In the Key of Genius: Derek Paravicini and Adam Ockelford at TEDxWarwick 2013

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wonder how often the crowd requests something that isnt really popular : im sure chopin, Mozart, Beethoven, Bach are common and i wonder if he gets bored

πŸ‘οΈŽ︎ 100 πŸ‘€οΈŽ︎ u/arcangeltx πŸ“…οΈŽ︎ Aug 14 2018 πŸ—«︎ replies

That chopsticks improve was awesome.

πŸ‘οΈŽ︎ 295 πŸ‘€οΈŽ︎ u/Bike_Mechanic_Man πŸ“…οΈŽ︎ Aug 14 2018 πŸ—«︎ replies

In case anyone is interested, he has several albums out. I bought his first album a little over 10 years ago. http://www.derekparavicini.net/#music

πŸ‘οΈŽ︎ 29 πŸ‘€οΈŽ︎ u/Dhdez05 πŸ“…οΈŽ︎ Aug 14 2018 πŸ—«︎ replies

Thank you for posting this it's amazing! My brother is also autistic and a musical savant w/ string instruments (not so much Piano though) so I can't wait to show him this video :)

πŸ‘οΈŽ︎ 104 πŸ‘€οΈŽ︎ u/clubroo πŸ“…οΈŽ︎ Aug 14 2018 πŸ—«︎ replies

found the autistic kid from the babysitter's club book. except the book said that autistic savants are like computers and have "no deeper meaning" in what they play. Derek uses wonderful interpretation and improvisation. His music is playful, intelligent, and sophisticated.

πŸ‘οΈŽ︎ 30 πŸ‘€οΈŽ︎ u/NotMyHersheyBar πŸ“…οΈŽ︎ Aug 14 2018 πŸ—«︎ replies

Fucking insane man. Props to his mentor too he seems like a really calm and caring guy.

πŸ‘οΈŽ︎ 44 πŸ‘€οΈŽ︎ u/Ha_omer πŸ“…οΈŽ︎ Aug 14 2018 πŸ—«︎ replies

Piano players of reddit, is he good mechanically?

πŸ‘οΈŽ︎ 7 πŸ‘€οΈŽ︎ u/chumppi πŸ“…οΈŽ︎ Aug 14 2018 πŸ—«︎ replies

When Quentin Tarantino stayed working in that VHS store instead and decided to start watching all piano concerts and lessons.

But seriously, this guy is brilliant.

πŸ‘οΈŽ︎ 38 πŸ‘€οΈŽ︎ u/Precedens πŸ“…οΈŽ︎ Aug 14 2018 πŸ—«︎ replies

There was a House MD episode similar to this, piano playing musical savant. In the episode, the patient had a similar behavior of responding to everything that was said. You can hear he occasionally rambles in response to things said. Absolutely astounding. Amazing mind.

πŸ‘οΈŽ︎ 16 πŸ‘€οΈŽ︎ u/TheColdestFeet πŸ“…οΈŽ︎ Aug 14 2018 πŸ—«︎ replies
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Translator: Tijana Mihajlović Reviewer: Denise RQ (Piano music starts) (Piano music ends) (Applause) (Cheers) Adam Ockelford: Right. Thanks very much, Derek. It's wonderful to be here in Warwick. I promise there won't be too much of me talking, and a lot of Derek playing, but I thought it would just be nice to recap on how Derek got to where he is today. It's amazing now, because he's so much bigger than me, but when Derek was born, he could have fitted on the palm of your hand. He was born 3,5 months premature, and really, it was a fantastic fight for him to survive. He hadn't have a lot of oxygen, and that affected your eyes, Derek, and also the way you understand language, and the way you understand the world. But that was the end of the bad news, because when Derek came home from hospital, his family decided to employ the redoubtable nanny who was going to look after you, Derek, really for the rest of your childhood. And nanny's great insight, really, was to think, "Here's a child who can't see. Music must be the thing for Derek." And sure enough, she sang, or as Derek called it, warbled to him for his first few years of life. I think it was that excitement with hearing her voice, hour after hour every day, that made him think maybe, you know, in his brain something was stirring, some sort of musical gift. Here's a little picture of Derek going up now, when you were with your nanny. Nanny's great other insight was to think, "Perhaps we should get Derek something to play," and sure enough, she dragged this little keyboard out of the loft, never thinking really that anything much would come of it. But Derek, your tiny hand must have gone out to that thing and actually bashed it, bashed it so hard they thought it was going to break. But out of all the bashing, after a few months, emerged the most fantastic music, and I think there was just a miracle moment, really, Derek, when you realized that all the sounds you hear in the world out there is something that you can copy on the keyboard. That was the great eureka moment. Now, not being able to see meant, of course, that you taught yourself. Derek Paravicini: I taught myself to play. AO: You did teach yourself to play, and as a consequence, playing the piano for you, Derek, was a lot of knuckles and karate chops, and even a bit of nose going on in there. Here's what nanny did also do was to press the record button on one of those little, early tape recorders that they had, and this is a wonderful tape of Derek playing when you were 4 years old, having taught yourself. DP: "Cockles and Mussels." AO: It wasn't actually "Cockles and Mussels." This one is "English Country Garden." DP: "English Country Garden." (Music: "English Country Garden") AO: There you are. That was a bit... (Applause) I think that's just fantastic. There's this little child who can't see, can't really understand much about the world, has no one in the family who plays an instrument, and yet he taught himself to play that. As you can see from the picture, there was quite a lot of body action going on while you were playing, Derek. Now, along - Derek and I met when he was four and a half years old, and at first, Derek, I thought you were mad, to be honest, because when you played the piano, you seemed to want to play every single note on the keyboard, and also you had this little habit of hitting me out of the way. So as soon as I tried to get near the piano, I was firmly shoved off. Having said to your dad, Nic, that I would try to teach you, I was then slightly confused as to how I might go about that if I wasn't allowed near the piano. But after a while, I thought, well, the only way is to just pick you up, shove Derek over to the other side of the room, and in the 10 seconds that I got before Derek came back, I could just play something very quickly for him to learn. In the end, Derek, I think you agreed that we could actually have some fun playing the piano together. As you can see, there's me in my early, pre-marriage days with a brown beard, and little Derek concentrating there. I just realized this is going to be recorded, isn't it? Right. Okay. (Laughter) By the age of 10, Derek really had taken the world by storm. This is a photo of you, Derek, playing at the Barbican with the Royal Philharmonic Pops. Basically it was just an exciting journey, really. In those days, Derek, you didn't speak very much, and so there was always a moment of tension as to whether you'd actually understood what it was we were going to play and whether you'd play the right piece in the right key, and all that kind of thing. But the orchestra were wowed as well, and the press of the world were fascinated by your ability to play these fantastic pieces. Now the question is, how do you do it, Derek? Hopefully we can show the audience now how it is you do what you do. I think that one of the first things that happened when you were very little, Derek, was that by the time you were two, your musical ear had already outstripped that of most adults. So, whenever you heard any note at all - if I just play a random note - (Piano notes) you knew instantly what it was, and you'd got the ability as well to find that note on the piano. That's called perfect pitch, and some people have perfect pitch for a few white notes in the middle of the piano. (Piano notes) You can see how - you get a sense of playing with Derek. (Applause) But Derek, your ear is so much more than that. If I just put the microphone down for a bit, I'm going to play a cluster of notes. Those of you who can see will know how many notes, but Derek, of course, can't. Not only can you say how many notes, it's being able to play them all at the same time. Here we are. (Chords) Forget the terminology, Derek. Fantastic. It's that ability, that ability to hear simultaneous sounds, not only just single sounds, but when a whole orchestra is playing, Derek, you can hear every note, and instantly, through all those hours and hours of practice, reproduce those on the keyboard, that makes you, I think, is the basis of all your ability. Now then. It's no use having that kind of raw ability without the technique, and luckily, Derek, you decided that, once we did start learning, you'd let me help you learn all the scale fingerings. So for example using your thumb under with C major. (Piano notes) Et cetera. Yeah. In the end, you got so quick, that things like "Flight of the Bumblebee" were no problem, were they? DP: No. AO: Right. So here, by the age of 11, Derek was playing things like this. DP: This. (Music: "Flight of the Bumblebee") (Music ends) AO: Yeah. Alright, Derek, let's have a bow. Well done. (Applause) The truly amazing thing was, with all those scales, Derek, you could not only play "Flight of the Bumblebee" in the usual key but any note I play, Derek can play it on. So if I just choose a note at random, like that one. (Piano notes) Can you play "Flight of the Bumblebee" on that note? DP: "Flight of the Bumblebee" on that note. (Music: "Flight of the Bumblebee") AO: Or another one? How about in G minor? DP: G minor. AO: Here we go. (Music: "Flight of the Bumblebee") AO: Fantastic. Well done, Derek. So you see, in your brain, Derek, is this amazing musical computer that can instantly recalibrate, recalculate, all the pieces in the world that are out there. Most pianists would have a heart attack if you said, "Sorry, do you mind playing 'Flight of the Bumblebee' in B minor instead of A minor?" as we went on. In fact, the first time, Derek, you played that with an orchestra, you'd learned the version that you'd learned, and then the orchestra, in fact, did have a different version, so while we were waiting in the 2 hours before the rehearsal and the concert, Derek listened to the different version and learned it quickly and then was able to play it with the orchestra. Fantastic chap. The other wonderful thing about you is memory. DP: Memory. AO: Your memory is truly amazing, and every concert we do, we ask the audience to participate, of course, by suggesting a piece Derek might like to play. People say,"That's terribly brave because what happens if Derek doesn't know it?" I say, "No, it's not brave at all, because if you ask for something that Derek doesn't know, you're invited to come and sing it first, and then he'll pick it up." (Laughter) So just be thoughtful before you suggest something too outlandish. But seriously, would anyone like to choose a piece? DP: Choose a piece. Choose, choose, would you like to choose? AO: Because it's quite dark. You'll just have to shout out. DP: Would you like to hear me play? (Audience: "Theme of Paganini.") AO: Paganini. DP: "The Theme of Paganini". (Laughter) (Music: "Theme of Paganini") (Music ends) (Applause) AO: Well done. DP: Thank you. Derek's going to L.A. soon, and it's a milestone, because it means that Derek and I will have spent over 100 hours on long-haul flights together, which is quite interesting, isn't it Derek? DP: Very interesting, Adam, yes. Long-haul flights. Yes. AO: You may think 13 hours is a long time to keep talking, but Derek does it effortlessly. Now then. (Laughter) But in America, they've coined this term, "the human iPod" for Derek, which I think is just missing the point, really, because Derek, you're so much more than an iPod. You're a fantastic, creative musician, and I think that was nowhere clearer to see, really, than when we went to Slovenia, and someone - in a longer concert we tend to get people joining in, and this person very, very nervously came onto the stage. DP: He played "Chopsticks". AO: And played "Chopsticks". DP: "Chopsticks". AO: A bit like this. DP: Like this. Yes. (Piano notes) AO: I should really get Derek's manager to come and play it. He's sitting there. DP: He played "Chopsticks" like this. AO: Just teasing, right? Here we go. (Music: "Chopsticks") DP: Let Derek play it. AO: What did you do with it, Derek? DP: I got to improvise with it, Adam. AO: This is Derek the musician. (Music: "Chopsticks" improvisation) (Music) (Clapping) (Appluase) Keep up with Derek. AO: Boom-boom. (Music) (Applause) I think the TED people will kill me, but perhaps there's time for one encore. DP: For one encore. AO: One encore, yes. So this is one of Derek's heroes. It's the great Art Tatum - DP: Art Tatum. AO: - who also was a pianist who couldn't see, and also, I think, like Derek, thought that all the world was a piano. Whenever Art Tatum plays something, it sounds like there's 3 pianos in the room. Here is Derek's take on Art Tatum's take on "Tiger Rag". DP: "Tiger Rag". (Music: "Tiger Rag") (Music ends) (Applause)
Info
Channel: TEDx Talks
Views: 1,148,524
Rating: 4.944768 out of 5
Keywords: warwick, piano, musician, premature, autism, ted, blindness, warwickshire, United Kingdom, ted talk, tedx talks, Derek Paravicini, university of Warwick, impairment, English, tedx talk, ted talks, tedx, music, TEDxWarwick, ted x, Adam Ockelford, blind, Superhumans
Id: 3S1HK7LQY2I
Channel Id: undefined
Length: 21min 41sec (1301 seconds)
Published: Thu Apr 04 2013
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