. Let's just dive right in, here we go. By the way on (sings) right.  A lot of times performers will do  that because they're out of voice,   out of breath, they're saving it up for the  next phrase so they're pacing themselves etc   and I already get that feeling as I'm coming into  this. Now I know this was Live Aid I know maybe   he couldn't hear himself great because I heard  that was true for a lot of artists at this time.   They're not in their element you know they're  kind of, it's kind of a monkey behind the cage in,   in, in festivals like this because they're getting  bands on and off so quick you don't get your, your   stuff together and it's just not your, you know  your performance best because you don't have, it's   like you don't have a home field advantage in that  sense okay. So let's, let's continue, here we go. Okay so I've seen him do this before instead  of (sings) right he, he ducks the notes   and he doesn't get to the notes and it could be  an artistic statement, it could be that he can't   really get to the notes, it could be that he's  waiting to pace himself for the next phrase like   I've said already so but he did he ducked a  couple notes and he's done it on this section so   he's probably used to doing it that way  now because he's, he's maybe tried to hit   it a couple times and cracked you know and  it didn't work out. So let's check it out. Okay that was really sketchy, I mean really  sketchy and again I'm not here to point out   all of Freddie's faults, I'm sure I'm going to  get plenty of hate comments do, you know bring   them on I mean I'm, just got to be honest. Would  I say that was an amazing performance well then   again I can't grade everything Freddie did  on this one performance here right so that's   not really fair either but I've seen enough  of his live stuff to know too that you know   I think kind of like Robert Plant. I mean Robert  Plant hardly ever hit all the notes right.  At least he's doing this and he's got so much  other charisma going on in his command of the   audience etcetera like I said, his showmanship  so but no I wouldn't, I wouldn't give him high   marks for that kind of singing, he's Freddie  that's great but let's be honest about it. Now   he did it first, he invented it, he composed it  you know everything else it's all Freddie and   he's so unique in doing it, very hard to match  that, but I do need to point these things out   along the way because what are we doing. Who did it  better right. All right let's continue. Here we go. All right now the reason I bring up the  whole command of the audience thing and I   put this section in is I, I forget what this,  wasn't Wembly or whatever but it was a big   massive, of course it wasn't  because it was a different   festival but I want you to hear and watch  his command of the audience. Check this out. I mean he's literally conducting the audience and  getting them to do whatever he wants. Now by the   way for you guys that don't know this originally  he did way early on as an old Harry Belafonte song.   I think it was the Banana Boat song or just, it's  on the same record just before the Banana Boat   song. I think it was written by Lord Burgess or something  but it was (sings) right so he kind of stole   that and it's interesting because Lord Burgess actually stole it as a vocal exercise from Caruso (sings) right so it's an old piano exercise and an old  Caruso vocal exercise. So it's like the other,   everybody always borrows from everybody else but, but  anyway that's, that was the motif and then he   kind of made it his own, changed it up a bit and he  did this often, this exact same shtick at his   shows and had just tremendous command and people  loved it and they you know feel like they're   singing like Freddie and he's conducting them and  so forth but so that's the command of the audience. Now again there's another component to this  and this is going to take a little bit guys so   if you guys got somewhere else to go or something  else to be I'm not going to rush this in the name   of I got to get this done in 10 minutes because  YouTube says so or I'm going to lose my audience. Go ahead pause it, come back, get a couple tea,  cup of tea, a beer whatever you got to do   and, and, and go down this journey with me  because I think it's going to be worth your time.   He's a multi-instrumentalist, not only is he a great  singer, a great composer, you know a great conductor,   great songwriter. I said that, composer also,  orchestrator I meant to say and he has produced   a lot of his stuff you know with Roy Thomas  Baker early on and other producers along the way.   He's a multi-instrumentalist and there are  not a lot of really amazing singers that   are, though there are a few you know you saw him  playing piano now he's playing guitar and, and, and   so that's pretty crazy. Now this particular  song I want to bring your attention to something   because John Lennon said it, an interesting  quote he said before Elvis there was nothing.   Okay. Before Elvis there was nothing and in this  particular case in this song and a few other songs,   he is sort of, I don't want to say channeling  the spirit of Elvis but a lot of artists from   this time that we're this age demographic were so  heavily influenced by (sings) you   know (sings) where's my hand. I feel like Steve Martin and the jerk trying   to find the one. No sorry but, but there's a  spirit and an element of Elvis in this so if   you're listening to it he's got this cool Elvis  vibe and he's incorporating all these different   styles into his music, creatively man this guy  had a lot going on so I can't just grade him   on his singing I got to bring all these elements  in along the way as we're listening to this stuff.   You hear the Elvis. Bring me some bacon baby. I mean sloppy right but there's also  an element of being so free in his,   his showmanship that he kind of doesn't really  care I get the feeling. He cares but not that   much, he cares about entertaining, he cares about  feeling like those 50,000 people out there are   12 of his close best friends in his living room so  to speak and he's giving that, that at ease sort of   you know feeling as you're going through this.  It's Freddie man. Freddie's coming out and Freddie's   going to sing for us today you know and so there's  this family vibe that he brings with him and so   I don't think he holds himself or, or he. I don't  think his main focus is to hold himself as   accountable to all the notes exactly like the  record (sounds) no there's an ebb and flow, there's a,   let's improvise on this one thing over here,  let's do this song differently. Hey my voice sucks   tonight let's do it in a different key. He has  that spirit about him as he's going through this.   Elvis baby. Okay now there's another component.  How many artists have written a song   not just timeless that gets played on the  radio a lot, that is so anthemic that gets   used for virtually every sporting event every you  know, every colosseum, conventiony kind of thing.   I can only think of a few right and this is  certainly one of them, this is probably the   biggest one maybe of all time I mean there's a  couple here and there but this would be way,   way up the food chain if not at the very, very  top. So not only did he write you know (sings). He also gets the anthems that get coliseums to, you know   gets major soccer teams to come out on the floor  because you wrote something so catchy that we   will rock you and it's such an anthemic thing that  can apply to almost anything okay. Let's continue. Oh I forgot to add one more thing about this song,  is that to me ultimate true genius doesn't come   only by composing things with a bunch of  complicated notes maybe some beautiful melodies   yes and there's lots of composers I could list I  don't feel like getting myself in trouble but I   will say that Freddie on the one hand could write  "Bohemian Rhapsody" yes I know it was three songs   that was over a span of his whole you know earlier  career that he melded together into one song with   Roy Thomas Baker but I will say that he was also  able to write something so simple that was also as   catchy. Most complicated composers or minds can't  or don't do that. There's either the Beatles where   they write something really simple, not saying they  didn't have some cool complicated things but they   wrote something really simple or there's you know  again composers and whatnot Yes tattooed them on my   arm, the rock band. You know there's progressive  bands that write things that are really cool but   not simple and catchy like this so there's another  component to this monster composer all right. (sings) Hold on (sings) right you just can sing along with it just  like, it makes me want to sing, doesn't it to you.   There's an element to it where I don't know if it's just I grew up with this or whatever but it just,   it makes you want to sing. So not only again all  these different components, all of a sudden he's   engaging me to force me to want to sing his stuff  you know what I mean, like I just I, makes me want to   sing. Not very many pieces do that anymore. There's  not a lot of music right now that's doing that. I have a funny, a funny joke for you. So anyway that  kind of mistake he made vocally and then he goes   like he meant to do it. There's an old joke that a  doctor never says oops, a doctor always says there   like he meant to do it, a mistake and that's sort  of Freddie you know he's got so much creative authority   and confidence in what he does is sort of there.  Okay I want to move on. I had a couple more pieces   that you know that I have and and you know I can't  really post all this stuff because he has a lot   of great stuff and it's going to take a long time  but I got to get to Adam Lambert and before I get   to Adam Lambert I'm going to make a gaudacious,  audacious comment I'm sorry I have to make it.   Again we are talking about a, a guy that steps into  Freddie's spot very difficult to do. So I remember   one time at Juilliard there was this professor there who made this comment and   he said you know if you see all these composers  on the wall right, it was List and Brahms and   Beethoven, Beethoven, Forcoffiof and you know  all these all these amazing guys. He says if we can   just get to one percent of their greatness  I'll have done my job and I'm like really.   Okay. I guess that means that you know we're never  allowed to, to be unique and to compose on our   own and you know whatever so but it could  be said that if Adam could just get to 10%   of Freddie's greatness then, then the world's  a happy place okay. So I've got to just kind   of start there because step stepping in Freddie's  you know shoes is just incredibly difficult to do   but I also have to go back to our very first you  know prerequisites of did someone do it better   okay and did they come in out of nowhere. Well  he kind of did and he, but he came in you know   off American Idol didn't win that was interesting.  He didn't even win yet he's, he's not good enough   to be the winner of American Idol but he's good  enough to sing for Queen, that's kind of weird. Okay   second did he, how long did he last. I think he's  been in the band over 10 years. He's been in the band a   while so, so he's kind of satisfying a couple of  these things he came in out of nowhere, amazing   to do that, not come from another well-known  band and already have all this charisma and   stuff you bring to the table your own audience  and you kind of morph or meld this in together   you know synergizing together with a known  band. So he's ten years right. Third thing   is, there was the two, actually more  than three things sorry. Third thing is   he not only lasted but did he contribute  significantly creatively to the band I'd have   to say no. I'd say no that he did not do that. Did  he outperform him as an artist, let's take a look. Oops sorry. So far no I don't think, I don't think it's all  that I know a lot of people have seen him live.   I've seen him a couple times, never live myself  personally but I've seen some footage of live   stuff and heard some live stuff. I don't think  that was as good as Freddie guys, even though   Freddie's cracks and carbuncles and stuff. Now  he's, might be more spar, spot on on the actual   note value. I think his voice is kind of whiny and  thin as he goes up top. I know he does a lot of   other runs that are may more, maybe more difficult  than Freddie and then one of the things I gotta   say that's a pet peeve of mine. I don't care about  your sexual preference. Your thing is your thing.   That's fine do your thing. I have my thing you  do your thing but I think that to play it up   so much to where it's kind of the shtick. I  don't think Freddie would, would have, would   have wanted to do that. Now you say well wait a  minute Ken the very name of the band is Queen.   I'm not going to get into some pissing  contest about sexuality. I'm just saying that   you know I just think it's kind of unnecessary  to do it just show your talent and do something   because you know when i think of a singer like  Mark Martel you guys know that is, I think   Mark would have done a better job as a singer.  Now I don't know if he'd have done a better job   as a showman but I do believe for sure that he  would have done a better job singing like Freddie   than Adam has done. Though Adam again and in  his defense has lasted a really long time,   he's really consistent with his performances etc  but, but is he Freddie let's continue to take a look. Okay before I get into this next  thing, also in Adam's defense,   the band seems really lackluster and like old men  playing and I love Brian Mays one of my favorite   guitar players. I love the whole band but I just  didn't, I feel like they're punching a clock. I   don't feel like there's that fire and enthusiasm  and excitement for life, excitement for music,   excitement for the, for the audience it's sort of  like okay we're Queen and we've got a new singer   and we're, you know we're playing shows. So, so in  his defense too, I don't feel like he's getting   the benefit, the full benefit of an energetic,  excited band that everyone's excited to do it   and they're new and fresh and hungry. I just don't  get that so. All right let's continue. After this. Here we go. Sorry. Okay so again I'm gonna get back  to this, this playing this up   part again. Would, would Freddie have done that  like the class of the band for me has always been   incredible virtuosity, incredible compositions,  incredible storytelling, it's actually a story   about you know a high paid hooker you  know and so forth killer queen. So, so as I'm   looking at this storytelling in "Bohemian  Rhapsody" and, and all these amazing songs "We   Will Rock You" we just heard and whatnot. This  is a little, I don't know college performance   for me. It doesn't, it doesn't strike me with  the same panache and the same authority and   rock band is even also a better way to say it,  as what I believed Queen's intent was originally. Okay I'm already bored I just, I guess I just  want to see someone with a telecaster or a les   paul or a stratocaster down here just doing a  couple of these rather than a couple of these   personally. It's just not rock and  roll for me and I'm gonna, so I'm gonna,   I'm gonna fast forward just because I'm  already bored and, and I'm trying to get   as much benefit of the doubt but it's just me,  it's my opinion and it's just not rock and roll. Again it's just kind of lackluster  don't you guys sort of feel like this   like just there's no energy in it  you know what I mean it's weird. He's hitting all the notes. Okay now let's be honest guys, come on let's be  really honest. He's jacking off at the microphone   stand and now he's jacking off and he's going to  explode all over poor Brian May who's looking   at him going don't explode on me pal right and  again everyone can have their schtick and maybe   I'm out of place saying hey that's his artistic  right to be able to do that. It just brings Queen   down by about five notches from the class act  that Queen is so I'm kind of done with him here   and I've got, I even, I even had a lot more  footage of him but I'm just kind of grossed out.   It's just not, now by the way you can say Ken rock  and roll what do you think rock and roll means by   definition. Gene Simmons, hey moron by definition  rock and roll is. Yeah I know rock and roll   is a sexual act I get it but it's just, it just  brings the band down it just doesn't, he doesn't   do it for me straight up. He's a good singer. is  he Freddie Mercury I don't even think close. Now I   know that there was an argument and I've said this  before about Freddie and Brian May and there was   this debate that went on and Freddie says to Brian  May look I'm know Paul Rodgers right because they,   at the time Bad Company was, was bigger than when  Queen first started and so they were kind of like   looking up at Bad Company believe it or not  as, as the band to beat or a band to beat because   there was a lot of really good bands back there  and so if I ever die you should get Paul Rodgers   to do the gig. There was a sort of comment and my  understanding is that sort of what, the impetus that   brought Paul Rodgers in. Now let's take a listen  to this here we're getting kind of. Okay let me, sorry that's not Paul Rodgers. Here's Paul Rodgers. Here we go sorry. At the end here, here we go. What do you immediately experience right now. (sings) You've got, now again in fairness  and I know this is a long one guys   I know you're going to hang with me  you probably already clicked off by   now but you that stayed maybe this  would be worth it for you to hear.   Consummate professionalism, consummate mature  singer. Yes he came from Bad Company so he did   come from a pre-established band with his own  following and get all that, very popular, one   of my all-time favorite singers but his command  and authority, his quality of singing, his quality   of everything is just brought the band right.  Now what were the criteria, what's the criteria.   Did the replacement singer contribute anything new  no actually he didn't. Did the, did the replacement   singer come in and at least foot the bell, bill  excuse me or can or you know pull it off   in a live situation like Sammy Hagar did when he  replaced David Lee Roth. Absolutely, check this out. Look at that (sings). He's just got that command you know,  that voice. Now I have to say this because I brought up the sexuality   comment. I just gotta, I gotta shoot  myself in the head and in the foot.   Paul, he couldn't sound effeminate if he  wanted to I mean (sings) He's just a man's, man and he comes out and he is  probably the exact polar opposite from a stage   persona, from a you know just a personality as  Freddie. Let's forget about Adam for a minute   it's Freddie okay because it's really all  about Freddie it's not about necessarily Adam   and in this case you gotta listen to this it's, it's  epic. He comes out singing a song that's kind of,   Freddie sings it a little effeminate  comparatively but listen to Paul. After this. Sorry it's hard to get, sometimes  it's hard to get this thing I got such a small little thing I gotta work with here. It's so different than Freddie but it's  cool it's kind of creepy it's like   you feel like you're hearing Bad Company and, and Queen like kind of colliding worlds or something. It's so good. Now I sort of, again I keep stopping this.  I sort of get the feeling   that it's more like a tribute to Freddie and not  Queen so there is that element of it. It's not   Queen and it's not even close to Queen. It's not  even close to Freddie it's a very different vibe.   It's a macho strutting, you know rock and roll guy  you know coming out and so he's not trying to be   Freddie he's trying to be himself. He reminds me a  lot you know when I saw, and again everyone,   that's why I'm going to bring this up because we,  I keep, the sex word keeps coming up. When I saw   Elton John and I saw oh was his name, oh duh you gotta have, George Michael. I saw   George Michael come out and do the duet with Elton  John "Don't Let The Sun Go Down On Me" and it was so   masterfully done and I mean masterfully done and  he didn't come out and try to sound like Elton.   He's also did a Queen song, you guys remember he  did this. He didn't try to come out and sound like   Freddie, he came out and sounded like himself but  he's so good it's like he didn't care like I'm   me you know what i mean. I'm George Michael and  I'm gonna be George Michael, I'm gonna do George Michael.   He didn't come out selling his sexuality, didn't  and Elton didn't come out selling his sex,    they just came out and played it was awesome  and they did awesome stuff and in the same way   that's exactly what we're experiencing here.  He's not coming out selling anybody anything.   He's just coming out throwing down being a  rock and roll guy. All right so. Love that voice. (sings) you know instead of. He's got his thing man right Okay now we said could the replacement singer  step into music that was originally written   for the original singer and pull it off and did he  contribute anything creatively significantly. Not   from a songwriting standpoint but from a  personality in his own unique style standpoint   absolutely he did, absolutely incredible, absolutely. (sings) Okay now we've also talked about and I know  this is going over time here guys if you   don't want to click off, click off but  most of the time a lot of times singers   default to the audience to sing because they  lose their voice in this, and Freddie didn't   do that actually. A lot of times he actually just  got great audience participation but remember Adam   didn't get anybody participating in anything right  and he's getting everybody to participate and he's   not doing it because he lost his voice he's doing  it genuinely to get the audience to participate. He's doing a Freddie. Now what did we see Paul Rodgers plays keyboards,   Paul Rodgers plays guitar, Freddie plays keyboards,  Freddie plays guitar I wasn't seeing Adam   Lambert, I know he plays instruments but not  multi-instrumental in the same kind of way Flawless pitch. Flawless pitch. Okay I'm gonna move it on. Here we go. Now how cool is it, guys think about  this. How cool is it to have such command   that your voice is as big as the band,  you're controlling the band like Freddie   but that the audience also can cross-pollinate or  cross over with your band that was so successful.   "Feel Like Making Love" and some of the other songs  that they have that a Queen audience is singing   Bad Company songs and crossing over where your  backup band now is Queen singing your own stuff   you know what I mean that's pretty stinking  cool if you ask me. For you, for you youngins out there that don't know Bad Company I'm introducing a little something something to you That's awesome. Badass. (sings) So good. Last one here you go guys. This is last one. (sings) I don't know what he's gonna do but I know Paul. it's good stuff. That tone. Okay I don't know how this got back in the end. All  right so yeah. I don't know guys, you guys decide. Of   course there's only one Freddie Mercury there  will probably only be one Freddie Mercury and   with the advent of video games and all the  little things we do on our phones and filters   and auto tuning and stuff maybe we'll never  see another Freddie Mercury but I will say   that I don't think Adam Lambert is anywhere as near the replacement for Freddie Mercury.   Sorry Adam it's the way I feel, I think Mark Martel would have done a better job singing   the band but I don't know about his front, frontmanship of the band. I think Paul Rodgers crushed it   but he's Paul Rodgers, more, it was more like  a tribute to Freddie with Paul honoring him   coming and sitting in for the band then also being  like Freddie Mercury so I can understand why that   didn't last and I can understand why people  didn't gravitate toward having him continue   on with the band. You tell me your thoughts  and comments, put them in the comment section.   Please post respectfully God bless you guys,  definitely check out my next video and peace out
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Channel: Ken Tamplin Vocal Academy
Views: 183,626
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Keywords: adam lambert, ken tamplin, ken tamplin vocal academy, freddie mercury, paul rogers, how to sing better, who did it better, queen, reaction, vocal range, vocal academy, marc martel, how to sing, vocal analysis, sing better, singing lessons, who sang it better, singing tips, vocal technique, voice coach, voice lessons, voice lesson, learn to sing, vocal tips, head voice, chest voice, singing technique, classic rock, rick beato, what makes this song great
Id: M9F1you5Vkc
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Length: 39min 59sec (2399 seconds)
Published: Wed Aug 25 2021
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