Impressionism: Much More Than Landscapes (Waldemar Januszczak Documentary) | Perspective

[Music] is [Music] still because this is a series about impressionism you probably expect me to spend most of my time outdoors enjoying rivers and gardens and boating parties because that's what most people think impressionism was about some of it was of course and we certainly saw a lot of sunny days in the last film the one about the impressionists outdoors remember [Music] nature observed and recorded the new way but to think that impressionism was mainly concerned with painting rivers and gardens is a mistake because it wasn't [Music] for the impressionists staying indoors and watching the people was just as important as going outdoors and watching the landscape you'll spot many a migrating bourgeois in impressionist art in couples and in singles and it can get bleak monet sits in on a family lunch and notices how gloomy it's got yes this really is monet and not ibsen the fact is impressionism is packed with people they're everywhere i don't think any society anywhere in art has been watched categorized and judged as intensely as the inhabitants of france in impressionist times behind every banquet in every parisian cafe there lurked an impressionist twitter spotting the clients [Music] you couldn't hide from them in the bedroom either because they were under the bed watching you get dressed the impressionists witnessed the theater of life unfolding before them with unprecedented keenness and like all the great portraitists in history they weren't just interested in how people looked they were fascinated by their inner lives as well [Music] this is degas first masterpiece he started painting it in his early twenties and then faffed about with it for years as was his want they're all members of the dega family the woman is his aunt laura his father's sister she's married to the man on the right baron general bellelli a posh italian from florence and these are their two children julia sitting down and giovanna on the left digger was very bourgeois he came from a family of bankers and here at the back of the painting is a picture within a picture of his grandfather rene he was the richest of the banking clan stern and grumpy the grandfather lived in naples there's another picture of him here by degas and all these other members of the family this is sister now look at the way she spells her name marguerite de ga they did that to sound posh their real name was degas as the painter signs himself here the family had no right to call themselves de gaa but they were trying to sound better bread than they were which was very bourgeois of them and this here is degas himself arrogant surly misogynist and bachelor and a very clever painter with a cruel streak to him [Music] degas was a very difficult man but he was also a genius and quite shockingly ungovernable and adventurous this is all his early work and it looks very traditional but even here he could be so outrageous the portrait of the bolellis which seems so elegant and sedate caused a big rumpus in the degas family laura here degas italian aunt whom he probably had a thing for detested her husband baron gennaro they were deeply unhappy she's actually pregnant in this picture with their third child but look how unjoyous she seems and how far away from him she stands [Music] this is a painting that goes deeply cruelly almost into the realms of personal psychology and feminine unhappiness degas whom we're going to concentrate on in this film for as long as i could get away with because he was such a genius had the rebel gene in him from the start [Music] he was so ungovernable it's really surprising here's this oat bourgeois a banker's son whose art education was completely traditional possible ecole de bozar everything in his past should have made him this kind of painter but it didn't it made him this and this and this something went very wrong in grand bourgeois genetics when it produced degas something glorious and colorful blurry and intoxicating it's a dynamic and inventive mutation and there's not much in the story of civilization we should thank the banking world for but we do need to thank them for this as you know the british and the french don't always see eye to eye they're not really natural buddies so if i was to suggest to you that britain's influence on impressionism was crucial it's probably best if i suggest it quietly britain's influence on impressionism was crucial it was the british who introduced horse racing into france just as they'd introduced boating and bathing and rambling when it came to inventing new ways of not doing much on sundays the british were definitely the champs [Music] this famous race course at longshan was only opened in 1857 as part of the dramatic redesign of paris by the infamous barrett houseman houseman created this entire park from scratch the guadalajara it was based i believe on hyde park and inside he placed this huge rowdy race course of longshot [Music] racing was an immediate hit with the french public something else to do at the weekend and where the modern public went the modern painter was quick to follow manet captured longshon's frenzy in a flurry of speedy brush strokes but among the impressionists it was degas the banker's son who most loved the horsies degas was looking for new modern subjects to paint and he couldn't really miss longshon when the crowd in here gets excited you can hear their roar all the way back to central paris eager parisians would crowd in here on a sunday and parade strut display degas though was more interested in the jockeys than the punters the drama of their colors against the landscape their sudden loomings above you now at exactly this time another influential englishman the photographer edward my bridge was also investigating horses my bridge was trying to solve the ancient mystery of a galloping horse how exactly does it move why when artists painted it in the past did it always look so wrong [Applause] to answer these questions maybridge set up an experiment he arranged a row of cameras along a training field and tripwires stretched across the course and connected to the cameras [Applause] the idea was that when a galloping horse passed by here it would trigger a series of extra fast exposures all the way along flash flash flash picture picture picture the moving horse in action was finally frozen step by step secret digger bought muybridge's book on the animal in motion as soon as it came out in france and he studied it assiduously but i told you he was contrary and what really seemed to fascinate dagger about the horse in motion was not how graceful it looked or how powerful the usual horsey cliches but how contorted he made some sculptures which he never showed to anyone no one knew he'd done them till he died and according to degas private sculptures the true secret of the horse's movement is that it's awkward strained and sinewy not at all graceful this new way of understanding animal movement in degas art this harsh new way of looking didn't just apply to horses [Music] it applied to people too particularly women [Music] my bridge had also photographed women swirling and dancing twisting this way and that always in action [Music] muybridge's images of moving horses and women had an impact on degas art that no one could have predicted they inspired him to start looking at women from such awkward angles and inspired viewpoints [Music] a common reaction to these startling views of stretching prostitutes and actresses twisting leaning drying themselves in their tubs is that they show dega deliberately humiliating his naked women forcing them to take up ugly and graceless poses it's certainly true that he was a misogynist i'd rather keep a hundredth sheep he once snapped than one outspoken girl degas had plenty to hide in his feelings about women but i don't think that's what these great pastels are about i don't think these are about humiliation or cruelty [Music] they're about something else something degas discovered in my bridge's horse book they're about true movement about awkward twisting and ungainly leaning the human body in motion brilliantly observed through the keyhole when it thinks no one is looking in his horse sculptures degas seems to see the moving horse in a new kind of 3d and in his ravishing pastels of bathing prostitutes and stretching actresses he looks down at the girls from extravagant 3d viewpoints that art had never chosen before this is more than a new chapter in the story of the nude this is tearing up the old script and starting from scratch everyone knows the impressionists reinvented the landscape but they should also be credited with reinventing the nude degas showed in seven of the eight impressionist exhibitions he was surprisingly loyal and dedicated to the cause but he had the rebel gene in him and it led him astray whatever he did i mean look at this his most audacious attempt to paint history what kind of a mind decides to put this into an impressionist exhibition we always imagine ancient greece to have been the cradle of civilization a beacon of enlightenment but it wasn't always that particularly where women were concerned when it came to the treatment of women the ancient greeks were as macho and unreconstructed as the taliban [Music] greek women couldn't go out they couldn't be educated they couldn't inherit or vote in most of the ancient world women were treated appallingly except in one great city state where most things were done differently sparta [Music] spartan girls were treated as equals brought up to be strong and independent like the boys no one is certain what this curious picture actually shows on the label here at the national gallery they call it young spartans exercising and it's also known as young spartans practicing wrestling [Music] but when dager finally put it into the fifth impressionist exhibition of 1880 he gave it the splendid title of spartan girls provoking the boys and i can't understand for the life of me why people don't believe him because that's clearly what it shows the girls on the left provoking the boys on the right to toughen them up spartan girls were taught to fight and wrestle they didn't wear much either whatever the weather and degas senses the sexual friction of these strange classical days the spartan girls are taunting the boys and the boys like teenage boys everywhere aren't sure what to do when the girls come on to them what a brilliant mix of bravado and goshenas this boy here the one on all fours seems particularly in touch with his animal nature it's degas response i think to all the darwinism that was in the air these theories of evolution and this rock here is the rock from which spartan babies were said to be thrown to their deaths if they were born weak or disabled but the battle between the boys and the girls isn't the only combat we witness here there's also a fierce struggle going on between the past and the present degas is deliberately taking on one of the most celebrated paintings in the louvre a masterpiece from the days of the french revolution david's oath of the horatio this is always held up as the ultimate piece of neoclassical propaganda the heroic horatio brothers over here are pledging to give their lives to defend rome but degas in this cheeky update deliberately and cunningly echoes david's composition and everybody looking at this would have seen it immediately and they'd have noticed too how deag ass spartan girls look exactly like the wispy modern girls of monmart so much more contemporary and liberated and alive than david's frozen romans in the battle of realities it's ancient rome nil the modern world won you know that floaty ethereal quality you get with degas art the pulsing fogs of color there's a bit of it in the spartan girls and lots of it in the girls in tubs well that's the result of experimenting with these chalky little magic sticks pastels it's not just the nudes all the women in his art the lawn dresses the milliners girls the ballet dancers they all owe some of their intoxicating haziness to the pastel pastels are rather mysterious you can achieve gorgeous things with them particularly when dagar gets his hands on them but the effects are elusive dreamy so i want to find out more about them i want the facts [Music] so i've come to dig as pastel shop la maison de pastel greeting us so kindly still here still selling pastels still run by the same family now i'm going to ask you a really silly question but i'm going to ask it because i thought i knew the answer but don't really what exactly are pastels what what makes them specifically these lovely things here pastels is essentially pigment it's pigments to which you add a binder and different types of white powders clays to make the different gradations so you have the pure color which is the pure pigment uh with a little binder and what makes crochet pastels specific is that they have very very little binder so you have almost color in its purest form so uh this is a beautiful yellow that's what what's the actual color is it like cadmium yellow this is a cadmium yellow this is cadmium yellow so to make the gradations you just add a little bit of white and it's almost pure pigment all of that is is essentially either color or clay um mixed together in different amounts to make the the gradations could you show me some of the colors then that degas like to use sure the colors that stick in my mind from his work of course the blues the blues um so in the blues you indeed have these types of blues which you would find in the blue dancers for example uh those are ultramarines oh see if i was an artist i would just put loads of it on because look at the depth of that color it's so exciting um you also have a color which to me is very specific of the girl which is the verve which is this one oh yes gorgeous green that you you do find in in his um work there's one missing here which is the pinks right the pink yes uh the brilliant pinks you have them here ah see when you see them in this form you see a pile of pastels like this you can see how the colors in pastels seem to sing in a way that they don't with other media don't they that's actually that's uh what i often hear is that the colors sing and it's essentially because um compared to other types of media you have the the pigment in its purest form [Music] look at that you see that's just pure pigment isn't it that's just gorgeous look at that i'm gonna try that blue there that's dagger blue isn't it look at that you should try this one as well that has a really specific texture oh it's got this intoxicating quality isn't it [Music] degas most intense examination of women his most productive voyeurism took place not in a bathtub or in sparta but from a box in the theater from where he loved to watch the ballet [Music] degas was a regular here at the paris opera the palais gagne which opened in 1875 and quickly became the place to go [Music] it was built chiefly from crystal and mirrors also it seemed there was enough baroque ornament in here to furnish the vatican the typical bourgeois male would be at the opera a couple of nights a week and they didn't just come for the singing and the dancing these elegant balconies and plush foyers were designed for parading in and being [Music] seen while the auditorium itself which could seat two and a half thousand people well that was for voyeurism the ballet was one of the few places where the 19th century bourgeois male could admire lightly clad feminine beauty without making it obvious he'd just think back into the darkness and peep dega had a season ticket to the paris opera he was an obsessive ballet goer and theatre groupie some of his most inventive art is set in the stalls of the palais garnier sometimes he'd look up through the orchestra to the stage beyond where the lights would work their nocturnal magic more often though he'd be up in the boxes looking down at the dancers the shimmer the spectacle interestingly dega never painted the stars of the ballet the prima ballerinas the famous beauties instead he preferred the everyday dancers they also rans from the core de ballet the students or ballet rats as they were disparagingly called and he didn't just paint them in 1881 at the sixth impressionist exhibition degas astonished everyone by showing a sculpture it was called the little dancer aged 14 and it was shockingly realistic [Music] he'd made it out of wax painted to look so lifelike with real hair real clothes it even tied her hair with a real ribbon given to him by the model [Music] these days in museums you can only see bronze casts of it they're very beautiful but they're not as spooky or as revolutionary or as life-like as a hand-painted wax work ballet dancer must have seemed the model was a typical parisian rat called marie van gertem she was originally from belgium and when dega began sculpting her as the title says she was just 14 a ballet student at the opera marie lived around the corner from degas literally around the corner this was her street the rueda dwight and this was his the roof on ten like most of the ballet rats she came from a poor and disreputable family various rumors circulated about her behavior she was slovenly they said course marie would pop around to degas studio and pose for him she had beautiful long hair that she was very proud of and when she danced she'd stick out her chin so that her hair fell down her back [Music] you can see her doing that in a couple of his paintings as well there's marie with the hair and the chin [Music] now this position he forces her into in the sculpture is very difficult and unnatural he'd pull her hands back as far as they'd go and tell her to stick her chin up even higher and her feet were planted weirdly just so now this isn't a dance position it's not a practice position so what is it the critics reviewing the sixth impressionist exhibition were baffled too this opera rat has something of the fetus about her mooned ellie de mont in la civelas asiong and one is tempted to enclose her in a jar of alcohol the gazeta bozar was even nastier about the sculpture this poor little girl at spat is like an incipient rat who thrusts her little muzzle forward with bestial effrontery now there's a startling thought was degas deliberately trying to make his little ballet rat look like a rat is the little dancer a cruel darwinian pun motivated by harsh and disparaging evolutionary views i hope not but i can't shake off the suspicion that it might be was a haunter of dark and private bourgeois spaces the bedroom doorway the box at the theater what you don't get with him is the theater of the streets for that you need to turn to another of the keenest people watchers among the impressionists gustav kybod kybot painted this and this and even this so he really ought to be much better known than he is kybot was unusual because he was so rich most of the impressionists came from the petite end of the bourgeois scale monet's father was a grocer renoirs a tailor the degas of course were of higher stock but not as high as they pretended when they began calling themselves der gar kybot however didn't have to pretend he was very wealthy very bourgeois and very progressive that's him on the right in the vest and boater having fun by the river in renoir's boating party that's how renoir saw him but it's not how he saw himself this is how he saw himself the kaibots made their money supplying blankets to the french army the more wars there were the richer they got after that they moved into property and owned that big house on the corner which they bought directly from baron houseman off plan as it were kybot's studio was up on the top floor where that balcony is he was the eldest son and tried being a lawyer first then an engineer but the art bug bit him and he became an impressionist instead degas smelled out his money and introduced him to the clan kybot was so rich and pampered he'd have himself transported to his painting locations in a specially designed horse and carriage a kind of traveling studio which he'd load up with canvases and footman and offhead trot [Music] just a few hundred yards down here to the pond de la rock where he painted some of impressionism's most inventive views of the new city this was paris new gateway to europe a railway crossroads that leads everywhere [Music] kybot shows the new bourgeoisie strolling across the new bridge taking in the new possibilities over here a posh chap in a top hat notices a passing woman she's actually a prostitute and he's a prospective client over here a thoughtful workman dreams of another life somewhere else everything was possible on the pond lerop but only in your dreams kybot's greatest painting of the area was done just up here in the place the dublin dublin square it's called rainy day at the ponte l'europe the new rich stroll around the new paris in a new spot of rain and how crisp and clean their city now looks how open and airy and thrilling the perspective in that picture is deliberately exaggerated to make it more dramatic kaibot is trying to make paris look taller bigger than it really is so he looks up at it in a wide angled way the camera can do something similar oh and if you go down lower look up at me and there you have it the kaibat effect kaibot loved unusual viewpoints and deep dramatic perspectives his pictures tease your eyes and stretch them what difficult positions he found to perch him i have this image wedged in my brain of kybot being transported luxuriously from location to location in his pimped up painting carriage 100 yards here 100 yards there but some of his most radical art was painted without going anywhere back here in the house itself one of impressionism's most striking pictures was made in here it was shown at the second impressionist exhibition of 1876 and people weren't at all sure what to make of it they're still not sure today it's called the floor scrapers and it shows three chaps with their tops off scraping away at a wooden floor it's a tense puzzling picture with its plunging perspective and these wiry dramatic poses [Music] kybod's father died in 1874 leaving his son a huge fortune so kybot jr our kybot set about altering the house and the floor scrapers probably shows the refurbishment of his new studio the one on the top floor with the balcony what's actually going on well one of the men is scraping off the old varnish with a cabinet scraper one of these a simple tool this edge here is sharp and you scrape it across the floor smoothing it down the other guy has one of these a plane he's planing down the joints between the floorboards leaving a stripy floor now this is just about the first portrayal in art of the urban workmen artists had shown peasants in the fields before but not city workers this was new however a couple of things about this picture have always puzzled me for instance why do they need to make the floor so stripey why don't they just clean the floor in big patches i found the answer on youtube preserved in full shaky youtube vision here's a chap in california preparing a hardwood floor i emailed the company and asked them why do you do the floor in stripes they wrote back that it was to make sure the whole floor was even if you did it in patches you might plane down more of the wood over here and less of it over here so the whole floor would undulate my other question was even more pressing why is the floor being scraped at all the old varnish looks fine doesn't it it's almost new the floor's in good condition so why is the varnish being removed i just couldn't work it out till i asked my wife who's an artist and she said if it's his new studio he'd want the floor to be as light as possible studio floors are never dark artists always want as much light in there as they can get this isn't just a painting of the new heroes of modern life the urban workman throwing off his top and flashing his torso the floor scrapers has a hidden meaning too kybot is trying to say something about art itself the new art of the impressionists old art was artificial dark and covered in thick varnish but the new art impressionist art is natural truthful and filled with light kaibot's indoor masterpiece isn't just a tribute to the urban worker it's a call to arms [Music] the catalogues for the impressionist exhibitions humble looking things aren't they but don't be fooled by their modesty these are records of a revolution in behavior as well as an artistic revolt [Music] and see here mademoiselle bert morisso a woman that in itself was rebellious and different to have a woman in the ranks you can always tell a morisso painting because it'll definitely be the wildest and bravest thing in the room just look at her crazy brush strokes zigzagging across the canvas like lightning bolts these flickering darting paint flashes are some of the bravest markings of the impressionist revolution so new so quick unfortunately bet morisso had a problem she looked like this stunning she turned men's heads and when they painted her as many often did the poor besotted chappies would imagine her to be a dark-eyed fam fatale and they'd ignore what a serious and instinctive and insightful painter she was morissa was particularly good with white such a difficult color to dramatize and differentiate it's so hard to look deep when your work is as crisp and fresh as a wedding dress in the snow but if anyone imagines bette morriso's work to be docile or domestic or pretty then i'm afraid you're standing too far away the best place to look at her art is from about here about two inches away from this close the sense of revolution here thwacks you between the eyes another female painter who appeared in these shows mary cassatt was an american to be honest with you i didn't rate cassatt's work that highly until i started filming it for these programs i thought it was too sweet too obviously feminine but how wrong i was look how spooky she is how psychological that air of emotional blankness which cassatt captures that sense you get with her sitters that they're on a far away journey deep inside themselves these are insights into the emotional states of women that virginia woolf would be proud of [Music] today cassatt and morisseau are highly regarded but there was a third woman artist who played an interesting part in impressionism whom you never hear about though she too was a revolutionary her name was mari barakamol and she made impressionist pots i bet you didn't even know there were any [Music] finding out about mary bracamol has been tricky she showed in three of the impressionist exhibitions but has largely disappeared from the story of art and that's wrong because marie bracamon was really good her pots are luscious and stirring she's just having a go at transferring the joadave of the impressionists from the field to the plate from the garden to the mantelpiece [Music] but it's marry brachamon's paintings that intrigue me most they're deceptively intense and have an edge of loneliness to them here's one of her picnics to which impressionism's joadev was clearly not invited [Music] when no one talks and everyone frets bracamol bert morisso marie cassatt this is the first group of impressive women in art of course they've been women artists before but they'd been one-offs who appeared here and there impressionism was progressive enough to welcome a gang of them at once an important new voice has arrived in art with different things to say and different understandings some people think impressionism was shallow but it never was not in the hands of its [Music] women do you know who made that i'm going to cover up the label have a guess which famous impressionist made that monet pizzaro renoir perhaps it is very elegant actually this was made by gauguin it's a portrait of his wife and he showed it at the fifth impressionist exhibition of 1880 [Music] this is probably the first carving that gogan ever made he was one of those annoyingly talented people who could turn their hand to most things and for the first half of his career gogan turned his hand to impressionism people always get gogan wrong they've heard these stories about him deserting his wife and children running off to tahiti and taking up with the native girls and they forget that gogan was already 43 when he left for tahiti a big chunk of his career was behind him and during that big chunk gogan was an impressionist [Music] he showed in five of the eight impressionist exhibitions which is more than renoir and the same number as monet this is his first ever self-portrait painted on the back of an impressionist view of pizarro's garden gogan's impressionist landscapes are so subtle and modest too modest almost they're easy to overlook you'd hardly know they're by him but this isn't a film about landscapes this is a film about people and gogan the people painter is a very particular and intimate presence loving father family man caring portrayer of those he was close to particularly his wife and his children go against paintings of his family are so tender and atmospheric this one's called the little one is dreaming it's his four-year-old daughter aline asleep in her cot now i'm a dad too so i know exactly what he's trying to capture here the little girl is sleeping far away in the land of nod while her dad looks down at her so protectively you can almost sense him pulling up her blanket to cover her legs and trying to imagine aline's dreams he showed it at the seventh impressionist exhibition of 1882 and it stood out because it was so atmospheric and personal no one had ever painted a sleeping child like this before [Music] the floaty wallpaper seems to stand in for the peaceful dream she's having a beautiful bird dream but this punch figure here dangling by her cot he has something threatening about him he's a nasty gnome of the night waiting for his moment but it doesn't matter aline because your dad's here and he's watching over you what tenderness what warmth what obvious family love this marble bust of gogan's eldest son emil was shown at the third impressionist exhibition of 1876 and here's another son the long-haired clovis asleep again next to his dad's favorite tankard dreaming perhaps because he's had a sip [Music] and this is meta gogan's danish wife painted in a gorgeous evening dress she couldn't afford and which she bought on the never never without telling him but he still turns her so lovingly into his fairy princess meta was from here copenhagen she was in paris working as a teacher when she met gauguin and he was a successful stockbroker a good catch what meta didn't know was that he'd already been bitten by the art bug and what gauguin really wanted to be was an artist poor meta thought she was marrying a respectable businessman who'd keep her in the beautiful dresses she wanted and the beautiful homes instead she'd ended up with a repressed bohemian who was desperate to become an artist [Music] mehta put up with him for years and watched him throw away his career she bore him five children until eventually unable to face up to any more of this artistic poverty he'd wished upon her she left him and came back here to copenhagen with the kids gauguin was devastated his wife had deserted him and he missed her terribly and the children even more so he followed her here to copenhagen and tried to put things right by getting himself a job as a tarpaulin salesman selling french tarpaulins to the danes there are so many things that gohan was good at sculpture painting ceramics print making but not at selling tarpaulins [Music] in his down time of which there was plenty he started painting again and with frozen fingers he recorded the cold but pretty local landscape the first attempt at impressionism in denmark [Music] this is the first place they lived with metta's mother but he didn't like her she didn't like him so the gogans moved on this is the second place they lived meta had to start teaching again here to make some money and this is the third place it's quite posh now but this used to be the bad bit of copenhagen with the cheapest rents and it was about now in the grim spring of 1885 that gauguin painted his first proper self-portrait a deceptively colourful study in alienation and forlornness no one was sure where it was painted until i came up here a few years ago and found this flat right at the top of the house when gogan was living here this used to be the attic and you'd come up here to paint and to worry he even wrote a letter to pizarro telling him things had gotten so bad in copenhagen that he was thinking of hanging himself up here in this attic and the self-portrait was painted by this window just here [Music] what rotten rotten times these were i'm without a penny and up to my ears in [ __ ] he wrote to a friend so i console myself by dreaming he lasted six months in copenhagen before metta's family turned around and asked him to leave he wasn't respectable enough for her or reliable enough or rich enough gauguin hurried back to paris back to being an impressionist having been kicked out by his family he was now free to become all sorts of things but never again a loyal husband or a caring dad [Music] back in paris the impressionists were preparing themselves for their eighth and final exhibition was hoping to make an impact with his new danish paintings and he would have done i'm sure if this hadn't been in the show as well but you'll have to wait to the next film to see what happened when we voyage to the end of impressionism and beyond

Channel: Perspective

Views: 354,641

Keywords: Arts, The Arts, Theatre, Music, Full EPisode, Full documentary, documentary, performing arts, art history, fine art, impressionist artists, visual arts, waldemar januszczak, waldemar januszczak documentary, waldemar, impressionist artists and their paintings, impressionist artists famous, fine art painting, art history perspective, art history documentary, history documentary, Edgar Degas, Morisot, Bracquemond, Place de L'Europe, underrated artists

Id: WByxidQTk9E

Length: 58min 33sec (3513 seconds)

Published: Sat Oct 10 2020