Documentary: Swedish Royal Wedding Dresses (2018)

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Once upon a time, there were five wedding gowns. In the first one, a young woman became the Queen. I didn't get married only to my husband, but also with all the Swedish people. The second one was a gift to a couple– –who got to show their love to the world after over 30 years of waiting. The third one provided security to a crown princess– who married a prince of the people. To get support from the dress in the big moment. It's the greatest day in our lives. The fourth one is carrying a secret which is now to be revealed. I felt like Cinderella, because the train was 1.40 m long– –and the Italian seamstresses ran around like small mice and sewed up this dress. The fifth dress is a part of a history– –how a barefoot wedding became a princely wedding. I always wanted to have a simpler wedding– –but if you get married to a prince it will be the different. This the story of the royal wedding gowns. You can't shoot the film out there. This kept the subjects from the royal collections. No television team has previously visited the Royal Household Utensil's room– –this is at an undisclosed location. Many of the tens of thousands of objects stored here are invaluable. We have workshops and warehouses for a total of 10, 000 square meters. We manage around 250 000 objects– –80% of which can be found at the royal palaces. The rest of the objects are preserved in different places. Andreas Andersson is the head– –of the Royal House's department of conservation. He and textile conservator Stay Broman– –are here to take out one of the royal family's most private items. –Then we are ahead of the game, huh? –Here is the dress in which we should take out. –It's big. –How should we resolve this? We should call someone else who can help us– –to get the dress out. –How big is it? –On its full length, it's five meters. It needs to be taken out and folded up to fit in our largest box. –We have the trailer here as well? –The trailer fits together with the dress. –Is it mounted? –Yes. We will solve it. We can put it on a dock and have the trailer carry itself. But I think we can stop it up with tissue paper. It is quite sensitive material, lace and pleated thin silk –so we'll take it gently. Madeleine's wedding dress will be made public at the Royal Palace– –along with the Queen, Princess Lilian, Princess Sofia, and the Crown Princess's dresses. On 17 October 2017 is the grand opening in the hall of state at the Royal Palace. During the six months that it'll run "Royal Wedding Dresses" will attract 200 000 visitors. A warm welcome to the exhibition of Royal Wedding gowns for over 40 years. An exhibition in the sign of love. These creations are a part of the Swedish Royal history. For me, they symbolize the important milestones in our family's history. When I see myself in the hall there are many fond memories that are brought. Both from our children's wedding and from our own 40 years ago. This dress is what Lilian wore when she got married at Drottningholm Palace's chapel. Here is Sofia's beautiful and very classy dress. They married in 2015. –There is a pair of lovely shoes... –I have not seen them before. It's a heart. It's very sweet really... Here is Madeleine's dress, a little more romantic. It was created by Valentino. This is Victoria's dress. It is very different. Clean and elegant, but very beautiful and with a fantastic luster. The silk fabric is of high quality and it was made by a Swedish designer. We now go to 1976. I don't know if you remember the rose... Yes. It was very sweet. The rose was found by a person who worked with us. It's from our wedding cake. He planted the bush, and so we got the rose on our silver wedding anniversary. Here you see a small box with the seeds in. While we were on the carriage we found seeds– –as people threw them as we drove through Stockholm. We got them at a good occasion. It's all related. It is a dress made by Dior. It has special memories... All the warmth directed to us in Stockholm was fantastic. There was a lot of people on the streets and everyone wanted to celebrate with us. It was like a giant family For me, it was even more special because I felt so welcomed. It was an incredibly nice day. I often think of it. When on 19 June 1976 Miss Silvia Sommerlath– –marries Carl XVI Gustaf, it's the first Royal Wedding in Sweden– –since the late Gustav IV Adolf's wedding in Stockholm in 1797. The bride was wearing an ivory white dress in silk duchesse– –from Dior's French head designer Marc Bohan. It's very beautiful. It's from Dior. I got different sketches. Queen Ingrid invited me to Copenhagen. I was there one weekend and showed her the sketches, she was with me when choosing. It's very simple, but very beautiful. We had a nice cooperation and discussions about the dress. Princess Désirée and Princess Birgitta got married before me– and I wanted to use the Cameo tiara like them. It was symbolic because I was about to be part of the family. Dior had made a train that was a very long– –and I didn't want it that way. I wanted to have it as the king's sisters. So the train is from Birgitta and Désirée's dress. You should have "something old and something new", so it was fine. 25 may 1961 Princess Birgitta got married,– –to Prince Johann Georg of Hohenzollern in the hall of state. She wears the Cameo tiara. The dress was sewed in silk by the Märtha school– –a fashion house in Stockholm with activity between 1927 and 1975. Its French title sewed garment– –came after designs from the fashion houses in Paris. The first collection of dresses from Paris– –appeared before an audience of fashion journalists With a resignerad sigh, we will submit to the female expertise: The lines were new– and French tailors believed that big woman lived here. The models were too large and with the long-legged man suits. Märthaskolan sew up Birgitta's wedding dress– and the train that Silvia decided to use 15 years later– –to her wedding dress from Dior. When on 5 June 1964 Princess Désirée,– –married Baron Niklas Silfverschiöld in the Cathedral– –she wore the same dress as her older sister three years earlier. As for the bridal veil, Désirée chose Queen Sofia's tip of the bleak– –just as her mother, Princess Sibylla, wore at her wedding in Coburg in 1932– –when she married Prince Gustaf Adolf of Sweden in a dress of silk and satin. The veil from the 1800s has passed in succession in the Bernadotte dynasty– –then it changed with Oscar II's german-born wife Queen Sofia. Our current king's two other sisters– –also wore Queen Sofia's veil. Princess Margaretha in 1964 on the island of Öland– and princess Christina ten years later. In 1976 miss Silvia is also seen wearing the same bridal veil– –when she marries Carl XVI Gustaf and becomes Queen. This is the veil I got to wear, and it is very old. We were very careful when we used it. Here we have the Cameo tiara. It's very delicate and very beautiful. It is believed, and it is really probable– –that it was a gift from Napoleon to Empress Joséphine. There are cameos, thus, gems with a raised relief. It adapts to the dress. On a pink dress, it becomes pink, on white, it becomes white. It can also be a little green. It is a fantastic piece of jewelry. Your sisters Birgitta and Désirée, but also Victoria got to wear it. And me in 1976. Weddings are so special. It's always a great day. You will remember every detail. At least I do. I will also remember the time when we came to the church. The King stood there and received me. When we went in The only thing I could think of... I knew that the archbishop would ask me, so I thought all the time: Carl Gustaf Folke Hubertus, Carl Gustaf Folke Hubertus... At the same time, I felt that the King tried to get the little bridesmaids– –to go a little faster, for they went at a snail's pace. There was a lot of love in the Cathedral– –from all the guests and the royal families that were represented. I, Silvia Renate Sommerlath... ...take you, Carl Gustaf Folke Hubertus... ...to be my husband. When we came out there were so many people... I got married not only to my husband, but to all the Swedish people. I felt so welcome. It was very special, a great day out. Then the King got his Queen– –and lovers got married. After waiting for over 33 years– –Prince Bertil may finally marry the love of his life. Prince Bertil and Lilian Craig met in London back in 1943. A few years after they become a couple– –Prince Bertil's brother, Prince Gustaf Adolf, was killed in a plane crash. His son Carl Gustaf, who is to to be King one day is not even a year old. A heavy responsibility rests on Bertil. He is the only legitimate heir to the throne of his generation. Prince Bertil, promises to his father, Gustav VI Adolf, not to marry– –until his brother's son, Carl Gustaf, gets married. Anything to secure the line of succession and the monarchy. During more than 33 years, Prince Bertil and Lilian sneak with their love. A wedding with a woman from the people– –meant that Prince Bertil had to lose his title. After 12,153 days together the big day arrived: On december 7, 1976– –Prince Bertil marries Lilian in the Drottningholm Palace church. Sweden, in the same moment, gains a new Princess. The Princess said it would be your life's longest half hour. Was it? It was the most wonderful half hour of my life. I am very happy. The wedding dress was created by the british Elisabeth Wondrak– –who passed away in 2006. Her two daughters, who often helped with sewing, now live in Switzerland. We traveled there to find out more about Lilian's dim blue wedding dress. The daughters have sketches and letters– which were sent between Princess Lilian and her mother, Elisabeth. The designer and the future Princess meet during the 50's– –the beginning of a cooperation going on for over 50 years. There are hundreds of creations– –of which around 30 pieces are Nobel dresses. ♫ Cigarette holder, ♫ she wigs me over my shoulder... ♫ ...that satin doll At the Royal Palace in Stockholm we meet Margareta Nisser Dalman. She is the boss of the Royal Household Utensil's room. She is showing a part of the Palace where several royals lived. The late Gustaf VI Adolf, who lived here until his death in 1973. Now is part of the textile conservation atelier. The wedding dresses had to come here before the exhibition. We have that kind of commitment from the royal family. We often set out pieces from the 1600s or later. Then we keep the comments ourselves. But we have the owner of the wedding dress living here. The royal family has shown interest– and also helped with things. The exhibition's commissioners have received input from the owners of the dresses. –There are some examples of it? –Yes, among other fashion accessories. We hardly dared to ask about them. Shoes and bags were their idea and it lifted the whole dish. It was also a piece of myrtle from the royal coiffure– –that she received as a gift from her mother. They contributed spontaneously with the subject. This is the myrtle that I gave to the the Crown Princess when she got married. It has a history. Crown Princess Margareta, your grandmother– –gifted a myrtle plant to queen Ingrid. It has been inherited. We also got myrtle when we got married. It is available in the greenhouse of Ulriksdal Palace. We did a little myrtle wreath to Victoria. We all have borne a myrtle wreath in the hair. It's nice that she saved it. The myrtle branch is an illustration of– –how a wedding ties together history, families, and the future. A royal wedding is special– –because it is a concern for many more than just the bride and groom. But basically because it's not unlike other marriages. At the heart of every wedding there is love. The promise to stand by each other's side in joy and sorrow. Dear Victoria and Sofia. These dresses remind me not only about your wedding. But also that I also had the good fortune to have three children– –who have been wise enough to follow their hearts, just as I did. Hereby I declare the exhibition opened. Thank you! It's an exhibition that is very close to me. It may not be... ...it happens so often to a show feels so tangibly strong. It was fun to see her dress on the way – and the others too. It was very nice that the family was together. It is clear that there are a lot of strong feelings on my part. ♫ I'm standing by an angel ♫ Tears well up inside ♫ Feelings of belonging ♫ of gratitude and pride ♫ I'm blinded by your presence ♫ in this moment that we're in ♫ If Good was to describe you ♫ where would he begin? ♫ Your colours blend together ♫ and you become the light ♫ If only you could see ♫ the way you shine ♫ Darling, when you tell the world ♫ you're mine ♫ You're the future I believe In Pär Engsheden got the mission to create the royal wedding dress. With such a dress, you are thinking of how to get in it. It is important that you can step into the dress. So that you can have makeup done and put on a tiara– –and still being able to get in or out of it. Why is there a zipper in the back? To hide the little drop in the back. You can stop in there, so that it becomes like a pocket. The dress is made with double-sided duchesse silk. There are two duchesse fabrics together, so it's a heavy silk fabric. The dress is sewn with the light that it's a historic garment. Everything is sewn by hand and there is nothing that is pasted. If something is to be reinforced it is sewn with small stitches– or built with harder materials, such as organza and other types of fabrics. There is a lot of handwork on it. Maybe we can see it here... Here I have sewn it together by hand. These are hand sewn. They are for the beak to be able to keep the train. Here is the feed from scraps with three millimeter stitches – heirloom. Below it is the entire seam allowance attached, so that it will not slip. The outer edge is padded with a batting that it can hold out the train. So it may not roll itself or go to the side– –when one goes up on the altar stairs. It is important that the train is being held out, so that the veil can lie on it. You can say that... If you solve the train, you can snap it out by snapping up the acer. It runs in a channel around it. It sits firmly at the waist, in the wideband. It absolutely must not fall off– or get drawn into the train, so it must be sitting properly. The train is adapted to a veil. Because the veil is historical– –it was important that the veil did not end up outside. The train had to be there as a protection– –so the fine tip would not be torn apart. The work with the Crown Princess' wedding dress is done in secret. Not even Pär Engsheden's neighbors learn about what he sews there. It is important to keep the nerves in place. Nothing can go wrong. It is, of course, a future queen who is going to get married. The wedding will be seen by millions and have a place in the history books. Pär Engsheden is very careful and no one is allowed to come into the studio– –with coffee or other things that can tarnish the bottom silk fabric. You are not allowed to eat things that have much pigment. Preferably nothing with much colour pigment as dark chocolate or red berries. Therefore, I didn't eat so much of those during that time. You must wash your hands often. The needles can even get oxidation. This is made of metal and protects against needle stick. The needles must be clean. There can't be minimum verdigris on them, for then there will be marks. Before you cut the fabric you go through it– –to look after fabric errors or inaccuracies in the fabric. What happens at a royal wedding if an accident occurs? We asked the court textile conservator– –what to do if, for example, a wine glass spills over. Yes, what happens then? I am out of the game at that stage. I think about how the bride would react. Of course, there is salt on the table. A little bit of salt on, now, if it was red wine. There are also staff standing closely behind the royal– and can assist with most things. I think they might sneak to the kitchen and get something appropriate– –and a little discreet help. After the wedding when I or my colleagues get the chance to get close– –we can look at the stain more thoroughly. –How do you do it? –It depends on the stain. Red wine is not the most fun on a white dress. The longer the stain is allowed to sit, the harder it is to get rid of it. Some spots may accept that you can't lose. Then you get mentally set on and think: It shows that the dress has been used and is a memory from that time. Then the stain can become something positive instead. –Was it any of those spots? –No, and it amazes me. The only dirt, and it is completely inevitably, it was on the train– –which has lagged in the hill, and on the skirt hem at the bottom. But no patches for the other. Incredible, I think. Victoria chooses as her grandmother, her mother and three of her aunts– –to have her bridal veil made of Brussels lace. With the wedding dress it becomes more difficult. The Crown Princess has no clear picture of how it should look like. Many start from a sketch, but it was not my wedding dress. It was a process. It hurts. For me, it felt right. It was a way to prepare myself for the big day. It looked completely different from the beginning, and then it grew up. It was important that it would feel like "me", and be safe. To get the support of the dress in the big moment. Dear, dear friends. [SCREAMS] I would first like to thank the Swedish people– –for giving me my Prince. Three years later it's time for her little sister– –to marry businessman Christopher O'neill. We met Madeleine in London to hear how it was– –to design her wedding dress together with Italian Valentino Garavani. It was very exciting. I met Valentino before– –so when he asked if he could make my wedding dress it felt natural. He gave me a few different sketches– and I felt quite directly "which one should it be?". We met only two times in order to make the dress. It was fun – he had a lot of pugs with him. They sat on the dress everywhere and the poor Italian seamstresses tore their hair out. So it was a very fun process to make the dress. It was good. It was very nice. The wedding dress consists of a top part in white lace– and a skirt in the pleated side organza– –where there is an ivory white Chantilly lace applied. A very exclusive bobbin lace with contour threads on silk. The train is four meters long, and the veil made of silk organza– –is full of orange blossoms in chantilly lace. The Valentino dress carries a secret– –Princess Madeleine of Sweden talks about it for the first time. He [Valentino] has his studio in Paris, so the dress was sewn up there. Then the hit came, it is pretty funny... Many brides recognize themselves that in the days before the wedding they are a bit nervous– and you lose a bit of weight. I was putting on my dress, and I would hear the bells begin to call... And the dress was way too big. I felt like Cinderella, because the dress was 1.40 m long– –and the poor Italian seamstresses ran around like small mice and sewed up this dress. Dad stood at the threshold and was very patient... It was good, but I was nervous when the bells rang and they were still sewing. The wedding dress thus becomes clear at the last moment. The dress and the dramatic minutes before the wedding– –are now a part of the royal family and Sweden's history. Two years later, on June 13, 2015– it is time for little brother Carl Philip's wedding A royal wedding dress is now being sewn, for a young woman from the River Valley. I had been thinking about me wanting a simpler wedding. But if you get married to a Prince it will be different. How did the wedding dress get started? I didn't have any vision of how I wanted my wedding dress to look like. I started by googling and got stuck really early by a dress– –which I thought was very beautiful. It suited me and the context– –so I saved down the photo as a source of inspiration. I chose Ida Sjöstedt as a designer– and it went hand-in-hand with her style. I checked further, but she was the first designer that I found. I took it to Ida, who made his version of it. I am more than satisfied. –Welcome! –Thank you. Here is our showroom where we usually meet with clients. We had the fittings on after-hours– –because no one else on the job knew about it We said that the customer was called Camilla. Now we'll see if I can find something... This is actually the fabric that we used in the dress. It's white on white now and a little hard to see. We cut out small flowers and embroidered everything by hand. We made two dresses for the Princess, an evening dress– –which also appeared for the first time on the exhibition. We wanted another model –that you could party with. It didn't have a long train and was asymmetrical – a little Greek goddess-like. And the fabric in the wedding dress...? –It's cotton lace. Cotton sounds like a simple material, but it's a very exclusive fabric. The fabric is often from a synthetic material, but cotton lace is comfortable against the body. Why did you choose these fabrics? We wanted to have a lace that was quite wide– –and where we could apply and cover-up. We have additional fabric in the sleeves to make it more opaque. So that it wouldn't be too transparent. I wanted to find a really beautiful flower. It was the one we were looking the most for. –Where did you find it? –It is from a Spanish supplier. It's made in France, so it's a French fabric. They are known for making the finest fabrics. When I got the assignment... Camilla Åstrand, Sofia's then-stylist– –asked me if I wanted to design the wedding dress. Of course I wanted to! It was a dream that came true. I immediately knew that it was great. The feeling was above all joy, but also the nervousness– –because it was such a heavy mission that happens once in life. It was a lot of emotion. We scheduled the first meeting. If I remember correctly she said that if it wasn't a royal wedding– –she would have anything bohemian, maybe a barefoot wedding on a beach. And then I took that in mind. We had about a half a year with us– –from the first meeting to the finished dress. This is one of the first sketches. It's very simple, but with the lace... I didn't get enough space on the paper. The edge of the lace would follow the train– –so it went together with all the lace applications on the dress. You make a sample before sewing the right fabric. We often work with recycled materials that have the similar quality and cases. We cut out and embroidered it on the lace, though it was a cheaper fabric– –so that the Princess would get a clearer picture when she tried it. When you as a customer to try a toile it can be difficult to visualize. It was important to make it clear– –so that everyone was safe with how the work progressed. There we have it. It almost looks like a... Here we have the train We put it on the table and laid it out. Ida Sjöstedt created a dress with a simple design –but she uses an exclusive material that is challenging to work in. The foundation becomes a silk sheet with the soft case. On it a layer of organza, which gives transparency and life to the dress. The dress should feel thin and soft and see the cast out on the princess. The seams are hidden with lace embroidery. It is a craft that takes almost six months. The day before the wedding the wedding dress is finished. Does the Princess remember the feeling when she put on her dress for the first time? Yes, I remember. I was so grateful– –for that Ida had made such a amazing creation of my vision. It was what I felt the most– I felt gratitude. I liked that it was romantic, but still elegant. And that there was a touch of something artistic. The intersection was set quite high up, which I personally like. Was it difficult to keep everything a secret? No, I don't think so. It went really well. The week before the wedding, they would try the dress with the hairstyle and the tiara. Then Matilda went to the Palace– and had the dress in a bag from a DIY store. There were photographers outside, but no one noticed anything. It was smuggled in and out in an hour. –What did you do during the wedding ceremony? –I sat with my family watching the tv on the couch. As soon as she came in and everything was as it would, I was calmed and happy. My greatest memory from before the ceremony was when... We were ready in good time and had to wait outside of the vault for a good while. Then I got in time with my dad. It made a whopping difference in the big picture. It made me very peaceful and safe– and not nearly as nervous as I had thought. I enjoyed it very much– and it was a coincidence we had to wait. I don't remember the reason why it happened. It is a memory I like very much. –How was it then to go in? –It was amazing. First and foremost, to have all of my sweet bridesmaids in front of me. We had been rehearsing a lot. They did it gallantly. To enter and face the sea of people– –that you have met throughout the journey of this life. You have picked the raisins out of the cake. All that meant something extra there– –together with my new family. It was an incredible feeling. The music was very special. It was a song by Enya, a very... how to say it? Emotional and a little grand, that meant very much. With the music it felt very powerful. And of course when I saw Carl Philip. ENYA: "ATHAIR AR NEAMH" What about the dress? It is a symbol of the day when Carl Philip became mine– –before all the Swedish people... It is a symbol of our love– and that we had come all the way there, after everything. ♫ Had never dared to dream ♫ a love like this ♫ Somebody loves me ♫ just as I am ♫ As if the heart holds it's breath, ♫ as if time stops for the ♫ And together we are the strongest ♫ Everything I am, everything I have ♫ My last breath ♫ I will love you ♫ with heart all kind ♫ All I ask, all I want to ♫ to wake up close to ♫ To love you in all my dar ♫ With all I have Captions: Sara Vikström Åhlén (c) Sveriges Television AB 2018
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Channel: Scandinavian Royalty
Views: 654,347
Rating: 4.8423834 out of 5
Keywords: queen silvia, princess madeleine, crown princess victoria, princess lilian, princess sofia, royal, royalty, royal family, swedish royal family, wedding, royal wedding, wedding dress
Id: zlKBrnqbitg
Channel Id: undefined
Length: 58min 43sec (3523 seconds)
Published: Thu Jun 21 2018
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