Learn How to Paint the PERIWINKLE PIG with Acrylic - Paint and Sip at Home Fun Step by Step Tutorial

hi there i'm michelle the painter from berkshire paint and sip and this is paint and sip at home all right so today we're going to be painting periwinkle pig and i'm going to be sipping on a little pinot noir and if you enjoy this video i do hope that you like and subscribe to my channel and that you also check out my patreon page where you'll find additional painting perks so let's get painting and let's get sipping all right so what i'm going to be using for materials today is a stretched and primed 16 by 20 inch canvas if you're painting along with me you could certainly switch up the size but that's what i'll be using i'm going to be using acrylic paint today my colors are titanium white burnt sienna which i will call rust i have mars black deep yellow ultramarine blue fluorescent purple and fire red and of course you can switch up those colors but that's what i'll be using for my tools today i have a standard number two pencil i have three brushes i have a half inch wide flat bristle brush i have a number seven round brush and i have a number one round brush and i will refer to these as small medium and large as we go through the painting process and of course you can switch those up as well if you'd like if you're painting along with me you'll probably want a cup of water for washing your brushes as well as a paper towel for drying your brushes and down below this video i will be providing you with a couple of additional resources that are going to help you through your painting process or could help you through your painting process one of them is a link where you could purchase the same exact paint kit that i'm using from the large canvas to the brushes and the paint and the palette and all that good stuff so that's down there for you there's also a link where you can download a free image of the final painting so you can print that and use it as visual reference as you go through the painting process and there's also written step-by-step instructions down there for you as well and that's all we're going to need today all right so what we're going to do for the first step is we are drawing an outline for our barn window so i'm going to use my pencil i'm going to give you a couple of dots we'll connect the dots and then by the time we're done we'll have something that is a barn window with some good perspective on it so what i'm going to do is i am going to first make myself a rectangle so i am going to up in the top left hand corner i am going to come in about four inches from the left hand side so you can just kind of travel over around four or so inches and then i'm going to come down about three inches and i'll make myself a little bit of a marker and then i'm going to make a similar mark on the other side but i don't want to really guess at that side so you can use your brush or any other tool that you'd like as a measuring tool and i can say all right well i put this one about this height i measure i marked it with my finger then i'm going to come over to the right hand side and even if you're not exactly you know four inches away somewhere around there would work it's okay if this is different than this but the height you want to have pretty similar to one another so then i'll just make myself another marker then what i'm going to do is i'm going to come directly below this one and make another mark a little bit excuse me i have a little tickle in my throat a little bit i want more space on the bottom than i have on the top so if i did three inches here about i would do like four or four and a half inches down here and it's in the same amount of distance so you can use your fancy measuring tool to measure how far in you came so you want this to be of a similar depth then i'm going to come down to about here make myself another marker and then i can do the same exercise on the other side so i could say all right this is about the height come on over here put it directly below that one make myself another mark and if you wanted to just double check your math you can certainly use your brush as your as your measuring tool and then you're gonna connect the dots this does not have to be a perfect line i'm just gonna kind of sketch myself a rectangle here just connecting my dots something like that we have a whole bunch of painting that we're going to do on top of this so if your lines are not perfect no worries plus we're just making an old wooden barn window here so nothing doesn't need to be fancy so then what i'm going to do is i'm going to come up into the left hand corner i'm going to come down about an inch make myself a mark and i'm going to connect that to this corner something like that i'm going to do the same up in the top right come down about an inch make a mark connect that mark to my corner i'm going to do the same thing on the bottom left bottom right so you could come up a little bit higher than an inch because this is a little bit more of a distance but don't come up much more than like an inch and a half or so it doesn't need to be that much but it could perspective wise be a little bit bigger than that one and then again just connect those two same thing over here about an inch and a half or so and connect those two so what we've just done is we've made the door the openings for it i want to put a little piece of wood up at the top so what i'm going to do i'm going to extend this maybe about a half of an inch to an inch and again doesn't have to be perfect i'm going to connect these two something like that i want to have an arch way somewhere in here so what i'm going to do is i'm going to just come down a little bit maybe about a half of an inch from there and then just curve this corner and do the same thing on this side and you can just eyeball that that's whatever is visually appealing to you and then i'm going to give myself a little border down here as well so i'm going to bring this down maybe about an inch or so and same thing on this side and then i'm just going to connect these two like this and that is all we're going to do for our outline we will be using our large brush for the next step so you can put your pencil away take out your large brush get ready for the next step all right so what i'm going to be doing for the next step is i am painting this center shape which is the inside of my barn i'm going to be using my large brush and i'm going to be using black paint only so i'm this is going to actually act as a base coat for our adorable little pig as well so you don't need to do any fancy brush stroke you just really want to get a nice coat on there sometimes when we're using these bristle brushes if you're using a similar brush to me you might end up with little scratch marks throughout this black paint so if that is not an appealing look to you then what you can do is just let it dry for a second and you can do a second coat on it but usually black covers pretty well i'm not doing any special brush stroke i'm just getting it on there black covers pretty good so you don't really once it's dried you typically are not going to really see those brush marks but again depends on what kind of brush you're using what kind of paint you're using so if when this dries you have some little scratch marks that are not appealing to you you can always just do a second coat and then we are going to be using this same brush for the next step but you do not need to wash it so just take a break and get ready for the next step all right so what we're going to be doing for the next step is we're painting the barn siding so this is going to be this top section and this bottom section i'm going to be using my big bristle brush and i'm going to be using brown rust and yellow and i'm going to use all of those colors i'm just going to kind of alternate them and do a left to right brush stroke i've got black on my brush right now i'm going to pick up some rust as well and i'm just going to go left to right i know i have these little kind of weird crevice areas to contend with so when i get to there you can really just do whatever brush stroke comes naturally to you but i'm just looking for something that is going to resemble maybe wood in shadows because we're going to have or old weathered wood we're going to have a bunch of other stuff on the canvas that i want to take advantage of them being the focal point i don't really want this siding of the barn to be the focal point but i want it to have some nice neutral and natural colors in it so that's why i'm using these three colors so again i'm using the black that was on my brush but i have not picked up any additional black i'm just using rust and the yellow in addition to the remnants of the black that were on my brush so you could certainly make this of any tonal value that you want but i am just looking for it to be nice and neutral i probably should put some more paint on my brush because i feel i'm i'm trying to scrub it on right now so let me just put a little more paint on my brush and i'll have an easier time and if you bump into your um pencil mark that is perfect that is intended for you to bump into it we will be painting over it anyways so if you bump into it no worries you just want to get a nice coat on here and once we are done with this step you're going to be using the same paintbrush and you don't have to wash it so you can just you know take a break and get ready for the next step all right so what i'm going to be doing for the next step is i am painting the the doors for my window i'm going to be using my super dirty paintbrush and i'm gonna also be using some white so the colors i'm using are black rust yellow and white my goal for this is i want these to be lighter than this background so that's why i'm adding white to it and maybe they end up being a little bit more gray so it looks more like weathered wood that's been open and it stays open and it's been a little sun bleached or rain weathered or whatever so i'm using my dirty brush i just picked up white paint and i'm going to just kind of see what color i get so and whatever i do over on this side i'm going to go ahead and just kind of make similar marks on the other side just so i can you know see what color i get i'm going to be doing a vertical brush stroke and i'm clearly running out of paint on my brush right now so i'm going to pick up all four of those colors at once so i've got a little black a little yellow a little rust and a little white i want my i gotta get a top edge up in through here and then i can just start pulling it down and you can have yours really light really dark it's totally up to you i'm going for a lighter look to it but again this is it's your painting so if you want to have yours way darker or like a richer newer kind of wood color maybe you use more of the rust and the yellow that's going to make it look like newer wood so totally up to you and i'm bringing it all the way to the edges and just doing this vertical kind of brush stroke and then i'll go ahead and do the other side so rust yellow black and white i'm gonna put it up in through here and you can see my edges or my door itself is lighter than that back than that um than the siding that we put on a couple minutes ago so that way you're going to be able to see it in front of it so that's really my my biggest goal is i want to make sure that i can see it in front of the other um the other sections that we did and when i do this bottom edge i know i want work vertical stripes but i've got to get kind of a clean edge so i go that way and while it's wet i can still i'll just pull it up so that helps me to give a clean edge but a nice vertical um brush stroke as well and then we are going to actually switch brushes to our medium brush so once you've got your doors with their with this nice base coat on them you can put this large brush away wherever you'd like to take out your medium brush and get ready for the next step alright so what i'm going to be doing for the next step is i am doing these two molding pieces in through here and again i'm using the same colors so i'm going to use black rust yellow and white but for these pieces i want them to look like there's a little bit more sunshine on them so i'm going to have them pretty light like these maybe even a little bit lighter and i'm going to be using more of the yellow and the rust with it too so i'm going yellow rust and white on my brush at the same time just to kind of get this this started and i'm going to use a lot of paint on my brush so i have a good kind of control over it and i can get some nice kind of clean edges to it but they don't have to be super duper clean because again this is meant to look like old weathered wood so don't feel the need to get them really on the perfect side i'm going to go ahead and go along this edge and i'm just picturing this to be you know a piece of wood that was that was hanging out in you know what in the garage somewhere when they built this barn and it's just got all kinds of character in it and you know you can make it whatever value you want and whatever it could be more on the gray side if you want so you can use more black and white so really just get it into a place that is visually appealing for you i'm going right up to the edge where it's meeting that black and i can't see the difference between these two right here so i have to do something about that so i'm going to add a little bit of white and make my this uh the molding piece a little bit lighter and you can see i have all these beautiful tones within it so we will be adding maybe a little bit of highlight to it later so you don't have to worry about it being perfect right now i'm going to go ahead and do this one down here yellow rust and white is where i'm starting then maybe i'll go a little black and white just to get some some nice gray in there and again just feel it on your own visual preference if you're if you're feeling like you want it more again on the newer side you'll want to go more with that rust and the yellow to make it look more of a richer wood tone you could even you know if you've got different colors that you want to play with feel free to do so but i'm just going with some nice a nice you know lighter toned weathered grayish kind of look here would um and then we are going to be using our the same brush the medium brush for the next step so once you've got your borders or these little molding pieces on here you can wash and dry this medium brush and get ready for the next step alright so what we're going to be doing for the next step is we are putting some additional wood pieces on our doors so these are just going to be some nice interior molding pieces i'm going to be using my medium brush and i'm just going to use black and white i want to just have it gray so i can really it really kind of pops out from the door itself so i'm just putting black and white on my brush at the same time and what i'm going to do is i'm just i'm just going to eyeball this i'm going to go i'm going to split this piece in like thirds so i'm just going to kind of make myself a little bit of a mark here and a little bit of a mark here and i want this to kind of be a perspective element so i'm going to make them in similar angles to these only maybe not quite at such a diagonal and then as i make this line going towards the edge of my canvas i'm going to make it wider so it's going to start pretty thin in through here maybe about a quarter of an inch and then by the time it gets to here it's going to be maybe three quarters of an inch to an inch wide so i'm going to start in through here and i'm just going to kind of get myself i want it to hang over into this black area as well so i just i'm going to make myself a little kind of beginning starting point and then i'm watching this as my angle i'm just going to start with one line to start something like that and then i'm just going to keep reloading my brush with black and white and i will get this line to be wider as it comes towards the edge of my canvas so you could certainly measure this out just to make sure that you're either at the right angle or that it um it looks correct but again this is just an old wood piece that we're putting on here so i'm sure it doesn't have and it's the door so it's not really a structural element to the to the barn so if it's not perfect nothing's going to fall down so and so i'm going to start again over here bring this into the black area a little bit so something like that and then this one i'm watching that angle but i don't want it quite as angled so this one is almost going to be just horizontal maybe a little maybe a slight angle on it and again i just keep reloading my brush with black and white so that way i have these almost like little streaks of different tones of that of that gray and through there like a nice old piece of wood so there we go that's what i'm going to do for this side and then i'm going to do the same exercise on the other side so i'm just going to kind of visually split these this long one in threes so i'm guessing about there and maybe about there i'm probably a little off i'm okay with that and then what i'll do is i'm going to start my oops you need more white so you can see that start this inside the black area a little bit and then as i go towards the exterior i'm watching this angle and doing it at a little bit less of an angle so something like this and then i'll just get it a little bit wider as it goes to the exterior edge of my canvas so something like this and again my line is about i would say about a quarter of an inch wide at the skinny part and maybe about a half to three quarters of an inch maybe even an inch i don't know somewhere around there for the um exterior part of it and again we're going to put highlights and shadows on it later so you don't have to worry about it being too too perfect at this point so i've got my start right in through here this is my angle so i want it a little bit less of an angle so something like this and again it's going to get wider as it gets towards the edge of my the exterior edge of my canvas and then we are going to be using the same brush for the next step so you can just wash and dry your medium brush and get ready for the next step all right so what we're going to do for the next step is we're painting the base coat for our little piggy so i'm gonna be using my medium brush and the colors that i'm using are rust black and white and what i'm gonna do is i'm gonna make myself kind of like a a dark mauve color for those of you who remember mauve from the year 1984 i think so what i'm gonna do is i'm gonna take my burnt sienna and i'm not gonna use all of it i'll use a good amount but not not all that i'm going to save some for later and then i'm going to desaturate it which means i'm adding gray paint to it or a little bit of black and white because black and white makes gray so i'm going to take a touch of black and i recommend that when you do this you just do a little bit at a time and because it's tough to reverse what you've done so i just added a little bit of black and a little bit of white and that is clearly not enough for me so i'm going to add a little bit more i'm going for something that looks about like this color so it's like a pasty kind of pinky tan color that's my technical description for it and so once i've got the color yeah this is looking pretty good i think i'm gonna go a little bit lighter a little a little touch more white in through there and it doesn't have to be exactly you don't have to go for exactly the same color as i have we're just looking for something that's going to give us a really nice base coat for the pig and i do want to forewarn you that it will dry a little bit darker than it is when it's wet so just kind of mentally be prepared for that as you go through the process so i think that's looking pretty good for me maybe a little more gray tiny bit more black and white just to to get it so it's not so vibrant for me yeah there we go all right so once you've got it that's that's where i'm heading once you've got it what we're going to do is we're going to make a couple of shapes and then by the time we're done it'll look like a nice kind of outline for our cute little cute little pink so i've got my color i'm totally happy with it now can't you tell i'm totally i keep i'm done really i swear i am so all right i've got it i'm done now so i'm going to first start by making a skecherly kind of circle um i want my pig's head to be in through here so what i'm going to do is i'm going to kind of eyeball where my center area is and then i'm going to come over to the right maybe about an inch or so so i'm almost a third of the way over from the right hand side and that's where like the top of my circle is going to go and then i'm going to come directly below that and i'm going to be maybe a half of an inch to an inch away from the bottom of my canvas and that's the top and the bottom and then what i'm going to do is i'm just going to kind of make myself a circle ish from those two markers so it might end up looking a little oval it might end up looking you know very organic it doesn't have to be a perfect circle we're just going for something that's going to give us a starting point for our entire head so once you've got that in through there then you just paint it in with your um pig base color your 1984 mauve color that we've created our nice pasty pale color that we've created um drab color i guess so now that i've got that on there what i'm gonna do is i want to give myself a couple of cute little pig ears so i want to have a big huge one over here and then i'm going to have a little one over here my pig is going to be looking in this direction here so i'm going to have a large ear on this side so i'm going to come up or down my head maybe almost halfway if this is my halfway down my head i'm going to come up just a little bit from that make myself a little bit of a mark then what i'm going to do is if this is the center of the top of my head i'm going to come over to about here make myself another mark and then what i'm going to do is i'm going to come all the way over here as you can tell i like to have starting and stopping points i'm making myself the tip of the year over in this vicinity in through there so now i'm going to connect to my dots and i'm going to start on this right hand side i'm going to make myself and if you go over this edge no worries i'm actually going to paint right over mine i'm going to give myself a little cute kind of exterior uh part of the ear this one is going to kind of come over in through here and it's going to bump up like that and then just kind of come and meet my marker in through there and then i'm just going to paint it in with that color so you might find that you want to you know reshape yours once you've got it on there but just know that when we go to add all of the other details for the um for the ear and for the face and stuff that they will take on a much better shape so this is just kind of you know getting the initial information on there and then when we put the um the other details on it later it will look much better so then i'm going to do my other ear so this one is going to be very far to the left side of the head so if this is the exterior of the um circle you just want to come in maybe i would say maybe about an inch and go up from that this is going to be the one side of the year the other side of the year is actually going to be kind of on the side of the face so you can kind of travel directly over from this part go over over over over and then up just a little bit that'll give you a good spot to start that one and i've got this one going all the way up to my border in through here and it's going to be a little bit to the left of this dot here so i'm going to go up and to the left a little bit that's going to be my tip of my ear and now i'm just going to connect my dots so this one i'm going to have and again this we're going to be seeing the side of this ear so this ear is not going to get as much shape as the other one so that's going to go like that this is going to kind of stay nice and narrow in through here and then maybe just bump out a little bit like that and then i'm just going to color it in like that i'm going to put myself on a little bump about halfway down this face this is going to be where my little pig snout is going to go so something and i'm not doing it a lot just a just a little hint of a pig snap going in through there i need to close off the neck so right below the pig snout is where i'm going to bring this out kind of like that and then on the back side of the body and through here i'm going to go right below that ear and i'm going to make myself kind of a curved line that just meets the edge of my of my barn i'm going to color this whole section in with my base color i think i must have scratched my fingernail in through there something um and this entire section gets colored in with this mauve or this i don't even know if that's the correct color i'm calling it but this drab burnt sienna unsaturated color that we're using so just color this entire section in and then we are going to be using this same brush for the next step so once you've got this base coat on your cute little piggy you can wash and dry this medium brush and get ready for the next step alright so what we're going to do for the next step is we're painting shadows on all of our wood pieces so i'm going to be using my medium brush i'm going to be using black and rust so how i'm going to do this is in my head my light source is really high up in the sky so all of my shadows are going to be below all of the objects so i'm going to have a shadow below here underneath these doors i'm going to have shadows on the siding here of shadows underneath here i'll even have a shadow on this piece of board here that's going to be from the pig's head so i'm going to be putting black and rust on my brush at the same time and i'm really just going to be well i need a little bit more black here i'm really just going to be adding an underline underneath most of these pieces and you might find that bla if you're if your surface is really nice and dark you might be able to get away with just using black paint um but if your surface is a little bit lighter then black and the rust will look will be a nice shadow effect there so in through here i'm going to have this i think i'm going to have a little bit of a shadow behind this side and through here and then these doors or these the doors on the windows i'm gonna have um the shadow casting in like an angle so it shows that they're um open away from the the wall of the of the barn so i'm just kind of rubbing in that color so a shadow does not have to be just black paint a shadow should um in essence kind of be whatever the surface is that it the shadow is on only darker so at times it will appear to be black the closer that shadow is um to uh actual object but the farther away it goes the the more dissipated it looks and it takes on more of that the actual color of the objects that it's on so i'm going to start pretty darn dark up in through here and if my brush wobbles a bit that's okay it's an old piece of wood it doesn't need to have perfectly clean edges and then i'm just going to kind of bring this down and then just get this to almost fade in along that edge so it could be a clean edge if you wanted it to be or it could have a little bit of a of a gradient whatever is visually appealing to you that will tell the story of how close the light source is and then once i've got this shadow into here yeah those look good then i'm going to do shadows underneath here so black and rust and i'm really just going to do an underline underneath them again you could certainly do it a little bit more fancy than me but that's that's what i'm doing i'm just giving it the illusion of a nice shadow and some dimension in through there so that's good and again i'm using the rust just so i don't just have that um solid black color underneath there but if you want to have it you're more than welcome to and then i'm gonna go ahead and do this one in through here and then i'll do um one final one underneath my pig face and through here so i'm gonna have if this is my face and through here i'm gonna have it somewhere in through here so this is gonna be more of a rough kind of um shadow and it's okay if you go into your your pig a little bit because we're going to be adding more stuff in through there as well i'm going to go over here and i don't have much paint on my brush and i'm almost dry brushing it so that way you can almost see through that paint a little bit and i'm giving it kind of a bit of a curve or some shape along the edges so that way it reads you know it kind of speaks to the shape of the rounded shape of the of the little pig's head i think that's all the places i want to put it underneath here is gonna doesn't really need a shadow because the light is up there and it kind of disappears i suppose you could put a little bit in between here if you wanted to if you felt that you needed a little bit more separation you could put a little bit in through between the the door and the molding itself and then we are going to be using this same brush for the next step so once you've got this all your shadows on you can wash and dry the medium brush and get ready for the next step alright so what we're going to do for the next step is we're going to paint i'm going to call it our pig skin i mean guys i want to put the pink into our pig and that comes before we put fur on it so we're going to call it the pig skin and this will be where we designate where the little snout is going to go to so i'm gonna use my medium brush the colors that i'm using are red yellow rust and white and i'm gonna create a custom pigskin color so how i'm gonna do that is i am going to i'm going for kind of like a peachy pink um this is this is in the realm of the color that i'm going for i do know it's going to be on top of this so whatever i do is going to get dulled down by this base coat here so i'm gonna use a little red a little yellow a little rust and a little white and i'm gonna mix it all together so that to me is a little dark so i'm gonna add a little bit more white to it and that's pretty good i might just add a touch more red to it so it's more on the pinky that's getting into the tone that i want it's a touch more pink or a touch more red there we go so that's the color that i'm going for and i'm going to be using this color in not a ton of spots on the on the pig i'm going to be using it in um where the snout is and then i'm going to use it a little bit in the ear and then in a little bit maybe where the eye near where the eye is going to be so i'm going to start with my snout because i know that this is going to be where this bump part is and then i can kind of move or work away from that so again he's looking i don't know if it's a he i just called it but he or she is looking this way so i've got my bump for my snout in through here so i'm just going to kind of start that in there i think they have kind of a little almost a square ish top to the nose i don't want the right hand side to go much farther than if this is my the right side of this ear i wouldn't go much farther than maybe a half of an inch or an inch to the right of that so if you come straight down from that that's about as far out as you want your little snout to go and then you can kind of just shape it it's kind of like a little ovaly shape i think it can kind of pop out a little bit on the edges something like that there's going to be a little mouth part down in through here so i'll put that there and of course we'll be reshaping this thing as the um as the process goes but that's kind of where i'm going to start with the shape of my little snout and let me just kind of get this area where i'm going to have his little mouth perfect like that i'm going to put a little bit of pig skin over here just to kind of lighten up this edge of the body because i want a little bit of a highlight in through there i'm going to put a little bit on his um the nose or the bridge of his snout something like this i'm going to put some where i feel the eye the top of the eyes are going to go so i'm going to have one of my eyes in through here i'm going to have pretty big eye in through here so if you come from the left of the bottom of this ear maybe about an inch or so you can give yourself almost just like an arcing kind of motion this will be like where the eye the top of the eye goes something like that and then come to the left of it and give just a sliver of that over on this side here because we're only seeing a bit of the eye over on this side then i'm going to put some in the ears so this ear we're going to see the exterior of the back of the ear so i'm going to just kind of give myself a little bit of a shape in through here something like that and then i'll kind of outline the little front of the ear like that i'll go over to this ear this ear i'm going to see the skin part is going to have a showing on the edge of the ear something like this then i have a bunch of skin on the inside of the ear but i don't really want to give it a solid color so what i'm going to do i don't i didn't um add more paint to my brush i'm going to just kind of rub it in in like this arcing kind of way and almost like a dry brush kind of way this way it starts the movement of the skin in through there um let's see where else maybe a little bit on the forehead but not much again we're going to have some some fur but we don't really need too much of the skin part maybe just a little bit in through here and then back in through here i think i'm just going to put just a touch something like that and you can see it's starting the motion of the shape of the body as well and then we are going to actually let's we're going to switch brushes to our small brush for the next step so once you've got your pig skin on you can put your medium brush away take out your small brush and get ready for the next step all right so what we're going to do for the next step is we are putting the eyes nostrils and the mouth the opening of the mouth on i'm going to be using my small brush i'm going to be using black rust and white paint so how i'm going to start this is i'm going to start with just black paint and i am going to put my first layer of my eyes on which is just going to be with black so these the eyes that i'm doing are going to be kind of on the larger side for a pig because i wanted to look on the younger side and have that extra cute factor so i've got mine a little bit extra big if you want to make yours larger or smaller you're more than welcome to i'm putting this the the larger or the eye closest to us directly between my ear and my nostril so you want it about halfway between the ear and the nostril somewhere about here of course it would if you place this in the same place as i did you'd be right on the button but if you didn't this would be a good spot and you can always readjust your eyebrow later too so i'm going to make this kind of like this shape of an almond so it's going to be kind of like a curved top a curved bottom like this i'm actually going to have the um this right corner is up a little bit higher than the inside corner of the eye so that way it um just adds a little a little more extra cuteness to it and then i'm just going to color it in with black paint you can also utilize the corner of the the inside corner of the eye if you pull a little bit of this dark color down past that corner that's going to add that little crease that a lot of people and animals have right in that in that little tiny spot of their eye so i've got the first layer there now i'm going to come over and do this eye over here this one is going to be just a sliver of the eye so i'm just kind of finding a spot that's good i'm just doing a little little tiny bit in through here and just make sure it looks proportionately accurate with the with the other one and then i'm going to go ahead and i'm going to put some nostrils on so the nostrils are almost halfway down the snout um they can obviously vary depending on the depending on the pig i'm going to use black and rust on my brush for the little nostrils and because it the the pig is looking over here my right nostril is not going to be all the way to the right it's going to be a little bit in towards the center of the um nose so somewhere about here i'm going to put my little nostril and then it's got a little kind of i don't even know what this is a little separator piece going to the side and i'm gonna do the same thing over on the left hand side gonna find where i wanna i think i want it right about in through here and then just kind of make that little separator i want these edges to be on the softer side for the nostrils so i'm actually going to just wipe my brush off on my paper towel while this is still wet i'm going to just kind of rub out the edges of it so it's almost soft around the edges and you can use a little bit of water if you need to to get it to be softer and if they end up a little bit too big or a little bit in the wrong spot don't worry because we've got a step that's going to soften those edges even more and make them blend into the snout a little bit more so i'm going to go ahead and i'm going to put my mouth on so again my my pig is looking over towards me over here so i'm just going to kind of give a little a little almost smile it's a happy little peg in through here and then that's all i'm going to oh wait i need my i need to finish my eyes so once i've got that little mouth on there i'm going to wash my brush wash and dry my brush and i want to add a little twinkle in my eye so i'm going to pick up a little bit of white paint so i am going to do a little almost um dash and a dot is a what i'm going to do so i've got a little kind of rubbed in dash and then maybe a little dot and then the other side i'm just going to kind of put a little mark on the edge of the eyeball and i'm going to put little eyelashes too so i've got a little bit of white on my brush and i'm just going to put some little kind of eyelashes coming down in through this edge of the um the top edge of the eye and maybe a couple over on to there and that's all i'm going to do for those areas so we are going to be using our large brush for the next step so you can put your small brush away take out your large brush and get ready for the next step all right so what we're going to do for the next step is we are adding the shadows on the pig so uh we don't need to do much for this so i'm going to be using my large brush i'm going to be using black and rust paint if you need to or want to you can also go back into your original um color that muted rusty color that we put on there our mauve color but i'm gonna kind of talk you through where the shadows are gonna go and then again we don't need a lot of paint so we'll put a shadow along the edge and the bottom of the snout we're gonna put shadows underneath the chin will put shadows behind the ear and maybe down in this little where the pig is going into the barn a little bit we'll put little shadows in this crevice of the ear maybe a little shadow in through here maybe hints of shadows on the contour of the face too but not a whole heck of a lot so i'm gonna touch my brush in black and rust and again you do not need a lot of paint so a teeny tiny bit on the end of my brush black and rust and so little that i'm going to wipe it off on the side of my palette so very very little bit i'm going to start in the areas that i feel safest which is the areas that could be the darkest so you can start in through here and you're just going to kind of rub yourself a little bit of paint in through there really like a dry brush kind of technique i want a little bit behind that ear so something like this and just pull it down the back a little bit and again i'm not doing much of anything i want some underneath that chin so something like this just to pull in some of those dark those dark tones something like that i want a little bit on the um side of my snout so this i'm gonna go a little bit slower and what i'm gonna do is i'm gonna just kind of push my brush right towards the edge of that snout and if you needed to or wanted to use a smaller brush you could certainly do so i'm going to push it right in through there right underneath this cute little piggy bottom lip right into there and if you go into your background don't worry it's it will disappear when it dries because it's on top of the black um so something like that and then to to make sure that this kind of blends into there what i'm going to do is i'm just wiping my brush off on my paper towel you could even use a little bit of water on your brush and you can get this to just kind of dissipate a little bit if you wanted to or you could pull in a little bit of that that background color as well to get that to just kind of blend in a little bit more but you want it nice and dark right where it meets that snout and again we're going to be adding highlights and fur and all kinds of other stuff so if it doesn't look super awesome right now don't worry about it i'm going to put a little bit of shadow underneath this little crease of the year i think i want a little bit more black on my brush just so i can so i can get that to yeah there we go that's a nice shadow we're going to put a little bit of a shadow in through this ear in through there because that's that's where the darkest spot would be and i don't think i want very much more um you could go i don't know a little bit of the rust maybe on this back side of the face but you really don't need much maybe maybe a touch back here i i think that i think that's all i want to do and then i'm going to switch brushes to my medium brush for the next step so once you've got your shadows on your cute little pig you can wash and dry your medium brush and get ready for the next step alright so what i'm going to do next is i'm doing the highlights on my wood pieces or my window pieces i'm going to use my medium brush i'm mostly going to be using white with a little bit of yellow but you might find that you want to make yours on the grayer side or with a little bit of the rust or whatever whatever floats your boat you just want it nice and light up at the top of these sections so i'm going to put a big old highlight up in through here so i have white with a touch of yellow on my brush and i'm just kind of adding this extra bit of brightness up on the top of here this is going to look fantastic when we have our big flowers adorning the top of our canvas so this is just telling the story of the sunshine is definitely alive on this farm and we're just going to add a whole bunch of nice sunshine up in through there and if you needed to you could certainly go back into your rust or your black or whatever whatever you need to do to make this into the color that you you want but i definitely want that brightness way up at the top when i get to these pieces and through here i'm really just going to be doing a bright line at the top of the object so right now i have yellow and white on my brush and i'm really just going to kind of cast a a little bit of this highlight at the top of these it does not have to be a straight line just something that says yep the sunshine's hitting this this part right here i know we already put the shadow in through there but we still can add the highlight into the remaining area that we have to the left and the right of that shadow part so something like this then i'm going to go ahead and i'm going to add it over here on these pieces and again yellow and white are the colors i'm using but you could certainly alter it whatever way that you'd like and then we are going to be using our large paintbrush for the next step so once you've got these beautiful highlights on your wood pieces you can wash and dry and get your large brush ready for the next step alright so what we're going to do for the next step is we're putting the first layer on our flowers so i'm going to be using my large brush and i'm going to be using blue purple and black and how i'm going to do this is i'm going to be using the blue and the purple first to add the areas where i want my flowers and then i'll be coming in with a little bit of black to just add a little bit of shadow underneath them so these flowers we're going to be making them larger than they are in real life so these are a flower that's called a periwinkle flower and this flower is typically really really tiny and it grows in these clumps that kind of climb and are low to the ground and they just kind of they're they're spreaders so i thought that they're really pretty though so what i wanted to do was add them to my painting like they climbed all over the window and they grew really large so we're gonna make them really bigger than they actually are in real life so i and they can come in all these varying shades of this bluish periwinkle color i'm not quite sure if the color came first or the flower came first but the it's like a bluish purple color so they can be in all different varying shades so we're gonna we're gonna attempt to give it a lot of color array here so what i'm going to do i've got my big brush i'm adding purple and blue onto my brush at the same time and i'm going to this first layer is just going to be a series of polka dots so i'm going to have mine kind of climb in here maybe it's going to be hanging over the side here i do know that these two colors that i'm currently using are very translucent so when they dry they will be much darker than they are when they're wet so i am mentally preparing for that i'm okay with that because we're going to do a second layer later that will make them pop off our canvas and make them so so pretty now you can put these wherever you want to i'm just going to kind of get mine climbing over the sides and maybe climbing out of the inside of the barn which i'm not quite sure how that would happen but we're going to make it happen in in our magical painting way and i think this one i'm going to have kind of coming down this side and right now i'm just alternating my blue and purple i'm going to have this one maybe over here and hanging down here and again you can have yours wherever you want and as full as you want oops that's a big one hold the phone there let me just kind of wipe that away there we go look at the magic of a paper towel so i'm gonna get some coming in here this one's going to be hanging over this whole side out here maybe this is going to come down here i'm going to pick up some blue right now and again i'm just alternating these two colors blue and purple and then once i feel like i've got it in a good assortment what i'm gonna do is i'm just wiping my brush off on my paper towel and i'm gonna pick up black paint because i know the black is gonna overpower that blue and purple and really what i'm going to do is i'm just going to dot below some of these flowers a shadow onto the surface below it so i'm using a similar dotting technique and i'm just putting a little bit of black below these flowers as if they are casting a shadow right on the wall and of course i could certainly use the rust as well based on what i was telling you earlier it doesn't just have to be black but i'm going for these shadows to look like they're really close to the object so they i can get away with doing them black and i want them to be very powerful looking so i'm i'm again cashing in my creative license and i'm gonna do a really dark shadow between be behind these flowers and so i'm gonna put some in through here and then we are gonna be using this same brush for the next step so once you've got your first layer of your flowers yeah that looks pretty you can wash and dry the large brush okay ready for the next step all right so what we're going to do for the next step is we're painting some pig fur so what i've learned is that some pigs are very hairy some of them have i i didn't even realize it when i go to do these paintings i'm like oh i'd love to paint a pig and then i go and i look at all these pigs and it's like my gosh there's so many varieties they have spotted pigs and they have long-haired pigs and short-haired pigs and it's just the assortment was kind of unbelievable to me so i'm going to just put some kind of short ish fluffy hair pig hair pig fur on mine um i want him to look like he's in the sunshine so a lot of mine is going to be done with white paint i'm using my large brush i may end up using a little bit of um the skin color plus white as well just to add um if i need any little bit of dimensional elements to the fur but the biggest trick or the biggest tip i can give you when doing this especially since we're not adding a ton of fur and it's not long hair or long fur don't use a lot of paint on your brush so we have this great if you're using a similar brush to me the this bristle brush has firm bristles to it so if i just put a tiny bit of paint on the brush i can utilize the corner and i can really get these nice individual little pieces of fur to appear with very little effort if you pick up a big scoop of paint what's going to happen is you're going to have just one solid color and you'll lose all of that dimension that we have worked so hard to achieve so very little paint and if something goes wrong you can either use a little bit of water to wipe it away or just wait for it to dry and then you can add back some of the darker colors so if i haven't scared you enough let's paint fur so i'm going to take just a tiny bit of my white on the corner of my brush and i'm going to tap it on the side of my palette or you could use a paper towel or something like that again i'm starting with very little and then if i want more i can add more so i'm going to put my fur in the direction i feel it would be growing so on the forehead i feel it would be growing in a backward motion like that around the ears maybe i'll have it little prickling coming up like this maybe he's got a little bit of fur on the edges of the ears so you'll see how i'm going to do this so i'm going to start at my forehead and i'm just going to kind of use the corner of my brush and i was very cautious and put very little paint on my brush so i need i actually need more paint but i'd rather need more than had to have too much on my brush so i just reloaded a little bit more and now you can see i'm getting those cute little individual pieces of fur and i'm just going i don't know if it's fur or hair i would think it's fur because it's an animal but some some animals i'm finding also have hair so i i'm not i'm not quite sure what the correct um one is for for pigs but i'll call it fur for now and so i'm just kind of going in the direction i feel that it would be growing and you can see it's coming to life every little stroke i make i feel like there's there'd be some on the side of the face so again i'm gonna go ahead and put it in the direction i know i'm gonna need a little bit on that nose so something like that maybe um in through the underneath the chin we've got some coming in like that and then i think i'm gonna go into a little bit of my um nose or my skin color plus a little bit of white just to give me a little bit different of a color as i'm going in through like maybe this cheek area so something like this just pulling a little bit of this up in through this direction and again you might find that you want to add way more than i am adding you might want yours to be really super duper fluffy we're gonna um do additional details on the eyes and stuff in a little bit but right now i'm just kind of getting some some of this pretty you know fluffy fur around the edges maybe there's a little bit coming out of the ear i think they have some going along the edge of their ears too so something like that so if i did it on that ear i've got to kind of put a little bit on this ear maybe there's a bit on the edge in through here maybe a couple of pieces coming off the top maybe there's a little bit in through here so you can really you know you can see that i'm just kind of going around the whole head i think i'm going to put a little bit more on the head area so it's definitely a little bit more whiter and fluffier yeah there we go and again i'm i'm conscious that i'm keeping it in kind of a curved fashion i don't want it to be too straight when you're doing fur if you um if you do it too straight on a curved part of the body it ends up losing a little bit of that um that the dimensional element you might make a section look a little bit flat so if you can kind of um be conscious about keeping your your fur going in um with a little bit of a curve to it that's going to help you to keep the shape of the of the body or of whatever um whatever part that you're doing so i think i definitely need a little bit more near the eye so i'm just going to kind of keep building this until he's looking as fluffy as i want him to and then again we were going to add a little bit more uh details throughout the entire um like the nostril or the nose and stuff like that so if it's not looking a hundred percent to you know where where you think it's awesome yet just know that you'll have those extra little bits of information that we're going to be putting on the um on the nostril or on the snout and stuff in a minute so i just kind of am making sure that i've got enough of my little fur in through here onto the face and again if you feel like you need to or want to go back into any of that original color if you know let's say in through here you thought that you needed a little bit more shape you can certainly just kind of go back into that original um color and just continue to tweak it until you feel like you've got that fluff and that fur in the direction that you want oh yeah that's looking good i think i want a little more a little more on the head i can't wait to fin i keep looking at i'm like ah but i want to do the snout right now but i can't because that's a separate step so we'll do that in a minute but just know i'm really anxious to get the snout done right now so i'm just gonna kind of keep adding my little fluffy fur and again less is more you just kind of keep adding it until you feel like you've got the right amount of fluff that you want and then let's see what are we going to do for the next step i think i got to finish the face we're going to use our small brush for the next step so once you've got all of your cute little fur on you can wash and dry your small brush and get ready for the next step okay so what we're doing for the next step is we're finishing our peg because i can't wait any longer i totally i totally want to finish it and i'll i'll save my flowers for later so i am going to be using i i don't know remember what brush i told you but we're going to be using the small brush i think i said the small brush but for some reason i had the medium one in my hand so i'm going to be using my small brush and what this is going to be is just a whole bunch of little bits of highlights and little detail work so i want to finish my snout so it's got some good dimension in it so i'm going to add some highlight on the top probably some highlight underneath these nostrils and on the lip i want to add some highlight over here on the left side on the where the um eyebrow areas are i want to add some highlight on the ears so lots of little kind of mostly highlights but just kind of fine tuning i'm going to use mostly white i'll be using my small brush and i'm sure at some point i'm going to be using a variation of my pigskin color so i'll either be using that or in a little lighter tone or a little darker tone so i'm going to start by working on my little snout so i'm going to add white paint to my brush and i'm going to put a nice big highlight on the top of my snout something like this and then what i'm going to do i'm also going to put it a little bit underneath these nostrils and then without washing my brush i'm picking up some of my pig skin color and i'm going to get it to blend in so what this is going to do is it's going to give me that natural highlight at the part that's being hit or highest pointed up towards the light source the most and then i'm getting it to blend in with the rest of the skin so you could even go a little bit darker on the skin down below of the snout so wherever your comfort level is with the in with the brightness intensity you bring it there so if you're if you're thinking that you want yours lighter or darker you bring it there because that's what's going to work for you visually but the parts that are going to hit the um the light source the the most are these areas that are pointed kind of in an upward fashion so i'm also going to do it on part of the lip too but right now i just am working my way down towards the bottom of the the snout area just making sure i've got that um as gradiated or gradual as i want i might actually add a bit more pink to in a second so hold the phone for just one second i'm going to put a tiny bit of a highlight on this little lip yeah that's the cute when you add those itty-bitty little details it's like okay now he's got this cute little pouty lip on there um i think i want more traditional pink on this snout so i i didn't say i was going to use red but i'm using red i'm going to take some red and white just straight red and white is going to give me a nice pink i think i i just i feel it needs that traditional pink pink color as opposed to like the peachy color that i'm that i've um really put a lot in there so i'm just gonna yeah that's that's gonna work maybe maybe a little more intense around these nostrils just you know to add that extra extra bit of something extra bit of tonal change to yeah there we go a little bit of a little bit of that real pinky kind of color in through there and again that's just because i saw it and i'm like i think i want some of that traditional pink but you can certainly work yours into um looking in whatever way you want oh my god he's so cute i'm gonna add a touch more highlight on the nose on this little snout i want it to really pop out and i think i i think this is a little um a little a little weird over here so i think i'm going to add more of my skin my little pig skin in through there yeah that works oh my god he's so cute and inside your nostrils if you need to do anything with those if you feel like you need to get them to blend in a little bit more feel free to just keep working those as much as you want so cute sorry i can't take it i like i like painting cute cuteness cute animals they really they really make me smile i'm gonna put a little bit more highlight in through here all right so once you've got your your snout the way that you want it i'm gonna just start adding little bits of highlight and information all along the rest so i definitely want some highlight down into here so i'm adding some white paint to my brush i'm just going to bring in some um extra bright highlights in through here just to say that this is this is a part that is really being illuminated by whatever the light source may be i'm gonna add some maybe on uh the bridge of his his or her nose something in through here i think i'm gonna bring in some of the the skin color too maybe just to get this a little bit more um looking like it's protruding a bit so whatever you feel that you need to do i'm just kind of adding a little little streaks of these colors just to get it to be a little bit more of a of a dimensional element and whenever you bring a color like that in you don't just want to put it there so if if you put it there also bring it into a neighboring area as well so it doesn't just look like you've only hit that one one section you want to definitely carry that color elsewhere so maybe we'll put a couple little extra wrinkles on the nose maybe we'll put a little extra fluff on that part of the head something like that i definitely want to put some extra little bits of highlight on these eyebrow areas or eye eyebrow yeah i i um i socket areas there we go that's the word i was looking for so maybe something in through here as well yeah that's looking cute maybe some extra little highlights on the tips of the ears adding just again just those that information of you know where is that that light source coming from i think i want more in through here too just to i keep looking at it saying i think that needs needs a little more light on it so whenever you know that's the whole thing sometimes you need to step back from it see it from a distance and if you feel like you need more more light or more information just put it there usually your instincts your intuition will tell you what needs to be done you know it we don't always need to have a photo reference to go by we can go by our own personal knowledge i mean i know what a pig looks like and if i stand away from this and it doesn't look like a pig i figure out what about it doesn't look like a pig is it because the ear is too big or is it because the eyes are in the wrong place so i can use my own knowledge and my own in you know experiences to say yeah there's something wrong there sometimes you can't figure it out and you need a second eye you need to bring in your kid or bring in your spouse or bring in somebody else to to help work you through that that um challenging part of figuring it out but usually you can figure it out yourself i want to add some extra life around this eye so usually by putting just an extra bit of a highlight in through um right around it that helps to just make that eye come to life so i'm gonna add almost maybe like some additional little fur around the eye almost as if their little eyelashes down below i know we added them on the top but i'm feeling like we want to add some here too so i've got that yeah see those little bits i think i'm going to put a little bit of this color here a little bit over here and of course you can certainly keep tweaking this as much as you want i mean you can you can add these these bits of colors all throughout it i think that was that was a little bit too much for my for my liking i'm gonna bring back some of my original color on that one um and then when you get this into a place where you're feeling comfortable and you're digging everything that's happening on your little on your little piglet here we are going to be um using our medium brush for the next step so you just kind of keep tweaking until you've got all of your little snout wrinkles and highlights and stuff perfectly placed and that you're happy with it and then we're going to go on to the medium with the medium brush for the next step so you can just get ready all right so we're going to do for the next step is we are painting periwinkle flowers so i'm going to use my small or excuse me my medium brush and the colors i'm using are purple blue and white um and again i'm just doing a loose interpretation of these flowers they come in various shades and sizes and and colors and all that good stuff but i'm gonna just do a loose interpretation of them so from the best of my knowledge they have five petals and a periwinkle color is a kind of a light um bluish purple color so i'm going to be mixing some of my purple and my blue and a touch of white to get a periwinkle color and i'm i'm going to be using a couple of different shades of this but first i'm just going to kind of get myself a base um color to use for the majority of my flowers and then as i am building my my flowers i will you know maybe use a lighter version of this or a little bit darker of a version but you'll see how this is going to go so i am not going to um stress out and make every single every single flower exactly as as if we were seeing it close up and in focus i'm just going to do maybe a few in focus ones in here a few in here and a few in here and then the rest is just going to be a loose um almost long dots for for petals to kind of give you the illusion that there are other um of the same type flower within the little bunch so i've got my periwinkle color and these flowers have five petals on them and the petal is almost like so if you do one two three four five the petal almost is a little bit wider at the end of it and more narrow at the base so you know you can painstakingly do this to all of them but i'm just going to do it to a few of them and i'm going to make it look as if we've got a whole bushel of these kind of flowers but i'm not going to be terribly concerned about making every single one of them have the exact perfect characteristics of it i just want to give the viewer the illusion that this could be that type of flower and you might not see them all head on so maybe you you see one with you know just three because you're just seeing the side or four because you're just seeing the side of it and again i'm going to do quite a few not uh not you know 900 of them but enough within each kind of main section that i have to give me a good representation and then i'll go on to the next section and do a good number in there as well and then i will come back and do some um of my kind of interpretive kind of ones that will give us the idea that we have many more involved in the in the actual section but without having to paint you know seven thousand of them so i'm gonna go up here i will do one of them up here and you know you can just do a five point star if you wanted to on the small like these ones up here a little bit smaller so i'm not really concerned about making that petal look wider at the end as if i was really doing the in focus making sure it is exactly like the original or the real kind of flower so again use your your best judgment in making this as authentic and in focus as you want it to be again you don't have to have five on every single one because you might not be seeing all of them or although seeing the entire area of it and i'm not putting them really on top of my shadows so i'm putting them within the original kind of mass area that we did and oops that was a lot of paint and um i am doing it kind of on the thicker side so that way it is not see-through and i'm going to do just maybe one or two more in through here and again once i've got this oh this turned pretty dark when it dried up in through here which is great that that happens when you're using the dark or those translucent colors on a dark background so that's a good number of them that kind of appear in a you know a good um orderly and balanced way now i'm going to take that periwinkle color and i'm just going to add little kind of pops of it here and there i'm not even not even to oh my other hand's going to while i'm doing this i'm not even terribly concerned about where they're going i mean i am looking out for my shadows and making sure i'm not you know overloading it on the shadow area but i'm really just kind of dabbing my brush here and there just to give the um the past that color along through the entire area and now what i'm going to do without washing my brush i am going to be using some of that periwinkle color plus white and this is going to add little pops of highlights on the petals that we've already established so i've got the periwinkle and white so what's really going to happen is i'm just kind of adding a little lighter version of it within that existing petal so something like this and you've already got the shape so just adding this bit of um extra white on here is going to and because you are using the same color with the white you're going to get various tones of it so you're going to have some lighter ones and some darker ones which is awesome and then i'm going to go ahead and just do this throughout the entire area wherever i want it to have these little extra um highlights on the actual flowers that i've really kind of spent the most time on i think i want something in through there too that was a little naked spot there so again i'm using periwinkle and white to add these um more in focus kind of highlights on the the petals i'm saving a little spot in the middle which i probably should have told you about um because there's a little tiny center dot that we'll be adding in a second as well so oops i need a little bit more white on my brush there we go and you can see i'm just kind of cruising along right now and you might want yours to be a little bit more bright than mine maybe you want more purple in yours than than the blue whatever is visually appealing to you now i've got um i think i am going to pick up a little bit more purple i'm going to just add those little additional pops of color now that i've got that um highlight that i added onto my real petals so now i'm just kind of going through and adding some bits of of of the purple here and there and everywhere and then i'm going to add a bit of a white little center so i'm not going to wash my brush i'm going to just wipe it off on my paper towel i'm picking up a dot of white paint and there's a little tiny center in these flowers so you can certainly i'm just doing the ones that are kind of in focus and i suppose you could have the white with the periwinkle color on your brush at the same time just to give that little dimensional element to the centers of those flowers and then if you feel like you want an additional pop of highlight just add white with you know the purple and or the periwinkle and just go and just kind of make these little these little flicks of petals here and there and everywhere to just add a bit more color if you want to if you want more purple or whatever the case may be feel free to um have fun oh my god this is so cute have fun with this and make it as vibrant as you want i'm digging my little my little periwinkle flowers into here you can keep tweaking and playing with them as much as you want to and then we have one little final step to go and it's going to be with your tiny brush so once you've got these beautiful complementary flowers all over the place you can get your small brush out wash it dry it and get ready for the next step all right so we are on to the final step this is the final step of every painting which is to sign it i usually sign mine in the bottom left or the bottom right but you could certainly sign yours wherever you'd like i'm going to be using my small brush i'm going to be using black paint and i think i'm going to sign this one in the bottom left i use my initials to sign my paintings but you could certainly use your first name or your or the date or a symbol or whatever you'd like to use as your identifying mark is totally up to you there's no rules to this part of the painting so that is going to conclude this painting i hope you enjoyed the process i hope you painted yourself a pretty little precious pig and i look forward to painting and sipping with you again sometime

Channel: Michelle the Painter

Views: 31,423

Keywords: how to paint, paint and sip, acrylic, painting, tutorial, beginner, simple, easy, artist, painter, sip and paint, step by step, learn to, paint, realistic, best, top, black, looking, head, sitting, eyes, animal, male, standing, female, house, most, white, blue, gray, mouth, fur, up, pink, purple, furry, adorable, cute, cutest, boy, girl, nose, shadow, light, ears, fluffy, pretty, funny, pig, piglet, snout, periwinkle, flowers, barn, window, farm, pet, domestic, charlotte's web, charlotte, open, out, face, sweet, charming, innocent, yard, wood, brown

Id: rAeCpbaqs4c

Length: 84min 58sec (5098 seconds)

Published: Sun Jan 10 2021