Modern Marvels: International Airports - Full Episode (S5, E14) | History

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I have over 100gigs of modern marvels on disc somwhere. I REALLY hope those discs made the move from PA to NM with me. LOVE that show!

👍︎︎ 3 👤︎︎ u/nerys71 📅︎︎ Apr 19 2020 🗫︎ replies
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>> NARRATOR: Fasten your seat belts, make sure your trays are in their upright position, and prepare yourselves for a journey through the history of airfields: from primitive farmer's fields to the constantly evolving and expanding multi-mile layouts of today. Now "International airports" on<i> Modern Marvels.</i> <font color="#FFFF00">[Captioning sponsored by A&E TELEVISION NETWORKS]</font> You probably think keeping a 430-ton airplane flying is just a physics problem. Think again. The real challenge starts when the plane's back on the ground. Consider for a moment the difficulties facing modern airports as they link and shrink our busy world. They are models of intricately coordinated organization, symphonies of managed chaos and unexpected change as they send more people further, faster. Over 72,000 of us hurl ourselves into the air on thousands of planes every hour of every day and safely land anywhere-- from Anchorage to Zurich-- in less time than it takes to read the Sunday newspaper. 50 years ago it took more than a day to fly from Los Angeles to Japan. Today, a flight from L.A.X. to the new Kansai International Airport takes less than 14 hours. Kansai features the latest trend in airport construction. It is built on a 5.6 million- square-foot man-made island in the middle of the ocean. Kansai is a response to the overwhelming need for more airport services in a place where encroaching urban sprawl and a lack of available land make a big, noisy downtown airport undesirable. >> GEOFFREY AREND: It's a brilliant concept. To look at... We think, "Well, wouldn't we rather land... closer to the action, closer to where we really want to be?" The truth of the matter is, we want to land where we can get in and out and get the minimum hassle in terms of being able to move through the facilities. And Kansai certainly offers that. >> NARRATOR: Workers spent two years reclaiming land from the sea as a foundation for the airport, filling a massive rectangular seawall with 6,357 million cubic feet of earth. They built a 2.3-mile-long, two- tiered access bridge for trains and cars. Plus, they included a hotel, shopping complex, observation deck, pedestrian walkways, administration buildings, street lamps, dozens of restrooms and everything else you'd find in a small city. First conceived back in 1968, the facility finally opened in 1994 as Japan's first 24-hour airport, operating a 2.1-mile- long runway and an average of 319 flights per day. The usual array of security measures, gates and ticketing counters are housed in a terminal designed to reflect the culture and architecture of the region. >> ROBERT OLISLAGERS: The concept of building offshore airports and airports in locations where you otherwise might not have expected them are becoming more and more the vogue. >> NARRATOR: There are risks, of course, to building an airport at sea. Engineers expected Kansai to settle a little. Unfortunately, it is settling faster than engineers expected, at a rate of nearly four feet per year, and officials are scrambling for a solution. It hasn't been a smooth ride to Kansai from Kitty Hawk, but it has been an exciting evolution. Aviation and airports have grown together into multibillion- dollar industries that do far more than provide planes with places to land, but that's how they began at the turn of the last century. >> AREND: The initial airports were little more than afterthoughts. They were grass fields that were out in the middle of a farmer's pasture, little reception areas for passengers. >> NARRATOR: Farmers' pastures were good locations because they were flat, clear, and the farmer usually had reliable weather information for the pilots. Partly as a by-product of the first World War, air travel caught on more quickly in Europe than in the United States. Roads and railways had been destroyed, and often the easiest path from one country to another was by air. The war also produced experienced pilots. European governments subsidized airports in London, Paris and Berlin, where large facilities were modeled on the grand train stations of the 19th century. Passengers merely walked from a large foyer out to a single gate or onto an open field. In America, a spectator sport full of daredevils would be transformed by the post office into a lucrative courier service for the mail. >> AREND: The airlines were getting a subsidy to carry mail in their very earliest stages. As a matter of fact, they really didn't want to carry passengers, because they didn't have to feed the mail. They just put it on the plane. It was a simple process. >> NARRATOR: It was also a deadly one, as ill-equipped pilots flew unscheduled routes through unpredictable weather. 31 of the first 40 pilots hired by the postal service in 1919 died in crashes within six years. In response, the postal service opened their airmail operation to private contractors who bid on specific routes. But that would all change with Walter Folger Brown's appointment as Postmaster General in 1929. Brown encouraged commercial aviation by forcing ragtag independent airlines to merge into a handful of large ones. >> R.E.G. DAVIS: When he took over, there were about 42 little airlines in the United States. He said, "We want a proper national system." >> NARRATOR: In 1927, the aviation industry was bolstered by a public relations event almost as monumental as the discovery of flight itself. >> LOWELL THOMAS (<i> over radio</i> ): This is Lowell Thomas in New York. He made it! Charles A. Lindbergh, Lucky Lindy as they call him, landed at Le Bourget Airport... >> NARRATOR: Lindbergh became the first person to fly solo, non-stop across the Atlantic, landing in Paris in his Spirit of St. Louis on May 21, thus opening the age of transatlantic international air travel. >> AREND: What Charles Lindbergh did for commercial aviation has been, to a large extent, overlooked. He'd take his Spirit Of St. Louis into a town, he'd land at the farmer's field at the edge of town, be escorted to the steps of City Hall. The Mayor would come out and hand Charles Lindbergh the key to the city. And in most cases-- a week, a month later-- the city would float a bond for a half a million dollars and build an airport. >> NARRATOR: But what, exactly, was an airport? Was it a kind of train station? An open field? >> OLISLAGERS: As land became more scarce and more costly, it became obvious that you couldn't have these very large land sections dedicated strictly for an all-field type of airport. And so, therefore, the whole runway concept was developed. >> NARRATOR: But where to put the runway? In 1929, the Lehigh Portland Cement Company sponsored a competition that produced some curious results. One submission had airplanes landing on runways suspended atop city skyscrapers. >> DEBORAH G. DOUGLAS: But they loved the idea of gridding out patterns, and so there's aesthetically wonderful patterns: stars, spokes. The designs that appeared in this airport competition are done by architects, for the most part, who had no experience in airport design, and also never seem to have been hired since. >> NARRATOR: Landing airplanes on top of skyscrapers may have been farfetched, but landing them on water soon became commonplace. During the early 1930s, the epitome of passenger plane travel was the luxurious flying boat, an innovative airplane that used its smooth, reinforced underbelly to take off and land. All one needed was a few hundred feet of calm seas and a dock. >> OLISLAGERS: In fact, the very first passenger airline actually started as a seaplane service in St. Petersburg, Florida. And in the early days, the seaplanes were very popular. >> NARRATOR: Miami's Dinner Key became America's very first international airport, offering trips to southern international destinations on Pan-American airlines. In fact, the original terminal at Dinner Key was a houseboat. One prominent visitor to Miami's Dinner Key was New York's Mayor Fiorello La Guardia, who wouldn't be satisfied until his city built the greatest airport in the world. >> NARRATOR: "International Airports" will return on <i>Modern Marvels.</i> >> Narrator: We now return to "International Airports" on<i> Modern Marvels.</i> International passenger service was burgeoning in Europe between the wars. In Hamburg, Germany, for instance, an innovative brick terminal was handling 62 passengers a day when it was completed in 1929. Efficiency and organization became a keystone as architects built new airports in places like Germany, France and England. This attention to efficient traffic flow is apparent at London's Gatwick Airport, which opened for international passenger service in 1936. >> GEOFFREY AREND: The lovely thing about Gatwick-- and it should be pointed out that the original Gatwick terminal was a modern miracle in that it didn't take a long distance to get from the front door to the airplane-- that it had a circular design, much like a beehive at the end of a finger, and it had covered walkways out to the airplanes. It had many of the elements that you see today in a modern airport. >> NARRATOR: The beehive terminal allowed a plane landing at Gatwick's open field runway to park at one of the many gates rather than one or two gates that handled Gatwick's roughly a dozen daily flights. It also included telescoping canopies that could protrude from the terminal out to a loading airplane like a spoke on a wheel. This innovation kept passengers protected from the elements, evolving into the loading ramps used today. Access to the beehive was through an underground walkway. Critics complained that the circular gate left no room for expansion, but in fact, the design allowed for multiple beehives throughout the airport. In America, New Jersey's Newark Airport was the world's busiest in 1935, with 30 flights a day. Handling only domestic flights, Newark was not an international airport, but it inadvertently inspired one. >> AREND: Newark Airport was the aerial gateway for New York City. In fact, Mayor La Guardia had a flight on American Airlines from Chicago in 1937, and he landed at Newark, and he told the pilot, "No, my ticket says New York, and I want you to take me there." So, they took off from Newark and flew-- it was a press gag, of course-- but they flew to Floyd Bennett Field. >> NARRATOR: Floyd Bennett Field was New York's official airport, but it was further from Manhattan than Newark was, so the postal service used Newark for its airmail into New York. La Guardia wouldn't stand for that. >> AREND: Make no mistake about it, this airport was not going to be denied. Mayor La Guardia was going to build this airport, and there was no question about it. >> NARRATOR: La Guardia hired the architects who designed Dinner Key in Florida. The art deco flavor of that earlier airport would be repeated in New York's new municipal airport, eight miles from the city. The circular Marine Air Terminal was positioned on the shore to handle the luxurious seaplane flights. The planes would float over to the back of the terminal dock by piers that provided walkways inside the rotunda. The airport also provided international travel via seaplane, as land-based passenger planes could not yet carry passengers overseas. The seaplanes traveled east to Europe with fueling stops at coastal ports in Canada, Greenland and Iceland. New York City not only had a world class airport; it had an international one. >> AREND: La Guardia opened up the entire European landscape to scheduled air flights, as well as the domestic landscape to scheduled flights into New York. >> NARRATOR: The airport also had a terminal for land-based domestic flights. Significantly, travelers at the airport were divided for greater efficiency. >> AREND: Departing passengers were upstairs. Arrival passengers came downstairs. There was a clear definition between arrival and departing passengers. And, of course, on the departure level were all the great services. The beautiful restaurant-- The Open Terrace, they called it. It was a lovely affair. >> NARRATOR: New York Municipal Airport boasted two nearly mile- long runways handling 250 flights its first summer in 1939. On opening day, a group of skywriters flew above the crowds and memorably wrote, "Name it La Guardia." It took the city council a couple of years to rename the airport La Guardia, but it became a hot spot soon after it opened. >> AREND: The observation decks were busy day and night watching the airplanes come and go. Barbershops were here in the '30s. There were small coffee shops and intimate, cozy little areas at the airport to sit and have a quick drink before a flight. >> NARRATOR: What the Mayor and others who created La Guardia Airport couldn't have anticipated was the rapid expansion of passenger airplane travel over the next decade. Air travel demand greatly increased, especially after World War II, and La Guardia was clearly inadequate to handle the volume of flights, both domestic and international. New York needed another airport. World War II had stimulated the development of larger, faster, more efficient aircraft that could also travel further. Redesigned after the war, these new multi-engine planes not only carried more passengers on longer trips, they sounded the death knell of the elegant but inefficient flying boats which carried only about a dozen passengers. These new aircraft demanded more from the airports that serviced them. >> RON DAVIES: They sacrificed the ability to take off quickly in a short space, but by having longer runways and getting up a much higher speed to take off, they could carry heavier loads. And the length of runways began to grow. And by the end of the Second World War, you had to have at least a mile of runway if you were going to hope to be recognized as a class airfield. >> NARRATOR: Airports in Europe also expanded to accommodate the new planes. Amsterdam's 30-year-old Schiphol International Airport, for instance, was destroyed during the war, but rebuilt and reopened in 1946, ready for the larger planes. In addition to refurbished airports, brand-new airports like England's Heathrow, 15 miles from London, met the international demand. Within its first year of operation, airport planners speculated building nine runways to handle all the traffic. They ultimately built three. While Heathrow was being built overseas, in America, New York International Airport opened in 1948 in Jamaica Bay, at the southeast end of Long Island, 15 miles from the city. Later renamed John F. Kennedy International Airport, it was enormous. >> AREND: Well, you could take all of La Guardia Airport and fit it very neatly inside the passenger terminal oval at Kennedy. There's 600 acres here. There's 5,000 acres there. So, there was the feeling that there was an endless amount of room to grow. >> NARRATOR: But runway length was not the only difference between La Guardia and JFK. Instead of a single passenger terminal serving a host of airlines, JFK pioneered the airport city concept, with each airline building its own terminal. It also had its own police department and its own electrical power plants. >> AREND: The most interesting thing about JFK International Airport was, here was the ultimate expression of the airlines versus the railroads and the steamships. Every one of the carriers went out to that field and built their own statement. The buildings were designed with a flair and a sense of destination and a sense of excitement. >> NARRATOR: The 150-foot control tower, completed in 1952, was one of the earliest freestanding control towers, coordinating roughly 50 flights a day. JFK was America's busiest international airport throughout the 1950s. But the introduction of passenger jet aircraft in 1958 meant bigger planes and more flights. Airports would have to adjust to the "jet age." "International Airports" will return on<i> Modern Marvels.</i> >> Narrator: We now return to "International Airports" on<i> Modern Marvels.</i> The technology of flight advanced yet again in the 1950s, when passenger jets sent a shock wave through the community of airport architects. Bigger, faster, heavier planes required leaner, cleaner, more efficient "jet age" airports. >> OLISLAGERS: Jet aircraft technology allowed the aircraft to become larger and larger because of the thrust-to-weight ratios. And as the aircraft got larger, being able to get the aircraft into a gate without touching wings with an airplane that might be sitting in the next gate over became a real problem. (<i> jet engines roar</i> ) >> NARRATOR: So did the noise. Jets were louder than propellers. Airports needed more room to land the bigger planes, and they needed to be far enough from the city to avoid noise pollution. Yet they had to be close enough to be convenient. Larger, more efficient planes meant more cost-efficient flights. As a result, air travel opened up to even more consumers. >> DOUGLAS: The success of the jet is not so much the speed that it offered, but that it reduced costs so dramatically, and when the seat-mile costs go down, then that enables a volume of traffic or it invites a new community. >> NARRATOR: Commercial jet service began at London's Heathrow in 1952, six years before any other international airport, with flights to Johannesburg, South Africa. In 1953, passengers through Heathrow topped the million mark, the first airport to do so. Three years later, Heathrow saw three million. The first international airport in America built specifically for the jet age was Washington's Dulles, opened in 1962, and designed by Eero Saarinen. Three runways at Dulles were constructed of reinforced poured concrete, each over two miles long. A modern air traffic control tower was constructed to a height of 177 feet, 27 feet higher than JFK's tower. Dulles also pioneered the use of traveling lounges, or people movers, to ferry passengers more efficiently to their gates. >> AREND: Instead of trying to put a lot of people in a gate situation and jam them in, you can move people onto these people movers that would take them out to the aircraft waiting to board, to take off. So it attempted several different technologies which have become, in one way or another, commonplace at airports all over the world. >> NARRATOR: situated more than 25 miles from Washington, D.C. on 10,000 acres, the airport was planned for rural Virginia to reduce noise pollution and provide the extra room required by jets. However, communities soon sprouted up near Dulles, as they often do around airports, to take advantage of opportunities the dramatic new airport would inevitably generate. Saarinen's startling design included a roofline that swept dramatically up in a metaphor of flight. >> OLISLAGERS: You want to have sort of that aerodynamic flow, if you will. Lots of light, lots of open space, sort of the embodiment, again, of, you know, blue skies and "the sky's the limit." >> NARRATOR: The terminal at Dulles International Airport was undeniably, unequivocally, unabashedly an airport. As Dulles was making an architectural impression in the east, another jet age airport in the west was doing its best to keep a low profile. Los Angeles International Airport, or L.A.X., began in the teens as an airfield in the bean fields 18 miles west of downtown L.A., but quickly grew after the war. Expanding into an international airport in the late 1950s, it took a radically different approach to architecture than Dulles. >> WILLIAM M. SCHOENFELD: I've often referred to this airport as an airport without any exterior architecture. When you drive in, the buildings on either side there are one and two stories, and you see a road and you see glass fronts and you don't see any structures. >> NARRATOR: With the strong Los Angeles car culture, the architects anticipated lots of vehicles coming to the airport and designed accordingly. Traffic is mitigated by L.A.X.'s innovative, horseshoe-designed roadway that passes separate terminals aligned in a row. >> SCHOENFELD: The reason for this at Los Angeles is that we did not want to make the passenger walk further than 40 feet from where he unloaded his baggage at the curb to the face of the ticket counter. >> NARRATOR: Within the horseshoe roadway were parking lots, which could and would be expanded into multi-level parking garages. The design was so effective at controlling traffic that it took some observers by surprise. >> SCHOENFELD: When we opened in 1961, the<i> L.A. Times</i> especially came out and photographed the empty streets and talked about the fact that we'd overspent the $20 million for the terminal. In the ensuing 20 years, the population and travel went up, airplanes got bigger, and more people were traveling, and in 1982, it was, uh... we built the second level. >> NARRATOR: Los Angeles improved on the old La Guardia concept of dividing arriving and departing travelers by separating them before they even got out of their cars. At L.A.X., departing travelers are sent to the upper level roadway and arrivals to the lower roadway. Observers were again surprised at the success of the scheme. >> SCHOENFELD: So when we opened the new second level roadway, they were out again with the mobile units, but the story was that "Gee, we're sorry, folks, we're not going to be able to come out here anymore and report on the traffic jams because there aren't any." But that was almost 20 years ago, now, and we're back to the point where traffic is overloading the second level roadway. >> NARRATOR: L.A.X. was one of the first airports to have fueling hydrants built into the aprons of the tarmac to facilitate underwing fueling, thus avoiding expensive collisions between jet wings and fueling carts. L.A.X. incorporated a cutting- edge baggage claim system, built around the new carousel design. Luggage could now be loaded onto a conveyor belt that whisked it to a retrieval area, often arriving there before its owner did. A state-of-the-art control tower 13 stories high sat on top of the airport administration building, handling nearly 1,500 flights a day and carrying roughly 33,000 people on three runways, each roughly two miles long. The sheer size of the equipment was daunting. >> SCHOENFELD: Originally, they had three levels of nothing but electronics, and through the years, as electronics improvements came along, they just reduced the size of the equipment down to where they didn't need all that space. >> NARRATOR: After constructing a clean, efficient, subtle airport, the architects at L.A.X. then planted an outlandish landmark smack in its center, whose main purpose was to symbolize the futuristic jet- age theme of the airport. The overtly architectural restaurant and observation deck, with its spindly legs reminiscent of an alien spacecraft, was named the Theme Building. When L.A.X. opened, projections indicated that it would never need more than 10,000 parking spaces. They were off by at least a multiple of three. Anticipating future needs is one of the most important and most difficult tasks for airport officials. >> OLISLAGERS: Looking at how the market may respond, not just five years from now but 20 years from now, takes tremendous amount of money and a lot of planning and environmental work to build a new hangar. In fact, these days, just to add capacity to an airport, it takes almost ten years just to build a new runway. >> NARRATOR: The volume of air traffic is increasing at such a rate that planners can barely keep up. Over 635 million people traveled by plane in 1999, up 22 million over the previous year. The importance of airport support facilities is greater than ever. Older airports must adapt or fail. "International Airports" will return on<i> Modern Marvels.</i> >> Narrator: We now return to "International Airports" on<i> Modern Marvels.</i> >> NARRATOR: At 53 square miles, Denver International Airport, or DIA, is one of of largest airports in the world. Completed in 1995, DIA is six times the size of La Guardia and JFK airports combined. It is more than twice the size of Manhattan Island. In fact, the entire city of Boston could fit within the confines of DIA. Approximately 23 miles from downtown Denver, it handles over 104,000 passengers each day, with over 1,371 flights taking off and landing on its five nearly 2h-mile long runways. >> CURTIS WORTH FENTRESS: One of the lines I heard that really defines that well is "how much metal can you pack in the sky?" >> NARRATOR: Constructing the massive airport took a roughly 10,000-person crew over five years. Situated on the plains of Colorado's eastern prairie, the task of leveling the land was an enormous job that encompassed shifting over 110 million cubic yards of earth. Runways were built on layers, and over 2.5 million cubic yards of concrete were used to complete runways, taxiways and aprons. Denver's flight control tower, at 327 feet, the tallest in North America, was designed with the latest Doppler radar innovations to evaluate weather conditions in an environment that sees violent, tornado- spawning thunderstorms and icy, wind-sheering blizzards. DIA, like La Guardia, divides loading and unloading passengers onto different floors to reduce congestion. Evoking the traveling lounges at Dulles, a light rail system at DIA takes passengers from their gates to the central terminal for picking up luggage and accessing ground transportation or parking lots. The central terminal is packed with so many retail outlets that DIA resembles a giant shopping mall. >> FENTRESS: It's a sort of a mini-city in itself. There are 25,000 plus employees at the Denver airport, for instance, and so, there's a need for everything you can think of-- from nurse stations, a doctor, a chapel, uh, meeting spaces. >> NARRATOR: DIA's architects not only made the airport gigantic, they went one step further and made it an icon: one of the most instantly recognizable airports ever built. >> FENTRESS: We were very careful to try to incorporate something of this region, and so, I searched long and hard for inspiration for something that said Colorado, said the West, and the thing that for me that kept being there was the mountains. The mountains are very unique in this area of the country, and so, the sort of ridge shapes or peaks and valleys that we created with the roof there was inspired by the mountains, and I think it kind of folds into the aspect of making buildings unique and different for the place. >> NARRATOR: With an outer shell made of waterproof, Teflon-coated woven fiberglass, the roof membranes comprise over 15 acres of white peaks which reflect 90 percent of the daylight. The remaining ten percent of daylight sufficiently lights the interior of the terminal during the day. Amazingly, the roof membranes weigh less than two pounds per square foot and neither conduct nor store heat. The airport cuts quite a profile alone out on the plains. Incredibly, despite its size and newness, DIA is already becoming inadequate. Some people complain that there isn't enough parking, and efforts have been made to increase the facilities. Others complain that it's too far from the city, and efforts are being made to design better access. Still others say it won't be able to handle increased traffic, up more than 20 percent since it opened its doors in 1995. Finally, some complain that there is always construction taking place, and not just at Denver, but practically everywhere. Airports never seem quite finished. >> FENTRESS: One of the things that we have to keep in mind when we are designing an airport is that the life of the building is going to be over a long period of time-- maybe 50 years, maybe longer-- but over that 50- year period of time, we're going to see a lot of changes, and so, to be able to create a building that has lots of flexibility in the future is paramount in the design of an airport. >> NARRATOR: In Europe, expansion at 50 year-old Orly International Airport in Paris did not prevent the need for a brand-new airport, which opened in 1974 as Charles DeGaulle International Airport. Anticipating jumbo jets in its design, DeGaulle nevertheless expanded in 1983, 1989 and again in 1994. Closed to commercial flights during World War II, London's Gatwick reopened in the 1950s to steady growth and expansion despite continuing as a single- runway airport. Today Gatwick sees roughly 30 million passengers a year through its terminals. Amsterdam's Schippol, which saw renovations in the 1960s, 1980s and 1990s, also averages 30 million passengers a year. In America, JFK's airport redevelopment, the largest ever, will cost over $9 billion and includes a light rail system linked to the city's subway and railroad. New and renovated terminals will spruce up the aging facility. Dulles enlarged its main terminal, opened new concourses and added gates to handle traffic, which rose 26 percent between 1998 and 1999 alone. Dulles is the fastest growing of the world's 50 largest airports. L.A.X. plans to improve with freeway and railway extensions, a people mover, a new terminal and more parking. L.A.X., like all airports, is imperfect. >> AREND: If you hang the name of the city on the airport and the airport is a stinker, the city will take the rap. It can be out in the country, sooner or later, the city will show up around the airport, and you'll have to deal with it. But from the get-go, the airport has to work. It has to be up and ready to roll. >> NARRATOR: With all this activity going on, coordinating flights, travelers and cargo, managing noise, expansion and adaptability, you'd be surprised just how much your international airport is doing that you don't even know about.<i> Modern Marvels</i> will return. >> Narrator: We now return to "International Airports" on<i> Modern Marvels.</i> Welcome to McCarren International Airport in Las Vegas, Nevada. Don't forget to drop a quarter in the slot machine on your way to your luggage. When visiting London's Gatwick, be sure to grab some English tea biscuits as you leave the gate. Every airport reflects the character of its place, but beneath the surface, international airports function in roughly the same way using roughly the same language. They have to. >> DOUGLAS: There's a kind of choreography, a ballet that has to take place. And the speed at which that takes place determines the number of passengers that you're able to service. It's such an immensely complicated task to make this system work, but it's not simply making one system work, it's making hundreds of systems work all over the country. The system at LAX has to work in similar ways to the system at La Guardia or National or Dulles. >> NARRATOR: Those interconnected systems help guarantee that your travel will be safe and pleasant. It begins with security. Lots of security. Control rooms full of agents monitor television feeds from cameras all over the airport. From curbside check-in to terminal gate. At entry-to-gate area security, multiple cameras capture different angles as passengers unload their belongings for the search and scan. This security gauntlet began in the early '70s after a series of hijacking incidents prompted the Federal Aviation Administration to require that all airports search travelers and their bags. Here at LAX, after a woman places her bags on the belt, a thief delays her from walking through the metal detector. On the other side, a different angle reveals his partner taking the woman's purse. This maneuver is known as a diversionary theft. Police were later able to retrieve the woman's purse by examining the security tape and identifying the suspects. High above the shops and restaurants, traffic control is managed within view of the runways. Controllers handle each of the planes that land every few seconds, every hour of every day of every year. Slips of paper represent every flight. Computers facilitate the communication between plane and tower, where the central controller gives the pilot his flight pattern, another controller leads the plane out of the gate and onto the taxiway, and a third guides the plane into the air. >> DRISCOLL: They are absolutely the most valuable element at the airport. We operate 2,000 operations here. That's a thousand airplanes landing and a thousand airplanes taking off on a daily basis. The timing, the preciseness, the scheduling of all that and their ability to manage that is really quite amazing. >> NARRATOR: Down on the tarmac, rescue operators rehearse for disaster. Airports have to expect the unexpected. Their efforts make airline travel one of the safest modes of transportation. Millions of people travel through customs every year at any given international airport. While customs officials use X- ray equipment to look for illegal imports such as plants and animals, they also use dogs like this beagle to sniff out contraband. The dog taps suspect baggage with its paws to signal something suspicious. In this case, an orange from Turkey. This checkpoint makes agricultural inspectors happy, knowing that fruit or meat-borne toxins will find it difficult to get through the gauntlet. It makes the beagle happy, too. He gets a treat every time he finds something. Dozens of airlines plan and adjust their schedules while an army of mechanics check planes and conduct periodic tune-ups. Retail outlets bring in as much as $400 million in combined revenue at some airports-- so much revenue that new airports today, like movie theaters, reap much of their profits from concessions. >> OLISLAGERS: Some airports are focusing more on becoming a shopping mall than they are moving passengers in and out, and that's become a very important revenue source also for airports. >> NARRATOR: Increasingly, airlines and airports are catering to non-human travelers. >> AREND: The biggest development at the airport is the air cargo business. We don't hear a lot about air cargo, but air cargo is the growing star in the, uh, in the transportation firmament. >> NARRATOR: Perfectly successful airlines survive without ever boarding a paying customer. Instead their planes are loaded with high priority letters and packages. Or maybe blue crab from Chesapeake Bay. Or the latest fashions from the runways of Paris and Milan. Even the bodies of the recently deceased travel in the bellies of airplanes. Computerized tracking allows cargo to clear through customs often before the plane touches down in a new country. The newest airports have to work within this overarching system even as they look for ways to improve on the past. This puts quite a burden on the architects who design airports such as the new Inchon Airport in Seoul, South Korea. >> AREND: Right now, Korean Airlines is the second largest air cargo carrier in the world, and the development of Inchon will further move that number along. Because the China market is everybody's goal, and Inchon will become an important trans-gateway to the entire Asia Pacific market. >> NARRATOR: The airport is built on a man-made land bridge between two islands in the Yellow Sea about 30 miles from downtown Seoul. The islands create a natural barrier to rough seas which might otherwise make the location a forbidding site. The remote location also mitigates the effects of noise pollution. Fentress Bradburn Architects, who built Denver's airport, won a design competition to build the 5.6 million square foot central passenger terminal. They began with a model. >> FENTRESS: In the design of buildings, we use models extensively for creation of the vision to help us illustrate and communicate to our clients and to the public at large what it is we're trying to do. And they're particularly interesting and helpful whenever we have something that is unique in terms of its spatial quality or the form of the building. >> NARRATOR: The $6.9 billion airport includes two 2.3-mile- long runways, two passenger terminals and four remote concourses that will handle 27 million passengers a year. Inchon's control tower is 329-and-a-third feet high-- 3h feet taller than Denver's. The new airport is within 3h hours flying time of 40 major metropolitan areas in the dynamic Pacific Rim. Undoubtedly the airport's designers have left room for changes and adjustments, for nobody really knows exactly where advancements in technology and engineering are going to lead. Amazingly, the next leap may be straight out of the atmosphere and into space. >> OLISLAGERS: The Federal Aviation Administration already has as part of its mission the Space Program on the commercial side. And so, you know, we're looking at spaceports, incorporating that with runways and launch facilities. Someday, we might be traveling to Mars and airports will then become spaceports. >> NARRATOR: International airports may someday become interplanetary ones. It's hard to imagine. But who could have predicted an airport like Inchon way back in 1939 when Mayor LaGuardia opened his airport in Queens? >> AREND: I think it's important for airport operators to maintain their sense of balance in terms of where they came from. I think that the old facilities, the classic terminals are constant reminders of where we came from. >> NARRATOR: As international airports build and rebuild themselves, their architects must constantly reflect and reinterpret those innovations which have made airports of the past successful, adaptable and efficient. No longer modified train stations, international airports have evolved their own style, their own majesty. They are the first exotic destination on our far-flung journeys. <font color="#FFFF00">[Captioning sponsored by A&E TELEVISION NETWORKS</font> Captioned by<font color="#FF0000"> The Caption Center</font> WGBH Educational Foundation]
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Channel: HISTORY
Views: 538,468
Rating: 4.8273859 out of 5
Keywords: history, history channel, h2, h2 channel, history channel shows, h2 shows, modern marvels, modern marvels full episodes, modern marvels clips, watch modern marvels, history channel modern marvels, full episodes, Modern Marvels season5, Modern Marvels full episode, Modern Marvels new season, Modern Marvels season 5, season 5 full episode, Modern Marvels fear the crack, Modern Marvels season 5 Episode 14, Modern Marvels s5 e14, Modern Marvel s5X14, International Airports
Id: 8nQtlBzW1hU
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Length: 46min 59sec (2819 seconds)
Published: Sat Apr 18 2020
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