<i>[dramatic music]</i> <i>male narrator:
They are America's</i> <i>elite fighting force.</i> <i>- We have the toughest,</i> strongest warriors
on the planet. <i>narrator:
They are the U.S. Navy SEALs.</i> - The movies get it wrong. <i>♪ ♪♪</i> <i>narrator: These are
the true stories of their</i> <i>most dangerous
combat operations.</i> [whooshing, explosions] - Taking the easy route
is one of the quickest ways <i>to get yourself killed.</i> - Man down! <i>narrator:
Told in their own words.</i> <i>- I got my ass behind cover.</i> I almost got hit,
but I didn't. - I will never quit,
I will never give up. <i>I will go until I die
or until I win.</i> <i>narrator: This is</i> <i>"Navy SEALs: Urban Combat."</i> <i>♪ ♪♪</i> <i>U.S. Navy SEALs
carry out covert missions</i> <i>in more than 100 countries
around the world.</i> <i>With their unique training,</i> <i>weapons, and tactics,</i> <i>these secret warriors take on</i> <i>highly classified operations</i> <i>conventional forces cannot,</i> <i>operations that find the SEALs</i> <i>fighting for their lives,</i> <i>in dense urban environments
like Ramadi, Iraq.</i> <i>♪ ♪♪</i> <i>Here, as the Iraq War rages,</i> <i>SEALs play a pivotal role</i> <i>in the brutal street fighting</i> <i>against Al-Qaeda insurgents.</i> <i>♪ ♪♪</i> <i>SEAL Team 3's Charlie Platoon,</i> <i>which includes
the legendary Chris Kyle,</i> <i>made famous by the movie
"American Sniper",</i> <i>has been deployed
for just over two months.</i> <i>On this mission, the SEALs,</i> <i>operating under
the cover of night,</i> <i>have orders to clear
an area of insurgents.</i> <i>Their platoon chief
is veteran Tony Eafrati.</i> - On the battle map was a big red in the middle
of the city that said, you know,
"Al-Qaeda battle space." [scoffs] I was like, well, that's where we're going. <i>- It was part of the city
that was absolutely</i> not contested
and completely held by the insurgents. <i>narrator: Recent attacks
on U.S. patrols in the area</i> <i>have left numerous Marines
dead and wounded.</i> <i>The SEALs have
been ordered to go in</i> <i>and shut the insurgents down.</i> <i>[indistinct shouting
and gunshots over radio]</i> <i>♪ ♪♪</i> <i>[dramatic music]</i> [dog barking] <i>♪ ♪♪</i> <i>By dawn, the SEAL platoon
reaches the target area</i> <i>near the Marine attacks.</i> <i>Quickly, the men choose
a four-story building.</i> <i>This will be their
base of operations.</i> <i>- We look at topographical
maps and we just figure out</i> <i>what the best buildings were,</i> <i>and then we'd go
clear 'em and seize 'em</i> and then we'd be on top
of these roofs and, or, second floor, whatever it was, you know, and trying
to own that whole lane. <i>narrator:
For sniper Kevin Lacz,</i> <i>the building provides
excellent positions</i> <i>to shoot from.</i> - There's a lot of rooms
in this building, but it offered
a great vantage point <i>in and around
the intersection</i> <i>up into the north
and to the east.</i> <i>♪ ♪♪</i> <i>narrator: While the
building appears abandoned,</i> <i>the SEALs take no chances.</i> <i>♪ ♪♪</i> <i>Slowly, methodically,
they clear every room</i> <i>from bottom to top.</i> - Open door right. - Clear. <i>- When you're in an
urban environment</i> <i>where you're gonna
assault a target--</i> <i>a building,
a compound, or whatnot,</i> <i>all the SEALs that
go in do these things--</i> <i>we've been training
for months and months.</i> And you continuously
do this where it's not a orchestrated
movement that you do. It's a flow. <i>So, any SEAL could be
dropped off in the middle,</i> any platoon in the
middle of the building and figure that
building out quick. [SEALs shouting] <i>♪ ♪♪</i> - Room clear! - Room clear. Stand down. <i>♪ ♪♪</i> - We'll set up here. <i>♪ ♪♪</i> <i>narrator: The SEALs
take sniper positions</i> <i>on the roof
and the floor below,</i> <i>scanning for an enemy</i> <i>that's proven
a lethal adversary.</i> <i>Insurgents control
an estimated 85% of Ramadi,</i> <i>a city of nearly 400,000.</i> <i>A must-win for U.S. forces,</i> <i>because a victory here</i> <i>could help turn the tide
of the entire Iraq War.</i> [explosions, clanking] <i>narrator:
But it will not be easy.</i> <i>Fighting in the
streets of Ramadi,</i> <i>or any city,
is possibly the most dangerous</i> <i>form of combat
any soldier can face.</i> [soldiers shouting] <i>Every street and alley</i> <i>can contain hidden explosives.</i> <i>Lurking around every corner
is the threat of an ambush.</i> <i>- What's uncanny is,</i> <i>is that despite all
the training that we do,</i> it--a 12-year-old boy can <i>pop an AK-47
around the corner,</i> <i>spray 30 rounds,
and get lucky.</i> When the bullets start flying, the battlefield
is remarkably level. <i>narrator: In that
360-degree battle space,</i> <i>the SEALs play
a crucial role in the campaign</i> <i>to win back Ramadi.</i> - Everyone knows by now that
SEALs have superior snipers, <i>so we started
providing sniper support</i> <i>and we just went to
the conventional forces,</i> <i>like, how can we help fight?</i> <i>- We teamed up with
the Army and the Marines</i> and figured out
where the hotbeds were, where they were
getting attacked from, and began to do
overwatch operations <i>and support operations.</i> <i>- We needed special forces
on the ground,</i> because this is not a war like any other war
we've seen before. <i>This is not a war
against armies.</i> <i>This is guerilla warfare.</i> <i>You don't put
divisions of troops</i> <i>to fight these guys.</i> <i>You defeat them
with special forces.</i> <i>♪ ♪♪</i> <i>narrator:
Since arriving in Ramadi,</i> <i>Charlie Platoon
has been bringing</i> <i>so much pain
to the insurgents,</i> <i>the SEALs call themselves</i> <i>the "Punishers."</i> <i>- If you look at
the numbers and how many</i> <i>terrorists we killed,
that's exactly what we did.</i> <i>We punished the enemy
and that's, you know,</i> what they hired us for, and that's what we did
on the battlefield. <i>narrator:
SEAL Kevin Lacz</i> <i>is one of the new
members of the platoon,</i> <i>picking up coveted
combat experience</i> <i>and a new name.</i> <i>- He's a new guy,
so they all look stupid</i> 'cause they don't know
what the hell's going on. And my LPO goes,
"Hey, Tony, look at him. <i>"Doesn't he look
like that guy Dauber</i> <i>from the show 'Coach'
in the '80s?"</i> And I was like... "Frigging right he does,
oh, my God," and that's it, it stuck. <i>narrator:
Tony Eafrati, at 38,</i> <i>is the platoon's oldest
and most experienced operator.</i> <i>- He's your typical Boston,
you know, Frogman.</i> Red socks, Pats, Tom Brady. <i>♪ ♪♪</i> <i>narrator: Now Kevin, Tony,
and their fellow SEALs</i> <i>are in the enemy's backyard,</i> <i>just blocks
from where the Marines</i> <i>suffered heavy casualties.</i> <i>They are waiting
to engage the enemy,</i> <i>and they know
they are being watched.</i> - Early on, we realized
that all the insurgencies in Al-Qaeda had spotters, <i>so every parts of the city
on every entrance point</i> <i>of the city,
there were people spotting.</i> - Everyone's gotta
be ready to go, 'cause you have to assume
that everybody knows you're there and they're
gonna attack you. <i>[dramatic music]</i> <i>♪ ♪♪</i> [gunshots] [men shouting] <i>narrator:
It does not take long</i> <i>for the insurgents
to open fire.</i> [gunshots] [indistinct shouting] <i>- It was like heavy, heavy,</i> <i>a lot of--
a lot of heavy gunfire.</i> A lot of just good hard combat. <i>narrator: Insurgents
unload a barrage of fire</i> <i>from every direction.</i> <i>The SEAL snipers
face a dedicated enemy--</i> <i>battle-tested veterans</i> <i>willing to die
for their cause.</i> [shouting] <i>Quick to exploit any mistake.</i> - Probably 15 meters away,
maybe 20, there was a guy,
he had a RPK or a PPK, I can't remember
what type of machine gun, and he started shooting at me
and he had the drop on me 'cause I had my gun
looking the other way and I just kinda turned and-- but I got--
I got my ass behind cover. I almost got hit,
but I didn't. <i>narrator:
The SEALs of Charlie Platoon</i> <i>respond with
withering firepower.</i> <i>The Punishers earn
their name once again,</i> <i>killing nearly a dozen
insurgents</i> <i>while taking no casualties
of their own.</i> <i>♪ ♪♪</i> <i>narrator: By nightfall,
the enemy has been driven off.</i> <i>- Charlie Platoon,
fall back to Falcon!</i> <i>The Army's pulling out!</i> <i>narrator: The SEALs receive
orders to leave the building.</i> - Copy that. - All right, gents, let's move. <i>narrator:
But as they prep to go,</i> <i>one of the bomb specialists
with the platoon</i> <i>checks the building exit.</i> <i>- We always had explosive
ordnance disposal guys with us</i> and they are
part of our platoon. They train with us,
they do everything with us. <i>They're our brothers.</i> - Take a look
right down there. - Where'd that come from? - I don't know, man,
what do you wanna do? - They do a quick scan
of our exit, and they notice, whoa, there's a Christmas present
right at the front door. <i>narrator:
The Christmas present</i> <i>is a massive
improvised explosive device,</i> <i>or IED...</i> <i>and it's blocking
the building's only exit.</i> - During the firefight, <i>they'd got our
heads down enough</i> <i>that they were able to go
put it up there real quick.</i> <i>It was a short little jog
across the street</i> <i>for them to place it,
just enough time</i> <i>for them to run up and put
a big projectile explosive</i> <i>right at the front door
with a command wire</i> <i>going across the street.</i> <i>- It was one of those
buildings that was just</i> <i>one way in, one way out.</i> They knew we were there
and they knew that there's only one way
in and out of the building. - We need to find a
different egress ASAP. Let's move. - Right.
- Roger. <i>narrator: Any movement
across the threshold</i> <i>could detonate the bomb.</i> <i>The SEALs have to find
another way out.</i> <i>- You still have to think,</i> somebody's gonna sit there
and watch and blow it up. They're also gonna have guns
and try to ambush you too, which is what I would do. [men shouting] <i>♪ ♪♪</i> - No other way out. <i>♪ ♪♪</i> <i>narrator:
No door? No problem.</i> <i>SEAL training
emphasizes improvisation.</i> - So, we came up with a few,
you know, start shooting [bleep]
about it, you know, guys are gonna tie
bed sheets together and do, like, a prison break,
all kinds of crap. <i>♪ ♪♪</i> - Josh,
can you get through this? - Oh, hell yeah. - Yeah, let's do it. <i>narrator: Every SEAL platoon
assigns an operator</i> <i>extra gear on top of their
hundred pound packs.</i> <i>♪ ♪♪</i> <i>Among the items brought
on each mission</i> <i>is a 20-pound sledgehammer.</i> - It was pretty ingenious that
we were gonna sledgehammer, you know, a manhole-sized
hole through the wall and go out onto
a little rooftop that overlooked a market
and then climb down the stairs and get out the
north side of the building. [loud hammering] <i>♪ ♪♪</i> <i>narrator: Within 20 minutes,</i> <i>SEALs smash a hole in the wall</i> <i>wide enough to get through.</i> <i>♪ ♪♪</i> <i>narrator: U.S. Navy SEALs</i> <i>are America's
most elite warriors,</i> <i>the tip of the spear,</i> <i>in the global fight
against terror.</i> <i>In Ramadi, Iraq,</i> <i>SEAL Team 3's Charlie Platoon
is taking the fight</i> <i>to an Al-Qaeda-backed
insurgency.</i> <i>They have penetrated
one of the city's</i> <i>most deadly battle zones,</i> <i>where Marines have suffered
numerous casualties.</i> <i>The SEALs mission is to
disrupt insurgent activity</i> <i>and prevent future attacks.</i> - The urban environment
is probably the worst. I mean, that's where
you're the most vulnerable, <i>just due to the fact
that people can have</i> <i>cover and concealment and
shoot at you from any angle.</i> <i>You don't know
who's out there.</i> <i>You don't know snipers,
where the IEDs are.</i> <i>Any building
could be a target,</i> <i>could be shooting at you
and you don't know</i> <i>where it's coming from,
it echoes.</i> <i>It's hard to figure out where
the bullet's coming from.</i> <i>narrator:
After battling all day,</i> <i>Charlie Platoon has taken out
numerous enemy fighters,</i> <i>but they soon discover
insurgents have blocked</i> <i>their only exit
with a massive bomb</i> <i>that could detonate
at any moment.</i> <i>It's a master stroke
in the art of street warfare--</i> <i>the enemy taking
full advantage</i> <i>of the chaotic
urban battle space.</i> - We need to find a
different egress ASAP. Let's move! <i>narrator: Sniper Kevin Lacz
and his teammates</i> <i>quickly improvise
another way out.</i> <i>♪ ♪♪</i> <i>The men smash through
a wall on the second floor</i> <i>to an adjacent roof
with a stairway</i> <i>leading to the street.</i> [hammering] <i>♪ ♪♪</i> <i>The platoon fans out
across the roof.</i> <i>♪ ♪♪</i> <i>- We're on night vision,</i> everything looks
green and grainy. <i>♪ ♪♪</i> [crash] [man yelps] [glass shattering] One of our snipers
stepped on what looked like, you know, the rooftop, which
was really just a cloth drape overlooking this, like,
little bazaar thing. - There was this hole
with covered roof like a tarp or
something or blanket and he just took
the old step... [whistles]
Disappeared. - [yelps] <i>narrator: A SEAL plunges
through an opening in the roof</i> <i>into a market below.</i> <i>A victim of the unseen
dangers all around them.</i> - Man down, man down. <i>- He fell through about,
you know,</i> <i>15, 17 feet onto the
concrete and smacked down.</i> Had his helmet on,
cracked his gun, landed right on his elbow
and he was out, you know, it was like one
of those you see him and now you don't see him. <i>♪ ♪♪</i> <i>narrator:
Lacz and several SEALs</i> <i>race down a stairway
to street level.</i> [dog barking] <i>♪ ♪♪</i> <i>They find a door
to the market,</i> <i>but it's bolted shut
from the inside.</i> - So I--there was no way
for us to actually-- we had sledgehammers,
we were trying to get through. <i>You could see him, you know,</i> <i>when you came down
to the grated door,</i> <i>it's just we couldn't
open up the door.</i> - [softly, urgently]
Lloyd, Lloyd, Lloyd. <i>- I'm there and, you know,
the other guys are like,</i> "Hey! Wake up!" <i>narrator: The men
are dangerously exposed--</i> <i>vulnerable to fire from
the buildings around them.</i> - Lloyd. <i>narrator:
But they're also determined</i> <i>never to leave
a brother behind.</i> <i>They desperately try
to rouse the fallen SEAL</i> <i>without alerting the enemy.</i> - Lloyd. <i>- It's like,
"Come on, wake up,"</i> and finally he groans. - [groans]
- You okay? - [coughing]
- Can you move, bud? <i>♪ ♪♪</i> <i>- He was able to come to
and, you know,</i> crawl on over, stand up,
and unlock the door. <i>♪ ♪♪</i> - You good? - Yeah. <i>narrator: The SEAL's
right shoulder and elbow</i> <i>are badly injured,
but he's otherwise okay.</i> <i>Good news to platoon chief
Tony Eafrati.</i> <i>- My biggest concern
at that point</i> was just seeing
how my guy was, and it's a big relief when,
you know, he screwed up his shoulder
a little bit but he's a pretty tough,
ornery character. - Move, boys. <i>narrator: The platoon has
rescued their fallen comrade,</i> <i>luckily without
drawing insurgent fire.</i> <i>♪ ♪♪</i> <i>But they must still
get rid of the bomb</i> <i>at the front door.</i> <i>It is critical
that it does not</i> <i>fall back into enemy hands.</i> <i>The explosives specialist
prepares a charge.</i> <i>It is attached
to the huge round.</i> <i>A timer is set.</i> <i>The platoon has
just a few minutes</i> <i>to get as far away as possible</i> <i>before the charge goes off.</i> <i>- We were hauling ass
to get out of there,</i> 'cause...
[laughs] You know,
at least put one building in between us and them. <i>The EOD guys coming
over comms going,</i> you know, "One mic, one mic,"
you know, "30 seconds." [explosion] <i>Boom, you know,
and you can hear that thing,</i> like, yeah, phew. Glad we weren't around...
[laughs] <i>♪ ♪♪</i> <i>narrator:
The explosion provides</i> <i>the perfect distraction.</i> <i>The SEALs exit
enemy-held territory unseen</i> <i>and patrol safely
back to base,</i> <i>aware of how close they came
to losing their lives.</i> <i>- Oh, it would've
been a [bleep]show,</i> <i>we would've got [bleep] up.</i> <i>You know, you would've
had your 16-man platoon</i> walking out into, you know, a projectile that's rigged. It would've been
a mass casualty, you know,
it would've been really bad. <i>We definitely would've
lost the entire platoon.</i> <i>♪ ♪♪</i> - It would have
just killed all of us, destroyed half the building,
it was-- it'd be terrible,
it's terrible. <i>narrator: But the SEALs
may not be so lucky next time.</i> <i>narrator: While there
are well over a million</i> <i>active duty members
of the U.S. military,</i> <i>there are only
2,500 Navy SEALs.</i> <i>These covert operators
are the go-to force</i> <i>protecting America
in the new age of terror.</i> [whooshing] <i>In July of 2006,</i> <i>more than a dozen
of those SEALs</i> <i>are on the deadly
streets of Ramadi.</i> [explosion] <i>♪ ♪♪</i> <i>SEAL Team 3's Charlie Platoon</i> <i>is once again on a mission</i> <i>deep in enemy-held territory.</i> <i>For weeks,
the city has been</i> <i>engulfed in brutal warfare,</i> <i>and even with
fighting this intense,</i> <i>this operation is
especially dangerous</i> <i>because Charlie Platoon
is on what is known</i> <i>as a presence patrol.</i> <i>♪ ♪♪</i> - A presence patrol is one
of the other mission sets that we were doing
in Ramadi where <i>we literally just
patrol down the road,</i> <i>and the point of
the presence patrols</i> <i>was to show the enemy
that we weren't afraid</i> <i>to go ahead and patrol
in their battle space.</i> <i>narrator: By walking in enemy
territory in broad daylight,</i> <i>the SEALs hope to
lure the insurgents</i> <i>out of hiding and destroy
them in direct combat.</i> <i>To do that, Charlie Platoon
has split into</i> <i>a sniper team
and a ground force.</i> <i>Kevin Lacz
and a team of snipers</i> <i>look for a suitable structure
from which they can</i> <i>cover their comrades
on the ground.</i> <i>♪ ♪♪</i> <i>- There just happened to be a
two-story residential building</i> <i>on the corner of two streets,</i> <i>so it gave us
some good vantage points</i> <i>to the north, south,
east and west.</i> <i>♪ ♪♪</i> <i>And so we move
into the building.</i> <i>♪ ♪♪</i> And we take the rooftop--
the best vantage point. <i>♪ ♪♪</i> <i>narrator: The SEALs below
walk the street,</i> <i>using themselves as bait.</i> <i>- As crazy as it sounds,</i> <i>they would patrol
until they get shot at,</i> <i>and we would hopefully
offset the attack</i> or catch the bad guys
as they were retreating. <i>♪ ♪♪</i> - We know darn well the enemy
knew that we were there, and drawing them out
was an opportunity for us to engage with the enemy. I mean, those guys
had to be killed. <i>narrator: The SEALs
are hunting an enemy</i> <i>that does not hesitate
to kill innocent civilians.</i> [gunshots] - We would come across,
you know, some of these cachets of DVDs where they're sawing
the heads off of Iraqi workers who worked
on coalition bases, <i>tossing people in the river,</i> <i>putting IEDs in certain areas,
you know, that would have</i> <i>some kind of effect
on the civilian population,</i> <i>suicide bombers
in crowded areas,</i> <i>you know, anything
they could do to strike fear</i> <i>in a large population
of people.</i> - They were savages. They were brutalizing people, raping them, killing them, doing horrible things to kids. They're savages and they need
to be addressed as such. <i>♪ ♪♪</i> <i>narrator:
SEAL Team 3's Charlie Platoon</i> <i>includes Lacz,
who's still learning</i> <i>the ropes of street warfare.</i> <i>Veteran Tony Eafrati,
who at 38</i> <i>is the oldest member
of the platoon,</i> <i>and Chris Kyle,
one of the most</i> <i>lethal snipers
in U.S. history,</i> <i>and the inspiration for
the movie "American Sniper."</i> <i>- He was such a character.</i> <i>He was a wicked good guy,</i> and I really,
really liked him a lot and he had a good
sense of humor, you know, <i>at some points, he was
almost, like, immature,</i> which is not what everybody knows about him, you know, <i>and he's an American hero,</i> <i>and he was a great operator.</i> <i>♪ ♪♪</i> <i>narrator: Just minutes
after the ground force</i> <i>begins its presence patrol,</i> <i>the snipers lose sight
of their brothers below.</i> <i>- They started patrolling
down the street,</i> <i>and as they're going by,</i> we can kinda
not really see them, so we're not offering
effective sniper overwatch. <i>narrator: But they can hear
what happens next.</i> [heavy gunfire] <i>The ground force is ambushed</i> <i>by a well-armed
group of insurgents...</i> [gunshots] [men shouting] <i>Who use their
home field knowledge</i> <i>of Ramadi's streets</i> <i>to take the patrol
by surprise.</i> <i>- They don't make it too far
when they did take contact.</i> They walked into an ambush. [heavy gunfire] <i>They were taking--</i> <i>it sounded like pretty</i> <i>overwhelming gunfire.</i> [heavy gunfire] <i>narrator: U.S. Navy SEALs</i> <i>are on what is known as
a presence patrol in Ramadi.</i> <i>The mission for SEAL Team 3's
Charlie Platoon</i> <i>is to lure insurgents
out of hiding</i> <i>using a small ground force
as bait.</i> <i>If the enemy takes the bait,</i> <i>the platoon sniper team,
including Kevin Lacz,</i> <i>Tony Eafrati,</i> <i>and "American Sniper"
Chris Kyle,</i> <i>will decimate them.</i> <i>But the plan
goes wrong when...</i> [heavy gunfire] <i>The snipers lose sight
of the SEALs below</i> <i>as the men on the ground
are ambushed</i> <i>by a well-armed
group of insurgents.</i> [heavy gunfire] - Look out! [explosions] [man shouting]
[heavy gunfire] <i>narrator: The ground force
is now trapped,</i> <i>pinned down by gunfire.</i> [heavy gunfire] [men shouting] <i>Meanwhile, the sniper team
is unable to see them</i> <i>from their rooftop position.</i> - I'm looking out to the east, so I know
where they're going to be, but I don't have
a direct visual to where they're at. - Has anybody got eyes
on that contact? <i>narrator: The snipers
can hear the fighting...</i> [faint heavy gunfire] <i>But their team is too small</i> <i>to risk leaving
their current position</i> <i>without support.</i> - Any ideas? <i>narrator:
Lacz remembers he's carrying</i> <i>an American flag tucked
behind his chest plate.</i> - Yeah, maybe. <i>At the time,
it was kinda like,</i> I'm gonna carry a flag
and then maybe one day, I'll either give it
to my son or maybe give it to my parents as a
present or something like that. <i>narrator: If they can't
take the fight to the enemy,</i> <i>maybe they can trick the
enemy into coming to them.</i> <i>♪ ♪♪</i> - Hell yeah,
let's fly that thing. - We just decided to...
raise an American flag in the middle
of south central Ramadi on our building. - Hey, where's that pole? <i>- So, we were like,
let's throw up a flag,</i> <i>so, there we go,
out comes the flag,</i> <i>we find a pole
that was on the rooftop,</i> <i>and we quick flashed it up.</i> [metal clanking] <i>♪ ♪♪</i> Then we raised it
Iwo Jima style, <i>you know, and try and deflect
a lot of the firefight</i> that was directed towards
our present patrol element. <i>narrator: The SEAL snipers
gamble</i> <i>the flag will draw
the insurgents away</i> <i>from the trapped ground force.</i> [men speaking foreign language] <i>♪ ♪♪</i> [man speaking foreign language] - Here we go, here we go. <i>narrator: The ruse works.</i> <i>♪ ♪♪</i> <i>One by one, the insurgents
turn their AK-47s</i> <i>toward the snipers'
position...</i> [heavy gunfire] <i>Unloading a barrage
of intense fire.</i> <i>♪ ♪♪</i> <i>The snipers duck for cover
amid the hail of bullets,</i> <i>a sound all too familiar
to these warriors.</i> - The movies get it wrong, like, all the time, you know, bullets don't go "pwee-ooh." They go...
[snaps fingers] They crack. They crack right over.
[whoosh] That's what you can hear, and if you can hear that,
it's a great, great sound, 'cause it ain't hittin' ya. [bullets crackling] [gunshots] <i>narrator:
While the insurgents</i> <i>unload their fury
on Old Glory,</i> <i>the pinned ground team
have an opportunity</i> <i>to exit their positions.</i> - See anything? - All clear. <i>♪ ♪♪</i> - Fall back on me! <i>narrator: And begin
making it back to base.</i> <i>♪ ♪♪</i> - We just Iwo Jima-ed
that [bleep]. [soft chuckling] - Yeah, we did. <i>narrator: By nightfall,</i> <i>fire from the insurgents
dwindles</i> <i>as they vanish
into the dark streets</i> <i>and alleys of Ramadi.</i> <i>Later that night, the SEAL
snipers patrol back to base.</i> <i>where Eafrati says
despite its success,</i> <i>the flag diversion idea</i> <i>did not go over well
with the brass.</i> - I think our troop commander
might've chewed my ass or somebody, but that's okay,
I've had my ass chewed before. And maybe it was dangerous, and, oh, blah, blah, blah, but you know what?
[bleep] them. You know? <i>narrator: But the
veteran SEAL believes</i> <i>the five Marines
and a Navy corpsman</i> <i>in the iconic Iwo Jima photo
would be proud.</i> <i>- Oh, I think they'd love it.</i> <i>Absolutely, you know,</i> that's what we were thinking, Iwo Jima, you know, but, uh, yeah, those guys probably would
be pretty happy with us. <i>♪ ♪♪</i> <i>narrator: Ramadi, Iraq, 2006.</i> <i>The battle-scarred city
is the center</i> <i>of a bloody
Al-Qaeda-backed insurgency.</i> <i>It's left Iraq
on the brink of civil war.</i> [men shouting] [heavy gunfire] <i>narrator: Fierce fighting</i> <i>in the maze
of Ramadi's walled streets</i> <i>has left dozens
of U.S. Marines</i> <i>and Army soldiers dead.</i> <i>♪ ♪♪</i> <i>But thriving in the chaos
of the close-quarters battle--</i> <i>SEAL Team 3's Charlie Platoon.</i> <i>- We got in there,
we got into gunfights,</i> and we began to kick
the crap out of the enemy. <i>[heavy gunfire, explosions]</i> <i>♪ ♪♪</i> <i>narrator: With their elite
sniper and assault skills,</i> <i>SEALs play a critical role
in assisting</i> <i>conventional forces
retake the city,</i> <i>part of a new
coalition strategy called</i> <i>"clear and hold."</i> <i>♪ ♪♪</i> <i>Once an enemy area
is secured or cleared,</i> <i>U.S. forces build
a permanent combat post there.</i> - Every place we would
take or assault, every area, we would put
a combat outpost in. <i>♪ ♪♪</i> [machine gunfire] <i>narrator: From these outposts,</i> <i>SEALs and conventional forces</i> <i>launch more operations,</i> <i>deeper and deeper
into insurgent territory.</i> [gunfire] <i>- What we did is to help
carve out that battle space,</i> push the insurgency, push Al-Qaeda
into the middle of the city, and we kept just circling about and getting them closer
and closer together. <i>♪ ♪♪</i> <i>narrator:
Charlie Platoon is assigned</i> <i>a clear and hold operation</i> <i>in the south central part
of the city,</i> <i>which is enemy-held territory.</i> - You block off an area
with, you know, your troops or tanks... <i>♪ ♪♪</i> <i>To allow nobody
to come in or go out</i> <i>and then you send guys house
to house to clear it out.</i> We're looking for, you know, fighters and we're looking
for any type of information <i>that can be used
for follow on targets.</i> <i>narrator: SEAL snipers
keep an eye out from above...</i> <i>♪ ♪♪</i> <i>As Kevin Lacz and the other
SEALs hunt below.</i> <i>♪ ♪♪</i> [knocking] <i>- We knock on the door,</i> <i>we have an Iraqi interpreter
that would tell them,</i> <i>"Hey, we're here
to search your house,"</i> and give them the opportunity
to either open the door, or we would forcibly enter
with, you know, manual tools, mechanical tools,
or explosives. [men speaking foreign language] <i>narrator:
The sweep is coming up empty.</i> <i>No sign of insurgents
or weapons.</i> <i>♪ ♪♪</i> - It's a hot one. Nah, thanks, though. <i>♪ ♪♪</i> <i>narrator: But the men
of Charlie Platoon are on edge</i> <i>and on high alert.</i> <i>♪ ♪♪</i> [gunshot] - [yelps] [bleep]! - Man down! <i>♪ ♪♪</i> [radio buzzes] <i>Man down.</i> <i>narrator:
Sniper Ryan Job is hit.</i> - Corpsman up, corpsman up, man down, man down! [men speaking indistinctly] [gunshots] <i>narrator: Known among
his teammates as Biggles,</i> <i>Job is badly wounded.</i> <i>- He comes down the stairs</i> with his arm around
one of the guys, and, you know, his eye had-- it looked like
the old cartoons, like a slinky coming out. He had blood all over him,
but he's walking. - Let's go, go, go, go. <i>narrator: SEALs lead Job
to a waiting vehicle.</i> <i>♪ ♪♪</i> <i>He is the first major casualty</i> <i>of this entire deployment
for Charlie Platoon.</i> - Let's go, let's go! [engine turns over] <i>- It was like a sucker punch
to the throat,</i> and you get that lump
in your throat, you can't swallow,
and you just don't know what's gonna happen to him. <i>narrator: The SEALs
patrol back to base,</i> <i>while conventional forces
continue their sweep.</i> <i>- Tony and I were
holding rear security.</i> <i>narrator: Perhaps out
of concern for Job,</i> <i>the patrol moves quickly,</i> <i>too quickly for Lacz and
platoon chief Tony Eafrati.</i> - It got to the point
where we were sprinting our asses off just to keep up with
the rest of the platoon. At one point, the platoon
had taken a turn <i>and we had lost sight of them.</i> - Let's book. - So, it was just me and him. So we're out there
by ourselves doing this. <i>narrator: More than a mile
away from their base,</i> <i>separated
from their platoon...</i> <i>The two are
wide open targets...</i> - Let's go. <i>narrator: Vulnerable
to an enemy well hidden</i> <i>in Ramadi's dense
and crowded urban sprawl.</i> <i>- A guy popped out
of a doorway.</i> <i>Got two in the head,</i> right in the little T-box,
right there. - Clear. <i>♪ ♪♪</i> <i>- When the duress and the
situation tends to escalate,</i> <i>I think a lot of team guys</i> <i>find themselves solace
with their training,</i> <i>and my job simply
was to hold security,</i> <i>shoot, move, and communicate.</i> <i>You know,
somebody pops up who's bad,</i> <i>they're gonna get engaged.</i> <i>♪ ♪♪</i> - Clear. <i>♪ ♪♪</i> <i>narrator: Lacz and Eafrati
finally make it back to base.</i> <i>They join their fellow SEALs,</i> <i>who are still stunned
in the wake</i> <i>of their first
serious casualty.</i> <i>- We definitely were ahead
of the curve,</i> <i>and we were killing the enemy,</i> and to hear, you know,
"Biggles down" was definitely a wake-up call, to say the least. <i>narrator:
But the men of Charlie Platoon</i> <i>still have a job to do,</i> <i>and a fallen brother
to avenge.</i> <i>- Oh, what's the matter,
we got a guy wounded,</i> <i>and we're all supposed
to take a week off?</i> No, it doesn't work that way. - We were gonna go back out
and get the guys who had shot Biggles. <i>♪ ♪♪</i> [men shouting] <i>narrator: In the war-torn city
of Ramadi, Iraq,</i> <i>scores of Marines
and Army soldiers</i> <i>have been killed or injured</i> <i>by insurgent IEDs and attacks.</i> [explosion] <i>♪ ♪♪</i> <i>Now, SEAL Team 3
has just suffered</i> <i>its first serious casualty
after weeks of combat.</i> [gunshot] - [yelps] - Man down.
[men shouting] - Man down!
- Let's go, let's go. <i>narrator:
It's a traumatic experience</i> <i>for Kevin Lacz and the
Punishers of Charlie Platoon,</i> <i>who so far
have felt invincible.</i> <i>- The mood when we get back
is pretty somber.</i> Ryan was... he was the personality
of the platoon. <i>His energy was unstoppable.</i> <i>His humor was,
you know, unflappable.</i> <i>♪ ♪♪</i> <i>narrator:
Not long after returning,</i> <i>Lacz,
platoon chief Tony Eafrati,</i> <i>and their fellow SEALs
receive good news.</i> <i>Ryan Job has been stabilized.</i> <i>The round that struck him</i> <i>ricocheted off his weapon,</i> <i>before pulverizing
the right side of his face.</i> <i>- He didn't get
shot in the eye,</i> he got shot in the machine gun, and the machine gun
fragged him in the eye, which is still terrible,
but, you know, he didn't-- if he'd have got
shot in the eye, he probably wouldn't
even have lived. <i>narrator:
Job will be airlifted</i> <i>to a military hospital
in Germany.</i> <i>♪ ♪♪</i> <i>For the injured SEAL,
the war is over.</i> <i>♪ ♪♪</i> <i>But for Lacz and Eafrati,</i> <i>there is still a job to do.</i> - There are insurgents
moving in and around that position
from which Ryan was shot, meaning we have got bad guys,
we know where they're at. <i>narrator:
Charlie Platoon decides</i> <i>to return to the battle space.</i> - Oh, what's the matter,
we got a guy wounded, we're all supposed
to take a week off? No, it doesn't work that way. <i>Even if somebody dies,
we still got a job to do.</i> <i>You know, you can't
just, oh, run home</i> <i>'cause one person gets hurt.</i> <i>That's not how it works.</i> <i>- We're gonna go back out
and get the guys</i> <i>who had shot Biggles,</i> <i>and I think it spoke
quite a bit about</i> the character
and the leadership of the enlisted personnel. - Everybody good to go? <i>narrator: With the battle
for Ramadi still raging,</i> <i>Charlie Platoon heads directly
back into the fight...</i> <i>♪ ♪♪</i> <i>Right to the very sector
where their comrade,</i> <i>Ryan Job, was shot
just hours before.</i> - Breacher up. <i>♪ ♪♪</i> <i>narrator:
Moving house to house,</i> <i>they hunt the enemy.</i> [loud clang] <i>Their luck had held
through weeks of combat,</i> - Clear!
- Clear. <i>♪ ♪♪</i> - Clear! <i>narrator: Now, tragedy
strikes for the second time</i> <i>on the very same day.</i> <i>♪ ♪♪</i> [gunshots] [men shouting] - Man down! [gunshots] <i>narrator: Marc Lee, a new guy
on his first deployment,</i> <i>is cut down by a burst
of machine gun fire</i> <i>from the next building.</i> [glass shattering] <i>Lacz, a medic for the platoon,</i> <i>tries to help Lee.</i> <i>♪ ♪♪</i> - Marc was--Marc was gone
before he hit the floor. <i>♪ ♪♪</i> <i>And it was like taking
a sledgehammer to the gut,</i> 'cause there's nothing
you can do. I mean, it's the most
powerless position you can ever be in. <i>narrator: The SEALs
carry Lee to a medevac.</i> <i>He's taken back to base,</i> <i>which he will begin
his final journey home.</i> <i>♪ ♪♪</i> <i>Then, for the SEALs,</i> <i>it's back to the fight again.</i> <i>- The guys didn't stop.</i> <i>They did what they
were trained to do,</i> clear the building. You worry about that later,
just clear the building first. - In battle, it never goes
the way you're gonna expect, and so, you can't
crumple up into a ball. You've gotta persevere. <i>You know,
we have this mind-set</i> in the SEAL teams
of "never quit." <i>narrator: The SEALs press on,</i> <i>clearing the structure,</i> <i>and hammering the next
building with heavy fire,</i> <i>killing the insurgent who
fired the fatal shot at Lee.</i> <i>♪ ♪♪</i> <i>Their fallen brother avenged</i> <i>and the operation complete,</i> <i>the SEALs return to base</i> <i>to prep for the next mission.</i> <i>There will be dozens more</i> <i>before the platoon
returns stateside.</i> <i>♪ ♪♪</i> <i>Marc Lee is the
first Navy SEAL</i> <i>killed in the Iraq War.</i> - We lived in the same tent, so, played a lot
of video games together <i>and laughed and watched
a lot of movies together.</i> <i>I got to see a side
of Marc that, you know,</i> <i>I'm happy that I was able to,
'cause we got to bitch</i> and gripe and complain
and talk about everything under the sun. <i>narrator: Ryan Job
eventually recovers,</i> <i>but is left blind
in both eyes.</i> <i>Three years
after getting shot,</i> <i>he dies during
an injury-related operation.</i> <i>The sacrifices of Marc Lee,
Ryan Job,</i> <i>and other Navy SEALs
in Ramadi are not in vain.</i> <i>♪ ♪♪</i> <i>narrator: After months
of brutal fighting,</i> <i>the strategy
of "clear and hold" pays off,</i> <i>enabling the Army
to secure Ramadi</i> <i>and bring relief to the city's
traumatized civilians.</i> - We drove the level
of violence down very dramatically--
ultimately by some 80 or 85% during the year
and a half of the surge. <i>We were able to resume
the transition of tasks</i> <i>to retrain, to reequip,</i> to reconstituted Iraqi Army
and police units. <i>narrator: U.S. Navy SEALs</i> <i>have proved they're masters of
yet another form of warfare--</i> <i>urban combat.</i> - These are guys
that lost their lives, you know, fighting terrorism. That's something
they wanted to do. <i>Nobody said,
"You have to do this."</i> <i>They did it.</i> <i>- I think they'd
be up there going,</i> <i>you're damn right, keep doing,</i> keep being frogman,
keep training hard, <i>keep kicking doors in,</i> <i>and keep taking bad guys
off the planet.</i> - We honor our brothers--
guys who have died-- <i>we honor their sacrifice
and we honor--</i> <i>we honor them in how we live.</i> <i>♪ ♪♪</i> - Clear. <i>- If knocked down,
if shot, if injured,</i> I'm gonna keep fighting,
I'm gonna keep fighting. I'm gonna keep fighting,
I will never quit, <i>I will never give up.</i> I will go until I die
or until I win. <i>[intense music]</i> <i>♪ ♪♪</i>