Evolution of TOM AND JERRY - 80 Years Explained | CARTOON EVOLUTION

[Music] Tom and Jerry are the madcap debut creations of william hanna and joseph barbera and the first breakthrough cartoon stars for MGM having starred in over a hundred and sixty-one classic shorts during the Golden Age of animation and a plethora of preceding shorts television series and films they have remained one of the most beloved cartoon Panther ships or rivals of all time possessing more Academy Awards than any other cartoon character in history danny viewing in some of the most violent cartoons ever seen and paving the way for an entire groundbreaking animation style and entertainment empire the characters were tamed and toned down over the years with acclaimed animator Brad Bird once calling them the most screwed up and abused comic characters there are in 2020 Tom and Jerry will turn 80 years old and to celebrate I will trace their entire evolution right from 1940 to now to do so we will look at the most drastic and important changes in their design and personality and in the stylistic and narrative structures of their films privileged across more than eight decades of shortened series in this very special edition of cartoon evolution [Music] in 1928 Walt Disney debuted Steamboat Willie the first widely released Mickey Mouse cartoon capturing the world's attention with its ingenious use of synchronized sound and music Mickey rapidly became the world's most beloved cartoon character and made it possible for Disney's studio to experiment with that art and filmmaking through a second series of highly acclaimed one shot short the Silly Symphonies inspired by all perhaps jealous of Disney's success major studios began opening their own animation arms including at metro-goldwyn-mayer or MGM arguably Hollywood's biggest player of the time him GM initially attempted to win distribution rights of Disney shorts from pat powers who was distributing them to Columbia Pictures Powers couldn't give them his biggest contract in Walt Disney but he could give them the next best thing AB I worse Disney's head animator line works not only co-created Mickey but had also spearheaded the animation style of Disney's groundbreaking exceptionally popular films and was the animator almost solely responsible for the first 15 Mickey shorts and the first seven Silly Symphonies however the pressures that were being placed upon him by his lifelong friend come boss Walt was starting to wear him a fin feeling he wasn't receiving the kind of acknowledgment he deserved for his tremendous efforts he was easy for powers to lure him away from Disney in 1930 with the chance to head his own animation studio and produce his own cartoon shorts to be distributed for a lease through MGM Iwerks his first attempt at a series for MGM flipped the frog was mildly successful but didn't win over audiences the way Mickey had after 38 shorts MGM ceased its production and had iWork start over with a new character Willy whop out was the result though he too was wildly unsuccessful after only 14 a willy shorts MGM terminated their contract with I works and powers in 1934 MGM would then approach animation team Hugh Harman and Rudolph izing who had recently cut ties with Leon Schlesinger over budgetary issues on their Looney Tunes cartoons starring Bosco which he was releasing it through Warner Brothers MGM signed harmonising under contract in 1934 along with Bosco who they'd retained the rights to and would start a new series called happy harmonies an obvious roof on the Looney Tunes and Merrie Melodies titles they produce for Warner's which were in turn a parody of Disney's Silly Symphonies whilst the happy harmonies were also somewhat successful parent and izing found themselves struggling to keep within MGM stringent budgets as they had at Schlesinger and in 1937 MGM cut their ties with the pair after 37 shorts and fin up with unpromising outsourced independent producers opened the MGM cartoon studio film sales executive Fred Quimby was placed at its head and many of harmonizing staff were coaxed away in the process one such staff was William Hanna who was appointed a studio director Quimby additionally ransacked star from other animation studios including animator joseph barbera from Terry toons who producing cartoons for Fox by 1938 following a string of failed shorts under different leadership's Quimby hired Harmon and izing back as creative heads of studio to both direct and produce shorts Harmon would work on one-shot shorts most notably 1939 s peace on earth which was nominated for an Academy Award and even a Nobel Peace Prize while isay would oversee short starring Barney beard who would be MGM's first cartoon star while popular bunny bear just wasn't cutting it for Louie B Meyer behead of MGM what he really wanted was proper recurring characters of the same caliber as Mickey Mouse or Porky Pig the rapidly rising star of Warner's Looney Tunes Hanna and Barbara who were working as directors and story men under aizen's unit came upon the idea of developing two characters who in Barbara's words would be equal and always in conflict with one another Finnish leader to envision them as a fox and a dog but eventually settled on the classical pairing of cat and mouse lending itself perfectly to a chase formula with plenty of action excitement conflict and violence everything needed for an entertaining series the idea was pitched to quimby who allegedly hated us viewing it will be seen as far too unoriginal considering the cat and mouse pairing had been done countless times before after much lobbying from the directors Quimby conceded and allowed them to give it a try the first short titled puss gets the boot went into production the short would see an unanswerable morphic quadrupedal cat named Jasper chasing an answer amorphic bipedal mouse named jinx around a house the mouse would outsmart the cat and retaliate against him at every corner with many of the cat's own actions backfiring on him while both characters would use excessive violence it was the cat who would usually take the majority of the hits inspired by their idol Charlie Chaplin Hannah and Barbara would take a silent film approach with the characters using slapstick comedy the driver narrative instead of dialogue in fact the short didn't feature traditional story beats at all simply one physical gag after another building to a climax the creators had developed a winning formula when push gets a boot was completed it said that Quimby and Mayer absolutely loved it but regardless decided to only give it a soft release still worried about its perceived an originality when the short was released in February of 1940 in the words of film and animation historian Leonard Maltin it was something very new and special and left audiences clamoring for more nevertheless Quimby instructed the filmmakers to focus on other one-shot shorts instead of producing anymore starring the cat and mouse while they were working on such shorts as galloping gales and officer pooch a pair of absolute turkeys as Barbera would call them the studio received a letter from Bess are short a major distributor from Texas and asking when to expect the next cat and mouse pictures and that very is all it took for Quimby and Mayer to be convinced to greenlight an entire series featuring the characters and rightly so a year later pulse cancer boot would be nominated for an Academy Award for Best Short subject cartoons it would however be beat out by fellow MGM short the Milky Way directed by izing and produced by Hannah and Quimby which would be the first non-disney short to win the award had been Mayer's first major cartoon victory giving him the impetus to throw more money into his animated shorts the second short would go into production soon after but the filmmakers weren't entirely happy with the names Jasper and jinx for a potential franchise so in the same way that Walt Disney would often brainstorm gag ideas her studio wide competition was held to find new names jannick Chow was the animator who picked the winners and was given a $50 bonus for doing so adjusted for inflation in 2019 that's the equivalent of just under $1,000 over the years multiple origins have been speculated for the names Tom's and Jerry's were colloquial names given to British and German soldiers respectively by the Americans during World War two and on the nose reference that would have been funny for domestic audiences at the time while a 19th century normal titled life in London by Pierce Egan featured two rambunctious lads named Tom and Jerry running amuck around Victorian era London something it would certainly be in line with the riotous nature of the cartoon characters Barbera was adamant however that car named the characters after the Tom and Jerry Christmas cocktail which in turn was named after the characters from the Egan novel while in a roundabout way they're too boisterous characters were an influence it's unclear whether there was a direct or intended link so it would seem highly likely it's also worth noting that there was a Tom and Jerry cartoon series from Van Buren studios in the 1930s which true was titled after Egan's characters in fact Barbara's first animating gig was on this series that we need to believe that this connection is coincidental and unintended that said I do find it hard to believe that the similarity wasn't questioned or debated upon at least once the second short 1940 ones at the midnight snag the first official entry in the Tom and Jerry series would see the characters appear in slightly modified designs both characters remained largely the same but with slightly cleaner animation Jerry retained his the long eyelashes which would become a recognizable design trait in the early years while Tom had a slightly less scruffy almost younger appearance design-wise Tom and Jerry never altered too drastically over their golden age run which would last seventeen years and see your total of a hundred and fourteen shorts produced by Hannah and Barbera when the characters did a visual evolution it was usually so gradual that it's somewhat difficult to pinpoint exactly changes are evident these subtle changes in fact were likened to by Barbara as the characters aging gracefully Tom's changes were the most traumatic and the two mainly in his transition from somewhat realistic quad repaired to anthropomorphize bipedal cat throughout the early to mid 1940 shorts 1942 's puss and toots is the earliest short where we can see signs of anther a morphism but it's used sparingly for the sake of gags by 1944 was a zoot cat Tom took under more humanized design that we recognize him in today and by 1945 st4 - he is confidently standing upright and swinging around a golf club in early shorts Tom would also be designed with a striped face that is he'd have a lighter coat between his eyes this would however be phased out around 1953 Jerry on the other hand would simply alter encode pigment from time to time and slowly lose weight while becoming slightly taller and more upright the second short of 1950 a Saturday Evening Post is where these changes become most evident well the first short of 1951 Jerry's cousin he'd even lose his trademark eyelashes for the best part of the next 30 years what did evolve in the Tom and Jerry short more so than the characters themselves was their stylistic approach a large majority of the cartoons followed the exact same chase formula with a limited narrative though the location would change from short to short and more and more side Cantor's were added over the years adding an extra element to them and while Tom usually conceded defeat by the end of most short the occasional one would see him as the winner like why some shorts would see both the winner and others both the looser the shorts also became rapidly more frenetic stylized and yes violent with Hannah and Barbara finding inspiration in the erratic style of their colleague takes Avery who in the early 1940s had transitioned from Warner's to MGM and was breaking ground in animation with shorts like red hot Riding Hood jerky Turkey and those starring his zany creation screwy squirrel these shorts in fact were so frenzied and excessively violent that they came under controversy by some and continue to face it today regardless it was these ferocious lowbrow gags and slapstick comedy that separated Tom and Jerry and other MGM cartoons from the pack they showed that cartoons didn't need the meticulous storytelling and wholesomeness of the Disney shorts for the clever story driven comedy of the looney tunes to connect with audiences not only were the visuals unconventional the music was too with composer Scott Bradley writing erratic scores that would chop and change between genres like classical jazz and pop these were scores so chaotic and so complex employing rarely used time signatures and irregular key changes but studio musicians struggle to even perform them but just like the visual gags Bradley's music gave the shorts a hard humour and energy they couldn't have captured any other way capturing the hearts of the audience in the process Tom and Jerry became so popular so quickly that they had their own theme song by 1942 and won their first Academy Award in 1943 for the Yankee Doodle Mouse the first ever cartoon to win the Oscar for short subjects outside of the cartoons category their first Oscar in the short subjects cartoons category would come the following year for Mouse trouble the first to beat Walt Disney for the award following a decade strong winning streak in total the classic Tom and Jerry shorts would we not more Academy Awards than any other character focused cartoon series in history including Mickey Mouse and Bugs Bunny winning a total of salmon from 14 nominations the total nominations additionally put them equal with Disney's Silly Symphonies has the most nominated cartoon series of all time in 1945 the two even starring alongside one of MGM's biggest stars Gene Kelly during a short segment in classic film Anchors Away this iconic scene would see Jerry tap-dancing with Kelly and became one of his most memorable moments despite MGM originally hoping to use Mickey Mouse before having the idea next by Disney in 1953 Tom and Jerry would likewise star along site Esther Williams during a short underwater dream sequence in dangerous when wet by the mid-1950s the advent of television was dragging audiences away from cinema screen meaning there was less money to go around for cartoon production an animation process known as a limited animation than has sprung into popularity limited animation cartoons will be produced on low budgets and utilize various animation shortcuts to come back on the number of drawings and cells that were needed this included far less detailed drawings held cells still characters and cycled movement craziest thing was many of these cartoons were actually quite popular earning high praise and even winning Academy Awards at this time Tom and Jerry were produced on large $50,000 per cartoon budgets the equivalent of $600,000 in 2019 when studio heads got savvy they started questioning why they needed to be when mr. Magoo and gerald mcboing boing were produced at 1/5 of the cost and were beating even a likes of Walt Disney at the Oscars in 1954 MGM slashed the budget of the Tom and Jerry's forcing Hannah and Barbara to reduce the quality of the shorts leading to a major shift in their animation style not only did they conform with certain limited animation techniques but also relented into producing 1 cheetah cartoon per year which would repurpose clips from previous shorts as a result the characters also took on a slightly cuter more stylized and angular look common in a limited animation styling with 1954 was pet peeve MGM also began experimenting with producing select Tom and Jerry's in the CinemaScope aspect ratio and by 1955 that's my mommy they had decided to film all of them in the format hoping the releasing cartoons that were more cinematic will drag audiences away from their TV sets and back to the big screen unfortunately the budgetary cuts and obvious dropping quality had the opposite effect and the studio are rapidly losing money resorted to re-release in classic shorts into cinemas as a way to stay afloat when they realize that the older cartoons were outselling the new ones and that ceasing production of new shorts could save six hundred thousand dollars a year - six million dollars in 2019 they made the call to violently throw the axe down on the mysterious pair once and for all in mid 1957 closing the entire contouring studio in the process the shorts would continue to release however through to mid 1958 Barbara would recall one day I've got a call from the front office telling me to fire everyone just like that it was scary I thought what am I gonna do with myself all I know is Tom and Jerry luckily what Barbara and Hannah knew from making the Tom and Jerry's was easily transferable to other projects upon leaving MGM they would jump out of a theatrical game and follow the industry's leader Walt Disney into the wonderful world of television forming an entertainment empire all of their own taking many of MGM's animators with them hanna-barbera productions would eventually lay claim to some of the greatest animated characters and series ever including scooby-doo Yogi Bear the Jetsons and the Flintstones becoming the most successful television animation producers in history but those are all stories for another time after putting Tom and Jerry in moratorium for three years MGM decided to revitalize the series by outsourcing the animation a common trend of the time with Warner's doing the same thing with the Looney Tunes a few years later gene died a one-time creative director of the Terry toons now running his own studio out of Czechoslovakia and fresh off an Academy award-winning short film was the man hired to reduce the next slate of Tom and Jerry's despite having a dislike for the original cartoons in fact Don would call the series tasteless and a primary bad example of senseless violence teen for work however he took the job and released the first new Tom and Jerry switch and kitten in September of 1961 regardless of his feelings towards the original short damage could appreciate their inventiveness and respect their craftsmanship he had enough pride in his job that he made sure to keep the visual approach of the characters themselves as similar as possible saying that he resolved to make them look as much like the late period hanna-barbera originals as I possibly could using their later model sheet as a rare friends while the characters were visually similar there was still an obvious drop in overall quality and detail due to the lower budget and outsource nature of the productions which heavily relied on limited animation for faster turnovers to make up for or distract from this dodge did add his own touch setting the cartoons mainly in locations away from the house and adding a somewhat surreal style to the backgrounds despite disliking the needlessly violent style of the original shorts don't stay true to their anarchic nature learning to look at the violence as a parody of exaggerated human emotions find the fun in mayhem and embrace the biblical nature of the David and Goliath esque stories as they will produce behind the iron curtain none of Dodgers animators were familiar with the American Tom and Jerry shorts he found this made at an almost impossible task and more familiar with the duo then his creatively isolated team ended up doing most of the writing and key animation himself to maintain the American style while dyche's shorts were commercially successful that actually helped the series dethrone the Looney Tunes as the highest-grossing animated short series of the time they were generally criticized or in dodges words savaged by audiences as the worst Tom and Jerry cartoons ever and despite dodges efforts to keep the original character style while mixing up the formula they are often discredited for their repetitiveness and also for straying too far from the original source dodge would note that it was impossible to stay ahead of the firing line even once receiving a death threat from a disgruntled fan telling him he deserved to die for his word yes toxic culture existed long before social media dodge completed his initial contract of 13 shorts with the final one on that common getted releasing in December of 1962 but wasn't offered a renewal following a management shakeup at MGM dodge claimed that he was ditched by the new executives because they chickened out on the communist country issue feeling that he would have made more had there not been a turnover in James new guard did Harry wish to continue the series but back on American soil the following year legendary animator Chuck Jones was hired to produce and direct a series of and the SIP tower 12 productions her studio he ran with co-producer Liz Goldman and which would later be bought outright by MGM and rebranded as MGM animation visual arts after violating an exclusivity contract Jones had recently been let go from Warner's animation where he'd had a long and illustrious career working on the Looney Tunes shorts he was best known for his work sewing Bugs Bunny at Daffy Duck and Porky Pig including such classic shorts as duck amuck warts opera doc the hunting trilogy and duck Dodgers in the 24 and a half century he also created such characters as Wiley coyote the roadrunner and Marvin the Martian Jones was chosen by MGM because his card range was so beloved and his own personal brand of witty fast-paced and stylized films will instantly recognizable a seemingly perfect match for MGM's disorderly slapstick legends Jones would embed the shorts with his trademark use of exaggerated movement blackout gags and fast-paced action and unlike Diet refused to conform to any style of animation other than his own with this new style Tom and Jerry's visual design changed drastically for the first time in decades Tom was given a large bushy eyebrows a darker gray coat furrier cheeks and a longer tail he's somewhat resembled Wiley coyote in Jones's version of Sylvester the cat he would even take on puzzling expressions that clearly influenced his later design of the Grinch in the 1966 MGM television special Jerry on the other hand took on a lighter coat and was given larger eyes and ears and an overall cuter look both characters took on a simpler more angular and stylized design as was common enjoins us work which was also reflected in the background art which was much more detailed than dodgers in fact Jones's cartoons were given larger budgets and had no need for limited animation which Jones despised since Tom and Jerry had worked so perfectly with the hanna-barbera style Jones's tank was also met with criticism for being a too different why they worked well as Jones cartoons they didn't ask Tom and Jerry cartoons regardless Jones's shorts did see some praise and success and even introduced the classic gM cartoons logo starring Tom before being discontinued in 1967 after 34 installments after producing a number of TV specials for MGM and also hitting the production of a Tom and Jerry compilation series for CBS television consisting of heavily edited classic theatrical shorts the studio would let him go as they closed the animation division in 1970 following another brief hiatus MGM brought Tom and Jerry back to TV in their first original series the Tom and Jerry show which aired on ABC in 1975 and marked the return of Hannah and Barbara as producers Tom and Jerry show returned the characters to their classic era designs though Jerry would now be pictured in a red bowtie additionally to conform with strict children's television certification rules the chase formula and all violence was eradicated with the pay instead presented as friends traveling the world together on narrative-driven Adventures pestering those around them instead of each other the series consisted of 48 new shorts running between 7 to 8 minutes each bundled into an accumulative 16 half-hour long episodes these shorts would be kept in rotation for many years often in package series also featuring Grape Ape and mumbly cartoons between 1980 and 1982 Tom and Jerry would debut in a brand new TV series called the Tom and Jerry comedy show which would run for 15 episodes and also feature short starring other MGM characters such as spike tits Avery's droopy and Barney bear to produce the series MGM hired film nation the main competitor of hanna-barbera at the time and the producers of such programs as he-man Masters of the Universe Shearer our princess of power Flash Gordon Fat Albert the Batman Superman our and Star Trek the animated series among others Filmation will once again used the late 1950s hanna-barbera character designs though Tom would retain the bushy eyebrows of his Jones design and Jerry would regain his eyelashes formation would also return the competitive aspect of the series restoring the earlier shorts chase formula however continuing to abide by television stand the shorts featured far less violence and would really depict a definitive winner Filmation were known for their less is more quantity over quality approach due to the sheer number of series they pumped out quickly and regulate they would heavily utilize the limited animation consistently rely on recycling previously use animation and use less frames per second resulting in jittery stunted movement additionally formation would use simplistic synthesized scores giving the series a generic feel all-in-all filmation's tomandjerry shorts were of an incredibly poor quality and disliked immensely by fans Tom and Jerry's first foray into the 1990s would be in the form of beta fication series Tom and Jerry kids following a popular 1980s 90s trend of presenting popular cantering characters in junior versions and cuter baby designs also seeing hanna-barbera produced such shows as The Flintstones kids and a pup named scooby-doo Peter Jerry would retain his 1970s bowtie and to lose his eyelashes again with Tom acquiring a red baseball cap the animation style was more polished and detailed them formations and the music was produced to a higher quality even garnering a Daytime Emmy nomination the 65 episode series ran between 1990 and 1994 and was produced by Turner Entertainment who had acquired the Tom and Jerry property in the 1980s and hanna-barbera productions who would also be acquired by turnout during the show's run being produced by hanna-barbera the show would once again returns of a classic chase formula with both characters constantly trying to out with one another some episodes were even remakes of classic shorts some however will be presented with more structured narratives and surround Tom and Jerry with a greater roster of talking side characters the series would also be slightly more violent than the previous incarnations though due to its age demographic would still be tamer than the earliest shorts in 1992 Tom and Jerry would hit cinema screens for the first time in 25 years in their first feature-length production Tom and Jerry the movie produced and directed by Phil Roman best known for his production work on the Garfield animated specials has the lead Manor on jones's Grunch special and later for his a long time producing tenure on The Simpsons while not directly involved in the production of the film but bear would work as a creative consultant after attempting to get a feature film made for over 30 years while the film would present traditional iterations of the characters even depicting Tom with his stripe face not seen since the early 1950s the film would make many departures from traditional Tom and Jerry elements with its long-form duration he took on a proper narrative structure seeing that you are helping a young girl find her family he did feature a number of chase sequences with relatively mild violence that would depict the characters mainly as friends like in the 70s series in turn losing much of the manic style of the original shores strangest of all the movie would take the form of a musical and even give Tom and Jerry extensive dialogue transitioning them from silent comedic stars to annoying cartoon animals the movie was an enormous box-office flop making only 3.6 million worldwide on a budget of 3.5 million and was also a critical failure film critic Siskel and Ebert would give it two thumbs down and animation historian Charles Solomon would criticize it for trading polished animation razor-sharp timing and slapstick humor for a formulaic story and for its strikingly an original songs he would additionally call it bland pedestrian fare naturally turn elect Tom and Jerry cooler for the best part of a decade with a next project the mansion cats being a one-off TV short produced for boomerang in 2001 Mansion can't strangely reverted Tom and Jerry to the 1970s designs and would once again make them mute it also took on the classic chase formula once again we've toned down violence while produced by hanna-barbera the short wouldn't include any direct creative input from either though Barbara would provide the voice of Tom's owner it would be the last short produced by hanna-barbera after the studio was absorbed into Warner Brothers animation in 2001 only 10 days before the death of Hannah the next and currently final one-off Tom and Jerry short the karate guard will be released in 2005 initially prepared as a optical short as part of Warner's plan to release 30 new cartoons starring their classic characters it was eventually relegated to television following the box office disaster of 2003 s Looney Tunes back in action however it did receive a very limited theatrical showing the short return Barbera to writing producing and directing duties for the first time in almost 50 years it would also be his the last Tom and Jerry short with he - passing away only months after its release karate guard returned Tom and Jerry to their classic slapstick roots with an iconic chase formula and hilarious violence Tom and Jerry tales a Cartoon Network series consisting of 26 half-hour episodes each containing three short for a total of 78 new cartoons would debut between 2006 and 2008 each autumn and Jerry presented in their classic late 50s designs with another return to the classic chase formula again with a less brutal violence filled with slightly more than previous incarnations it was the first series which attempted to mimic and recapture the style and tone of the classics in 2014 however the Tom and Jerry show would debut on Cartoon Network with new episodes currently premiering on boomerang streaming service the series would once again feature multiple shorts over a 30-minute time frame and is the first to return the characters to their manic relentlessly violent slapstick origins with TV regulations for cartoons less stringent in this modern era Tom and Jerry show is easily the most nicely animated series since the early hanna-barbera days utilizing vibrant digital flash animation the show occasionally features the classic chase formula but much like the recent Looney Tunes show aims to modernize the setting and story narratives for the newer generation in addition to the more recent cartoon series Tom and Jerry have also starred in a current total of 13 straight to Home Media feature films starting with the magic ring in 2002 which was the final Tom and Jerry production to be produced by both Hannah and Barbera these films have seen Tom and Jerry in their early classic appearances off on many magical fantastical and exciting high adventures and though they are narrative ly driven they still retain chase elements and classic Tom and Jerry brutality some films have even parodied or straight-up Reem made classic Warner Brothers properties with tomandjerry thrown in the mix such as 2011 tomandjerry and The Wizard of Oz 2012's Tom and Jerry robbing hood and his merrie mast and 2017 Tom and Jerry at Willy Wonka & the Chocolate Factory 2015's Tom and Jerry spike Westwood even see the duo crossed over with one of hanna-barbera's classic 1960's television creations Jonny Quest the films have had a mixed response with some well received and others critically panned while Tom and Jerry having appeared in a theatrical film since the disaster of 1992 if they will return to cinema screens in a new live-action 2d animation hybrid film set to hit cinemas in 2021 from Warner Brothers the film will see Jerry causing a ruckus in a hotel with Tom having to be brought in to chase him away it will star Chloe grace Moretz and Michael Pena in live-action roles Tom and Jerry have survived an incredible eight decades on our screens and regardless how you feel about some of their outings one can't help but love them eternally and that that it's over to you I want to know what's your favorite Tom and Jerry appearance over the last 80 years far away in the comments below and let me know your thoughts if this your first 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Channel: Dave Lee Down Under

Views: 2,014,403

Keywords: tom and jerry, tom & jerry, hanna barbera, hanna-barbera, Cartoon, Cartoons, Classic Cartoon, Classic Cartoons, Cartoon History, Film History, Movie History

Id: vTrjjtg4P-Q

Length: 33min 57sec (2037 seconds)

Published: Wed Sep 25 2019