History's Most Impressive Impressionists (Waldemar Januszczak Documentary) | Perspective

[Music] in this series we're going to be looking at some of the greatest art ever painted and the greatest painters Monet Renoir van Gogh Susanne Gogan the story of Impressionism is their story it's a story of rebellion and courage monet painted some of art's bravest pictures Renoir some of the liveliest daga unleashed the ballet surah unleashed the dot [Music] van Gogh well he unleashed color I think it's the most exciting mutiny in art the days when everything changed [Music] [Applause] [Music] [Music] Oh and they may never see at all and servant Eamon haven't [Music] [Applause] morning tom bonney sir good morning dick good morning sir good morning Harry good morning Sam this is the room that money the most famous of the Impressionists actually used to stay in when he came to London he used to paint the Thames from this very window in those days of course Mornay wasn't as famous as he is today these days Monet and the Impressionists are everywhere terribly popular terribly familiar terribly commercialized [Music] I've been Impressionists shopping and look what I've got impressionist umbrellas impressionist pen Impressionists bag impressionist jigsaw this fine impressionist shirt and above all impressionist chocolate boxes and boxes of chocolates [Music] when you're looking for art to put on a chocolate box you turn to the Impressionists don't you because these days their art seems so sweet and pleasant but what if Impressionism never was this charming sugary art movement we like to imagine what if the real story of Impressionism was the story of a revolution and overthrow artistically dangerous and hardcore what if the art of the Impressionists belongs not on a box of chocolates put on a case of dynamite the Impressionists never really had a plan history threw them together to change art some contributed more than others and they're the ones we need to follow if their story began anywhere it was here st. Thomas in the Virgin Islands where the painter Camille Pizarro was born on July the 10th 1830 Bizzaro isn't the best-loved of the Impressionists he's not the best known or the most popular mornay's more famous than him and so's Renoir but none of them could have got together and did what they did without him Pizarro was the glue that held impression ISM together the Impressionists had eight exhibitions and that's it eight shows that changed art and the only artist who appeared in all of them was Pizarro the Pizarro family ran a hardware store in the High Street supplying useful stuff for the boats coming in and out of here as far as art is concerned however the most interesting thing about them is that they were Jewish if I were to ask you to name me a great Jewish artist before Pizarro you couldn't because there weren't any plenty after him of course Rothko modder Glee Arne soutine but none before because the Jewish religion forbids the making of art you shall not make for yourself any likeness of what is in the heavens above or on the earth below says the second commandment firmly that's why there are no paintings or sculptures in synagogues Pizarro's family were orthodox enough to follow most of the observances of their religion but they also had reason to challenge it and turn against it Pizarro's father Frederick Pizarro had been sent to st. Thomas to take over his uncle's business when the uncle died to everyone's horror he quickly started a relationship with his own cause widow Rachel Pizarro and even though she already had four children they got together and had four more including Camille Pissarro [Music] the synagogue disapproved how could it not nephews shouldn't father there aren't his children the marriage was never accepted and a crack appeared in the ancient relationship between the Pizarro's and their faith whether he was supposed to or not Pizarro drew all the time he was always at it down on the docks watching the fishermen out in the fields with the working women it seems so modest to this Impressionism to be so sensitive so quiet but don't let this quietude fool you powerful sins are being committed here a Jewish boy is breaking an ancient taboo not just any Jewish boy either but a Jewish boy stuck for under 1/2 thousand miles away from Paris in the Virgin Islands just about as far away from the story of art as you can get if Pizarro had been alive in any other era there would have been no chance of him becoming a painter not only was it a religious nono but the practical difficulties were immense where around here would he have got materials he needed to become an artist in those days painters needed so much stuff and the colors they used was so complicated to prepare this is lapis lazuli semi-precious stone incredibly expensive it comes from Afghanistan but the best blues were made from this first though you needed to crack it and crunch it and grind it and turn it into paint and when all the grinding and oiling was done how to actually carry around this paint that you've made in those days who shoveled it into pigs bladders yes pigs bladders so at the beginning of the 19th century painters needed all this to make art but then in 1841 in England an American called John G R and working the good old Windsor and Newton invented something remarkable something brilliant and inspired Rand came up with this little beauty here the paint chip the impact of the paint tube on art can't be overestimated it changed everything this freed art it freed Pizarro and made Impressionism possible the new paint tubes were spectacularly portable so easy to carry wherever you went squeezed quickly out of its quick new tube the new paint could capture quick new movement all sorts of elusive light effects were now easier to record and enjoy it had a liberating effect too and seemed to free the spirit as it definitely freed Pizarro's none of this had happened yet of course all of it was now possible first though Pizarro had to get out of the Virgin Islands and into Paris whether quick new paint was particularly useful but when he finally got here in 1855 Pizarro found a city fast forwarding crazily into the future what was happening to Paris was scary the city was in the middle of a huge transformation everything was changing the old Paris was being knocked down and a new one was being rushed up in its place pretty much all of the Paris that we loved today the boulevards the parks the big vistas all that was created now and it was happening at breakneck speed Paris was now moving to a new rhythm and that rhythm got into its art it had didn't it Renoir the second of the great pioneering Impressionists actually grew up next to the Louvre on what is now the famous Luther literally this is it today one of the poshest and most fashionable addresses in Paris but on Renoir grew up here the Rue de Rivoli didn't even exist and this bit of Paris didn't look anything like this it was more like this a wobbly medieval ghost ride of spooky streets and twisted alleys infested with rats sewage slopping in the streets the old Paris had barely changed since the Middle Ages it was a superb home for the hunchback of notre dam but not for an impressionist so why the big rebuild why start Paris from scratch because France had a new Emperor Napoleon the third nephew of the first Napoleon and when Napoleon's takeover they changed things for the citizens of Paris turfed out moved on these were terrible times an era of disruption but for the Impressionists the conditions were perfect a city was changing beyond recognition so its art needed to change as well Renoir's father was a tailor and apparently little Renoir learned to draw by using his father's chalks on the floor you know there's tailors chalks they used to mark out their designs but the most interesting part of his education came in his teens when he started to work for a posh manufacturer of luxury porcelain churning out var C's and tea cups and plates Napoleon and his lackeys liked eating drinking and commemorating their achievements so they needed lots of posh plates to dine on Renoir was 14 when he was sent to work at leave irons sons as an apprentice porcelain painter Renoir was so good so quick at painting flowers on plates that he soon made enough money to buy his family a house and it obviously influenced him to look at the way people paint these plates the tiny brushes tapping on pretty little effects so decorative so luminous so Renoir can solidification what is the difference between painting porcelain and painting pictures with porcelain painting the painter has to work Horizonte with the elbow locked and the hand locked so that don't shake we work on things that are very fine and delicate and you have to learn to control your movement so that it's only the wrist that moves lacunae the colors are very decorative like this blue you don't find that in paintings this blue is cobalt blue which has been used since antiquity by the Chinese the speciality at sev is to apply it in many layers to create the depth of color that isn't found anywhere else the mark of self its cobalt blue we jump ahead a few short years and look at what Renoir went on to paint when he became an impressionist we can surely recognize the ceramic origins of his feathery flickery and decadent touch painting pots made Renoir different from everyone around him [Music] these really were crazy times here's an amazing statistic in 1850 there were a million people in Paris by the 1870s there were two million Paris doubled in size in a couple of decades and these mad decades are exactly the decades in which Impressionism was born the new Paris was packed with temptations one-third of all the babies born here in impressionist times was illegitimate hora Pizarro thrown into the deep end of this cauldron of change couldn't have known what had hit him he was just too sensitive and well-brought-up for what was going on here here's this small-town Jewish boy from the West Indies suddenly finding himself in the wildest and most sinful city on God's earth [Music] do you know what a Laurette is it's a French word a piece of 19th century Parisian slang which means a pretty girl a girl with loose morals you find them all over impressionist pictures smoking drinking giggling giving you the eye they're the new woman the woman of today enjoying freedoms they'd never had before larette's are the kinds of girls respectable men stay away from and they're called larette's because most of them lived around here the Hoover Dam the lorenz and so to that number 49 did Pizarro [Music] his auras mother came to Paris to to keep an eye on him so did his stepsister Emma and her five children there's a cook as well made and a black slave brought back from st. Thomas so that's five women five children plus Pizarro all crammed into their small wonder his earliest Paris paintings try so hard to get away from it all these quiet landscapes painted on day trips out of the city are the works of a man from the tropics who's in love with light in all its varieties on that corner there with a gothic building is there used to be a beaten-up painting studio the Academy Suisse it was what they called a free studio meaning no one actually taught you anything in there you decided for yourself what you wanted to paint Pissarro who had strong anarchist tendencies we'll start along that the Academy Suisse as soon as he got to Paris one day a new student turned up at the studio a handsome young chap a bit of a dandy who cut quite a - with his lacy cuffs and his Antoniou Banderas hair Pizarro got on very well with him this new chap also enjoyed painting outdoors the larette's they liked him too which they made pretty clear I only sleep with maids and duchesses replied this new chap quarterly preferably duchesses maids that was money [Music] Claude Oskar Monet was from Lahav a busy industrial port on the normandy coast his watery textures he was instinctively quick of capturing [Music] Monet was so talented and the first unmistakable signs of this talent appeared when he was 14 or 15 and began drawing cartoons and caricatures of the Hoffs most prominent citizens the prominent citizens loved these jokey portraits of themselves Monet were soon churning them out and making so much money from his comic drawings that he started to dream of becoming a proper artist a serious landscape painter quick enough and skilled enough to capture the shimmering changeable sights that surrounded him first though there were hoops to jump through big ones to make it in the Parisian art world you needed to show your work at the infamous Paris salon the most prestigious art exhibition in the world where every year some of the world's most pompous pictures were proudly selected and displayed this is the enemy this is what Monet Renoir Pissarro all of them were up against the official art of the era the surface of a typical salon picture is a smooth and shiny as the paintwork on a new car glistening perfect that's how they wanted it to make it in the Paris art world this is the game you had to play everything was controlled from here the an stitute defense created by a gang of freemasons in 1795 in here is the Academy the Pantera and you scoop to the Academy appointed the teachers who taught here at the occulta Bazar to get into the Accord the bazaar you needed first to pass some exams judged of course by the academicians the academicians also made sure your work was accepted for the Paris salon because they were the jury for it if you did well at the salon the state advised by the academicians naturally gave you a prestigious Commission but these ones here at the pantheon [Music] after a few prestigious state Commission's you too could now become an academician and teach at the occult DuBose our will you passed on your methods to your students and the whole rotten process could begin again so that is what the Impressionists were up against that is what they had to get away from that is why they happened churning out Venus's was not the career that Monet wanted his guilty pleasure was the real world this is the biggest Monet exhibition of recent years [Music] it's at the Grand Palais in Paris a magnificent display of everything that Monet achieved [Music] [Music] there's the beaches nearly half where he grew up [Music] here are the forests he sneaked off to paint with Pizarro [Music] then at the other end of his life look at these outrageously brave and inventive water lilies I mean how adventurous is that well that happens later of course and I brought you here now because I wanted to give you an important tip for looking at impressionist art if ever an impressionist picture begins to look predictable or boring look you've seen it before another seascape another riverside view what you need to do is get closer shuffle right up to it as close as you can you're in a museum get as close as they let you really look at what's happening in an impressionist picture notice the brushstrokes look how brave they are how cocky and adventurous a new language is being invented to convey new sensations the closer you get to an impressionist picture the easier it is to feel the spirit of the revolution to beat the salon system various private art schools had opened up in Paris this one here down this secret alley was run by an old boy called Charles glare glare had been a salon painter in the past specializing in dumi mythologies but he was of a liberal bent so the students he had were more progressive than most Renoir was here already known to be something of a slacker young man said clear to him one day you are very talented very gifted but it looks as if you took up painting to amuse yourself so gray was an insightful old bird [Music] renoir had a nose for leisure and it led him to the sin which he liked to explore with his new painting buddy money Monet and Renoir would spend their summers sniffing out modern places by the river modern people were having fun in modern ways and that's how they found a notorious Riverside hot spot called laggg gonghui air which means the Frog Pond Lagoon we air was a gang get a floating bar on the river where people came on Sundays for a bit of swimming and a lot of flirting so infamous was like gone we a that even the Emperor and his wife turned up here in 1869 to see for themselves if all the stories were true and in that same summer 1869 Monet and Renoir turned up as well to change the story of art the two painting buddies that's money on the right Renoir on the left set out to capture the interaction of people and light and water to do that Monet and Renoir needed this little beauty here it doesn't look like much but this shiny piece of metal made Impressionism possible it's called a feral it's a tiny tin sheet that appeared on the ends of paintbrushes halfway through the 19th century now before these metal Ferrell's were invented all brushes were basically round the clusters of hairs would be tied to the shaft with string or binding now being able to use a flat brush like that instead of a round brush like that revolutionized art it completely changed the story of painting the brush strokes you can make with a flat brush and much more expressive they're better for capturing the choppiness of the water the ripples the flicker of the lights on the surface and you can cover much more of the canvas quickly if you're in a hurry to record an elusive effect before it disappears as the Impressionists often were what you need is one of these the paintings they made here are the first raw attempts at Impressionism quick fidgety responsive it's not just the look of lag gonghui air that's being captured here but also its spirit it's all changed now the sin was reroute 'add and what was previously River is now dry land but you can still see this little island that Renoir and monney painted it was called the camembert because it was round and small so it's all gone now thank God Monet and Renoir and their new types of brush came here and painted it before it disappeared before you can paint a Riverside pleasure den you need to get to it and that hadn't previously been easy particularly for those old fashioned painters who still relied on old-fashioned painting equipment this is a typical studio easel of the time what most painters were using before the Impressionists and as you can see it takes two big blokes to maneuver it in so painting outdoors with this would have been impossible what you need instead is one of these the new portable foldaway easy to use travelling easel with built-in painting kit with one of these getting to lag cormier was a doddle he just hopped on board one of these newfangled forces that had recently appeared in France and you Steve there at speed [Music] the various designs subtleties in these new portable easels made them the perfect tool for outdoor painting so practical so easy to use [Applause] the flat brushes the ones with those wizzy new Farrell's they all went in their tubes a painter had replaced the big pigs bladders they all go there and there's a handy fold away palette on top so just a few clicks of the box and you're a fully prepared outdoor Impressionists ready for any landscape the train can take you to [Applause] some days at lagoon we air were exciting and fun and the train from the Garson lazar was always heaving with eager pleasure seekers but not all the crucial pioneering of the Impressionists was undertaken on Paris's doorstep sometimes the Iron Horse needed to make a longer journey Montpellier in the South of France classy civilized conservative and a long way from Paris Montpellier is famous for its ancient university and for these sun-drenched lovelies southern grapes grown by the barrel load for producing the cheap and cheerful local wine [Music] among Montpellier richest wine families were the brazils who ran this posh establishment the domain dimeric the brazils had a son Frederic bozhil who was exceptionally tall exceptionally shy and exceptionally talented so talented that he might have become the greatest of all the Impressionists if the Germans hadn't killed him first vizier is the fourth of the key impressionist Musketeers Monet Renoir Pissarro and Basel he died in 1870 in the franco-prussian war too young to see through the impressionist revolution but he was there at the beginning and he was crucial the bath eels wanted Frederick to become a doctor but he failed all the exams and ended up instead with Monet and Renoir at the academy Claire his parents were generous enough to give him a full allowance which his fellow students were happy to help him spend but what's fascinating about bazzill what really makes him stand out apart from the fact that it was nearly 7-foot tall is that his most interesting pictures weren't painted in Paris with Monet and Renoir around but here in Montpellier outdoors in this hot dry luminous landscape this is his masterpiece a haunting picture showing the whole of his family arranged on a terrace at the domain dimeric mum and dad sisters cousins and their bows with bazzill himself squashed uncomfortably into the corner they're supposed to be looking relaxed and informal they've all come together on a sunny Montpellier terrace for a quiet afternoon a family bonding so why do they all look so stiff and anxious [Music] because bazzill is more interested in capturing the lights of the south than in being nice to his family bazzill and Monet were close bozhil had money Monet didn't and so it was useful for money and for Renoir to use bozhil studio and occasionally to move in rent free one day bazzill suggested they should form a group of artists with similar ideas Monet agreed and then forgot about it for a while as students do it is also basil who suggested painting some life-size figures in the most difficult place there is four figure painting outdoors in the sunshine with the figures in front of you bazzill himself never tried it but Monet did in fact he decided to paint an outdoor scene in which the figures were double life-size it was the height of a London bus and most of the width of one as well in the past pictures of this huge historic size had always shown us events of huge historic importance Wars coronations massacres but all money shows us is a group of his friends on a picnic having fun outdoors Monet's mistress Camille posed for all these interesting me backlit women bazoo is all the chaps in bowler hats it was so expensive to paint that Monet ran out of money and couldn't pay his rent the landlord kicked him out and kept the giant painting a security when Monet finally got it back much of it had rotted away he could only save two big bits since the whopper hadn't worked out the following summer in 1866 Monet decided to have another go sensibly the new picture was going to be much smaller only around 8 feet tall this time but his chief ambition to paint a scene of everyday life out in the open air in the sunshine that ambition remained he painted some women in a garden lounging around in the sunshine wearing lovely dresses and not doing much painting outdoors is difficult for all sorts of reasons particularly if you're painting a whopper how for instance do you paint the top of a picture that's much bigger than you Monet's solution was to dig a trench in the garden and to have the canvas lowered into it on pulleys but the biggest challenge he set himself was to paint sunlight directly exactly as it was it's actually one of the hardest tasks in art combining strong sunshine with strong shadows have you watched one of those games of football on the television when the sun's shining and throwing big black shadows onto the pitch the camera just can't handle it the contrasts are too great but the human eye can [Music] no one in art had previously painted Sun shine as bright as this he merely gets it right but not quite some of the passages of painting and women in the garden are stunning look at the way he's captured the light on that white dress but overall there's a strange air of unreality to the picture it's got a frozen quality as if all these modern people have been preserved for posterity in a very sunny Ice Cube unreality was never an issue with Pizarro he was too poor to be unreal I know artists always go on about how tough things were for them in their youth before they were discovered but in Pizarro's case the hardships were never exaggerated he really was exceptionally poor and put upon most of his career it made him extra sensitive to little things to places the rest of us might walk past to people the rest of us might ignore we're the other painters in his gang were attracted to the countryside where the lunching and the boating Pizarro avoided all that his countryside is somewhere you grow things and work hard connect to the earth do your bit so I was he say poor sir put upon afraid he was that old devil love that brought him down Pizarro's mistake was to fall in love with one of his mother's servants the cooks assistant Julie she was called this Julie turned out to be one of the great artists wives loyal dogged resourceful but she wasn't Jewish she was his mother servant a practicing Christian and pretty quickly she got pregnant by him none of which went down well Bizarros mother who controlled the first strings wrapped her fingers tightly around them and ensured that Pissarro Julie and they're quickly multiplying number of offspring would never be comfortable and often poor they moved out here to lose yen on the outskirts of Paris but because the river out here is especially pretty or any of the usual Impressionists reasons because in those days the rents here were much lower than they were in the city [Music] they rented the cheapest house they could get and well Julie who was born in the country and who was excellently practical and resourceful grew what she could in the garden Pizarro continued to paint his sensitive landscapes and said about fathering enough children to populate several families I don't usually come safe at the river in London it's not my manner but when you tread in the footsteps of the Impressionists you end up in some unlikely places welcome to Upper Norwood where the suburbs of London turn into more suburbs I could have put this sign up in Croydon or in Dulwich or Sydenham because Pizarro painted in all of them amazingly South London was a crucial location in the story of Impressionism important things happened here at a very important time in 1870 France started a war with Prussia big mistake the Prussians charged across Europe and quickly surrounded Paris a few brave Frenchmen fought back but most of them didn't Monet and Pizarro both of whom had children and mistresses to look after fled here to London were they soon settled into a modest but fruitful lifestyle London inspired Monet to paint the Thames on a warm summer night with the houses of parliament looming in the distance looking mysterious and Misty his ro however avoided the obvious landmarks and sniffed out a London that was quiet modest suburban a London that struck a chord with him Pissarro painted this view this one too and this one it isn't dramatic art but it is sensitive and responsive these quiet English Grey's the suti air the damp joylessness of living here it takes great sensitivity to enjoy a place as ordinary as this and great pictorial talents to painting something else happened in London which in the end was absolutely crucial because it was here in London that Monet and Pizarro discovered Turner Britain's finest landscape is to play a big role in the creation of Impressionism it's an easy fact to prove here is a typical Turner and here a typical Monet case closed weirdly though for some complex French reason Monet would later insist that Turner had no influence on him at all I never looked at Turner he said even though the two of them traipse keenly round the London galleries examining the art and Pizarro's name is actually in the visitors book at Dulwich picture gallery of course Turner influenced and inspired the Impressionists it could hardly be more obvious and when the franco-prussian war was over and Mornay and Pizarro scuttled back to France they took back with them Turner's glorious certainty that landscape was a route to the emotions whether it was noisy or it was subtle it always spoke to the heart [Music] [Applause] [Music] forget the team of Ciro you know what the French are like about bread the entire country runs on baguettes this crusty little beastie has played a key role in the creation of the French identity bread played a big role too in the story of the Impressionists when Pizarro returned to France from England he found the invading Prussians had turned his house into a stable and spread his pictures across the muddy ground so their horses wouldn't get their hooves red disillusioned traumatised Pizarro decided to move and to start again here in Pontoise in 1872 he began to think seriously as well about that idea that Brazil had had a few years earlier to assemble a group of like-minded artists an association of some sort to work together and beat the system [Music] his ro looked at various options before setting up his new organization in the end the rules for the new group of painters were based on the charter of the Baker's union here in Pontoise my knew this wasn't any old Baker's union this was the oldest Baker's union in the world the Baker's of Pontoise were granted their charter by Louie the seventh as long ago as 1162 so they had a particularly long history of making trouble remember bread in France is powerful stuff the French Revolution was triggered by bread strikes so was the Paris Commune of 1871 the world's first workers take over so by using the Baker's union as the model for this new group of artists Pizarro was hoping that they'd inherit some of the revolutionary fire of these dangerous bakers [Music] by the winter of 1873 the plans were complete 15 artists would form a joint stock company a cooperative of equals their plan was to operate entirely outside the salon system no academies no prizes just the art itself [Music] daga whom we haven't talked about yet but who we're talking about a lot later in the series what did it call the group lack haven't seen the nasturtium after that bright red flower that Mornay planted in his gardens who could put nasturtiums on the posters he said but he was overruled instead the new gang lumbered itself with the long and unsnap e name of the saw siete anonym this act east pant scooped to a gather which doesn't trip off the tongue does it so they had the organization they had the name where were they going to show Monet knew the photographer Nadar the most fashionable photographer in Paris had recently moved out of his studio in the cameras Boulevard that machine so it was empty but he offered it to Pizarro and his friends the rain so this is where they had their show in the - each studio at 35 boulevard de quatre seemly it opened on April 15th 1874 and changed art forever what you're about to see is revolutionary - I've been trying to get in here for three decades it might be the most famous art exhibition of all time but these days they prefer to keep the doors closed Bizzaro and more a rounded up all their friends and persuaded them to join they were a higgledy-piggledy Bunch the one thing that united everyone here was a shared hatred of the Sanel system although this was a photography studio do you know not a single picture survived of the first impressionist exhibition all we know is that in the DAR had painted the walls a tasteful blood red which has survived and the Renoir who did all the hanging arranged all the pictures there were 165 of them by 30 artists in two Democratic rows small ones at the bottom big ones on top [Music] Renoir showed seven pictures and found his Venus in a box at the theater with his brother Edmund at the back getting an even better look Pizarro had five pictures all of them devoted in a quiet but revolutionary fashion to real places and real sunshine daga meanwhile painted the ballet no one had ever done that before there was a woman artist to bet more so sensitive yes revolutionary very how about this for a brushstroke Monet showed four paintings one of which was actually painted from up here from the DARS balcony a shimmering view of the boulevard dekappa seen in action teeming with modern life but it was the darkest Monet in the show that had the biggest impact it was painted in the half in the harbor in misty and mysterious conditions a glowing red Sun hovering over a Black Sea casting a mysterious orange reflection Renoir's brother Edwin who's editing the catalogue pushed Mornay to come up with a catchy title for it Monet casually suggested impression sunrise and thought no more of it but a waspish little art critic called Louie Laroy was much amused by this deliberately ambiguous title in a nasty review of the show Laroy giggled that this new gang of painters were just Impressionists he was trying to be sarcastic but the insult stuck from now on Monet Pissarro and the gang would always be known as the Impressionists in the next film the revolution continues with some of the most famous outdoor art ever painted and with me half killing myself trying to find out how it was done so you think you know the Impressionists well here's a hundred francs that says you don't [Music]

Channel: Perspective

Views: 353,768

Rating: 4.8498611 out of 5

Keywords: Arts, The Arts, Theatre, Music, Full EPisode, Full documentary, documentary, performing arts, history documentary, documentary movies - topic, documentary history, art history, claude monet, art history documentary, visual arts, art (collection category), waldemar januszczak, full length documentaries, waldemar januszczak documentary, old art

Id: kzjRJzhnn8k

Length: 59min 28sec (3568 seconds)

Published: Sat May 16 2020