Handbags Of The Gods Hold SHOCKING SECRETS

a handbag that's right ancient samarians were more than familiar with handbags or perhaps objects that modern people perceive as such from the ancient temples of Mesopotamia to the sacred lands of the Incas handbags have been found in some of the most surprising places but these aren't your typical luxury handbags imagine discovering that a simple looking handbag these things that people call handbags but in reality they're not handbags eggs carved delicately on a wall could unlock Secrets beyond our imagination connecting us to Realms we've only dreamed of what is the story behind these mysterious handbags join us as we explore the shocking secrets of the handbags of the Gods mysteries of Mesopotamian art the handbag and Cone are two mysterious objects often seen in the hands of winged Genies in ancient Mesopotamian art Mesopotamian art featuring these intriguing Handbags and Cones stretches back to early hunter gatherer societies of the e millennium BC and continues through the Bronze Age with the Sumerian Acadian Babylonian and Assyrian Empires these early Empires were eventually succeeded by the Neo Assyrian and neo- Babylonian empires in the Iron Age Mesopotamia widely regarded as the cradle of civilization was a hotbed of cultural Innovation including the development of the earliest known writing and artwork the Mesopotamian art primarily focused on durable forms of sculpture made from Stone and Clay although few paintings have survived those that have indicated a preference for geometric and plant-based designs most sculptures were also painted enhancing their visual impact the handbag and Cone are often depicted alongside a stylized tree floral decorations Guardian figures the king and his attendants or open doorways and portals this tree which frequently appears in these images clearly has religious significance though it lacks an official Assyrian name Scholars often refer to it as the sacred tree the overall shape of the tree its pelmet top and the surrounding arch of pmets suggested is most likely a date palm the network of wavy lines extending from the tree to other pmets indicates irrigation canals suggesting the scene might represent a date palm Orchard without clear references to this tree in Assyrian documents many theories have emerged about its symbolism one idea is that it symbolizes the fertility of Assyrian land another theory proposed by indologist parpola suggests that the tree represents the king of Assyria parpola draws this idea from medieval Jewish mystical texts of the cabala written centuries later which describe a tree emblem known as the tree of life or sephirotic tree this tree in cabala represents three concepts the nature of the cosmos the nature of God and the nature of the ideal man parpola argues that the Jewish sephirotic tree was based on the Assyrian sacred tree implying that the Assyrian tree might represent similar concepts with the ideal man being the Assyrian King however parula's interpretation is not universally accepted for instance there are instances in Assyrian reliefs where both the tree and the King are depicted together indicating they are separate entities the Genies semi- Divine figures often shown facing the palace entryway were there to protect not just the king but all cers and visitors thus it seems more likely that their gestures towards the tree and the King symbolize protection from Evil a global puzzle when delving into the mystery of the ancient handbag carvings it's crucial to grasp their Global prevalence these intriguing symbols aren't confined to a few Regions they're found scattered across diverse civilizations worldwide let's take a journey through history starting in Mesopotamia where the handbags Grace the artworks of the Sumerians Assyrians Babylonians metani Phoenicians and ancient Armenians Crossing vast oceans we encounter them in Mesoamerican cultures predating the Aztec Mayans and Incas including thech toltech and tribes of verac Cruz venturing further we discover them in the Realms of Asia depicted by Indian Hindus and ancient tribes of Indonesia closer to home the atrans in Italy The Hite Empire in turkey and the ancient bosnians also left their Mark with these symbols even in the petroglyphs of indigenous North Americans and the ancient site of gocke dating back 12,000 years these handbags persist the evidence is overwhelming the handbags are everywhere but why why do diverse ancient cultures depict the same object the most straightforward explanation favored by some mainstream scientists suggests that these carvings represent ordinary handbags mundane artifacts of daily life at first glance this seems reasonable after all bags are Universal tools used by every culture much like bowls shovels or chairs yet upon closer inspection these handbags defy Simplicity they frequently appear in the hands of deities or within mythical scenes raising questions about their significance furthermore it's not merely the presence of handbags that intrigues but they're striking uniformity across cultures if the handbags were purely utilitarian we would expect a variety of shapes sizes and Designs yet remarkably these carvings depict nearly identical handbags often held in the same manner this consistency contrasts sharply with the diverse forms of other cultural Creations from weapons to Pottery to music so why do these seemingly ordinary objects hold such significance in the mythologies of ancient civilizations some believe the handbag carvings hold a deeper sign significance portraying an ancient representation of the cosmos according to this Theory the bag's handle symbolizes the sky's hemisphere while the solid square base represents the Earth there's a spiritual aspect too suggesting a connection between the material and non-material aspects of existence Bridging the Divine and Earthly Realms however it's puzzling that cultures with sophisticated cosmological understanding and Rich religious Traditions would depict such complex concepts with simple shapes moreover the repeated appearance of similar hand hand bags across cultures challenges the idea of a universal Cosmic symbol some take a leap further suggesting these handbags resemble modern designer bags hinting at Time Travelers mingling with ancient civilizations while this Theory may seem far-fetched given the peculiarities found in ancient depictions it's not entirely illogical repeatedly ancient carvings Unearthed at archaeological sites seem to portray objects or technologies that the ancient civilizations supposedly hadn't invented yet for instance there's a a carving from ancient Greece that looks like a woman using a laptop complete with cable ports another carving from an ancient Hindu temple depicts women using what looks like a cell phone and a tablet with a touchscreen stylus pen then there's the peculiar carving from the Cathedral of salaman built centuries ago showing what appears to be an astronaut some speculate that the perplexing depictions found in ancient carvings seemingly portraying futuristic Technologies could imply the existence of time travel this provocative idea prompts a logical connection to the handbag carvings if ancient civilizations somehow had glimpses or knowledge of advanced concepts beyond their time then perhaps the strange handbag symbols hold a deeper significance intertwined with the mysteries of time and space interestingly in an Assyrian relief the figures holding handbags are positioned around a tree some theories suggest that this tree resembles an operational Tesla coil a device invented by Nica Tesla in the late 1800s to wirelessly transmit electricity strangely enough ancient Egyptian depictions of Tesla coil can also be found often at important temples some even believe that the ank symbol a well-known symbol in ancient Egypt might actually represent Tesla coil technology is it conceivable that the handbags held by these ancient figures served as a means to harness energy similar to a rechargeable battery drawing power from Tesla coils to fuel and advanced civilization delving deeper into this notion consider the MCH depiction of ketzel koatal The Feathered Serpent God cradling a man with a mysterious handbag the man seems seated within a Contraption possibly piloting a flying apparatus given the handbags prominence could it have been the energy supply for this machine further Intrigue arises when we inspect a verac Cruz carving contemporaneous with the Olmec bearing a striking resemblance to a modern astronaut equipped with personal life support handbags across cultures as we Ponder the mysteries of the handbag we embark on a journey deeper into the unknown certainly while the previous theories about the handbag remain speculative there's another perspective rooted firmly in ancient texts this Viewpoint weaves together various elements offering a fresh interpretation of Humanity's history to fully understand this Theory we need to examine individual handbag carvings from different cultures worldwide focusing not just on the bags themselves but also on the figures holding them let's explore some of such depictions first consider Ketel katl the revered MCH deity adopted by the Mayans Aztecs Incas and other Central and South American cultures according to Mesoamerican Legend Legend Ketel koatal emerged in Antiquity imparting Advanced Knowledge and Skills like agriculture engineering laws and religion to the Region's early peoples essentially he became the progenitor of all ancient Central and South American civilizations now let's turn our attention to an Assyrian relief featuring figures surrounding a tree each clutching a handbag this tree often referred to as tree of life holds significant symbolism not only in Assyrian art but also in various Global mythologies Rel and philosophies representing creation the link between the Divine and the mortal and a repository of wisdom however there's more to these figures that meets the eye they also hold pine cones across multiple cultures the pine cone symbolizes human Enlightenment spiritual awareness fertility and eternal life interestingly the pineal gland often considered the biological third eye and the seed of the Soul derives its name from the pine cone together these reliefs convey A Narrative of Enlightenment creation and a spiritual connection to the Divine but let's delve deeper into these intriguing depictions in Indonesia particularly on the island of sumba we find another handbag depiction featuring poni in Indonesian folklore poni is a heroic figure in Tales known as the poni tales shaping the cultural landscape for centuries these stories attribute poni with Feats often associated with mythical ancestors symbolizing aspects of creation and life and offering a path to Divine Communication in India you'll find a handbag carving at the Hindu brihadishwara temple who sits in front of it none other than Shiva the Supreme deity in Hinduism according to Hindu beliefs Shiva is the primordial God who governs the creation protection and transformation of the universe the ultimate Creator even within Assyrian art handbags are not limited to the figures surrounding a tree they're also held by the fish God oans a significant figure in Mesopotamian lore known by various names Legend has it that oans emerged in ancient times to impart advanc knowledge to early Mesopotamians laying the groundwork for civilization the recurring theme is striking handbags aren't just symbols found across diverse cultures they consistently accompany figures associated with wisdom Enlightenment and the Genesis of civilization this pattern hints at a deeper connection Beyond mere coincidence some speculate that this link holds profound significance perhaps even beyond our current understanding symbols of shared civilization there are various other beliefs surrounding the purpose of the handbags each offering intriguing possibilities some speculate that these bags served as communication devices for extraterrestrial beings enabling them to connect with their motherships Swiss author Eric Von denkin proposes that the bags were gravity devices ensuring that ancient astronauts remained grounded others theorize that the handbags were frequency resonators capable of moving massive objects like giant monoliths ancient astronaut theorists propose a different perspective suggesting that the handbags were DNA storage devices brought by the anunaki to Aid in the creation of the human race while alternative researchers remain divided on the exact purpose of these handbags they agree that these artifacts connected distant Societies in the past fostering shared knowledge and culture in his 2015 book magicians of the Gods Graham Hancock delves extensively into the significance of these handbags He suggests that since they are often depicted in the hands of important beings they might have been some form of technology or substance enabling communication with the spirit Realm Hancock proposes that consuming this substance could lead to heightened Consciousness similar to food of the Gods Hancock suggests that these beings whom he calls Gnostic missionaries were simply teaching Humanity about the benefits of civilization after a great cataclysm around 11,600 BC they traveled all over the world for this purpose spreading their knowledge they are believed to be the reason why the symbol of the bag spread so widely in today's world trade travel routes and technolog iCal advancements like the internet keep us connected globally however if our civilizations were to vanish suddenly so would all traces of our interconnectedness could something similar have happened in the past perhaps due to a cataclysm that wiped out evidence of how ancient civilizations were connected more and more evidence seems to point in that direction in ancient times the world might have been connected through methods that modern theories don't account for perhaps ancient people had means of transportation such as ships or even flying machines Hind Hindu texts and Sanskrit epics describe ancient flying machines and some theories suggest that hot air balloon-like devices are linked to the nascal lines in the 1970s Jim Woodman achieved a remarkable feat by creating a hot air balloon and soaring gracefully 300 ft above the nascal lines what makes this achievement even more intriguing is that he did so using only materials that would have been available to the ancient NASA people additionally ancient maps like the Perry rice map hint that the mapmaker of old might have had access to some form of flying apparatus this suggests the possibility that ancient civilizations like the NASA and others had large ships capable of traveling vast distances long before previously believed there's long been speculation that tanako also known as tiwanaku in Bolivia could have been an ancient shipping dock created over 15,000 years ago however until concrete evidence of these Transportation methods is found they remain speculative rather than affirmed facts there are alternative theories about how ancient civilizations might have been connected some of which involve the power of the Mind Adolphus Peter Elken a former professor of anthropology at Sydney University proposed that Australian Aborigines could communicate with each other over vast distances using mental abilities He suggests that an uncluttered mind holds the key to long-distance mental communication this theory is intriguing because it would leave no physical traces behind while these ideas may seem far-fetched at first glance glance it's worth remembering that even widely accepted historical facts like the construction of the pyramids were once considered implausible hence it's likely that the handbags appear across various cultures because ancient civilizations journeyed far and wide using methods of travel we may not fully understand this idea suggests a fascinating Narrative of ancient exploration and cultural exchange offering insight into the interconnectedness of civilizations long ago now it's time for today's subscriber pick in the heart part of the bustling city of Cusco Dr Maria Sanchez's Discovery at an old Incan Temple sent shock waves through the archaeological Community amidst the vibrant murals depicting Gods Warriors and Celestial beings one panel stood out it portrayed a Godlike figure holding an object that looked remarkably like a modern handbag complete with detailed Engravings what caught Maria's eye even more was the figure's wrist adorned with a circular object unmistakably similar to a wristwatch intrigued Maria knew she had stumbled upon something extraordinary the carvings around the deity were intricate a mesmerizing mix of symbols and script under scrutiny Maria deciphered part of the text it spoke of the handbags of the Gods legendary artifacts said to contain the wisdom of the cosmos the ancient Incans believed these bags held the power to unlock the universe's deepest Secrets granted to them by Celestial visitors the wristwatch-like object was identified as a timekeeper a Divine tool allowing the gods to navigate and manip ulate the flow of time this Revelation was mind-boggling it suggested the possibility of ancient civilizations knowing or even direct contact with beings possessing advanced technology as Maria shared her findings with the world the implications were profound could these carvings indicate that ancient societies had interactions with extraterrestrial beings were they privy to Advanced Technologies we are only beginning to understand today Maria's Discovery at the incant temple confirmed what she had always suspected the handbags of the Gods hold shocking secrets decoding the mystery some experts argue that the Handbags and Cones were not held by the mighty Sumerian Anunnaki as generally speculated they argue that the Anunnaki were seven major Gods Heavenly deities with immense powers and they did not carry bags or pine cones if the Anunnaki were indeed Ancient Aliens their power did not come from these items the beings holding the bags and Cones are the abalo semi-gods or sages in Mesopotamian mythology abalu means Sage or expert in Acadian and is linked to wisdom depicted as Fishman hybrids bird-headed beings or human-like figures with wings the abalo were known as the seven sages their role was to introduce knowledge and learning to humans acting as teachers and advisers in addition to Handbags and Cones the app caloo are often shown holding other items such as sprigs which are small stems with leaves or flowers scepter with various heads strings of beads and even baby goats the bag and Cone are not always paired together sometimes the genie is depicted holding just the bag with the other hand making a gesture if the handbag represents the cosmos what do these other objects signify and why would such an important symbol be linked to semi-gods like the apalo rather than the anunaki this casts doubt on the cosmos Theory to make an educated guess about the purpose of these bags and Cones we need to understand the historical context and the evolving roles of the apalo throughout ancient Mesopotamia is long history over approximately 5,000 years the region between the Euphrates and Tigris River saw the rise and fall of several interconnected civilizations including the Sumerians acadians Assyrians and Babylonians each of these cultures might have imbued these symbols with different meanings reflecting the changing religious and social dynamics of their times ideas stories myths and words were continuously exchanged inherited adopted Blended and reimagined among ancient cultures and their neighbors the earliest known civilization Sumer was established about 6,500 years ago go with the first known mention of the apaloo appearing in the Sumerian poem The Epic of Gilgamesh between 4,100 and 3,200 years ago the elaborate carvings of winged Genies however are from the Neo Assyrian period around the 9th century BC approximately 2,900 years ago this means there was a gap of at least 300 to 1,2 years between the earliest Sumerian references to apalo and their depiction in Neo Assyrian art a great deal could have changed during during this extensive period and the idea of the apaloo likely evolved significantly let's delve into the different contexts and eras in which these Genies appeared starting with the more recent Neo Assyrian period where there is ample information during the Neo Assyrian era the apaloo are often depicted in three main scenarios sometimes they are shown at the corners and Gates of rooms alongside protective Spirits called Lam masu other times they are seen flanking a sacred tree holding a bag and a cone either approaching or touching the tree's flowers they are also depicted plac ing the cone near the king or another individual records from this time indicate that the apaloo were involved in rituals designed to ward off evil for instance the sage ad dapa's name was used in exorcism procedures to invoke power the handbag carried by the abalo is known as a Bandu meaning bucket in a Cadian and The Cone is called a mulu meaning purifier this indicates that what appears to be a handbag is actually a bucket contrary to the comet historians believe that the bucket and Cone were used in rituals where the cone was dipped into the bucket to sprinkle liquid on the king his corders and the palace to purify them this is why apaloo figures are often depicted near doorways and in Room Corners as these areas were thought to Harbor evil spirits plaques of the apaloo were also placed in homes to protect against evil by the 9th century BC apaloo were seen as protective spirits who used the bucket and Cone to bless and defend people and places from evil but what about the scenes where these mystical beings stand by the sacred tree the Genies were likely using the bucket and cone in rituals to protect the tree which fits with their role as Guardians and purifiers in ancient Mesopotamian culture in this relief the two abalo appear to be tending a young tree without using any ritualistic items this depiction aligns with a long-standing Mesopotamian tradition of illustrating figures facing a central plant for example the Adam and Eve calendar seal also known as the Temptation seal shows two seated figures with a tree between them similarly a seal imprint from the 15th to 13th century BC depicts two beings flanking a tree an intriguing seal from the 12th to 11th century BC shows a bird-headed apaloo stepping on one branch and twisting another this action doesn't seem to be about protecting the tree what could the apaloo be doing this seal was made over 200 years before the protective apaloo in later Assyrian Palace reliefs these earlier artifacts May provide a more accurate portrayal of the apaloo as described in Sumerian texts an enduring Legacy in the Epic of Gilgamesh the abalo or seven sages are credited with building the walls of Uruk surveying the foundations and inspecting the brick work their wisdom was practical and down to earth fitting the original concept of the apaloo as the teachers of humankind the images of apaloo tending trees or interacting with branches might reflect utilitarian purposes connected to the type of tree shown the sacred tree symbol changed over time in Mesopotamian art but evidence points to a consistent species the date palm Neo Assyrian sacred trees often feature stylized elements like flowering nodes or criss-crossing Vines but the central image Remains the Same the unbranched trunk and dramatic fan-shaped frond are characteristic of date palms date palms are depicted throughout Assyrian art recognizable by their hanging fruits in the King's Garden date palms are prominent surrounded by servants soldiers and horses offerings are often shown in date palm Groves the tree in the Temptation seal is a date palm with its fruits clearly visible the apaloo grabbing a frond of a date palm with its distinctive trunk and Crown supports this identification the sacred tree of Mesopotamia was likely always a date palm these trees were Central to Mesopotamian life providing food and playing a significant role in cultural and religious practices the consistent depiction of date palms in art highlights their importance symbolizing fertility life and possibly Divine protection understanding the role of the date palm helps us appreciate its essential place in ancient Mesopotamian Society for thousands of years ancient civil Iz ation in Mesopotamia showcased date palms in their art and clay tablets driven by both economic and symbolic motives these Palms were integral to Mesopotamian life dominating the landscape and serving as a vital food source Herodotus writing in the 5ifth century BC observed the abundance of palm trees across the flat terrain of Mesopotamia in the ancient reliefs where we see the abalo standing near trees those who hold cones near the trees flowers likely depict the process of pollinating date palms interestingly these cones closely resemble the male flowers of date palms which are cone-shaped even today many date palm Farms use manual pollination methods workers collect pollen and apply it to female flowers using cotton or other tools the buckets carried by the Appo near the trees likely contained pollen indicating that they were demonstrating artificial pollination techniques the elaborate designs on the trees in the reliefs may represent protective covers used to Shield young date palm shoots from harsh weather conditions and animals Additionally the Seal of the apaloo twisting Palm leaves May depict the trimming of palm trees a common practice to promote growth the apaloo depicted as wise teachers in ancient Sumerian times were responsible for passing knowledge to humans they were involved in City wall construction and likely played a role in artificial pollination over time their role evolved to include more ritualistic duties during the Neo Assyrian period but the connection between the sages and date palm farming remained evident in these reliefs during the Neo Assyrian era the role of the winged Genies or abalo expanded to include serving as protective Spirits they were often placed near doorways room corners or close to individuals to perform apotropaic rights these rituals involve sprinkling holy water or other purifying liquids from the buckets to cleanse places and people the buckets They Carried likely contained water or specific liquids for this purpose the versatility of these bags or buckets allowed them to carry various substances such as pollen for pollination or water for purification depending on the Sage's tasks it's fascinating to see how historical elements evolve and what traditions endure while we no longer create art to depict artificial pollination the practice itself continues to benefit us today Additionally the ancient ritual of sprinkling water for purification has been preserved and remains in practice this ritual has even spread to a broader population for example the Torah and the Old Testament of the Christian Bible describe a Jewish ritual involving hsip a plant dipped in water which is then sprinkled to purify individuals this enduring tradition highlights the continuity of ancient practices in modern religious ceremonies most people are familiar with the Christian aspergillum the tool used to sprinkle holy water on a person during lurgical services but did you know that Buddhism and Hindu ceremonies also include similar rituals these practices are nearly identical though the instruments and plants used for sprinkling have been adapted to fit local traditions and preferences it's widely accepted that the use of holy water in sacred rituals predates Christianity given that Christianity originated in Jerusalem a city within the Fertile Crescent and closely connected to Mesopotamia it is plausible that this sprinkling ritual has its roots in ancient Mesopotamian Traditions the flower sprigs carried by the apalo in ancient reliefs could very well be the predecessors of the Christian hsip used in these rituals despite the passage of time much has changed and much has remained the same just as the ancient sages once did today's Bishops and master monks continue to perform similar purification rituals and practices that might be traced back to the earliest civilizations on Earth we are fortunate to have these invaluable ancient artifacts which convey messages and tell stories from thousands of years ago allowing us to connect with the distant past and understand the continuity of human Traditions do you think that the items in the carvings are handbags or buckets let us know your opinion in the comments below

Channel: The Ultimate Discovery

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Keywords: handbags of the gods, mysterious handbags of the gods, gobekli tepe, handbag of the gods, anunnaki, graham hancock, ancient civilizations, ancient apocalpyse, ancient egypt, sumerians, ancient egyptians, ancient handbags, ancient history, ancient aliens, ancient handbags and serpent symbolism, ancient sumerian handbag, ancient handbag symbol, ancient handbag carvings, ancient handbag, sumerian handbags, assyrian buckets, ancient architects, ultimate discovery

Id: 4T2mZZGhLDA

Length: 27min 19sec (1639 seconds)

Published: Thu Jun 06 2024