Edit like SANCHEZAE in Adobe After Effects - (+free pf)

in today's video I will be remaking one of sangji's edit and showing how you can edit like him step by step in detail in it OB be after the effects okay so before we actually begin if you want to edit faster then please make sure to check these two plugins from the description I'll be using them quite a lot later in the video the first thing you want to do is add Tils onto Eclipse keep all of the values to 4,000 and for the does change it to unfold after that just copy it and paste it on all of the other layers as well I will be teaching you the shakes used by him at the beginning so create an all from the script it will automatically trim to the size of the layer selected and even parent it with the lip now it P on your keyboard to bring up the position and hold shift press R to bring up the rotations as well click on the clock like icon and make a key frame change the rotation values to positive six then forward six frames and place key frame for the position as well but this time change these two to 00 don't forget to separate the dimensions now forward another 20 frames and change the X position to positive 100 and Y position to positive 35 and another the turn forward and change the X position to -200 and Y position to 00 okay so I think I forgot the rotation so I'm just going to forward 20 frames from the very beginning and change the rotation to -2 just three frames away from the lastar position key frame and again change it back to positive six keep in mind that you do need to copy the same distance between the key frames to make a precise Shake now highlight them and hit F line on your keyboard to easy eat them after that you're free to change the placement for a unique seed that will be our shake for all of the clips so make sure you copy and paste them onto all the other layers as well okay so after you've done done the work of copying and pasting we will add durent display to our clip now give him both the amount and the size then move to the end of the clip and change the amount to zero and size to somewhere between 300 500 the size completed depends on how strong you want the S to be I'm just going to highlight them and hit F9 to easy ease well after that obviously copy and paste the same stuff in all of your layers where it feels necessary now for the effects we'll begin with his ey glue as you can see I've already duplicated and MK in the top layer the next thing I want to do is make the mask a little more smoother toly cleaner after that add a feel effect on the top layer but for the color what you want to do is just change it to White finally top it off with the SS raise by Sapphire plugin and there you have it now that we're done with this one let's move on to another effect this should be basic but let me go ahead and show the process to you press contrl and D on your keyboard to duplicate the layer I'll just go ahead and rename the top layer now I want the red bubbles to Glow so what I will do is just add a BCC linear color key and choose the red color now on the output though select composition invert Alpha what that will do is only keep the colors you select and remove all stuff now to actually make it Glow we're going to add a deep glow uh that just make everything disappear right so to fix that click on the unal option after that change the radius and exposure as you please now for our last effect I want to add the speed over there behind the character so I will obviously mask the character but instead of doing a full and detailed mask I draw off mask I'll explain more of that later but as of now I keep from The Mask or split the layer and do it again I personally prefer the second one to be honest after you've done that press F to open up the feather and increase it excessively quite literally and then sandish the overl between the mask and the normal clip if you want then obviously composite the clips a little more okay with that we're done with the effects as well and now let's move on to the transitions so for making the transitions I will animate the scale to go from 400 to the defaults Sanu sty graph the in drops are relatively smoother and I use the FL plugin for making the graph check it out from the description now what I will do is create another n layer but this time with the opposite and the scale to go from 100 to like -20 the graph should be really tight which is what I did now again I'm going to spice this up by adding another adjustment layer and a warp onto it keep from the bend and move to just one from before the flip ends and change it all the way to 00 change the graph mode to f eye now I'm going to highlight them and open up the graph everything there change the graph typ to value graph and make a basic allra just like this now for another transition freeze the first trim and the last trim sequency we did this to match the duration and overlap the clips now press contrl and D to duplicate both the clips and for my I will rename both of the top players so I can distinguish between them easily you might have noticed that the transition is style based so for that I'll just scale down the clip something like that and on the bottom layer of the clip I'm going to add a cc repar but instead of changing all of the values to 4,000 I'm just going to change the xand left and right to 4,000 now to actually distinguish the clip from the main layer we add a blur onto it I used BCC but you can even use the default ones just be sure to keep it [Music] low add another exposure as well and reduce the value now copy and paste these two effects on the bottom layer of the other Clips as well okay to make the top layer stand out even more add a drop shadow on that you can use any Shadow but I prefer the sapphire one make sure you copy that onto the bottom lay as well let's focus on the camera movement now create a camera layer by pressing control shift C and use the ad not script from earlier to make a few [Music] notes okay so hide the top clips and on the bottom mov it toide so long as it cannot be seen just like that [Music] now now you can to off the button and after that select the first n layer and hit ke on your keyboard but this time put it so left fo that the previous clip REM moved away appears on the main screen I personally use the proportional grid to make the scaling easier remember how we highlighted the top clip by shadowing and bluring well this is how it comes in handy as you can here see how visible the clips become I think I'll also scale the clip to fill the black bar because if you see the original edit that's what he did over there that's why I give you highlight the key frame hit F9 on your keyboard to easy EAS and then select the graph editor the marker is where we want the spike of the graph to be and we won't be going easy but rather making it stiff and tight do the same for the scale too but the graph here seems upward down right but that simply does not matter so for the graph make it relatively loose and just like that we're done with the camera Transitions okay so back to the main composition um make a few NOS again for the transition through the ad no script from earlier there two Q frames and in the beginning change it to 400 your graphs should look similar to [Music] this so above the main layer press control alt y to create an adjustment layer and I will trim it to the size of the layer below now I will use the FX console plugin and use it to add an Optics compensation on the adjustment layer hit the reverse lens Distortion and key from the field of few make to qy frames and set the first one to somewhere between 100 to 120 and the last one to zero easy is the key frames and after that open up the graph editor you don't want the graph to be tight but Loose so something like this should be absolutely fine now move to the end of the layer and place two Q frames and make a now [Music] transition the when you kiss me goodbye and I said rather than creating a new warp you can just copy the whole adjustment layer and then press alt control and V together to past the layer at the same time as a playhead remember this as a trick control alt and V now since you know the pattern of making the normal transition I'll skip the next one now let's move on to the ey transition many people kind of over complicated but to be honest it's quite easy and I will show you that in just a moment but before that take a look on how I did this fade transition open up position and scale put two key frames and scale it all the way to 400 now change the position halfway up to the right side highlight them and through the flow plugin make loose graph after that select the actual clip and press T to pull up the opacity and from the beginning to end animate from 100 to zero with no gr I did this said earlier on the other clip was making process is also quite similar to this one now above both the clip create an adjustment layer and trim it to cover half segment of both the layer then add a directional blur on the layer I used the one by BCC but you can use any one you want for the amount you want it to be higher now Place key frames animating it to go from0 to 250 and again back to zero easy is them by pressing F9 and open up the graph editor but this time choose the speed graph the next transition is a zoom in but considering I already taught you the method I think you'll sort it out so let's just move on to the ey transition over here the in transition is already made so I'm just going to like focus on the out transition only which is the ey transition duplicate the clip and make it exactly one frame long remember the effects we added in the beginning be sure to remove those as well even the shakes and also remove the link with the N to can basically undress the clip after that freeze the duration and stretch it like 10 frames or so then mask the eye from where you want the transition now choose the mask mode to subtract or enable the inverted option either of them was perfectly fine I want it to be a bit smoother so maybe further The Mask a little bit too now open skill and position values off the overlap click place a key frames of default values and move it to the end now Zoom the clips so much that the clip below the layer starts to get seen from the inverted mask use the position two and keep zooming in I hope you get the point of what I'm trying to achieve right [Music] here alast then easy is only the key frames at the end not mandatory but it's like OCD for me on the clip below make a simple zoom out like we did before in other Clips if there is much movement then you can track the layer but again we want it to be simple so we don't care much open up the graph editor and make a mid graph now too stiff nor too smooth after that head to another clip and change the Anor point to the eye we marked earlier then use the scale to match the last room of the clip with the mus and animate it to the falls okay so we are done with the transitions too now let's move on to shakes but before that prompose all the layers into one for a cleaner work press control alt y to create an adjustment layer and match its timing to the clip beneath now change the speed to 30 and amount to 70 head on to enable and then enable the slide by the way rather than copying the values why don't you learn how to make your own shakes from my cre blogging tutorial after you watch this video okay so after that animate the twitch to zero highlight them and easy is to FN the C will obviously be tight and [Music] stiff after that duplicate the same clip and paste it above all glips just be sure to change the seat values as it will make each Shake different from one another although the main values will be the same last but certainly not the least I will show you his color readings add looks plug in by red magic bullet on a new adjustment layer after that select subject and add a pop onto [Music] it now change The Preserve detail all the way up to 100 and keep the size as for your preference select lens and add a haze flare I don't want it high so I'll keep the value SP is low that's it for this one now on the post add I scur and yeah just basically mess with it not going to lie it already seems good enough again back to the lens and add its softness seems like I forgot to add that one earlier so so what you want to do with this is keep the center as per your clip you can see mine as a reference now keep the quality all the way up to 10 and for the BL size kep it somewhere between 5 and [Music] 10 finally add new saturation and increase the saturation and yeah it's done now to complete an edit like him his sfx is PR so make sure to watch this video about sfx and audio editing from right here

Channel: k1tk4t aep

Views: 26,061

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Id: XjeIkPuUfb8

Length: 15min 19sec (919 seconds)

Published: Wed Jan 31 2024