GIMP 2.10 Compositing Tutorial - Fantasy Beach Photo Manipulation

[Music] [Music] hello and welcome to yet another tutorial by Davies media design my name is Michael Davies and in today's tutorial I'm gonna be showing you guys how to create this fantasy composition here this is a composite of multiple photos that have been sort of blended together to create this overall fantasy photo manipulation here I'm calling this sort of a beach from another world because I've changed the color of the sand and the water and the sky and I've added in this photo of this girl holding an umbrella and she's sort of floating here and we've got some Lightning going on we've got rain which I added in and we've got some mist happening here so a lot of cool stuff going on here and this is a fairly advanced tutorial but I'm gonna break it down in a way that beginners can understand and of course for this tutorial I'll be using the latest version of which at the time of this tutorial is 2.10 point 4 but of course before we get into all that I want to direct you guys over to my website at Davies media design.com as always we have tons of get video and text tutorials on here as well as project translate playlists you can support us on patreon and you could see our poll the week results so definitely check that out you can also enroll in our best-selling photo editing course from beginner to pro photo retoucher and i'll include a link to this as well as all the relevant links from this tutorial in the description of the video so here's actually the original photo of the girl I used holding the umbrella and I got this on pixabay and then I also use this photo of a thunderstorm and then a photo of a California sunset and I also use this mist brush pack from deviantART and you can click this download link here and then also I have a text tutorial on how to install brushes in so I'll include a link to that in the description of the video so you guys can install this brush pack and here again is the final result so let's go ahead and get started on this I'm gonna start by coming back over here to the photo of the girl holding an umbrella and what I need to do to this photo first is add transparency so I can erase the background so to do that I'm going to click on my layer here I'm going to right click and go to add alpha Channel and that will go ahead and add a layer of transparency underneath here the next thing I'm going to do is erase the background but I want to do it in the most non-destructive way possible so to do that I'm going to right click on here and go to add layer mask and under initialize layer mask 2 I'm going to choose right full opacity and click Add so now we've got a white layer mask on here I'm gonna come over here and grab my paintbrush and if I hit the D key on my keyboard it's gonna reset my colors to black and white here and my paintbrush is pretty large right now so I'll just turn the size of this down using the size slider and now when I paint black on my layer mask you'll see that it's going to go ahead and erase the background here and you could tell that it's transparency because you'll see a dark gray and light gray checkerboard behind here and so what I did is I went through and I just erased this and I decrease the size of my brush here using the brackets on my keyboard or the size slider and as I got closer I just used a smaller brush and then you can grab the zoom tool here and zoom in and when you get real close you can again grab your brush decrease the size of it and just sort of work on getting as close to these edges as possible and the more you zoom in and the smaller of a brush you use the more precise you can get with this so I'll just decrease the size of my brush here and I'm keeping a soft brush just because I don't want the edges to be too hard while I'm erasing and I'm not going to go through the entire race in the background part because it did take me a while but basically once I erased the background I went ahead and grabbed my crop tool here make sure the fixed aspect ratio option is turned off and I did my best to crop this so that there is an even amount of space between the left side and the right side where the umbrella is here and I'm making sure also that I include a little past the feet and a little bit above the umbrella here and then just go ahead and click to crop it and so here was my final result with the background erased and I didn't do a perfect job of erasing the background but it's definitely good enough so we're going to sort of fix it as we go as needed and you can see I have my layer mask over here and if I right-click and just disable this layer mask you could see here is our original photo so I'll just right click and uncheck that disabled layer mask option and what I'm going to do is copy and paste this onto the photo of our beach but I need to open up that photo real quick so I'll go to file and in my case open recent because I already open this and right here is my photo of the beach here the original so click on that you guys can always just find the file on your computer right-click go to open with and choose to open up your images into and there's really two options here you can either keep this realistic and keep the colors the same or you could do what I did and make this sort of a surreal otherworldly looking photo so what I did is I just shifted the hue so that the colors in my beach scene were a little bit different a little bit out of the ordinary and the way I did that was I just went to colors and you can go to hue chroma or hue saturation either one will work but I'm gonna click on that and that'll bring up my hue chroma dialog box here and I'm just going to shift the hue and you'll see as I move this hue over a little bit the colors in my image change and you can make these colors whatever you want really I went with this color around 55 or so so you can see now our sand is like a pinkish color and I'll go ahead and click OK and so now we have our surreal Beach here now what I'm gonna do is come over here to our photo of the girl without the background and I'm going to click and drag and I'm gonna drag it on top of this tab here and then come down here and go ahead and release and that is going to drop in our image as a new layer and it's gonna be called dropped buffer I'm just gonna change that to girl with umbrella and hit enter and there's some few noticeable things right off the bat about this image number one is it's too large and number two the lighting and the colors of this don't really match the lighting and the colors of our beach scene here but we don't want her to have purple skin or anything I mean you can if you want to but in my case I just kept her looking fairly normal but what I'm gonna do first off is grab my scale tool and go ahead and click on this layer of the girl with the umbrella make sure my chain icon is linked here and I'm gonna go ahead and scale her down a little bit so I'm just clicking and dragging to do that and then I'm gonna click in the middle here and drag that so that I can reposition her and we could scale it down maybe a little more and put her about right here and I'll go ahead and hit scale and she's gonna be a little bit off-center and we're gonna fix that in a little bit and by the way when I use my scale tool I had the interpolation set to no halo just so I didn't lose too much quality on that the next I'm gonna do is grab flip tool here and I'm gonna make sure my direction is set to horizontal and I'm just gonna click once and that's going to flip our girl over the reason I did that was because there's more light hitting the left side of her well it's the left side now that we flipped it but there's more light hitting the side of her face and less light on her backside here and if you look at our photo the Sun is over here to the left so there's a lot of light on the left side of our image and then on the right side is a little bit dark and so I just wanted to switch this around so that the highlights are facing the highlights in this image and vice versa and that just makes us look a little bit more realistic and then the next thing I'm going to do is grab my alignment tool here click on this layer and then go ahead and align this to the center of the image and so now we have this girl in the perfect Center and then I can also align this to the middle of the target which is basically horizontally aligning this or I guess you can make the case that that's vertically but anyway we're vertically in horizontally aligning this to the center of our image which puts the girl perfectly in the center now I need to work on the colors to basically make this blend in a little bit better with the photo behind it and I'm just gonna grab my move tool for simplicity sake but I'm going to go to colors levels to start and here's our levels tool and I'm just going to drag these three triangles here the left one is the shadows so you can see as I drag this it gets a little darker and then I'll drag my highlights in a little bit and you can see some of our highlights start to stand out a little bit so we're adding a little contrast here while also just adjusting the general brightness and overall colors of this so here's before here's after you can see there's a little bit more contrast and she's blending in a little bit better with the image behind her all right so that's gonna be good enough for me and I'm gonna go ahead and click okay now and so she should blend in now a little bit better with the background we're not done with this so we're gonna continue to work on this as we go but the next thing I do is the color balance I'm gonna go to colors color balance and I'm just going to again adjust this so that she fits in a little bit better with the image behind her and again we're not entirely trying to match the pink and blue colors that are behind her because they are pretty saturated colors and we don't want her skin to look completely fake but we do want to make it look like there's some light bouncing off and hitting her and therefore making her appear to be a slight tint of that color so we're really just adding these tints without overdoing it so you could see that I'm adding a little bit of red adding a little bit of magenta and also a little bit of blue when it comes to the shadows and the mid-tones and here's her before here's and after so before you could see she was a little bit more of a golden color and now she's a little bit more of this magenta blueish teal color and I'm gonna come over to the highlights do the same thing and I'm just sort of moving my slider back and forth to see what looks better and for the highlights originally I did add a little bit of yellow to this and so here is a before here's an after I actually earlier created a preset of this which you can click on here to create a preset if you want to save your current settings as a preset and so if I come down here there's one called umbrella girl this was the original settings that I use so you guys can copy these settings if you want the exact same settings I use the first time I did this and here's the settings for the shadows and here's it before and after so go ahead and click OK the next thing I might do is create a new layer and I'm gonna name this highlights and with gimm 2.10 and above you can add color tags to your image I didn't really use any color tags the first time I created this composition and I'm gonna change fill with to transparency and go ahead and click OK so the goal of this highlights layer is we're going to basically make the light that's coming from the Sun and bouncing off of this sort of pinkish sand here appear as if it is basically bouncing off of our subject as well so we're going to create sort of a reflection to make this girl blend in more with the background that we're using here and make it appear as if our model was here when the original photo was taken so I'm just gonna grab my zoom tool and click once to zoom in a little bit and now I'm gonna click on this girl with umbrella layer right click and go to alpha to selection that's going to create a selection area our model and I'm gonna come back up here to the highlights layer and the reason I did that was because now whenever we paint the color of these pink highlights it's going to only paint the girl and it's not going to paint anything outside the girl here so now I'm gonna grab my airbrush tool and I'm going to change my foreground color here by clicking on my foreground and then I'm going to click on the eyedropper tool and I'm just gonna click and drag this around until I get a nice bright pink color that I like so I'll go with this color right here and I'll click OK and now I'm going to increase the size of my brush here and I have my opacity set to around 74 percent 75 percent right now and I have the hardness set down to about looks like 15 percent or so and then what I'm gonna do is just come over here to the legs and I'm just going to draw this and I actually am going to hit control Z and I'm going to increase the hardness here because I don't want the edges being too fuzzy on here control Z again increase the hardness a little bit more so you can see now that I'm airbrushing this sort of pinkish color on the model here and it's making up here as if the light is bouncing off of the sand and hitting her legs here and I'm gonna decrease the size of my brush a little bit and I really only painted the areas that I thought were like facing the sand here I'm gonna hit control Z decrease the size of my brush I don't want that much pink on her face and then I'll just do a little bit here on the umbrella and so if I hit ctrl shift a that'll select none' and you can see now we have these highlight colors bouncing off of our model and if they're too prominent for you you can go ahead and click on your highlights layer and change this to another mode I believe I used hardlight originally so that's just going to help blend this a little bit so there's a before and there's an after all right before I move on any further I'm just gonna go ahead and clean up some parts of the background here that I missed when I was doing the removal process so I'm gonna grab my zoom tool and zoom in a little bit and I'm just gonna grab my eraser tool and make sure I'm clicked on the girl with them a layer and I'm going to decrease the size of my eraser and use the brackets on my keyboard to decrease this and I'm just going to erase these parts that I missed right here around the feet the parts that really stand out all right so I'm going to go ahead and grab my zoom tool and zoom out and I'll grab my move tool so the next thing I'm going to do is add a soft glow to our model here so I'm going to go ahead and duplicate this main layer twice by hitting the duplicate icon and so now we have two duplicated layers here I'm gonna change one of these to soft glow and then I'll change the other one to screen and I'm just going to move the soft glow layer below our original layer and I'm just gonna hide these two layers here and with my soft glow layer selected I'm going to go ahead and hit the forward slash key on my keyboard and type soft glow and right here we have the gaggle version of soft glow below that is the original version the gaggle version is a little bit better so I'll just double click on that and you'll see here what this basically does is it turns the highlights of our layer into a soft glow and so I'm gonna increase the brightness of this and the glow for the most part is contained within the actual outline of our model here it doesn't really go too far outside of that and I'm gonna turn this up to around 75 brightness and click OK and then I'm gonna go to filters blur Gaussian blur and go ahead and turn the blur of this up a little bit so around 11 and I'll click OK and now if I unhide the original layer you can see there's a glow behind her now but it really doesn't look great so what I'm gonna do is come over here and unhide our screen layer and go ahead and change the mode of this to screen and you'll see what that does is it allows some more of the glow to shine through while also keeping some of the original colors from our image and I'm just going to tone this down a little bit and so there we go now we have a nice glowing model here so another thing we can do is click on an original model layer grab the zoom tool and zoom in and now that we have a glow going around our image what we can do is grab the eraser tool and continue to erase any parts that we missed during the background removal portion and because there's two other layers below this one of which has a glow on it the other of which has the black screen now you'll see that as we erase it's really erasing just the black part of the image here without erasing the rest and so that just allows an easier way to go around this image and erase those parts that we missed now you do want to be careful around the face because you don't want to erase too much of the face there but you can see this is blending a lot better now and really you don't want to erase too much of the edge in general otherwise it won't work especially around the skin or you know her arms or whatever so I'm trying to really stick close to the original outline here and you'll see there I erased way too much so I'll hit ctrl Z and the more time you take on this and the more precise you are the better this will look you and if you mess up like I did right here you can hold the Alt key and that I'll bring up the under a stool and go ahead and paint that part back in and then if you release the Alt key you can go back to erasing you all right so grab my zoom tool and zoom out here and let me actually just fix this one part here the metal part of the umbrella you know grab my zoom tool and zoom out and now you'll see that we've cleaned up the outline here around our model she's starting to blend in a lot better with our photo and I'm just gonna hit ctrl and click to zoom out one last time and now what I'm gonna do is drop in the photo of our lightning storm so I'm gonna come over here to the photo of lightning storm and click on this tab and drag it over here and go ahead and drop it into our composition and by the way I downloaded the 2200 by 1467 version of this photo and for the photo of the girl and the beach I used the 1920 versions of the photos so the photo of the lightning storm should just be a little bit bigger than the photos of the girl and the beach and so now this is dropped in here as they dropped buffer layer I'm going to click and drag this to the top and this is just temporary and I'm going to change this to storm and I'm gonna use my move tool to move this up a little bit and I'm actually going to decrease the opacity of this layer a little bit and what I want to do is match the horizon line of our beach to the basically the horizon line of you know where the powerlines and stuff are and I'm gonna drag this up a little bit and I'll drop it about there I actually flipped this image so I'm gonna click on our flip tool again click once on here and then I'll go ahead and flip this and I'm just going to drag it so this power line here is a little bit below that horizon line and we can always move this again if we need to but the next thing I did is I added a layer mask to this so I'm gonna right click on the storm layer and go to add layer mask and I'm going to choose white and click Add and then I grab my paintbrush tool here and I'm gonna change this back to black increase the size here and now I'm just going to erase the parts of the city down here and I'm gonna keep some of the lightening for now really any part that overlaps the horizon line there is going to get erased so there we go now if I go ahead and click on here and increase the opacity all the way this is what this currently looks like which obviously doesn't look great but now I'm going to drag this below all of the layers of our girl holding the umbrella and I also need to shift the hue of this so that the color is a little bit different I want the color to match the color of this Beach so I'm gonna go to colors cue chroma again and once again I'm going to shift the hue of this over and I'm gonna shift it about the same as what we did for the beach so this is at again negative 54 or so you can adjust either way to see if the colors look a little bit better one way or the other I'm just gonna keep this at about the same for now though because these colors seem to match pretty well and I'll click OK this is obviously way too prominent we want it to blend in with the original sky a little bit better especially since we have a Sun right here and the Sun is reflecting on the water so I'll click on this storm layer and I'll change the layer mode to addition here and you'll see now that's going to blend this layer in a little bit better and so the sun's coming through here through the clouds and then the storm clouds kind of blend in with the other clouds below it and allows the colors to match a little bit better if you want you can also go to colors levels and adjust the levels of this photo to try to match the contrast of the other beach photo and of the model photo here so I'm just doing what I did to the model photo and just sort of playing with the levels here so there's a before there's an after you know go ahead and click ok now what I need to do is sort of blend the horizon a little bit better and this is gonna take a couple steps but the first step is I'm going to create a new layer and name this horizon highlight and hit enter and so here's our horizon highlight layer I'm just gonna grab my brush tool switch over to white increase the size of this or the brush is fairly large and then decrease the hardness of the brush I want it to be a fairly soft brush and I'm just going to paint along the horizon here I'm then going to decrease the opacity of this and then I'm going to change the layer mode to a soft light and I'll just play around with the opacity a little bit you'll see this is sort of just creating a highlight and also blending the parts where the horizons meet here so here's a before here's an after just brightens it up a little bit this is also going to help the mist which we're gonna add in the next step blend in with the horizon here so I'm gonna go ahead and create the mist now and to do that I'll create another new layer and just name this mist and click OK and I'm gonna keep the paintbrush tool still selected and assuming you have those mist brushes installed that I showed you guys the link to in the beginning of the tutorial and once you go ahead and install those brushes by the way just hit this green arrow here to refresh your brushes and those new brushes should show up in your brushes dialog here and by the way if you don't see your brushes dialog just go to Windows dockable dialogs and click on brushes and it should show up somewhere in but once I have the brushes downloaded I'm just going to click on these brushes and you can tell the ones that are the mist brushes because it says mist here in the name I'm just going to cycle through these and decrease the size here and basically using white as my color and painting on the mists layer I'm just going to paint various myths around our image here and you'll see that as I change my brushes they the size is going to be huge so you're gonna have to adjust the size of these down and up as you want them you can also change the angle here if you want to paint these at a different angle and just create some different effects and I'm just cycling through these to create some variety you and I'm painting some above the horizon as well as some brushes below the horizon you and you should also paint these brushes out here towards the middle a little bit I'm just gonna increase the size of this that way it looks like the mist is sort of traveling out into the sea and the reason that I usually paint a brush I'll do one stroke on one side and one on the other is because these brushes typically look different on their left and right halves so if I created an imaginary line down the middle of this brush you could see the left and the right are not symmetrical so because these are asymmetrical brushes I tend to create one stroke on the left side of the image and one stroke on the right side of the image you all right so that looks good enough for me as far as the Miss goes next I want to add an artificial shadow below our model here so it looks like she's floating above this Beach and that's just going to further make this look more realistic and I do that I'm just gonna change this brush back to a circular brush and you could see I've got the hardness set to 25 right now I'm gonna switch the color back to black and I'm gonna create a new layer and name this shadow and hit enter I just need to make sure the shadow layer is below all of my model layers and now I'm just going to roughly draw and actually let me increase the size of my brush a little bit I'm just going to roughly draw like a circular shadow shape here this is very rough right now and then I'm going to grab my scale tool here click on my shadow layer and I'm going to uncheck this chain link or unlink this chain link icon here and then click and drag this down a little bit that's going to squeeze that shadow layer a little bit so it's a little more of an ellipse shape or a little bit more elongated and less circular and then I'm going to just move this around until I get the shape I want it to be or the size I want it to be and basically what I'm looking for is the shadow is going to pretty much end where her feet end and then also where the umbrella ends up here it might go a little bit beyond those objects but for the most part it's going to be about the same size of that I'll just move this a little bit and we'll go with about right there so go ahead and click scale and so there is our shadow layer I want to increase the size of the boundary of this layer so I can play with it a little bit more so I'm just going to go to layer layer to image size and then I'm gonna grab my race tool decrease the size of this brush and also the hardness and then I'm just going to make this a little bit thinner in the middle here because basically the umbrella is a little bit thicker than the rest of the model so the shadow would probably you know come in a little bit and then go back out like so it doesn't have to be perfect but now we need the shadow layer to blend in with the beach a little bit better and just make it look like the shadow is actually resting on the sand versus right now it just looks like I painted it with a black paintbrush so to help it blend in better I'm going to change the mode of this layer to overlay and then I'm going to decrease the opacity to around 40% and now you can see a faint trace of that shadow there but it does look like it's coming from the girl here and let me hold shift and click on the shadow and that's going to hide all the other layers besides the shadow layer and then I'm going to click and drag this a little bit lower and then shift-click on that again to unhide all the layers again and you can play around with that shadow shape if you don't like it but I'm gonna leave it as is for now the next thing I'm gonna do is add a little bit more glow coming from the Sun so that it overlaps with their model a little bit more and makes it look like the light from the Sun is bouncing off of her so to do that I'll create a new layer and I'll just name this Sun glow and hit enter and this time I'm gonna move this layer to the top and you can actually move it above your highlights layer as well and I'm going to grab my brush tool again and I'll switch the color over to white and actually I'll click on this foreground color grab my eyedropper tool and just try to grab this Sun color here so it's pretty much a white color and I'll click OK you may also need to hide all the other layers by shift clicking on the Sun layer here click on this one more time grab your eyedropper tool and just click and drag until you get towards the center of the Sun here so it is actually just white in the middle of the Sun so I'll just stick with white and then increase the size of my brush and I'm going to shift click on these layers again to bring them all back up and then click on this top sunglow layer and I'm going to continue to increase the size of this and then I can increase the hardness a little bit here I'll just go ahead and click once and you'll see here's a before and here's an after that just allows some of the glow to spill over onto the model and you can always undo this if you want and increase the size of the brush if you want more of the sun's glow to land on your model so there we go for the next part I'm going to add in the rain so let me just grab the move tool and for this I'm going to create a new layer and name this rain and hit enter and now I'm going to fill this layer in with black so I'll grab my bucket fill tool make sure black is selected as my foreground color and fill this in the reason I'm doing this is because the plugin I'm about to use requires that you have something within the layer in order to add in this rain and I'm actually going to be using the free gimmick plug-in and I'll include a link to that in the description of this video it's a free download but now I'm going to go to filters and here you'll see the gimmick - QT and I'll click on that and make sure you're on your rain layer when you do that by the way and you can type in rain in your search box here and you'll see here under degradation z' i have something called rain and snow and here are the settings I use for this so I set the degree or the angle to 90 degrees and the speed is at twelve point seven zero the density forty five point two and so on so you guys can just go down the line here and copy these and go ahead and click apply if I move this out of the way you'll see now there is rain on this layer so go ahead and click okay and this isn't very helpful because you can't see anything below it but what we can do is with this rain layer still clicked on we can come over here and change the layer mode to screen and that's going to get rid of all the black and so now all that is revealed is the raindrops and if you click on this top rain layer you can adjust the opacity of this so these are the raindrops here that we're controlling and so now you can see the rain is a little bit less prevalent there and helps it just blend in with the rest of the composition now that we've got a majority of all the elements added in here I'm just going to do some final retouching on the girl on the model just to help her blend in a little bit better so this is mainly going to have to do with the lighting that's hitting her body and so I'm gonna come down here to the girl with umbrella layer and I'm going to grab the dodge and burn tool and I'm gonna start with this set to burn which is going to basically darken the pixels of an area that I'm painting on and actually let me grab my zoom tool and just zoom in a little bit here on the model and I'll grab this tool again so I have this set to burn I'm gonna switch the range over to those shadows here and just increase my exposure and so the more exposure I add the darker the pixels will be and the less exposure the less dark it'll make the pixels and so now I'm just going to paint on the backside of her here that's facing away from the Sun because these pixels will be a little bit darker there's a little bit less light hitting her this is just helping to blend this in a little bit better and you can increase the exposure if you need to and I'll just darken up the feet a little bit there and you could switch the range over to mid-tones and do the same thing just darken up these pixels here and same with the highlights go ahead and darken those pixels up so this helps create the illusion that she's facing this light source and the light source is hitting her and whatever there isn't a light source she's darker in those areas so now I'm going to switch this over to Dodge and I'll decrease the exposure a little bit and I'll set this to shadows again let me decrease this a little bit more maybe and now I'm going to paint on the front side of her which is facing the sunlight and so you'll see that these pixels will become brighter and I'll also paint the umbrella there and I'll do the same for the mid-tones so only painting the parts of her facing the light source and also the highlights which I'll turn down a little bit because these will be a little bit intense and if I grab my zoom tool and zoom out you'll see that shading looks a little bit better there now I'm going to add a vignette so I'll create a new layer and name this Vidya and hit enter and I'll click and drag this towards the top here and I'll go to filters light and shadow vignette and you can play around with the settings here I'm gonna pretty much leave my settings as is and click OK and just decrease the opacity of the vignette here on the layer itself and so you can see our composition has really come together now the next step is I'm going to export this as a JPEG and then color balance the entire JPEG and add a color overlay and that's just going to help blend our colors in together a little bit better so I'll go to file export as and I'll keep the name on this the same and I'm going to click on select file type by extension and scroll down until I find JPEG and click export I've already exported this one so I'll just hit replace and I'll make sure the quality is turned all the way up to 100 and hit export now if I want to open that JPEG image I'll go to file open recent and it should be right here and I'll click on that so I'm just going to subtly adjust the color balance so go to colours color balance and you'll see that as I'm doing this this is sort of blending all the colors together because it's color balancing everything at the same time so everything will have sort of the same color tint to it so there is a before and there's an after and I'll click OK the last step I'll add a color overlay so I'll just create a new layer and name this color overlay and hit enter and now I'll grab my bucket fill tool and I'll change the color back to this pink color we used earlier if you didn't save it just grab your eyedropper tool again and select the pink from the sand here but I'll click OK and I'll click to fill in this layer with that pink color then I'll change the layer mode here to soft light decrease the opacity I just want there to be a tint of this color I don't want it to be too overbearing and there we go so that's it for this tutorial if you liked it please subscribe to our youtube channel at youtube.com slash Davies media design you can also visit our website at Davies media design.com and you can enroll in our best-selling photo editing course from beginner to pro photo retoucher on udemy and I'll include a link to that as well as all the relevant links from this tutorial in the description of the video so thanks for watching and we'll see you next time you

Channel: Davies Media Design

Views: 22,225

Rating: 4.9147286 out of 5

Keywords: gimp, gimp tutorial, gimp for beginners, how to gimp, gimp graphic design, gimp photo editing, gimp 2018, GIMP 2.10, GIMP, basics

Id: 363lc6giCJ4

Length: 35min 34sec (2134 seconds)

Published: Fri Aug 17 2018