Interstellar Press Conference in Full - Christopher Nolan, Matthew McConaghey, Anne Hathaway

please join me in welcoming to the stage first of all Jessica Chastain Michael Caine and Hathaway Christopher Nolan mathema Connor hey Mackenzie Foy and Emma Thomas oh yeah Christopher it's an amazing film it's a kind of combination of the epic and the intimate of space and love to destroy galaxies and time but at the core of it it's a kind of father and daughter story so what were the reasons for making it why why did you want to kind of jump onto this project because I think Spielberg had it initially your brother written it for him yeah I mean my my interest in it was really a couple of key things the first was the relationship between the father and his children I'm a father myself as it related to it quite a lot found it very powerful and I like the idea of combining that with this story that speculates about a potential moment in human evolution where we would have to mankind would have to reckon with its place in the wider universe I grew up in an area that was really a golden age of blockbusters films by people like Steven Spielberg you know if you look at Close Encounters in the way that addressed that idea of this sort of inevitable moment where humans would meet aliens and address it from a family perspective and a very relatable human perspective I really like the idea of trying to give today's audiences some sense of that form of storytelling okay Emma this question to you you you and Chris have done big an epic and grand for quite a while now were there any sort of particular challenges to this one I mean you know you had to build five hundred acres of corn and I think in icing you had to build a road so what was what made this one different to what you'd done before or more challenging and I would say probably I mean you've hit on it really it was sort of you know we I think the thing I love about this film is that it's it's it's sort of many things rolled into one and so whilst we were doing a lot of the sort of more intimate carrots and stuff we also had these massive you know disparate locations to shoot in and Iceland is an amazing place but it's you know a lot of the places that we were in were incredibly remote and incredibly challenging places to be just because of the conditions there and and so really it was sort of I think the biggest challenge was getting spaceships there and you know through to there to the locations and you know it was it was very very challenging but I think it really paid off and it's a lot - it's a lot more fun to watch it and then it'll has to be there in in some cases cool okay let's get some mics I think so yes first mic there magazine like this I couldn't have better company than thank you if you explain that and after being challenged in our space our catering for that moved catering I think it so it's a weight loss joke yeah oh yeah good it was seen in that movie so is it to you the first thing was to Honduras noise why is Matthew McConaughey a great person to travel through space with well um it's it's a it's a real pleasure to work with someone who knows how to take their job seriously but also has a real light touch and Matthew never lost focus he never lost his connection to why we were there but that didn't mean we didn't laugh he's full of amazing stories he's someone who has really lived a wonderful and very varied life and so I loved hearing kind of tales from how he got to be where he is now and and he's a kind person and you know on a set that could have felt tense I found he was wonderful putting me at ease so fantastic actor fantastic man what more could you want it's Jamie so unattractive though what what was you I was a douse what was your question any Dallas Cowboy - what what was the challenge the Katy was much yes it was big it was excellent there was only one way to go and that was up into space and with weight um a challenge different well one we you know the douse Bosco was a very small independent film that we shot very quickly and it was and it was very earthbound this was a much larger picture I will say this and it compliment to the process even though this went on for five months and there's much larger scope and scale and set pieces and such when you're acting in a Chris Nolan film it felt just as intimate and just as raw and natural as most independents like downspouts couple are forced to feel because you don't have the time you don't have the money well we had the time and we had the money on interstellar but when you're actually shooting it's very intimate and very very very raw natural as I said so I never felt how the EBV actors ever felt overwhelmed by the scope or the set pieces or such and I've talked to actors who have been on big action films or films that have large sets you go to these locations and you've got helicopters are flying around and everything's built before you on the set I've talked to actors I felt like they got lost in those and the experiences they had I didn't I don't believe anyone felt like they were overwhelmed by the massive scale but that also is because this man was never overwhelmed by it either he was always on top of it and so you know each day felt like very intimate even though we were in the midst of its really huge duh just fully comes to the expression can I just ask the other actors about working with Chris and that kind of intimate sort of feeling you haven't said because you've said it was like an independent movie as well and yeah I don't normally I don't normally do big movies I'm kind of new to this world and I'd always been afraid that jumping on a big-budget film you would lose the relationships in favor of special effects but the great thing about working with Chris is it's all practical set so you actually have things to react to as an actor which is awesome like there's no green screen they were checking dust in my face every day and there was real corn that they grew and even like like what Matthew said it moves so quick or do three or four takes and it was so incredible because he just kind of let me get it out of my system try what I wanted to without trying to impose impose on me something that wasn't natural and then with a very you know delicate hand he would come over and just say one sentence like towards the end he said to me this is her Zen and with that little tiny exquisite note would open my performance in a way that I had never imagined so as incredible as the technical and visual aspects of assets are you never lose the emotional component Mackenzie this is your first time working with Chris and Michael this is your sixth time yeah so if you could just give a little comment about working with Chris and how you found the experience um mr. Shapiro is awesome he is like amazing and I want to be a director when I get older and just be able to watch him make words come to life is just amazing that I learned a lot Michael is he awesome I'll say I you spend your life as an actor so making a picture say is it going to be hit is it going to be a mess and sometimes a hit in sometimes you I've had six pictures from Christopher and everyone's going to was a hit so whenever he said you won't do a movie I say yes since you want to read the script I say no no it's quite extraordinary working with him because he he also writes it yeah and nothing is what it seems I remember the first time he came to me with the script he came to my house in the country and he said I've got a movie you know it's what is it he said Batman and I thought myself I'm too old to play Batman what she could watch he want me to play and he said I want you to play the butler and I thought what I saw a dialogue I said what do I say dinner it's sir would you like a beverage with things he said no Michael read the script and of course I read the script and he wasn't a butler it was the foster father of Batman nothing is what it seems with Kris little boy there please no Jessica I wouldn't because I wouldn't be any good on a secret I'm only good at pretending I can save the world but not actually doing it under the highly unlikely set of circumstances that would make me the best person to save the world I would go on it but I really don't expect you yes Chris I deal with all the best intentions I think if the world is looking to filmmakers to save the world terrible troubles Matthew I don't know but I played one on TV yeah somebody said I guess somebody and you're the only one up there right now right yeah oh and we're all in the word are you gonna go yeah okay because it goes okay em are you going okay so the Mackenzies are the right medicine I think that's a note house off why thank you I have gentleman there this is a question for you you may be Christopher can answer probably my questions after gravity and also is filmed as well business if we can expect to green light from the majors you know how you sci-fi film others I will obviously you know success of you know our fathers movies very encouraging from the point of view of working and science fiction you know we'll see how we do I mean the thing you're hopeful doing an original project that isn't a sequel isn't a franchise that kind of kind of thing isn't based on something from another medium your the hope is if it succeeds that encourages that type of filmmaking within the studio system it's what we try to do with inception and beam it would be nice for it to work with this as well but you know we'll wait and see thank you mr. Nolan one question from Sweden housed work and good point affirmative you're terrific TP who is half Swedish and secondly since a lot of native people in in the u.s. today are comers no need to television what would it take for you to sort of direct for a TV or Netflix s ever well we're just Dutch man you can't claim it he lives in Sweden he lives in Sweden where you're right track claim him and he lives in Sweden and a lovely Swedish family and he's a really extraordinary one of the things he was able to do for me that I absolutely loved it is achieve a degree of spontaneity and simplicity in the way shot the film that you you really see on such a huge film particularly in this in this genre I mean for somebody to be sort of you know grubbing around in a spaceship grabbing things documentary style and whatever and it was really really phenomenal and his command of the imax medium which is extremely challenging technically it was was extraordinary I mean their handheld intimate scenes shot with these enormous cameras I don't know how he did it he just put handles on the thing and picked it up I think they these Dutch guys are pretty pretty strong and turns he working with him was a was a joy so as I say you're right you're right to claim him and the second second thing was about working in TV I did I like I like movie something movies are great I there's a gentleman here with a micro yes thank you question for mr. Nolan you've mentioned IMAX just now do you feel kind of compelled to make films now on this scale in IMAX I mean in a sense that Hollywood is kind of under threat from other mediums there's a lot of success in television there's the video game industry do you feel that your careers push that way irrespective of what stories you might like to tell well no I mean I for me the the great thing about movies has always been the large screen large audience experience that's what you always hoped for one of my earliest movie-going memories was going to Leicester Square to see 2001 when I was 7 years old and I've never forgotten thee gay love that experience I saw my first IMAX film when I was 15 and immediately wanted to make features that way at that point so really for me working on this scale at medium it's just a long-held dream of mine okay I've person there and then one behind that thank you and then you doesn't work okay yes it works now this was a question for all of you or whoever wants to answer it and looking into the future are you more positive negative about what yeah Barbara's how it goes on my man I'm not positive I'm 81 so I'm positive and Mackenzie you're 14 how about you like I do like eventually there's gonna die but I think I'll probably dead by that time thank you a this is gentleman the back there and then version from Hungary and Jessica and Matthew your characters are role models almost heroes on a personal level is there anything that you could really envy or maybe admire them for you know Cooper and in the film as a whole the the dare of courage and discovery you know explores having the instincts having the knowledge that then landed the instincts to override a computer which I think we're always going to need it's a few of the things I mean one of the things I like really take away from this film is that it's got such a challenge is mankind but it's incredibly faithful in mankind and and in our capacities what I take from my character what I loved so much about her is I admired the scientific discovery of course that she makes but more so I admire a person who's able to overcome their own ideas or anger and to become of our open loving person so that's that what I admire most about her and then what about yours good Maya your character and yes totally yeah it when I first read the screenplay I didn't totally understand my character that and I didn't for quite some time without revealing anything she something happens to her in the movie that I I was just thinking about how wow that's that's one of those things that changes you and then all of a sudden I she made sense to me as someone who goes through a journey and I believe the journey she goes from is as arrogance and fear to to humility and openness and just like Jessica said which would beautiful answer I think anybody who has the courage to go on that journey is somebody very deserving the respect right this gentleman at the back and then here and then there please oh yeah question from new scientists Mike okay and first one if your memoir say the shortest distance between two points is not necessarily a straight line have you always been interested in I'm a very good amateur gardener and I see quite a lot of wormholes that's what I thought it meant but I didn't understand it until this movie and then I met Kip Thorne who's I think did he discover the wormholes or did he figure it out or anything but that's what that's who I was playing in the movie - good so I know a lot about wormholes now and I've seen the movie and we've been through a wormhole so we know what's on the other side special effects and and for me it's it was it was I thought I knew what to do could I I I grew a beard just like Kip Thorne and then I asked him lots of questions about anything that was puzzling me then I went into my office set which he had designed and there was an algebraic problem which was about 50 feet long and 4 feet high and I thought I might have come up against something here that I wasn't going to be a good at you know so I said how many problems is that he said it's 1 I said do you know what it means he said I wrote it I said do you know the answer he said yes he said but it's too difficult to tell you so that's where I stopped trying to be clever and I'm a dumb actor again Christopher Nolan and a lot of issues you explore in your movies are underpinned by quite have a strong grounding in science can you say something about how science informs your story tone well I mean in the case of interstellar it's most obviously that way because it keeps involvement as Mike was pointing out Kipps long-held dream for the movie was always to do a science fiction film that was based on the possibilities offered by real science I enjoyed working that way because it wasn't a set of rules imposed on the storytelling it was really about a set of possibilities it was really about sitting with Kip and saying what can real world science offer us as as narrative directions and the things that he was able to to open up for me were far more exotic and and surprising than anything I could have come up with just you know as a screenwriter thank you gentleman there and then we'll come to you next yes question for mr. Nolan can you tell us a little bit about your collaboration with mr. Zimmer and how you keep amazing score yeah I mean the way approached this could have done several films with hands and really enjoyed that process and we try and you know change the collaboration change the way we work every time in case of this we what we did is I called him up and I said I'd like to give me a day of your time and this is before I started writing on the script he had no idea what does genre was going to be the film he had no idea anything about it except I gave him a letter with one page and it it described the sort of fable at the heart of the film it had a little bit of the dialogue it was really about the relationship between a father and his child and I said okay work on that for a day and at the end of the day you gotta play me what you've done and that will be the score of the film and and that's what he did and then we took the to knee road at the end of the day which I thought perfectly captured the the feelings at the heart of the film and then over the next two years we've built that out into the what what the final score is but I'm very pleased with his work and I think working in that way we were able to achieve a very close relationship between music and an image as a gentleman yes you were the glasses and sorry you be second activity question for Chris the film has this extraordinary visual style I mean this is absolutely remarkable Bob thinks of gravity one thinks of 2001 and I wondered which films have beaten the most influential with giving you the most inspiration and I can't resist asking everybody which your favorite character in a science fiction movie is I mean there are so many influences on the film I mean you point to to one of them in particular 2001 there was an obvious influence on the film but a huge inspiration for the film there are quite a few others I mean the key one and a technical sense of thinking and it does the spirit of it is Philip Kaufman to the right stuff which i think is an extraordinary film we screened a print of it to the crew before we sell to the film as we were discussing on methodology and how we did certain things and then actually Heitor my deep introduced me to Tarkovsky Z the mirror mirror brother which I think had a big influence on the sort of elemental things in the story to do wind and dust and water and so forth so there are a lot of different things that are rattling around and there and as for my favorite character in a science fiction film I mean it's got to be Darth Vader's name let's do that very quickly and then I start with you favorite character and then we can come back I would have to say Sigourney Weaver's character in an alien because she's a woman yeah Mackenzie um either Darth Vader or Spock Matthew Chewbacca and Murph in that way r2d2 and Ripley okay Michael sandy Bullock in gravity mine would be Princess Leia and how its gentle with the white t-shirt you can patient Manuel Halpern from Portugal I believe the film has a very strong ecological message and it's a very serious problem so we really have to save the world what I'd like to know is you in your real life what do you do about it so what is your ecologic or footprints what do you do to be yes we all have to do so we don't have to leave any other place your ecological footprint that you recycle space and try the price how many times you are your jeans before you wash them I could answer that I'm um I'm vegan and I don't think everyone should be vegan first but I do believe in something like meatless Mondays and if everyone in the world gave up meat for one day would make a huge difference in in terms of the carbon footprint so that's something I speak for react I would I was so poor for so long I didn't use anything I didn't do because I didn't eat very much or not so I figured I had the world owed me a debt so I've been eating very well and had a big car for a long time but I still haven't caught up with my youth Chris Jones answer cuz you're skipping a help sorry come on man I'm not going you know I just I can't pinpoint any one specific thing that I do that I am a crusader for I try to do a lot of little things in the host that they're going to add up so you know I time my showers I try not to overly consume things replying Lee consume things when I used to be a vegan but so but now I'm not and I try to make sure that I know the source of where I'm coming from that I'm supporting especially small businesses that need it and also who have practices that I believe in so I'm just trying to be switched on and like everybody do the best I can ty Michels well you know I yeah gave up my listen I was like well yeah I mean communal resources like gathering people in one place like a movie theater to save electricity so if you go cns out every evening for the next month you're gonna save an enormous amount of resources yeah in order to lose weight for Dallas buyers club for one year I just had to jog to all of my meetings and back home which mean I didn't drive a car that's not we are going with cisterns and solar at our place when we go to the grocery store and we get plastic bags die reuse them and use them as stuffing what I like so things recycled soda cans just little things really yeah um yeah I think that I'm the same thing about it sort of lots of little things as far as possible lots of carpooling lots of well I don't eat any meat so there's that and you know we live in California so the drought is a very big issue there and I think that I think for most of us on at this table that would probably be something that I think we're all thinking about you know conserving water cool thank you uh who's got the mic oh yes you might think the audience's would read it as a call to arms our current situation or whether it sort of comes from the standpoint that the earth is already over will not be the end of us which seemed quite a reassuring well I think it is a reassuring sentiment I mean the film is optimistic in that sense in that it's really saying that mankind exists independent of its particular situation as far as there being a call to arms I mean noemi specifically in the text of the film you know it has a jumping-off point saying we're not meant to say the author meant to leave it which obviously that's taken literally as to how we should be addressing this issue now it would not be a particularly positive approach or viewpoint really the film is the film is fiction as a story it feeds off certain of our worries and concerns that I think a very valid in the world today but really it's about saying that what is mankind's place in the universe can we exist off this earth I think it's a very exciting thing to deal with dramatically I felt it was important that we have to deal with that out of necessity but I think in real life it would be far better if we dealt with that issue out of choice question there oh sorry a science fiction character yes okay thank you starbuck from the sonica uh-huh from best idea from Battlestar Galactica but I am speaking specifically of the the new version TV though not that I don't love the old version but I'm not that familiar with it so the new version thank you uh yes Jen's been there with a Mike you again you've been patient um question for Matthew and a and I mentioned how difficult it was to get you to little Iceland related I wonder as active how difficult it was to actually act there and in the suits the physicality of that on what I already know too much degree services what are you he's over that girl I'm gonna go first um Iceland number one who was capita was what was great about the suits in Iceland is we were more hot than cold I remember sweating it we were not cold in Iceland the crew was pretty jealous of the space yeah yeah because we could we could you could line it with all your warm clothes and under there and no one could see it so that was fine now we did have what do you call it thing to put on the bottom you crampons cramp crampons those were a trick and everyone I don't know I felt a couple of times learning to learning to walk in those but you got more confident in those I don't that was probably just that was the most adventurous part of the shooting because the elements there and we did have one very hairy day where the winds picked up to 50 miles an hour and we had to get off of the glacier and helicopters flying around in England we were grounded had to stop filming but it was a naturally epic epically beautiful place that's part of the fun of what we get to do when we get to places down on us one of my favorite things about 22 years of doing this the places I've gotten to travel for an actual job that I would have never gone to before unless I had a job there and spacesuit I should have gone first um that was a really beautiful answer Matthew ah you know I loved the spacesuit like from the second FM who was at my first you were there like the first moment I put it on and I just I lit up I felt like a kid I was so happy it felt like Halloween instantly and I remember Cruz he's one of my favorite memories from the movie Chris comes in looks he goes that looks great and we had to adjust something I was going to take like 20 minutes and you're just like alright I'll be looking at jetpacks but it was challenging which became part of the thing that I loved about it it wasn't easy you had to earn the right to wear it and you know and my first fitting after wearing it for an hour I just thought ooh this is heavy this starting to pinch my shoulders and and I realized that I was not going to be able to as I had thought slack off from the gym because I'm like ooh I'm not wearing a cat suit in this one I can eat and and I did actually have to work out just as hard on this one just to be able to stand up and it just to be able to make the day's in it but not the what Matthew said is totally right that's what you love about it the the inherent challenges and then it was great because the suit became like its own character and you know they're not easy and they're not easy in real life and so there would be moments when you would need to get your helmet offer your glove off and it would stick and you would have that to interact with in the moment and it just I don't know I always felt like it raised the dramatic stakes thank you gentlemen there and then pass it along I see passion purpose for Sir Michael you've been very vocal about filming on film and screaming on film do you genuinely believe that film on film has a future or are you fighting a rearguard action and digital eventually will will swamp it I'd like to get some Michaels thoughts on the future film as well well I think you know it's both certainly fighting rearguard action asset has been swamped by video technology but it's not really a question of whether it should or shouldn't have a future it sort of has to simply because even from an archival perspective and all the rest we the libraries of film series can't function without it so it's very important to preserve its place in the filmmaking process and and obviously that's something I've done everything I can to digital attention to it to preserve it for future generations but you know I I don't see any reason that it can't find the right level the right the right place on an ongoing basis Michael I have an actor's attitude towards it is if you have film instead of digital they have to cut eventually so you don't have to learn all that dialogue if you've got digital it goes on forever it's a nightmare so I like I like film when nice short takes we could I just work with Paolo Sorrentino and he had four cameras and he doesn't even rehearse because he's got digital and you just go under here and you go fluffing through it and he doesn't care you just keep going and going and going and going and then you go home and you come back the next day so I prefer film it's been um sorry like I can support it now and just about working with the beautiful and way and I only to know what it's like working I'll speak to n it's my first time to work with her I thoroughly enjoyed it one complete professional fully prepared she chewed reminded me of something that that I don't always do but it takes a lot of courage to do as an actor see my favorite things she did that I learned from her is that variation of takes meaning you get it right and actors know when we kind of get it right when it feels right and look at the director and they're like thumbs up and they like it too so the next take a lot of time to be like well I'm going to repeat that or I'm going to give a little more of that what I did and so well but I think I did so well and so true she would back off I heard her many times back off and find a new rhythm and try to look at it from a different way and never repeat a performance so variation is something that I know his actors is there's a really good thing that I was reminded of he's a gentleman there the mic didn't he events last night the last explosion changed the way that interstellar is viewed and it maybe brings kind of realness to the baby well I think anytime you're reminded of how difficult this is you know it brings people's attention to it but particularly when you're looking at astronauts and what they face and who they are and every time you know a rocket blows up or something like that you know we're reminded the incredible bravery of these people and the extraordinary nature that's this endeavour which requires resources from the entire worlds that have put together oh one of the things that I actually love about space exploration is it does represent the highest ambition of our collective endeavor to actually do something that difficult and get out into the universe and off this planet I think it's an extraordinary thing and I think I think people are constantly being reminded of that okay and thank you for this beautiful film and I'd like to ask mr. Nolan the film has some wonderful female characters and how do you approach writing women and the actresses on the panel what did you think how did you feel when you first read the script well for me you know I had the advantage of coming to my brothers script he'd been working on for several years and one of the things I really loved about it was the character of brand that hand plays in the film I thought it was just a wonderful role and I went to Anne with it because any issue is very interested in science and would completely get this character and everything this character is about when it comes to Murph in his draft Murph was originally a boy maybe because my oldest child is a girl I decided to change Murphy to it to a girl and I found that that very naturally to me you know trying to write that relationship to an father and his daughter it was something I really enjoyed and then enjoyed extrapolating that out to the rest of the story but really for me as a writer I tried to be simple and really just lay the story down because for me the screenplay is just a working document and then you bring the actors in and you're trusting them and hoping for them to really flesh these characters out and bring a sense of truth to them just look at the back with the microphone or so let's do the lady then and then we do you and that afraid that's the last we can have this is the question for Matthew my colleague said that sitting next to me said that after seeing this movie he wanted to go home and hug his daughter and I just wondered did you have the same feeling after you after working on this day after day and could you also tell us how becoming a father has affected you and your acting has it given a deeper emotional resonance hmm I was fortunate I had my family there with me and we were in in Calgary we were all set up in a trailer so they were right there on the set and I the mornings and that was all the scenes that was shot with McKenzie where we were at the farm was as most of the direct father-daughter relationship in the film I'm pretty sure that that that I remember that was the greatest way for me to go to set each day was saying goodbye to my kids and then the at the end of the day to come back home to them and have that immediacy not a phone call I want to see you in a few weeks how is that being a father informed me um well I mean I don't know I've said so many things about and shared a bunch of things about what fatherhood means I tell you it has restored a certain sense of wonder I mean I'm very logical guy and as anybody that has kids know that you know very early on kids think logic is a bunch of baloney I mean any any any story another thing that's great with kids as I've you telling stories there's no end to any of them there's never a period on the end of any story it doesn't matter about logic doesn't matter that that the river rose and the elephant and the leopard were separated in the end they go well no no no no because you told me the world's round and that leopard could run East if you ran long enough you'd come up on the other side with the elephant so to keep telling the story okay so goes on and on and on and they've also reminded me I think to you when you when you raise kids you see that every day they're seeing something for the very first time and so reminded reminded me as we get older when we travel down the same paths and we take some things for granted to travel the same path and see things for the first time and give them the Justice they deserve as if you just home for the first time I go on and on about stuff I like that I've learned from my kids but that some thank you last question betrayed Professor Brian Cox recently said that the possibility of alien life it's probably not certain at all has doing this bill change your perspective on land do you believe there could be now life in other galaxies she said if so probably not it's certain that's impossible is probably not certain there's a lot of you've got a lot of probability banging around that I wouldn't because I've heard his cut it wouldn't speak to it but there's a thing called the Drake Equation which is probably referring to that pretty well establishes from a mathematical point of view it's extremely likely actually I mean everything is speculation beyond that what you can say is given the number of celestial bodies the number of potentially habitable planets and all the rest it's very difficult to approach these things from mathematical probability point of view and then it's just is it an interesting speculation for you or not I think but the idea really I mean one of the things that work on this film really brought home to me is the idea of scale add your perspective of how small we are on our little planet compared with what we already know about the vast universe around us and then what we can speculate is even beyond that so I think to try and make any kind of determination along the lines of probable certain it's very difficult I mean we really are really are speculating at that point so then you get down to what's an entertaining speculation we've tried to fill this film with entertaining speculations do you believe in aliens oh well that's what I was answering it's not it's not a question of belief it's fine are you gender speculum cool I apologize if we didn't get to your question but please put your hands together for Jessica Michael and Christopher Matthew Mackenzie and Emma

Channel: HeyUGuys

Views: 285,262

Rating: 4.9413242 out of 5

Keywords: Press Conference, Christopher Nolan, Matthew McConaughey, Michael Caine, Interstellar, Anne Hathaway, Jessica Chastain, Premiere, London, Mackenzie Foy, Lynda Obst, David Gyasi

Id: Fc4i7-9-4e8

Length: 42min 7sec (2527 seconds)

Published: Thu Oct 30 2014