GIORGIO TSOUKALOS (VOICEOVER):
The ancient astronaut theory has been around for over 45
years in popular culture. And it asks the
question whether or not flesh and blood
extraterrestrials visited Earth in the remote past. I'm in the mountains of
Switzerland, near Interlaken, at Eric von Daniken's
mystery park. And everywhere you look, you
can see incredible recreations of stupas, pyramids, ancient
monoliths, Mayan temples, strange carvings, and other
examples of physical evidence that suggests that not only
are we humans not alone in the universe, but that
extraterrestrials have been part of mankind's history
for thousands and thousands of years. But what does it all mean? What are they trying to tell us? I'm curious to know
if there really might be some kind of alien code. GIORGIO TSOUKALOS (VOICEOVER):
My name is Giorgio Tsoukalos. I explore the world that
exists between reality and speculation, the
known and the unknown. What we've been taught
by mainstream scholars is not the whole picture, but
I'm convinced that every day we are one step closer
to the truth. From the time when I
was a kid in Switzerland, I've dedicated my life
to searching for evidence that extraterrestrials visited
Earth in the remote past. GIORGIO TSOUKALOS (VOICEOVER):
I've traveled to every corner of the world, investigating
mysterious sites and artifacts, looking for evidence of
extraterrestrial contact. And what I've found at nearly
every ancient site and even the modern ones like
Roswell is that they all involve stories of
someone or something coming down from the sky. Now, although I'm convinced
that extraterrestrial visitors really did come here
in the ancient past, I still can't figure out
why so many people continue to deny it. They claim that there is no
evidence, no concrete proof. But to them I say,
look around you. Because while the proof
may not be in concrete, it may very well
be found in bone. When I was in Malta recently,
investigating the legend of the cyclops, I made a
visit to the National Museum of Archaeology in Valletta. There I encountered compelling
evidence of extraterrestrials coming to Earth
thousands of years ago. Here, hidden away
from the public, are mysterious elongated
skulls that were discovered in an underground temple
known as the Hypogeum of Hal Saflieni. The skulls hadn't been on
display for more than 100 years, so I was incredibly
honored to get the chance to examine them up close. I mean, this is wild. So these belong to
the temple period. So we're speaking
about 5,000 years ago. Mm-hmm. They were found 100 years ago. Looking at the difference
of this skull and these here, it seems as if it's
like an elongated shape. So as you can see
even from the inside, there's no sign of
the middle suture. Mm-hmm. Completely fused. That's very interesting. GIORGIO TSOUKALOS
(VOICEOVER): The bones of the human skull
are joined together by what are called sutures. The sagittal suture connects
to the sides and roof of the cranium and is open when
a person is born and closes around the age of 35. But the skull I'm
looking at does not appear to have a
sagittal suture at all. This is incredible. This one in particular,
especially, seems to be longer. Which is quite unusual. So. Mm-hmm. And I know there's quite
a lot of mystery about them. In fact, we've been
accused many times of keeping them
secret because they're the remains, the evidence. Yeah. Why? Why are these not on display? Unfortunately, they
haven't been studied yet. They were discovered
about 100 years-- This is the first thing
you should study right here! GIORGIO TSOUKALOS (VOICEOVER):
That missing suture is really bizarre. And even more bizarre is that
I found the same anomaly when I was in Peru with
David Childress. David and I were invited to
examine some elongated skulls at the Perakis History Museum
by curator Juan Navarro. And they were some of the
strangest skulls I've ever laid my eyes on. Yeah, yeah. Wow, that's weird. You can see some sutures
in the back here, but there's none in the front. It doesn't have the side
plates fusing together. It's-- this is strange. I've heard from a doctor. He said that over the years, if
a person gets older, they fuse. There's not even a
remnant of a suture. I mean, there's nothing
here if you look. GIORGIO TSOUKALOS (VOICEOVER):
Unlike the elongated skulls in Malta, the skulls here have
undergone at least some DNA testing, although it was
only one hair sample that was analyzed and
not the bone itself. The results showed it to be of
northern European origin, which I thought was quite strange. I mean, how did the northern
Europeans make their way to South America
thousands of years before mainstream historians
believed that such a thing was even possible? And why did they have
elongated skulls? What if, David, we are looking
at extraterrestrials here? Seriously. It's the first time that I've
actually come in close contact with so many. This is very, very bizarre. It's really hard to
ignore the possibility that these skulls may
prove aliens or perhaps alien human hybrids
existed in the past. GIORGIO TSOUKALOS (VOICEOVER):
But why has it taken us so long to notice these things,
such as the absence of the sagittal suture? And why have we not wondered why
similar elongated skulls have been found in Germany, Egypt,
Russia, Mexico, and even the United States? I believe I received
a clue to the answer during my recent visit
to a small museum in southern Portugal. While looking for evidence
of the lost city of Atlantis in the town of Silves,
author Peter Daughtrey took me to the Lagos Museum. He wanted to show
me a huge stone egg that had been found on the
side of a road near Silves. Wow. This is it. GIORGIO TSOUKALOS
(VOICEOVER): The first thing I noticed was the
serpentine symbol on top, because it instantly
reminded me of what's known as a cosmic
egg, or creation egg, a motif that can be
found in ancient cultures throughout the world. How old do you
presume this one is? We're talking of something
that's incredibly old. And this thing up
the middle here resemble the rod, which
throughout history has been a symbol of power
and of creation. Moses had a rod. And in Mesopotamia, the rod
was regarded as the symbol of the power of the gods. GIORGIO TSOUKALOS (VOICEOVER):
Interestingly, the idea of human life emerging
from a cosmic egg can be found in many
ancient cultures. In China, for example,
Pangu was considered to be the first living being
and the creator of all. He was said to have been born
from a silver egg that crashed and broke in half to create
the sky and the earth. The Dogan of Western Africa say
that creator spirits named Namo hatched from cosmic eggs. When they descended
from the sky, they made such a deafening
noise that it made the ground tremble. And in the ancient
Greek Orphic tradition, it was said that a golden winged
primordial being named Phanes was hatched from a
shining cosmic egg that was the source of the universe. It reminds me of what might
be a double helix symbol. Which is very interesting,
because that's basically what the ancient
astronaut theory suggests, that a long time ago advanced
extraterrestrials saw that there was potential
for intelligent life, and with a target
mutation of our genes and theirs, essentially we
became who we are today. GIORGIO TSOUKALOS
(VOICEOVER): I'm beginning to wonder if
somehow the so-called gods of our ancestors knew we would
not be able to identify them as flesh and blood
extraterrestrials until we first began to study
bones, including human skulls, and discover that there
is such a thing as DNA. Perhaps what we have here is
yet another clue to cracking the alien code. This is great. GIORGIO TSOUKALOS
(VOICEOVER): The egg that I saw in Portugal got me
thinking about other stones that have been found around
the world with strange markings on them. And perhaps none have
raised more questions about our history
than the Ica stones. 80 miles northwest of
the famous Nazca lines lies the small
city of Ica, Peru. It was here in 1961 that a
collection of andesite stones were unearthed in
the desert, stones etched with mysterious
depictions of humans interacting with what seemed to
be prehistoric animals, people looking through telescopes,
and even ancient surgeries. Now, while it is true
that some of the stones have been exposed as forgeries,
approximately 15,000 of them have been found
across the region, and some researchers
estimate that they could be more than 2,000 years old. GIORGIO TSOUKALOS (VOICEOVER):
Approximately 700 miles southeast of where the
first Ica stones were found, in the Precious Metals
Museum in La Paz, Bolivia is the
Fuente Magna Bowl. Thought to be over
5,000 years old, the Fuente Magna Bowl was
discovered near Lake Titicaca by a local farmer in the 1950s. It features hundreds
of triangular carvings that are strangely similar
to the cuneiform text used by the ancient Sumerians. But what is a bowl featuring
Sumerian text doing more than 8,000 miles from Sumeria? Or as we know it today, Iraq. My good friend and fellow
ancient astronaut theorist David Childress has
conducted extensive research on the Fuente Magna Bowl. So when I met with
him recently in Peru, I asked him what he thought
about this artifact. That bowl has two forms
of Sumerian writing on it-- Sumerian hieroglyphs
and Sumerian cuneiform. It's been authenticated by
Bolivian archaeologists, and all that mainstream
archaeologists can do at this point is ignore it. It's not something they
could ever address, because it would completely
blow all of their theories out of the water. But here's the
thing that you just said that this was authenticated
by Bolivian archaeologists. What makes a Bolivian
archaeologist less mainstream than
all the other mainstream archaeologists? In my opinion, nothing. So why aren't they confirmed
by the rest of archaeology. It would change history. The Fuente Magna Bowl
is basically proof that the Sumerian Anunnaki
were coming to South America. GIORGIO TSOUKALOS (VOICEOVER):
The idea of Sumerian writings being discovered near
Lake Titicaca would relate to the theories
of author Zecharia Sitchin and his proposal that
the Sumerians were interacting with a highly advanced
extraterrestrial race known as the Anunnaki. History has to be rewritten. Eventually, they'll have
to address these things. GIORGIO TSOUKALOS
(VOICEOVER): It's incredible that a bowl was found in Bolivia
that has Sumerian writing known as cuneiform carved into it. I mean, this is some of
the strongest evidence there is for the ancient
astronaut theory. And what's even
more incredible is where it was found, on the
shores of Lake Titicaca just a few short miles from
the mysterious megalithic site known as Puma Punku. Today, most archaeologists
believe that Puma Punku was part of an ancient
temple complex, but they're baffled by the
uniformally shaped and sharp edged stone blocks
found all over the site. They're also puzzled by an
even bigger mystery, what type of structure did these
blocks actually form? So check it out. Here are the awesome,
awesome H blocks. Whenever I see them, and
this is just this feeling that you get at Puma Punku. I'm at a loss for
words, because this here is something that can't be found
anywhere else in the world. GIORGIO TSOUKALOS (VOICEOVER):
Mainstream archaeologists believe that these H
blocks were created by hand, with primitive
stone and metal tools. Because the one thing that
we have to remind ourselves with this particular
construction style, no mortar, no binding agent was ever used. These pieces are so perfect
that they fit together interlockingly in such a way
that you don't need anything with which to bind
together the two or three or hundreds of pieces. But what's so very interesting
is that they seem as if they are part of a larger picture,
that if you put them together, they form a solid wall. Which is very incredible. If another block
was placed on top, or this was placed on
top of another rock, these are features that makes
these two blocks fit together seamlessly. GIORGIO TSOUKALOS (VOICEOVER):
But what is really incredible is that even to this day, no one
really knows what these stones were meant to form. Was it really a temple, as
most archaeologists believe? Or is it possible
that it was some sort of an extraterrestrial
base camp? These look like technical
components, part of a larger almost industrial construction. I've got a little paper
clip, ordinary paper clip that I've just unfurled
to see how deep they go. And they actually go
equidistant all the way down. GIORGIO TSOUKALOS (VOICEOVER):
Unfortunately, the H blocks remain scattered across
the dry Bolivian landscape. They taunt us, demanding
to be figured out, like a giant puzzle that needs
to be pieced together by us. When I take into account
these precision-cut stones of Puma Punku and the Fuente
Magna Bowl, it is clear to me that something
extraordinary happened here. But are these incredible
stones and carvings simply meant to be proof that
extraterrestrials were here guiding us and
assisting our progress? Or are they all part of some
incredible puzzle, a code that mankind has been
given thousands of years to figure out? I think further answers
may be found by exploring other megalithic structures. GIORGIO TSOUKALOS (VOICEOVER):
When I was in Greece, investigating the
legend of Atlantis, I climbed to the highest
peak of Santorini to visit ancient
Thira and examined a mysterious giant stone wall. Mainstream archaeologists have
already proven that these walls are part of the ruins
of an ancient city that was constructed by King
Thiras in the 9th century BC. And while I don't
disagree with that, I'm convinced that the condition
of the rocks reveals much more. When King Thiras arrived here,
these things already existed. And they were built
by an unknown culture of megalithic / builders
who at some point were given engineering
knowledge from up there. GIORGIO TSOUKALOS (VOICEOVER):
Incredibly, the enormous stones seem precisely placed. Some are even positioned in
very sophisticated polygonal patterns. It reminds me of a type of
construction style attributed to the legendary giant
known as the cyclops. Now, I'm not really so sure
we're talking about giants here, but could the
wall in ancient Thira have actually been
built by giant machines? Machines that may have
appeared to be giants to the early humans who
inhabited these regions? During a trip to Malta, I
met with Dr. Anthony Bonanno, a professor of Archaeology
and classical literature. He took me to the
temple of Mnajdra, a massive megalithic structure
that aligns with the sun. Do you think this structure
was built with anything astronomical in
mind, with observing of the constellations? GIORGIO TSOUKALOS (VOICEOVER):
I mean, this is incredible. More and more even mainstream
scholars and archaeologists are discovering evidence that
early humans deliberately built ancient structures
in careful consideration of the movements of
the earth and stars. But why? In Malta, I also met with
Professor Hubert Zeitlmair, who has a replica of the
[inaudible] stone that I had seen firsthand at the
National Museum of Archaeology. He believes that this tablet
contains pre-Sanskrit writing and proves that the numerous
megalithic structures here date back much further than
what mainstream archaeology suggests, to a time when
extraterrestrials lived alongside humans. You see the symbols or
petroglyphs or whatever it's called? Sure. But it is an old script. And the meaning, the
language of the script is a pre-Sanskrit language. And in my opinion, all
the people in the world have spoken one language
and did use one script. It was discovered
around the world, even in the United
States, the same script, the same language
can be discovered and had been discovered
by a German linguist, Kurt Schildmann in the year 1997. And from this time, we
can read the old texts from this ancient civilization. And this is mentioned here that
our solar system must have one more member. Planet X. Planet X. That's correct. But this Planet X is mentioned
here as the most high planet. GIORGIO TSOUKALOS (VOICEOVER):
One of the earliest proponents of the ancient astronaut
theory, Zecharia Sitchin, proposed that extraterrestrials
came to Earth from an as of yet undiscovered planet called
Nibiru, also known as Planet X. According to his theory, a
previously existing planet in our solar system suffered
a calamitous collision with Planet X that
led to its destruction and formed the asteroid belt
that now exists between Mars and Jupiter. And on these islands, these
sites we call nowadays temples, were not temples at all but
observatory, laboratories. And they had a
roof, full stoney, and they were quite big. Laboratories for
what, in your opinion. There is some evidence
on stone tablets what they make genetic
experiments, biogenetics. So we are the result
of genetic manipulations by extraterrestrials. Yes. I mean, that is the basic
idea of the ancient astronaut theory. GIORGIO TSOUKALOS
(VOICEOVER): It was fascinating to hear
Professor Zeitlmair suggest that the megalithic
structures on Malta could have been laboratories
for genetic experimentation. I mean, this is
right up my alley. I'm convinced that these large
megalithic stone blocks were used because they would last
right up to the present day. And why? Because our visitors
knew that one day we would be able to
look down from the sky. And once that day came, we
would be given further clues to solving the alien code. GIORGIO TSOUKALOS (VOICEOVER):
Some of the most compelling evidence for the
ancient astronaut theory can be found in Nazca, Peru,
where there are hundreds of ancient geoglyphs carved
into the desert floor. Archaeologists believe that
the Nazca lines were created sometime between
500 BC and 500 AD. But for some reason, the ancient
people made these geoglyphs on such a large scale
that they can only be appreciated from above. I recently flew over
at the Nazca lines with fellow ancient astronaut
theorist David Childress. And I'm still blown away by this
picture book that's laid out in this remote and
desolate location. GIORGIO TSOUKALOS (VOICEOVER):
What's interesting about the Nazca lines is that
the designs do not seem random. Instead, it's like
a catalog of what can be found here on Earth-- birds, fish, plants, and
oddly, even an animal that can't be found in
this part of the world. But even more surprising
than coming across a monkey among these glyphs
is seeing what looks like a man in a space suit. So I keep wondering,
really, if this isn't a signal to the Annunaki. Right. And this is a big
signal for them. It's like a beacon. GIORGIO TSOUKALOS (VOICEOVER):
This strange figure appears to be
pointing to the sky or perhaps waving to
visitors from above and inviting them to land here. But why would people
living thousands of years ago create these glyphs that
can only truly be seen from high above the Earth. Curiously, there are
a number of sites throughout the ancient
world that were designed to be seen from the sky. There's a serpent mound in
Ohio, the Kofun tombs in Japan, the Atacama Giant in
Chile, and numerous others. Now, in my opinion, I think that
not only were ancient people inspired to do this by
extraterrestrial visitors, but that those visitors
intended for future generations of humans to
discover these sites. And possibly by looking
at them all together, we will uncover some
message about both our past and our future. But what is it that we're
supposed to uncover? And could extraterrestrials
still be leaving clues for us today in the form
of crop circles? Now, some crop
circles have clearly been exposed as man-made hoaxes,
but others are so precise and appeared so suddenly
that they continue to defy explanation. There is one in particular that
has caught my attention more than all the rest, and it was
discovered in England in 1996. Incredibly, the
exact same design appears on a rock that was
found in New Mexico eight years later. So this is the trail I was on. GIORGIO TSOUKALOS (VOICEOVER):
In 2004 while tracking deer in the desert just 11 miles from
the famous Roswell crash site, Robert Ridge discovered what
has become known as the Roswell Rock. This small triangular-shaped
object is completely uniform in color and has a circular
design on top of it that isn't etched into the rock,
but actually protrudes from it. Investigative journalist
Linda Moulton Howe was one of the first to
study this mysterious object. So I visited her at
her home in Albuquerque to see what she had discovered. At first I thought, could
it really be identical? And we can do a comparison
here on my earth file site, so that you can see
how they compare. Now, on the left is the
rock, the actual rock and its pattern. And on the right is
the crop formation in [inaudible] 120 feet long. And when you take each item,
you can measure it across, they're exactly identical. Wow. So you clearly think that the
crop circle wasn't man-made. In this one
particular case, they had a pilot and a passenger
who said that they had flown over the field and
there was nothing there. And they flew back
over, couldn't have been more than a half
hour, and here was this pattern. Now, the fact that we have
equal but opposite images of what appears to be
the sun and the moon brings to mind a concept from
the ancient Hindu texts known as the Vedas. And that is, as above, so below. In other words, what
happens here on Earth is connected directly to what
happens up there in the sky. GIORGIO TSOUKALOS
(VOICEOVER): Just who or what created the crop
circle that suddenly appeared in England in 1996? And why is the same design
found on the Roswell Rock? Now, although the Roswell Rock
was discovered eight years after the crop circle, I'm
convinced that it is much older because for the design
to protrude like it does means that the rock around
it had to be carved away. And if it was
recently carved, it would be perfectly smooth
without any bumps or fissures. Could the crop circle
in England that matches the design
on the Roswell Rock be a sign that not only
is there an alien code, but that whoever
is behind this code is leaving further clues
to help us solve it? In my opinion, this goes
far beyond coincidence. And when I look at all
the evidence as a whole, I have to say I think I'm
starting to see a very specific pattern emerging. GIORGIO TSOUKALOS
(VOICEOVER): Over the course of my investigations, I've
found that not only do many ancient cultures
have similar stories of celestial beings visiting
Earth, like the Anunnaki in Sumeria, the
Olympian gods in Greece, and the South American
creator God Viracocha, but I also noticed that
there are often strange, unexplained designs etched into
the landscape and artifacts at some of these
ancient locations. After studying many
of these designs as well as the layout of
the megalithic structures, I was struck by how often I saw
the shape of a circle recurring over and over. Stone circles have been
discovered in England, Ireland, France, Syria, Saudi
Arabia, and Jordan. And above Sacsayhuaman, in
the secret Valley of the Inca, lies a ceremonial site in the
shape of concentric circles. But how come circles
and circular motifs are so prominent in
geoglyphs and petroglyphs found all over the globe? Is it possible that these
designs were messages or perhaps even signals
to the sky gods? GIORGIO TSOUKALOS (VOICEOVER):
Although I can't say for sure yet, this has me thinking of
the lost continent of Atlantis, which was described by the
Greek philosopher Plato as a highly advanced
civilization set on an island made up of concentric circles. When I was on the Greek
island of Santorini investigating the legend of
Atlantis, writer and researcher Jonathan Bright shared another
interesting connection with me. GIORGIO TSOUKALOS
(VOICEOVER): Mount Hermon is in the Golan Heights
between Israel and Lebanon. And according to
the Book of Enoch, a group of so-called
watchers descended here and mated with local women. This is exactly the same story
Plato writes about concerning Atlantis, where Poseidon
sired an entire race. That's very interesting. And you know, the legends
that are corresponding with this place up here are
very interesting, that something significant, something,
quote unquote, sacred happened up here
a very long time ago. And they weren't
angels in the sense as we think of angels today. GIORGIO TSOUKALOS (VOICEOVER):
It was fascinating to me to discover that at Mount
Hermon, where the watchers are said to have come down to
earth, there is a 5,000 year old monument that seems
to be a perfect match for the description of Atlantis. And this specific pattern
of concentric circles appears over and over
throughout the ancient world. You see it, for example,
at Stonehenge in England, at Goseck Circle in Germany,
at Bighorn Medicine Wheel in Wyoming, and even
the Aztec calendar. But what does it all mean? What are the ancients
trying to tell us? When I was in Nazca with fellow
ancient astronaut theorist David Childress, we encountered
another circular design that I'm convinced was
meant to send us a message-- the Sun-star and Cross glyph. GIORGIO TSOUKALOS
(VOICEOVER): I was intrigued by David's suggestion that the
Sun-star and Cross glyph depict a mandala. A mandala is the spiritual
symbol for the universe in both Hinduism and Buddhism. It is also said to represent
the home of the gods. But what is a symbol that's
common to India and Asia doing here in Peru? Today, for the first
time I saw perfect circles inside some of the lines,
which I had never seen before. It's this giant geometry
etching on the desert. It's baffling. You can't figure
out what it's about. If you've been to India
and Southeast Asia, you can instantly recognize
that as a mandala and a yantra. GIORGIO TSOUKALOS
(VOICEOVER): The similarity between this geoglyph at
Nazca and the mandala symbol is really incredible. Maybe if I can decipher the
true meaning of the Sun-star and Cross glyph, I will begin
to crack the alien code. I'm really starting to think
that the Sun-star and Cross gyph at Nazca could hold
the key to understanding all these circular-shaped structures
and symbols that appear all over the world. GIORGIO TSOUKALOS (VOICEOVER):
Now, to me, the Sun-star and Cross glyph definitely
looks like some kind of mandala, a symbol used to represent
the realm of the gods. And I want to compare notes
with my good friend and mentor, Erich von Daniken. What do you say about
this thing right here? Because there are some
that have suggested that the realm of the gods
was something physical and not something spiritual or ethereal. It was real. We have so many
descriptions in the Vedas, for example, the so-called
cities in the sky. Or we have things like heaven. Abraham, for example,
was taken into heaven. Or Arjuna in the Indian
mythology was taken to heaven. Enoch was taken to heaven. Change the word of "heaven," put
on "space" instead of "heaven" and you change the complete
meaning of the text. In this case of the
so-called mandala-- definitely extraterrestrial. Told to the humans,
make this in the ground. They knew in the future
we start to ask questions. You know, it almost seems as
if there is this hidden message that we are now, slowly
but surely uncovering that our past is completely
different what the textbooks are saying. There is some type
of an alien code. I am absolutely sure these
extraterrestrials not just left the planet with nothing,
just disappeared with "hey, goodbye." They left something,
some kind of proof. And this is the future of our
science, to find out this. GIORGIO TSOUKALOS (VOICEOVER):
In addition to the mandala, I found another
interesting association to be made with the
Sun-star and Cross glyph. In 1972, British
writer John Michell set out to diagram New
Jerusalem, a vision of a city described in both
the Book of Ezekiel and the Book of Revelation. By carefully examining
the physical description of New Jerusalem
in Revelation 21, Michell created a
diagram that features a series of concentric
circles and at the center a square and two
overlapping stars. This design, like the mandala,
bears an intriguing similarity to the Sun-Star and Cross glyph. I refuse to accept that
this is all coincidence. There must be a message
here, but what is it? In Geneva,
Switzerland scientists have built the largest and most
complex machine ever created-- the Large Hadron Collider. It is designed to smash
tiny protons together at speeds of nearly 670
million miles per hour, and thus duplicate what
many scientists believe were the conditions that
caused the universe to form. Once again, the
Large Hadron Collider bears an interesting
similarity to many of the circular patterns
and designs seen throughout the world. Is it possible that with the
creation of the Large Hadron Collider, we are fulfilling a
destiny that extraterrestrials set out for us long ago? GIORGIO TSOUKALOS: I'm
more and more convinced that the questions we're asking
and the clues we're finding were intentionally planted
here centuries ago, and they were meant to
be found and figured out not by early man
but by us today, at the point in our
evolution when we can begin to ask these questions. GIORGIO TSOUKALOS
(VOICEOVER): We needed to study biology
to know that there is such a thing as DNA. We needed to understand
principles of advanced physics and structural engineering. We needed to understand
the movements of the stars and develop the means of
seeing our planet from the sky and from up in space. GIORGIO TSOUKALOS: I'm convinced
that someday we will reconnect with our extraterrestrial
ancestors. But before that happens, there
are still many more pieces of the puzzle I need to find. Only then will we
be able to crack what I call the alien code. So it's time for me to
once again grab my gear and head out in
search of aliens. and discover that there
is such a thing as DNA. Perhaps what we have here is
yet another clue to cracking the alien code. All that mainstream
archaeologists can do at this point is ignore it. Because it would completely
blow all of their theories out of the water. Or are they all part of some
incredible puzzle, a code that mankind has been
given thousands of years to figure out? I think further answers
may be found by exploring other megalithic structures. The sites we call
nowadays temples were not temples at
all but laboratories. Laboratories for what? Genetic experiments. I'm convinced that these large
megalithic stone blocks were used because they would last
right up to the present day. And why? Because our visitors
knew that one day we would be able to
look down from the sky. And once that day came, we
would be given further clues to solving the alien code. I keep wondering if
this isn't like a beacon. I really do think something
is trying to teach us humans. over the field and
there was nothing there. And they flew back
over, couldn't have been more than a half
hour, and here was this pattern. Now, the fact that we have
equal but opposite images of what appears to be
the sun and the moon brings to mind a concept from
the ancient Hindu texts known as the Vedas. And that is, as above, so below. In other words, what
happens here on Earth is connected directly to what
happens up there in the sky. GIORGIO TSOUKALOS
(VOICEOVER): Just who or what created the crop
circle that suddenly appeared in England in 1996? And why is the same design
found on the Roswell Rock? Now, although the Roswell Rock
was discovered eight years after the crop circle, I'm
convinced that it is much older because for the design
to protrude like it does means that the rock around
it had to be carved away. And if it was
recently carved, it would be perfectly smooth
without any bumps or fissures. Could the crop circle
in England that matches the design
on the Roswell Rock be a sign that not only
is there an alien code, but that whoever
is behind this code is leaving further clues
to help us solve it? In my opinion, this goes
far beyond coincidence. And when I look at all
the evidence as a whole, I have to say I think I'm
starting to see a very specific pattern emerging. The legends that are
corresponding with this place up here are very interesting,
that something, quote unquote, sacred happened up here
a very long time ago.
