Dear Authors... Villains [CC]

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okay so, dear authors is a series that I've been doing for a minute. If you are not familiar with it, I have a playlist up there and down in the description if you want to watch more of these videos. But essentially this started with me just asking my subscribers, which is a bunch of readers, asking what do you like, what are you not like in specific topics of books and then we all come together and we just chat as readers about what we enjoy and what we don't. Also, I mentioned in my last dear authors video that I do critique work and that surprisingly generated a lot of interest, apparently I don't talk about the work I do enough. So hey, I do critique work. If you're interested, check out my link my website linked in the description. So this time our topic is villains. I posted a community tab asking my subscribers what you love and hate in villains, I want to see what people think. Top-rated comment, or top like to comment: I hate when the villain who has been described to be clever just starts explaining their evil plan to the hero instead of just killing them the evil plan should be revealed in a more natural way that doesn't make the villain look like an idiot. Villainous monologue, we all hate it. The villainous monologue is probably really hard to avoid because making things organic as opposed to info dumping it's just naturally - it's got to be more difficult. But it does likein back to old cartoons and stuff like that, when you see the villain just monologuing for a really long time and then the main character thinks internally in their head "I've got to keep him talking, because then maybe I might could escape" and so he says "but how did you do it, oh great villain?" and the villain twirls his mustache and he says "haha let me tell you" It is so cheesy and then of course as the villain is monologuing some deus ex machina comes in to distract the villain, help defeat the villain, whatever. Or the main character just happens to untie their ropes at that time, you know what I'm talking about. Like I'm being really generic but this is stuff that I still read sometimes. The villainous monologue, thankfully I don't read it as much but it is really bad. It's much much better to have it revealed organically either through some side characters or just through watching things unfold, seeing the character come across the evil plan, some - it's just - there's organic ways to do things and there's info-dump, cheesy ways to do things. And I think we all know which one's better. I always hate when villains are evil just for the sake of being evil the best villains are those who have real motivation and you could almost feel like they make sense we all knew we shouldn't be rooting for Thanos and yet we know he has a point when he says we can't keep going as we do we know grinned well is evil murdering toddlers and whatnot but you also can't help agreeing that forcing Wizards to hide makes people unhappy the best villains are those which are slightly gray instead of just pure maniacal. I have read several books recently where the evil guy is just plain evil. He's bad because he's bad because the author told him to be bad. Or she. Either way, when the villain doesn't have any layers or any motivation other than "I want to take over the world!" it's just not interesting. I love an evil villain that has a reason for why they believe in their cause, for what they're doing. Not because they're trying to take over, not because they're bad and they like killing people, not because they have a grudge against the main character - unless it's a layered grudge - but because they actually believe that what they're doing is best. They actually think that the world would be better if things went according to their plans. Or like they have a real reason and when you get the villains reason you think, huh they've got a point, but you're still wrong, but I get it. And then suddenly they're compelling, they're layered, they feel like real people instead of just feeling like a mustache twirling villain. I hate when the villain is off-screen for most of the book ,I want to really get to know the villain preferably through their actions and through their interactions with a protagonist. Also it's OK for a villain to be outright full-on evil not everyone actually is the hero of their own story and the villain being pure evil doesn't automatically make your story less mature. Lots of villains who would be best described as pure evil but are still complex interesting characters. An interesting take and basically the opposite of the take that we just had. I can't- I guess if you still make them complex and layered then I can see where you're coming from, but I honestly disagree. I think even the most evil people have reason, rationale and motivation and even if we disagree with it, being evil just for being evil - being evil just because you like being bad isn't - I just don't think it's good enough. I think that's interesting though, I haven't actually heard that opinion very often. I almost exclusively hear people saying evil for the sake of evil is bad. But I do agree with you on the off-screen comment, we all know the books where the bad guy is off screen for the entirety of the book until the very end where there's this big dynamic fight and the hero comes out the hero because of course he does. It's certainly not a compelling villain story and it doesn't - it doesn't make the stakes high, because we're not intimidated by this villain, because who are they? And it doesn't make the villain interesting. So is it good? No. I'm gonna go off the comments for a minute and mention something that I really like because I'm not sure if anybody will mention it since we're talking about villains, it makes it seem like we're talking about the hero versus the villain kind of dichotomy. But I really really like books where really there's not necessarily a good - a good guy. Everybody in the book is some layer of bad, but you find yourself rooting for and connecting with certain ones. The Lies of Locke Lamora is a great example of that we're following the bad guys, we're following people that are thieving and conniving and killing but also, so is everybody else in the world. There's really no one good to root for so you root for the bad guys. The first law is another example of that, there's really nobody - there's hardly anybody in these books that are good people. We're following a bunch of bad people, but we love them. I hope you love them. I love them. I love villains who are threatening but who still have redeeming qualities about them. I don't need every villain to redeem themselves in the end but they shouldn't be completely evil unless they're a demon, then it's acceptable. What else makes a great villain is when they genuinely believe that what they're doing is justified instead of just being evil for the sake of it. What I hate is villain talk ,when the character just blurts out cliche language like "come out come out wherever you are" or "it was I all along" villains should be characters with their own personalities, traits, strengths, weaknesses and backstories. Yeah it really just comes down to make your villain a real person. You want your main character to be a real person, right? You don't want them to just be copy and paste - the main character that people say "oh but the author just meant for the readers to insert themselves in the main c -" they didn't. The author just wrote a bad main character. It's the same thing with villains, when you make them personality - less, that's boring. Nobody likes that. Well, some people - I don't like it. But yeah, pretty much probably - I'm gonna go ahead and guess that pretty much this entire video is going to be full of people saying, give villains complex personalities just as much as every other character in your novel. The best books are the ones where I walk away thinking I just interacted with real people and those people stick with me and I feel like I've learned from them or I've gone through life with them. Because they feel so tangibly real. Villains are not the exception. Build them up, make them real, give them character traits personality traits, give them motivation, give them weaknesses as well as strengths. Don't just make them maniacally laugh until someone shoots them in the back and then they fall dramatically into the pit, you know what I mean. Like just the big villain that's mentioned throughout the book, people cowering at the name, and then when they're finally introduced in this story, they're dealt with in one chapter. Hate. That also - again going off of the comments - a villain, the character villain, doesn't actually have to be a villain. We can just deal with a bunch of different antagonists, people that are opposing our our main character, but they're not necessarily the big bad evil in the world. It's just, some people are an antagonist. I absolutely love a twist villain, especially when it's done well. Example the hero's best friend who has been on this journey with them, who the hero thinks can trust but they find out that the best friend was the one working against them all along. Or a member of the group is the villain. I can't think of too many books or TV shows that do this really well, but when it's done well and it rips your heart out or shocks you, just like the heroes. it's awesome. Man, you're right. I didn't even think about that one. A really obvious example and this, is not a spoiler because it happens in the very beginning of the book, is The Count of Monte Cristo. The antagonist of this book is a friend to out the person that we're following. Coincidentally, the person that we're following is very complex, and not strictly a hero. But I can they give a couple of examples that would of course be a spoiler to talk about, but you're right, that really is very rewarding and satisfying when - especially when you're shocked with the character. You don't see the villainous chapters, so we're ahead of the character, but we actually are with the character and then when we find out that we've been stabbed in the back by our friend... man, that is good stuff. I don't read that very often. Somebody write that book. It's been written before, somebody write that book. I need to read more of those. Man, comment of the day. Winner. I like a villain that stays a villain, not everyone deserves a Redemption arc, especially because a lot of times the redemption is just, they did one good thing before they die and that's just no. I agree, I very rarely enjoy a Redemption arc for a bad guy. Stormlight Archive is an example where it's done really well, but we see it over time and it's done - it's done well there. However, usually I agree with you. When a villain gets a Redemption arc, I know that there's a really good one in Avatar and I'm gonna start watching avatar soon I promise, and I'm gonna make videos about it I'm excited. Well, if I like it anyway. I agree, because usually when a villain gets a Redemption arc it's, usually very abrupt and then really 180 very uncomfortably now they're the best person ever, and it's not satisfying. Again just fully write things, don't just do abrupt quick cheesy things. A good Redemption arc, where the character has to really face some hard truths and make some big changes over time is really really satisfying. But I agree that if there is a Redemption arc for the villain, I'm almost always disappointed because it's almost always abrupt and sudden and easy and just not authentic feeling at all. I like villains that are - who are actually smart. They need to make protagonist nervous to face them and keep them on their toes throughout the book. I should be able to respect their plans and smartness even when they're evil and I'm not rooting for them. Yes I'm currently reading Harry Potter and I want to love Voldemort as a bad guy, but his plans are so ridiculous and dumb and unnecessarily complex. I love the Harry Potter series, but man, we could have had a better villain. It's nice when we get to the big master plan of the evil guy and we can't just think "we could have done that months ago if you just did this instead of all this" uh I love villains who are despicable and evil but also have a code of honor to which they abide for example they have no problem manipulating people but they would never attack you from behind. I don't think I've seen that very often but I like that too, it just adds a little bit of uniqueness to the person. I love villains that are fallen heros, that aren't redeemed at the end, and have parallels with the hero. Bonus points when they are so twisted and evil that their whole situation just seems really tragic. Yes, someone that used to be like the top, a good guy, someone that we all used to look up to and then they turn so bad and for really seemingly valid and understandable reasons and - oh man you're right man that's another thing that I don't see enough and it's so good and exciting. It's when they're not just they were born bad because they have a bad gene but they actually used to fight for good and then they turn bad because of something that happened and then you have to face off with someone that you actually admire what they've done. Hmm that's a good one, that's a really good one. I love it when the villain is presented in a way that makes them truly intimidating to the reader, it's the sense of unease that you get when the villain walks into the room that I love. the Lord ruler from Miss borne is an awesome example of this. I love that too when it were not just constantly told by the characters in the book this guy's evil we're afraid of his name this person is awful they killed a whole bunch of people and we're not just told constantly why this person is so awful but then we don't really see it until the climax of the book, but when we actually when the villain is actually built up a presence around them that even intimidates the reader because we see how truly dark they are maybe we've watched them do horridness things instead of just being told that they've done horrendous things you're right when they are built up to the point that the reader is actually uncomfortable when they walk into the room that is really good stuff. Yes, okay yes if you don't actually believe the villain can win what's the point writers need to make the audience worried about it and it needs to be really really hard for the protagonist to come out on top. Yes it is one of my biggest pet peeves when a book has no tension, when the good guys are constantly facing some sort of evil or some sort of danger but I fear nothing because there's so much plot armor or because nothing has actually been built up and I just I expect everybody to come out find at the - fine at the end. When a villain is truly evil enough, that I actually believe that they could win it all and the book could end with them on top, that is so satisfying. Even if they don't even - if the villain does get defeated, it's so satisfying to actually fear for the characters when they're in a position of great terror and when you give me a villain that actually has that built up around them. That is so satisfying and this is another reason why I think that it's great to be comfortable or at least willing to kill off characters because if everybody always makes it out fine and nobody ever dies, that when - when we get to the big conflict I am NOT going to fear for our main characters life whatsoever because I know that the author would never kill them and the c - main character doesn't need to die, they can make it out but I just want a little bit - I want to feel tension when I'm supposed to be feeling tension. I think the most effective villains are the ones that you hate so much because they can hurt the heroes on a personal scale. You don't really care about the villains that are trying to destroy the whole world because it's on too big of a scale for you to be invested in the villains that prod at the hero's worst insecurities or kill your favorite characters are always the ones You can't stand, and if the hero wins it makes it all the more satisfying. First shoot then talk, not first talk then shoot. Please. Yes so this is kind of something that we've already talked about but it's essentially the villain actually being evil and not just we're told he's evil but we never see them do anything. The villain that's actually killing people, the villain that's actually doing horrible things and we're watching it happen and we're afraid of them because we see that they are willing to do horrible things to anybody that's in their way, so when our hero faces off with them we know that the villain is actually a threat and not just all talk No - all bark no bite. I love stories like perfume where the whole book is from the villains perspective. sometimes I get tired of seeing everything from the hero's point of view. I agree with you I love following the villain or the antagonist as long as it's done well, as long as the villain is an actual layered dynamic interesting character and not just I'm bad because I feel like it I'm bad because I'm bad, as long as they're actually interesting in real - real characters. I love following the villain even though you know you're not - it's not gonna - it's not gonna be a happy story necessarily, or it's not gonna be, I don't know, what you get out of out of a heroes story. It has really nice sometimes to just get into the head of the bad guy, I don't know I like it too. Okay so I've been scrolling for a while now and this is a subject that people seem to agree for the most part on. For the most part, the majority of the comments are people saying essentially the same thing, which is just give the villain some personality. Don't just make them your stereotypical, mustache twirling, cliche line saying, no motivation giving villain. Give your villain as much care in your character work as you give any other character in your story. There's a lot of really cool sort of devices that were mentioned in comments about things that - like specific things that people like, like the villain that is close to the protagonist and betrays them. I'm a sucker for it too. But it seems like the majority of us are just saying we like complex villains just because we like complex characters and they're characters. I really enjoyed this video because villains are characters that I don't have a ridiculous amount of opinions on, when a villains done really really well I love it but I guess there's just not that many villains that stand out to me as amazing villains. I would love to read more stories with really compelling layered villains, someone write those books. Anyway, that's pretty much all there is to say about villains today as far as this community tab. Thank you again everybody, for participating in the series. I love this series, I love just sitting down and chatting about what we like and don't like in stories it's so much fun. Be sure to continue this discussion in the comments. I post videos every Sunday Tuesday Thursday Saturday
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Channel: Merphy Napier | Manga
Views: 240,754
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Keywords: dear authors, dear authors villains, villains, good villains, bad villains, how to write villains, how to write antagonists, book, books, booktube, booktuber, read, reads, reading, reader, writing advice, authortube, author, how to write a book
Id: noP8f0WvV4c
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Length: 19min 17sec (1157 seconds)
Published: Tue Feb 04 2020
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