Lightroom Color Grading Tutorial (IN DEPTH!) - Essential Color Grading Tips, Techniques & Presets

hey guys ryan here at signature edits and inside of this lightroom tutorial we're going to be talking about the color grading panel in lightroom cc and lightroom cc classic so if you're wondering what the color grading panel is it's pretty much the greatest thing since sliced bread swiss cheese and elon musk so you're in for a wild ride my friend we're going to be talking about it today showing you how to basically use the color grading panel talk about all the tips and tricks and also how you can use it to emulate the kind of look and feel of your favorite photographers so let's dive into that intro and then we'll get to editing [Music] all right let's get started together so first things first if you want to edit along with me and kind of practice and figure out the color grading panel i'm actually going to upload all of these raw files we'll be editing today so you can go ahead and check the link in the description below i'm going to put a download link you can grab them there and then you can come back edit along with me and kind of master this color grading panel in the next 10 15 20 however long it takes minutes so the color grading panel in lightroom classic is found down here underneath the hsl panel it replaced what was called the split toning panel before now if you're in lightroom cc this is going to look a little different but all of the controls everything is exactly identical so you don't need to worry whether you're on lightroom cc or lightroom cc classic it's all the same all good if however you don't have the color grading panel it's just because you're on an older version of lightroom so my version of lightroom if we go to about we've got version 10.1 that's when this was introduced prior to that if you have version 789 or whatever you are not going to have this you're going to have split toning so what is the difference between split toning and color grading ryan you might be asking great question the only real difference is the interface for one and the fact that we have this new color wheel called mid tones so split toning used to let us adjust the shadows and adjust the highlights of an image and add color to either of those ranges then we had a little blend thing which determined whether we added more to the shadows or more to the highlights and then we had a balance thing i'll explain what all these actually do in detail later but my point is it's all the same except for the fact that now we have this midtone slider and what's really cool about having the ability to adjust mid-tones is now we can add to the skin because before when you had split toning you'd have a really tough time adjusting the skin tones in an image because they always fell in the mid-tones so if i wanted to make the mid-tones let's say more yellow before i would have had to try and make the shadows more yellow and the highlights more yellow and both of those would add some to the mid-tones as well but now i actually don't have to worry about that i have my own mid-tone little thing okay let's explain how this tool works in depth and you can just master it along with me i'll go through some images together and show you kind of what's possible so first off this main view shows all three of these circles then we've got a blending control and a balance control let's start with the midtones what are mid-tones well they're the area of your image that is the midi middlest of brightness so this area right here is going to be affected by the midtones so you can see if i grab my slider and add some color it's mostly adding color to the center parts of the image it's still adding some to the highlights some to the shadows but mostly to the middle okay shadows is going to be adding mostly to you guessed it the blacks and the shadows obviously not to pure black because there's no color in pure black it's just black but the rest of them that's what shadows does highlights again you're figuring this out you're so smart and intelligent now this little slider slider it's actually a circle so i don't know why i'm calling it a slider but this circle obviously shows the different colors in the rainbow and then this slider in the center if you click and drag that is going to determine how much color saturation you're adding of that color so we select our color let's say we're going for a green in the mid tones and then we can adjust this slider here to add more green or less green to the mid-tones it's that simple now if you hold the shift key that'll actually keep the slider from moving and wriggling around while you're trying to adjust how much color you're adding and if you hold the alt key you can make smaller micro adjustments it'll also let you grab oh there we go grab the opposite color if you kind of slide it right past the center point but anyways shift it's going to add more or less color while locking this in and the command key will keep your saturation the same so let's say i had it there hold down command that'll keep it the same while i select my color so you don't have to worry about it shifting around on you okay so pretty simple so far that's how you use each of these you just dial in a color and it's that simple what is the slider at the bottom you're asking it's a luminance slider and luminance is essentially just brightness how high or low do you want those mid-tones to be which is kind of cool because if we have an image with some skin tones in it and we just want to brighten up the mid-tones well we can do that now you might be asking as a result of this well what's the difference between doing that and just going to basic and say lowering the highlights raising the shadows it turns out that it's actually a lot different i did some tests here on this sunset image what i did is i went up and i took my shadows to 100 and then i took a virtual copy of this same image same settings went down to the color grading panel and we can grab our shadows and take the luminance up to 100. you can see totally different effect for whatever reason when you actually raise the luminance in one of these areas of the color grading panel what you're actually doing is this you're taking the black point and you're turning it up and that's why you get that kind of faded look whereas with just raising the shadows we're just raising the shadows and you kind of maintain the contrast a little bit more so that's why in general you want to edit your image first with the basic panel then the tone curve then the hsl after you've edited everything that's when you're actually going to start color grading because the color grading is kind of a little spice on top of things if you need a little bit more of a bump in the highlights or the mid tones or whatever you can do that with the color grading panel but in general your results are going to be better raising the shadows using the shadows slider here in the basic panel than they are using the color grading slider okay so we've gone through we've got our midtones our shadows our highlights we've got the amount of the color you're adding the color you're adding we've got our shift key command key alt key those do different things honestly i wouldn't worry about memorizing those too much there are more important shortcuts in lightroom if you're interested in what those are i have a couple of videos you can check out on my channel anyways so we've got what that does we've got what our luminance does we can raise our shadows we can lower our highlights we can mess with our mid-tones right make some really weird adjustments and then down here we've got these controls called blending and balance now let's explain those let's start by grabbing some mid-tones and we'll make those orange and we'll grab some highlights we'll make those let's say blue and then we'll grab some shadows and we'll make those this tealish color what a beautiful tapestry of art i've just created huh although also hit the like button if you like the fact that i just stumbled on my words and also if this has been helpful so far just would help me out okay in fact let's get rid of the mid-tones for now just to make this more simple the blending slider is going to determine how much these overlap so think of a venn diagram where you've got you know the circle here circle there and they kind of overlap a little in the middle well the blend is going to bring those circles closer together so that they're overlapping more if you bring it up and it'll separate those circles if you were taking it down so that'll just determine how much those colors overlap so again with our blend down we're going to have more distinct colors you can see we've got a clear red a clear kind of purple a clear greenish blue whereas if we go up here everything kind of gets mushed together and now it's more cohesive color palette but we're not as distinct in our colors so that's what that's what blend does picture these three circles overlapping each other and it's just going to separate them or make them overlap more or less okay now balance what is balance well that one's kind of a little more tricky to explain but you got to think of it like a range mask so let's grab an image here draw a little range mask for you so right now i'm masking out the entire image if you've never used a range mask in lightroom today's your lucky day you'll learn even more now right now the range of luminance is set from 0 all the way black to 100 all the way white if i take this range and i take it to say 50 and 100 only the mid tones and the highlights and the whites are going to be selected by this mask likewise if i take it down and it's from 0 to 50 it's only going to select the blacks the shadows up to the mid tones so you can see how we're kind of adjusting what area of the image we're selecting right that is essentially what's going on when you're grabbing this hello when we're grabbing the balance slider you're taking it and you're saying okay we want the shadows to affect more of the image or we want the highlights to affect more of the image we're extending the range that the highlight slider is going to affect so now the highlights are actually changing pretty much the entire image all the way down to the blacks here let's get rid of these so you can see more obviously so you can see we're adjusting just the highlights but we're actually adding color all the way down to black whereas if we take it the other way balance to z minus 100 not zero we can take our shadows let's say add red and we're adding red all the way up that's because our range has been altered right so essentially what that balance slider is doing let's hop back over here where are we there we go what that slider is doing is grabbing that range and it's saying okay i want the highlights range to be zero to 100 100. it's going to affect everything or i want it to be zero and it's only going to be shadows that's going to affect everything okay i hope that makes sense that's the easiest way i could explain it but just play around and you'll kind of get a hang of it quickly sometimes learning by doing is the easiest way to explain something so let's hop back over here to the color grading panel let's talk about these other little buttons because they're kind of cool let's go over to these three which allows us to get a bigger circle and just individual controls for the shadows the midtones and the highlights you can also just click on these little circles here and it'll switch to the one to the left or right i don't really know why they added that but okay now this is going to do exactly the same thing the only difference is that we have an extra section here we've got a hue slider and a saturation slider and you can access that by clicking this little triangle as you see it pops down and now we have the ability to adjust our hue on a slider instead of just going around this circle which can be a little tedious and tricky sometimes and the saturation obviously also on a slider so when i work on color grading this is a really easy way to do it whereas with these tiny little circles it can be harder to dial things in so you can maybe get a rough point with these guys then head over here and just dial it in so you want a little more saturation in the shadows a little less in the midtones etc okay blending in balance continue to do the same thing then we've got this little swatchy thing which is actually really really cool because it lets us grab custom colors so let's say there's an image that you really like the edit of i'm going to just put a preset on here real quick shebang now let's find something a little more stylized actually let's go to the baja breeze presets this is going to look i don't know man i should have prepared for this better that's what i should have done okay so let's say i liked this edit it looks atrocious but let's say i liked it okay you can grab your custom colors swatch click on this little eyedropper and drag it onto the image and you'll see that as i drag it onto corresponding colors it's going to pop up on this highlights thing so we can grab the color tone of an image copy it let's say i really like that color that's awesome we're going to right click and go set swatch to current color okay now we've grabbed the color from the highlights now let's go to our midtones i'm gonna grab this swatch do the same thing midtones is generally skin so let's say i love her skin tone i'm gonna copy that perfect set swatch to current color okay and shadows once more click drag let's grab the shadows here set swatch to current color okay so now we've got a color palette here that we can then apply to other images so obviously this is going to look like garbage because i wasn't really prepared for this kind of making it up on the go but we can go to our shadows here we're going to grab this color for our shadows go to our mid-tones grab this one for our mid-tones and go here to grab this last guy for our highlights so now we've copied over the color palette of the original edit that we had on here which was something like that so obviously it doesn't look quite the same but it at least gets us in the ballpark of kind of emulating the tones from another photo so if we had an edit we really loved go ahead snapshot it take a screenshot import it into lightroom put it down here sample those colors grab the color palette and you can apply it to your photos which is kind of cool having this custom color section now you can also right click and just go reset all swatches we'll reset it to this adobe stock typically i think this is what they like to use for mid tones and that's why they've given you this yellow and then i'm assuming that the shadows is going to be blue and the highlights is going to be this white or maybe this pink there you go now you can also copy these settings if you want to you can just right click and go copy settings if you wanted to have the same color on every single wheel that's all you would do or if you want to copy this entire look and paste it on another image hit command c or control c or copy depending on your preference and your operating system we're going to check none except for the color grading panel perfect and then we can paste command v on a mac ctrl p i believe on a pc or paste and now you can see we've taken that and we've pasted it onto our other image great so that's how we can do that you can also save this as a preset so we can go up here let's say i loved this it's the best color grading i've ever done well perfect i'll create a preset i'm going to call it color grading supreme because i said so give it a really easy to remember name we're going to go up here to i don't have no idea select where you want to save it let's put it in the christmas presets because it's very christmassy obviously he said sarcastically go create now we have this preset right down here and we can apply it to all of our photos and create beautiful creations in the blink of an eye so that's how we do that there's one really really cool feature in this color grading panel that i actually wasn't aware of until i dove a little deeper it's called the global setting now i used to think that the global setting would just set that color for all of these the shadows the mid-tones and the highlights so the global kind of overrides everything but that's not the case you can actually set an individual color for each so we can grab the shadows okay grab the highlight or the midtones make those blue we're just going to go for the ugliest edit in the world okay and now let's say we want to add some pink to the entire image bam we did it so we've got all of these individual colors and then the global color can add a little bit on top now let's talk about some actual practical implications instead of me just doing random edits that look like garbage let's go over to let's say this image to start because i like it i'm going to raise the exposure up a little bit okay just do a basic edit here go to the basic panel contrast highlights up a little let's do whites down blacks up perfect add a little texture a little dehaze drop the clarity if this is way too fast you don't need to worry about it because this isn't a great edit it's just me kind of messing around real quick okay so let's say that this this was the pinnacle of all creation that is the most beautiful photo that has ever been okay now that we've got all of our settings dialed in the way we want we can go in here to our color grading panel that's way too red go to the color grading and we can dial in some color for the shadows now normally you want to put a color in here that is going to contrast with the skin tone so that's going to help the skin tones pop out a little bit more that's just typical so if you look at blockbuster movies that's how they typically tend to grade things is they'll have a color that is opposite from the skin tones the skin tones are right in here the oranges the yellows and the reds so you want to go the opposite of that color wheel is going to be blue kind of tealish that sort of vibe so choose one you like let's go with say a sort of pink now we're going to go to our mid tones if we wanted to we could just add a little bit more orange to the mid-tones make them a little bit warmer a little bit more saturated or in this case they're actually a little bit green so i could go the opposite of green and add some pink just to counteract that now i should say if you want to toggle this on and off just hit this little guy right there or you can hold alt and hit reset and that will reset the section or you can hit this eyeball here and that will toggle it on and off for you to see how you like it okay so let's grab the mid-tones let's take it a little bit more exaggerated we can see it off and on so just click and hold so i'm going to hold shift so that i don't lose this color and just dial in the amount that i want probably around there now highlights let's go with something kind of warm and lovely right around there okay so now we've added some basic color grading this to this image we've made it a little bit less green added some warmth a little bit of pink and the shadows we've added a little bit of kind of bluish i'm going to drop the luminance in the shadows a little bit i'm going to raise the luminance in the midtones a little bit just to add a little more contrast and pop and then on top of the entire image let's say that i wanted to kind of give it just a warmer vibe we're going to add a little bit more yellowish green okay so here's before and here's after so again that's not an extreme example but it is kind of adding some contrast making the skin a little bit more warm taking out that greenish tint it had to it and just adjusting it i think it looks pretty nice if you think so hit the like button leave me a comment if you don't think so hit the like button leave me a comment it really helped me out okay so we could also save this color palette if we wanted obviously as a preset or we could go down here we're just going to save this we're in the global right now so let's save it here set this swatch to current color and we'll go to our highlights and just because my head works this way highlights are going to be on the left midtones are going to be right here and shadows are going to be right here okay so now we've got that swatch palette set i can go and apply it to my other photos so let's take this one reset take our exposure up dial in the white balance a little looks a little cold to me and maybe a little bit more magenta okay contrast up just a bit okay that looks pretty good now let's just take the swatches that we just saved and apply them so we're going to go to our shadows how's that one midtones this one highlights this one global this one voila before after so you can do it that way you can save it as a preset whatever floats your boat now i want to talk about something that's kind of important why is it called color grading and not color correction if you've done any work in video you might have heard of color correction before or maybe even in photo editing typically the way that it works is two separate terms color correction is what you do to actually just correct the issues with the color to begin with to make it look normal and natural so we're going to warm this up we raise the exposure we're going to adjust some contrast not do anything stylistic just kind of make the image look the way that it's supposed to so if we had a really raw flat image we add a little bit of contrast we fix some of the basic color issues just make it look natural that's color correction color grading is when you go ahead and add a stylistic look to that already normal looking image so that's the difference here and that's why it's called color grading it's meant to add stylistic touches more than it is to use to actually fix things in your image now of course you can use it however you want but that's typically what it's designed to do is really just to add some nice extra tone to your image that you didn't naturally have in it before whereas color correction is more about bringing out what's naturally in the image end of rant so there we go here's before here's after we've added some nice blue tones let's try and get the mid tones to pop a little bit more i'm going to add the opposite of blue which is going to be orange somewhere around there and then i can go down to this blending and balance i actually want to have less blending so that the colors are more distinct you can see if i take it up the blue and purple from the shadows is coming right up into the mid tones and the highlights if i take it down obviously we're gonna have more distinct shadows which are very blue and then the midtones are very orange and the highlights are well whatever i set the highlights to very yellowish or yellowish orange as well now here's a little trick in general i found that some of the photographers i like the most tend to use like a yellowish green highlight i don't exactly know why it looks good but i do know that in general it seems to look better than if you had an orange or red highlight so go over something yellowish green because i said so or don't play around see what works for you obviously okay let's go to the balance obviously this is extending remember that range so the color range when the balance is set all the way to -100 is going to have the shadows pretty much affect everything and the highlights affect nothing vice versa now the highlights affect everything the shadows aren't even there that blue color just gone from the image so we can play around with that to kind of get it where we want it i'm going to say right around there just want to touch a blue in the very darkest shadows and that's it see here's before here's after again nothing super crazy over edited but we're just adding some basic effects kind of to make our image pop a little bit more okay let's try this one let's go for a really underwater sort of feel because well you know it is underwater let's grab our shadows here and take those real blue just enhance that or maybe we could go for a more tropical warm vibe i don't know i'm sort of feeling the super dark blue i like that here's before here's after so we added some nice color to those shadows next we'll go to our mid-tones now the mid-tones are going to be the skin this dress probably the bottom of the pool here let's just see we'll take it real crazy see what it affects okay and sometimes honestly i find it easier to select the color if you go to 100 saturation select it find what you want i'm thinking [Music] i'm kind of digging the all blue theme that we had going on here like that like a violet hold shift so that i don't lose that color and i can dial in the saturation or of course i could do it on this slider as well so let's go with that and highlights i do want to add some warmth back into the image so let's just see probably around there which conveniently is pretty much the exact opposite of our shadows and our midtones so oftentimes when you're color grading using two opposite colors particularly for skin tones and the background is what's going to give you the best effect just give you more color separation more contrast side note if you haven't watched my video on contrast i would highly recommend so you understand more of what i'm talking about okay so we could drop our shadows we could raise our shadows we could do a million different things but here's before here's after go ahead and edit this image for yourself see what you come up with and do me a favor if you decide to share it on social just tag at signature edits co and hashtag free raw photos so that i can actually see what you're editing and what you're coming up with because it's probably way better than what i am all right let's do one more here we've got a nice image honestly it doesn't really need much to do the color correction maybe a little bit more contrast somewhere around there we could try and roll back the highlights a bit but we've got this really weird pink thing going on in the highlights i don't really understand why but we're just going to roll with it shadows bring those down a little okay here's before here's after good let's go down to our color grading and just for something different we'll do the exact same thing we'll add some blue to the shadows midtones will go up in the kind of orangish yellowish range highlights see how adding that kind of greenish yellow gives it i don't know it's like this sort of vintage warmth to it now obviously this looks obscene it's way too far we'll dial this back by about 50 on everything before after and i actually am not feeling that blue at all i think because the background is green it just feels weird so we're going to shift the shadows up to more of a teal or maybe even go like so just add a little bit of green before after now i'm going to take this blending i'm going to take it all the way down to zero really separate those colors and balance let's leave that more or less but shift it towards the highlights a little so here's before and here's after we've added some warmth to the skin add a little bit of green overall to the shadows and that's it pretty simple pretty basic if this has been helpful again hit that like button it just helps me helps the channel everybody's helping everybody now this image is cool because we can actually take it and edit it more than we would with a photo that had skin tones in it with skin tones you're kind of limited you don't want to push it too far or it's just going to look over edited but if there's no skin tones in the image you can kind of go nuts do some really creative stuff so let's grab our shadows let's do like a monochromatic thing let's grab them let's make it kind of a teal mid-tones let's do the same thing or maybe not because it actually just looks horrible yeah it looks horrible i'm going to roll with kind of adding some reddish orange highlights so as you can see i'm not a master of all things color grading but hopefully you're getting a sense of exactly how you use these and i find honestly it's just easier do it very intense dial it back and then you kind of have the look you like without it being absolutely ridiculous okay let's go up here let's do kind of a more moody vibe that can be an interesting way to make the color grading panel more effective is just to desaturate the other colors so the colors you're adding are more obvious so we're gonna grab our texture take that up a bit clarity take that up a little see haze sure let's go nuts okay we're gonna grab our saturation take that down a little bit take our vibrance up a little bit and warmth let's just mess around see what we like yeah that's perfect that's it right there let's all just go home okay something like that now we can go to our calibration panel and a little trick for you desaturate the greens and that goes a long way to giving you a more kind of moody feel grab our tone curve add a little bit of an s curve if you haven't seen my tone curve tutorial that'll go in depth and help you figure this out if the tone curve confuses you okay so here's before after before after great let's see what's our color grading doing now you can see it's making a much more dramatic difference but we can push it a little bit further and it's not going to look as weird because we've desaturated a lot of the other conflicting colors so that's the advantage of going in there and removing colors that are fighting what you're trying to do so for example if we wanted it to kind of have an all blue vibe but we didn't want to have it look ridiculous we could go over to our hsl panel and desaturate everything that's not blue all right maybe leave some oranges in there just for a pop of color okay now i've got a really intense blue vibe going on and grab our blues and maybe even darken them down i'm just trying to get them to match with the grass a little more or go the opposite direction sometimes that's better as you can see there's no perfect recipe for success here i'm just sort of feeling it out something like that and you're saying that looks horrible ryan well maybe but maybe that's the vibe you're looking for i don't know oftentimes i make these videos i watch the replay and i'm like how did i ever think that look good it's because i'm caught up in the moment people i'm just lost in the wonder that is this cat so let's do one more we're just going to do a basic edit here press o to see your overlay i'm just going to bring out this cat by making everything else a little bit darker easiest way to do that i lower the exposure a little raise the contrast and we can drop the blacks maybe nah that looks ridiculous drop the whites okay before after yes it's way too intense but we're gonna roll with it okay pretend it looks awesome it's the best cat photo you've ever seen in your life and if you think so please leave me a comment and say this is the best cat photo i've ever seen in my life or just you know send me a link so i can see your cat photos because i'm sure they're better okay there is said cat he's not looking horrible he's not looking great but we can do something with this let's desaturate pretty much all of our colors and let's try actually doing something the opposite last time we did really cold this time let's try really warm so i'm going to leave the saturation in the oranges the reds the yellows i'm also going to warm up the yellows something like that and the greens and the aquas we're going to just shift everything so it's warmer calibration we're going to go down here grab our red primary bring it maybe towards orange green bring that towards yellow desaturate those greens okay something like that we've got a really desaturated cat photo we can now kind of add our own color to so we're going to go to color grading let's use the all three panel just to get a rough rough thing going so one of those greens i don't know somewhere like that highlights somewhere up there okay before after be amazed okay now we can raise the highlights a little bit we're going to drop the shadows a little i'm just going to add tiny bit of contrast and mid-tones that's going to make our cat pop pop like it's hot okay and we could try messing with the blending see how it works if we separate our colors kind of interesting hey when we take the blending up because they're all very similar colors you're adding three times the color to these mid-tones whereas if you take the blending down you're not so that's why that's doing that somewhere around there and the balance i don't know there's no real formula for success so much as these are the basic principles here and just see what looks good so you might like that you might think it has way too much color going on but you can just see how much color you can add to your photo it's just figuring out how you can get all the colors to play together well and oftentimes that's going to come from making your photo a little bit less saturated than you originally would have had it so that you can add more of that color in the color grading without it fighting because if i undo these hsl panel changes you're going to see all of a sudden it doesn't have that warm look we've got this ugly green thing going on in the middle here whereas when we desaturate that we add the color back in in our color grading obviously we have a much more conforming color palette okay let's do one more of this beautiful bird he looks very sad because it's gray no he is not all right take the exposure up contrast up all right so i don't know what kind of color should we go for in this image probably something that brings out the blues the greens and the teals because they're just cool but i also don't know if i want to desaturate this red bit so maybe we'll just play around let's go to our color grading grab our mid-tones i'm just gonna see what our mid-tones are affecting pretty much everything right now so we'll grab our blending we'll take that down so hopefully it's affecting less of the entire image because i want to just add a pop of color to these feathers right here alright now we're going to grab our shadows we're going to enhance the shadows with this kind of a violet color so we'll grab our eyedropper tool click and drag over to this wing all right something like that so here's before here's after okay now we're going to go to our highlights and we'll grab a highlight color we want to bring out i kind of like this sort of pastel green up here so we'll roll with that and just play around so there's the saturation of that up mid-tones way too saturated shadows way too saturated something like that here's before here's after so we haven't really done a remarkable change here but we have warmed it up a little bit which i'm not sure i'm digging let's try cooling it down instead shoot sure so we've kind of enhanced the colors a little bit but in a very subtle way we could obviously go into our hsl panel make some other adjustments maybe bring the reds out a little more luminance up good and i kind of want this bird to stand out from the background a little more there's different ways to do that right it's all about creating contrast with your eye so we can create contrast by having the bird be very saturated and the background be very desaturated so we could grab our little color selector bring that down the bird stands out maybe a little more or we can do the opposite make it very saturated you can see now the bird really stands out or we can do it by making this area darker grab our luminance bring that down okay before after the bird that is the title of this artwork if you want to see it i'm going to hang it in a museum somewhere nearby and you can come alright so hopefully this tutorial has made some semblance of sense and have been helpful for you in just explaining what the color grading panel is how it compares to the split toning panel and exactly what you can use it for so if this was helpful do me a favor hit the like button make sure to subscribe leave a comment below tell me a hilarious joke show me a picture of your cat i don't care i just really appreciate it love to hear you and if you want more tutorials like this make sure to check back and leave your requests because i'm always looking for new ideas okay hope this was helpful go create something awesome i'll see you in the next video [Music] peace

Channel: Signature Edits

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Id: J8VR7qYbQsI

Length: 35min 57sec (2157 seconds)

Published: Sun Jan 17 2021