Paul Simon On His Writing Process for 'Bridge Over Troubled Water' | The Dick Cavett Show
Video Statistics and Information
Channel: The Dick Cavett Show
Views: 533,301
Rating: 4.9433937 out of 5
Keywords: The Dick Cavett Show, Talk Show, Musician, Celebrities, Dick Cavett, United States, Chat Show, Interview, paul simon, simon and garfunkle, art garfunkle, bridge over troubled water, song writing, mrs robinson, the sound of silence, paul simon interview, paul simon bridge over troubled water, paul simon live, music, paul simon dick cavett
Id: qFt0cP-klQI
Channel Id: undefined
Length: 10min 45sec (645 seconds)
Published: Mon Jan 27 2020
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A lesser songwriter wouldn't have a career with a haircut like that
It's nice to see somebody I look up to as an artist talking about stealing from other musicians. I'm a big proponent of "good artists borrow, great artists steal". It's easy to feel ashamed of taking chord progressions and phrases from stuff you love but it's comforting to know they probably stole it from something they loved
Man, I love hearing this tale as much as I hate watching that combover.
A brilliant mind under an awful haircut.
There's another video of Paul with Dick Cavett and where he plays a partially written Still Crazy and sort of shows his songwriting process which is a really inspiring video to watch. Paul Simon is a treasure.
"Everywhere I went led me where I didn't want to be, so I was stuck"
<3
This is great stuff. There's another clip of a later appearance in Cavett's show where he plays a work-in-progress version of Still Crazy After All These Years.
Regarding the "stealing" but. It reminds me of the grievance against him that the dudes from Los Lobos still harbor since they claim he did not properly credit their substantial contributions to Graceland. More here https://ultimateclassicrock.com/los-lobos-steve-berlin-labels-paul-simon-a-jerk-alleges-graceland-snub/
I think the Martin "O" style is the only thing on that video that isn't out of style, but
It's a very nice peek at how lifting ideas and plugging them into your own works. My understanding is that the falsetto singing he demonstrated is literally how he taught Art the song.
My takeaway was that it took awhile for that song to come together. He got stuck and let it simmer, came back to it with a different way of thinking.
Also, using excellent music as inspiration is always a good idea.
I like recording little song ideas on my phone, or in the DAW if its handy. Sometimes when you come back to it the rest of the song falls together. Sometimes you say "thats shit, move on."
Dick would have been so on point if he referenced βHer Majestyβ instead of βHey Judeβ at the end there. I SO get having that perfect line or stanza for years with no place to put it. It wasnβt until I heard that track on Abbey Road that I realized that kind of song was even allowed in pop. Love it all.