NEW Merging Audio Driver: the new Win 10 aggregator

hello everyone welcome to this webinar from the webinar series from emerging technology we're gonna do the English part now we've done the French one this morning and now it's the English one we're gonna talk about em ad that stands for merging audio device witching which is something completely new that we're gonna launch in a few weeks and before starting anything I wanted just to say hello to my friend Ricardo that is above me oh he has to unmute his microphone oh here it is hope you are doing well and not too warm yes we're very warm here with actually so we might drink so we might interrupt from time to time to have a little bit of water or whatever if you have any questions please do not hesitate to use the comments with with the live chat of YouTube if also something has been misunderstood or or technically wrong the sound or whatever do not hesitate to comment and we will try to do our best to accommodate good so what we're gonna do here is that basically we have a little slideshow that you see here on the right side of your screen and Ricardo above me and me below and we're gonna interact and talk about what ma D is so the new merging audio device is basically on the azure world in the Windows 10 environment replacing the azure a a 67 Ravenna driver so for those who are familiar with our hardware with Anubis happy in horus and using either pyramix as a GW or any type of as you're driven da w they have her driver basically a virtual soundcard to be able to run their device over the network to the computer and this is now changing and this is bringing a lot of new features that we're gonna see and we're gonna try to make it in two ways one way is for people who don't know what it is so they discover it which is great but at the same time for people who are used to the previous driver to see what the differences are and where to find them you know menu so that they feel at home very quickly again and we're gonna see them three practical crises that you see below basically for pyramix users with the application then of the vdm so the this is wrong it's not Windows Media driver but it is Windows Device what is it already Ricardo I forget always basically oh my gosh it is Windows not device it is Windows oh my god I have it's written late later on on the slide I just I just don't remember for the moment the vdm integration basically in this merging audio device and then of course linked to Isis actually windows media device exactly thank you windows media device and then for all kinds of D aw users so not only obviously for pyramix so let's start here and we're gonna go to the first slide and here we're gonna see what this first slide brings us and I just got to move Ricardo back to this side there okay this first slide is about the old driver on the left side and the new driver or the new device on the right side you see that there are some differences what is very clear to be kept in mind is that we need some hardware's on merging hardware basically a happier horse or in that case an Anubis to be able to run one or the other this doesn't change and that brings us to the next slide where we're gonna see that there are some differences and we're gonna start with the first one and we gotta go through all the differences and I'm gonna show you also in life as I have a system here where I have a few of those things installed so that we can see how it runs so first of all what changes is on the top left the mode you will have two modes general and Natick Natick is obviously for the hi-fi usage for people using Natick or an attic player and and we're not gonna talk about this here but either or the one or the other you're gonna use the general which we're going to talk about which is the classic Anubis happy your Horus status or the Nurik wand in case you use an Iraq you're gonna choose that one and the structure of the merging audio device gonna change and this is where it becomes interesting and you see each time you find this on the left side on the old driver we highlighted where what it corresponds or where is the corresponding functionalities and features so the first thing is that here like before you have to set which one is your network adapter so in my case I'm on the laptop so I will have a USB C to Ethernet adapter and we're connect my cable and this is the IP address that I have at the moment so this is what I selected of course if you have a desktop or whatever you might you might have hardcore hardware sorry Ethernet connectors rj45 and then you select them there what is new though is that just below you see that we have a secondary adapter and this is an option it's more really a broadcast related option for a specific protocol called st 20 22 - 7 that's a little bit undigestible name but it's how it is and this means actually is that you can have a second exactly the same connection to another network port and this means that all what you do on this ma d sending or returning audio is also copied one-to-one or basically redundant one-to-one on this other network card this is obviously you can imagine for broadcast is very very interesting when they do a live game or whatever it is in sport they want to make sure that everything functions and is redundant and this is exactly why it's made for and this is something new and this is optional in the merging of the device yeah we kind of adapt to the market that the demands and this is a new protocol and it's a new standard for some broadcaster to have redundant streaming so if we have any oh if they are any listeners specifically about the broadcast environment as the 2110 st 20 22.7 and so on we have other webinars that are specifically aimed on that aspect and some new ones that will be 9 made during this summer or later this summer about not only but about also specifically the secondary adapter in here then below this is also important this is basically the latency of the device of the merging audio device not only this merging audio device but basically every device either software hardware sitting on a network and we have two protocols basically or two standards one is a 67 and the one other one is Ravina that means that this device has to be set into at this moment a s 67 to be able to be in a 67 network if I would be in a Ravenna Network I would set it to 64 when I installed by default all merging devices they come in a a 67 so naturally here I have nothing to do this is then a more advanced mode if if you want to to go into a Ravenna motors because you know what you what you're doing or what you want to do so let's keep it in a 67 for those who know about it we have here the sub factors of the 48 frames 12 frames or 6 frames that you can go down and then the 64 32 16 in the revenant motors and as a reminder again please set Horus happy Anubis and all the ma D that you have on the same network to the same latency otherwise you will have dysfunctioning or miss functioning usage of the different devices and the big warning message in red at the bottom so we'd like to warn you if you do something wrong here exactly the next thing yes this was the secondary adapter I was talking about I'm not gonna mention anything again about it the new thing here which is rather something very nice and neat to be able to use is directly to have the remote control basically launch or their shortcut to the remote control of all your merging devices the means that if I have a web browser which I have for instance in my computer I dari this is just I have to open my my real merging audio device to be able to double click this is my real audio merging device now I double click on here and it will open my web browser on my other window and I will bring it over here and so I have now there my anubis that shows up and I have the remote control of my Anubis that I can use here and directly remote control my Anubis and this is straight away the the correct Anubis that has been set here if I would have a happy it will show up there if I have a Horus it won't show up here and if I have several of all those devices there will be a little roll up bar so that I can I can scroll through the screen here and choose my different devices I would like to open and to remote control with obviously this is called Anubis 600 284 this is my serial number if I would like I can call it Anubis Morris and it will be written Anubis Morris there or studio 1 or studio ricardo or whatever it is good then continuing over here this is now our status the status of the merging audio device you see that it's it gives a sample rate we're gonna come to the sample rate a bit later I just go step-by-step through the menus but obviously the setting of the sample rate is done some somewhere else here there's nothing to set it's just status basically it's just giving you information of the merging audio device so the first thing is that we are in 48k that we are running we're running well obviously the message if there would be an error message or whatever it would show up here and here this is where I'm now connected to this IP address you will see that it is the same as here sorry it is the same beginning as here and then of course a different designation of the of the device that were in 48 K and that our latency is at 48 samples so that we under a 67 motors and this is the same more or less that what we had here before now we mentioning the IP address and so on why because we can have two IP addresses because of the secondary adapter there but more than that we cannot do anything but to look at the status there's nothing to change bringing going to the next step and this is very useful we have here the basically a link to the online documentation of the merging audio device so instead of being a PDF that you have to download when you have a new version you have to download the new one and so on you can straight away and I'm gonna do it for you click here and it's gonna open on another window I'm just gonna bring it to you to the browser it's gonna open a confluence page where you have everything about the merging audio device and of course it's dynamic so it's gonna be updated when it needs with new information or new functionalities if any on that page so this is very interesting and useful where you can click all the time here and it's going to open it straight away it's a bit of a test because we're trying the online documentation in one of our application a bit directly without doing and then better the user manual for the first time of course we expect some people to say what if I use it offline but then we can export you a PDF then maybe we'll put something available for those well perhaps just for people here is that on the conference you can each time export itself as a PDF so if you know that you're gonna go to a gig or for a gig where there is no internet because it's in the middle of forest or whatever it is you can previously export it as a PDF and so make sure that you have everything with you this is valid not only for emerging audio device but for any type of pages that you will find on the confluence now we see that we gone or we move to the right side of the NID the numbers of channels so there are a few things to be said are going to open my driver which is basically behind what you so is basically a picture of the driver I say exactly the same here I can go from eight each time per eight from eight to 124 inputs so this is the a co input to my main D aw for example the same is for the outputs from 8 to 128 and if you go higher and separates here I'm talking 1 FS so 4448 k if i go higher sample rates you see then the breakdown how it goes each time divided by 2 if you go to 88 2 or 96 126 76.4 192 again divided by 2 and so on up to d XD and DSD basically 384 kilo hertz you divide by 2 again now the thing is that we have here on especially I'm working for example on this case on a laptop so I have a it's a good laptop but still there's a limitation to the process that is available obviously much bigger than what is available to - for example a very good desk up or a tower or whatever it is or a premium computer now that's why I with M ad with merging audio device I can do many instances at the same time that have access to my a Co which is great but it means also that I will eat much faster resources because I have a sequencer I have I don't know an immersive pattern and I have da W or 2d able w's and some effects running and so on and vsts and plugins and whatever and so if I only need 48 in an outputs I should put 48 in and outputs and not 128 like here I'm on purpose did just 24 in and outputs so that I still can liberate the bandwidth that I would use for 128 for other applications and this is very important to have this dimension a flexibility depending of what the resources of your system are capable first of all and what is needed for your job to be done depending the location so this is the a CEO in and in and out and it is at the same time what we call a multi as you hear for instance I have a ripper that is connected as an as you I can play my Ripper and I have a pyramix that is also connected as in as you so this is now it is very basic it is just their channels but of course that can be an enhanced so the idea is that my pyramix mixer is connected here with as you output 17 and 18 and if I close this guy I go here into my Ripper output and this is connected if I remember well with output seven and eight okay so those outputs are connected and of obviously there then within my animun and those outputs are connected now to my Anubis but basically is it it is 17 and 18 and seven and eight are connected to my different sources on my Anubis that you can see here and so that I can use 24 as you in and outputs independently of what workstation I'm using ok so I have this 24 as you that independently I can use of course once they used in one dfw I cannot use them in the other one but that gives a very flexible and free freely type of way of working in that aspect now the last thing the bridge channel here that also can go up to 128 if I wish this is basically if I want to send directly some outputs for example from my Ripper into my pyramix without going through an aman without having the possibility to have them on my Anubis this is typically if I want to have some down mix or from a ripper because I have some virtual instruments in there and then have the output going into my pyramix I haven't prepared it here or shown it here but you see it straight away that if I go back to my Ripper if I go back to my in and outputs I could have instead of saying meed output seven and eight I could have used the bridges there and then connect the bridges and put into my pyramids for example okay I just didn't prepare it that way but I could have done it that that way so this is very important to understand that you have here the bridge capability and the multi has you at the same time Ricardo do you want to add something to that no that's pretty much it the bridge is very useful if you have as soon as you ever have that master host as you and then you have as you clients you can you can easily work with the master as you host that would have the the interface connected to the bus and then within this main da you could have either top restoration doing restoration on the side and bring that into the da - for monitoring through the same interface so it's a it says what it says it's it's a bridge between the between the as you at that time so yeah and of course it's important like you said to be to be careful when you when you calibrate those when you decide how many channels you set for input and output we don't like to have extra channel use less than it takes bandwidth and of course we all know that a desktop can be very powerful compared to some laptops when you are work in native mode yeah then we have also something new which is the Anzio setting that means that we have first of all here to sample rate but the idea as the merging audio device it's not just a driver it's a device so may basically it as you can now understand it it can communicate and connect to several applications might it work stations or effects like Ricardo just mentioned like ISO top or whatever it is and obviously you would like that all those guys depending what you do in the way you do change the sample rate at the same time or at least not if you have five devices connected together that you have to go through all those by devices unchanged and separate so the idea is that you have a few functionalities here that are very important so I'm here in the master as your host as the merging audio device and if I click on that I can see different function or different applications available these are the application that basically merging audio device has seen running on my computer so here I've run my pyramix innovation and a ripper and the merging audio device I'm gonna forget the first one here that is irrelevant for the moment so if I set my my master as your host to pyramix that means that pure mix when I change the sample rate it will change the sample rate of my merging audio device and at the same time to all the connected devices that are available in my computer so my Ripper for example this is perhaps a functionality I want now let's say that it is rather my merging audio device that I want to connect and change the sample rate because I'm I'm using depending the job different application and different workstations and I never know exactly which one I'm using so I can say merging audio device is the master and now I change the sample rate here and all my connected applications that are open at this very moment will change the sample rate nevertheless you have to be also aware that the sample rate zone in annemun will play a role meaning that for a moment here I have my pyramix as the elected queen or king or my workstation rather elected as a queen or king in my sample rate zone and now if I change it here it will change the anoobas as well obviously if I select that it's the pyramix I will then select the pyramix sample rate and it will change the whole everything what is in this separate zone so it has an implication depending the workflow you choose in terms of [Music] what you choose here as the master as you host then obviously you have the buffer size and the buffer size again it's dependent of the capabilities of your system of what you're doing with your here again I'm on a laptop so I'm a bit on a higher side of the buffer size to be able for the computer to process all of that and at the same time to broadcast what we're just doing now this webinar this is a very interesting tick box as your host makes safe mode yes or no so I can uncheck it or ticket this is very important as we said that we have several da WS working at the same time we would like generally that the work or that they are sample accurate and this is more like in a playback environment playing back different ta WS and mixing something together for example now this dough may or can increase latency because it will refer to the to the one that has the biggest latency and all the others to be able to be sample accurate to the to the one that has the biggest latency this is fine as long as you mix but as long as as soon as then you want to record something on another device that has a lower latency for example you can antic mix safe mode so that in the recording you have the lowest latency of the workstation that has the lowest latency but of course you're not any more sample accurate with all the workstations together so this is a little button that depending again what you're doing you're gonna either ticket or on ticket Ricardo you want to add something on that yes exactly it's it's also a safety measure to prevent you know you were not like a host nacio host to change something on your main on your main master or host which which would cause like a small glitch if you launch something in the background because the delays of the clients has changed so the the safe mode is a safety for that in a sense also and just as you as you mentioned above the the sampling rate we added that for those that will notice that it's a new setting because we we thought abusers that don't need don't run the as you--as at all could now monitor sounds on their pcs change sampling we're checking for let's say sound files library sound libraries changing sampling rate so it allows a workflow on the WDM site where you can change the sampling rate and monitor different things without having any as you're running so that's quite interesting if you use the sampling rate with as a master host mad mad the merging of the device itself so an immediate it's it's new and it's it's it's to suit different work now I would say and then we're gonna come to a very interesting part which which is the vdm settings so this is basically for what I have here I have a Spotify for example and what I'm doing now in Ricardo over Skype and the way I can broadcast some some YouTube videos over my driver this is in Kitty by Richard Dandridge blacks so here I'm playing some Spotify I'm on purpose not playing music to know to not have copyright so this is now something that goes over vdm over windows and is going to the merging audio device how do I set this up it is basically let me go back to the merging audio device here first of all I enable it and then I said how many channels do I want per pair up to eight basically we decided not to have to need more for the moment and then if I look at the inputs it gives me the numbers of inputs over the type of inputs I've set up up there 24 that means that for the moment my vdm input so my Windows input one and two will actually be my as you input 23 24 in my environment so if I go to my animun my 23 24 here if I open this guy and that guy there I see that my 23 twenty-four of my input is my I put the phone here that so that I'm hearing what I'm sending and what Ricardo gets back so I connected the phone to the 23 24 that now you're getting over vdm so this is actually not an a co 23 24 it's the vdm one-and two-and exactly the opposite way so that I can hear for example Ricardo or can hear the sorry to Spotify I just played so the output 23 24 goes now into my vdm source that I created on my Anubis and it's my as you 23 24 that becomes now my VM 1 & 2 and because it's a enacted like this I have now the possibility of using those of course I could have separated my stream from Ricardo to the Spotify for example but for ease of usage I just did it together ok and now of course one aspect that is important is that I have also just let me find it I have also now the Windows settings that can play a role in there where I set my merging audio device as an input master device and as an output master device and now I have all the different applications that are running and of course I have different volumes of that and they have a direct access to my vdm input or output depending the way I look at it I could do nevertheless for whatever reason decided my skype would Ricardo could use other drivers that I want the speaker's of my head of my laptop or whatever to be able to hear him differently and so you wouldn't hear him on that aspect but this is all interacted and plays a big role in there Ricardo yes exactly and what's interesting is within that that WDM we have also a bridge or users can can record back or monitor back the spotify feed or the sound files you have on your on your desktops or whatever in the door in an input strip by example so you could compare snare sound drum sounds here and there mastering sound within the doll you're mixing at the present moment so it becomes interesting to do that you could record a Spotify feed play a guitar over it so these are the things that that comes also with with that WDM and people tend to say you brought that to on the PC side we actually bring more than what's available on the Mac we all know that Mac is a different architecture for the sound and that you can easily monitor with the system built-in sound card and stuff like that aggregate devices but on the Mac side there is a problem remaining because not everybody has the driver that allows you to record back or monitor feeds from Spotify or ordered Mac sounds within the DAW that is loaded with with a driver it becomes a problem and you have to use like sound flower or the new VB virtual cable from a severe air that's on Mac now and here on the PC side we bring you a bridge WDN that allows you actually to to exactly have half the monitoring of everything within within your own da and voila so to make it very clear we have afterwards a few drawings that for a few example of you case studies or practical cases if you prefer that we really emphasize on typically how to link it and connect it to Spotify or YouTube or or whatever type of online platforms and so on the next functionality that I wanted to talk about is here is that all those changes have to be applied that means that while you make some changes you will have a little star next to the functionality or the food or the setting there basically if you change something and until it is not applied this star basically it's not effective and this star will show up what is important to know is that as Ricardo mentioned some of this application might have disrupt disrupt and see of the sound so this is also important I mean while you play it back or you fiddle around it a big deal but while you record you have to be careful not to change your things because you might have a little hole depending of what you're doing in the sound obviously if you change sample rate and things like that so it's a double security not to make mistakes if you're in a critical moment or to make several changes at the same time and apply them at once which is nice as well good last but not least on the first part important is that you have here the versions like in the olden days there this is very critical for our support team it means that if you have anything any issues anything to report or just a question you can then come back with the build a number so that our support team knows exactly what has what is related to if there's a new version or if there was a bug or if it's something to be enhanced or just a manipulation issue or error yes to your question mark is no this is for as you so there is no possibilities for the moment to run this on masks or unfortunately and we look at it for the moment but there is no proper functionality at that point good we'd like to have some reach for masks or eventually or some solution but today we're concentrating in providing this device for the native users and as the first mandate in the first requirement in fact it was on that side the next page brings us to the mat count of this merging audio device it means that there's of course a limit as we said before and if you just need 16 iOS you don't need to set up 128 but this gives you a picture of what is possible with this device in terms of N and outputs bridges and vdm so obviously if you have several machines connected 24 channels for example for a pyramix and 24 other channels for Ripper that will make a total of 48 obviously I it's just math and goes together in one FS and shares by two when you go to two FS and by four to four FS and so on and so on there's another question is it possible to monitor a vdm source that is a different sample rate than the azure driver so this is a tricky question because obviously you might you might be in a 96k environment for example in the azure and you will connect let's say to youtube because you want to just quickly check a video out or some old you out obviously YouTube is not a 96 k but it will work so there is an SRC some where and I call it SRC I shouldn't call it as I see because we don't know exactly what it is but there is something where it converts the sound that you receive not your let's call it professional sound but the sound coming from EDM is converted and this is done for instance for the YouTube this is done by the browser so we've noticed that for Chrome there is actually a bad behavior in the in the SRC type unlike the Firefox where it works very well so depending then what you want to do in which direction with what application whether it's a browser or an app like Spotify the behavior might be different but yes there is a form of SRC on those applications with vdm exactly where there's no SRC today it's between the as you the master host as you and the clients today we don't have a necessity there for the moment on the other side but we could consider that we have today actually WDM SRC workflow this is a little information for our broadcast friends so this is basically I mean not only but mainly at least at this present moment for them so basically the Midd merging audio device is also deployable in virtual machine environments so this is very interesting it is supporting GST 2022 - 7 so basically this is this double I mean this redundancy it is full redundancy of two streams two audio streams that are in two separate cables independent this driver is supporting it and a support for an Mo's I so for now so five if you have specific questions about those broadcast applications either check out our other webinars or come back to us with your questions and we'll happily answer them so we're gonna look at three practical cases sorry basically one for our pyramix users outfit our native pyramix users one including the VDM how to work with it in the integration and one basic lead and opening it to all any type of other da WS excuse me I will need to bring to drink some water it's very one yeah we let you drink one with over and I take the opportunity to mention that currently that the driver the merging of the device is we certified on Windows 10 actually it's a Windows Ted certified drivers so because of the implementation we don't recommend users we even try on Windows 7 for the WDM side fortunate indeed so it's becoming for Windows 10 and currently it's and release candidate state and we hope to release it very soon to the public all entities or horas happy now that users even today so don't hesitate to contact us if you want to try it out good let's go to the first slide I Han enhanced a little bit my microphone has been requested the level so the thing is that we have here a frame basically that shows the computer and inside the applications that are installed and on the left side we have a merging hardware device that is in anubis but it could be a happy or horas that's exactly the same on it aspect but that is needed to be able to run the device good the first application would be simply that I have another workstation or or MIDI device or whatever it is or sequencer here Cubase for instance to be able to run next to my pyramix native or another da w that means that my pyramid is negative is master as u so I have the connection to the network and of course to the merging hardware device the iOS but I have a bridge up to 128 channels in one FS to my pyramix native so it means that my stems for instant of my VST instruments or other type of things can be directly rerouted into my pyramix and mix their for example for an output then the next example is that I not only can have one but I could have two bridged as you application so I have my pure mix again here I have now my Cubase as I had before and I added a novel ton so I still have 128 bridged channels that I can share between those two applications and it makes a lot of possibilities again I choose those Cubase Appleton it could be something else I could be a ripper and a Sequoia for example or whatever depending what you need to do or it could be an isotope for example depending what your workflow and what your needs are then let me go to the next video integration so the Windows driver model in terms of the sound that what we hear for the moment here for instance with you so I have now here the pyramix native and Spotify so that's what I've showed before is that I have my pyramix open let me go and get it and I can make a playback and over it I can open my Spotify and I have my Spotify players over the top of my pyramix and then of course I mix it here in my Anubis but it could be also be triggered and leveled as an input in pyramix though this is as I want so now my Spotify goes into the matte becomes basically my SEO 2324 and I in put it in my pyramix or I played back onto the network this is an Apache issue where do i patch it the next possibility is then of course what I'm doing a little bit here but then I have a graph that shows exactly what I'm doing here but basically pyramix native and I have a Spotify and then I broadcast or something over YouTube or I could listen something from YouTube of course but I could have more than one vdm application running at the same time it is very useful for gaming also I haven't had here an example now but gaming software or applications games basically are very much working on vtm and then you can connect directly the sound in and outputs more mostly outputs but also input some have inputs so that you can have them either you work on them or either you just want to play with them with audio high quality because you have an Anubis for the headphone for example and for a microphone then the next example is obviously that you can choose you don't need a pyramix you can use whatever da W you want in as you hear it's a ripper for example you can use a Sequoia on your end or Pro Tools on PC or whatever it is then this is basically for any DW users that's what I just explained and then of course you can still add a bridged in an output so here I have an as you and in an output so this will be so to say my master device my bridged IO so which is my Appleton and I still have my vdm s as as devices next to it connected to the network and the last no it's not the last one obviously for the moment we have only shown what is happening in the computer but then like your for some of you you are already familiar to that you have a switch and then you connect all your different Hardware merging devices or other computers if they run em ad and you then can have access for all those different devices either vdm I've either bridged or as you to the network of for example the in and outputs for a happy or horse or an Anubis and that makes it suddenly very flexible in terms of what you're able and what you can do out of that Ricardo something to add on that you know it's a good soil it synthesizes everything so basically you can imagine in this slide this slide before where you had the as you clients that the top thought was the master host and everybody follows it when you change sampling rate and so it means that you work in 96 and K in the peer makes or the Reaper then you change to another project that's 48 then it's the master also everybody below will follow you and as the question asks you could still play the WDM in at another sampling rate and then the other scenario I immediately want to clarify might say it's very good it's that it's like what's great about it is if you have an a do this then with the system of the monitoring of the end it is the way it's made with the monitor mission it really provides you with the sources independently and you can easily connect it so that you tap on the on the end of this da and you listen to the reaper or peer mix and then you tap the source you make a source nad or WT and you tap on it then you listen to your to your system sound and everything and you can even summit the non-diverse you know in the monitor anxiety could really compare like different files directly just by interacting on the end of this and toggling the sources you want to listen some the sources you can't even do then it's what's wonderful is the ndb's provides you all the monitoring mission tools for the WTM meat which mean that you could play a file and down mix it with the enemies also on the source of the WM you could use the down mix and other riff and cross P or whatever you want at that time so that's that's what's great about also having an abyss with it don't despite that you will have interesting function with horace and happy as well you know but the monitoring side of and this is very interesting in this case and that's exactly what i'm going to show you to end with so this is basically the one with the network and here I had a little graph which what I'm doing now actually to be able to air all of that so this is the remote control of my physical and existing anubis that I have down here on which is connected the microphone this microphone you hear me from and my headphones so my phone - that's where I'm connected and now if I cut my speaker I cut my microphone obviously it will cut it for you as well and so this is where it becomes interesting sorry for the bad music it will make but now I will play my my Ripper my pyramix and my Spotify owner to be rough and if I go back here I now can which you could give 50 reasons independently choose my spot if I my da w1 and my DA w2 okay and this is exactly what Ricardo was explaining and how do I do that let me stop all of that again because it's yeah we're losing you good because I think with the Spotify the Skype is sharing I think it says yes excuse me it's a so we lost a bit of the words you were saying excuse me everything at the same time yes but need to calibrate the system in course but it does but it was just to show that I had all the different sources here my - as your D AWS then ricard or at the same time from Skype and Spotify and myself here and this is now where in Anubis I can select all of them and this is how I'm connected so it means that I have my pyramix my Spotify and at the same time I air something to you over YouTube so and Ricardo over Scott over Skype goes back into the vdm to youtube and i have a ripper and all of that is connected here with the different sources that have or can be some together which I did just now without latency or or independently can be listened to and so on and so on great so I think we we kind of explained we went to the end of what we wanted to explain Ricardo or is there something else no I think I think it's pretty much covers it we'd like to eventually bring in on IR now Nolan database on some of the use case you bring there we will probably make use cases where we put the annamund connection and how it's done and how to achieve those but there you got you have a good summary of what it can do and it's a for us it's a bit of it's not we're not trying to say it's a it's a game changer because we we have something to propose Ellucian and the guys have been working hard I'm thinking of Georgia they did that meaning that we've been very implicated into this so I hope our users will appreciate it I'm sure they will so thanks Ricardo thank you everyone if you have other questions please post them on YouTube or via the standard means over or e mail or telephone and so on and so on have a lovely day and see you at the works at the next week are the things

Channel: MergingTechnologies

Views: 3,462

Keywords: AES67, RAVENNA, ST2110, audio immersive, anubis, convertisseur audio, broadcast production, production AV à distance, ST2022-7, redondance, zero latence audio, entrée micro, monitoring, mixage en temps réél, podcast, production machine virtuelle, merging audio device, wdm, windows driver model, audio gaming, wdm audio, asio and wdm, st2022-7

Id: vVJNxlKYp8g

Length: 47min 34sec (2854 seconds)

Published: Tue Jul 21 2020