>>> MAJOR HALEY I WILL DO ATEVER YOU WANT. >> FORGOT IT! >> OH! ST, I CANNOT DO IT. >> JEANIE, YOU CAN'T GO AROUND TURNING ASTRONAUTS INTO FRENCH POODLES. >> YES I CAN. >> THAT WAS A LOOK AT THE CLASSIC SITCOM "I DREAM OF JEANIE." AND I'M BACK WITH THE STAR OF THAT SHOW BARBARA EDEN. BARBARA A LOT OF GUYS HIT ON YOU BECAUSE YOU WERE SUCH A HOT NUMBER IN THOSE DAYS. RIGHT? >> I THINK A LOT OF GUYS HIT ON GIRLS JUST BECAUSE THEY'RE GIRLS. >> SOMEHOW I DON'T THINK GOLDA MIER GOT HIT ON IN THOSE DAYS. LET'S TALK ABOUT SOME OF THESE DOGS. TOM JONES. >> OH, YEAH. WELL, I WAS A GUEST ON HIS SHOW IN LONDON AND WE SANG A DUET TOGETHER. NOW I LOVE TO SING, I HAVE SUNG ALL MY LIFE, BUT MY MAIN STRENGTH IS SINGING IS THE ACTING AND WE WERE SINGING THE LOOK OF LOVE. ♪ THE LOOK OF LOVE IS IN YOUR EYES ♪ WE WERE WALKING ALONG THE TENS AND I JUST GAVE IT MY ALL, I JUST REALLY MEANT EVERY WORD AND WE GOT TO THE TOP OF THE STAIRS AND HE LOOKED AT ME AND SAID, COULD I SHOW YOU LONDON, BARBARA? AND I SAID I WOULD LOVE TO SEE LONDON. >> BUT LONDON WAS A LITTLE BIRD IN HIS PANTS, PROBABLY. >> I DON'T KNOW. BUT HE KEPT TALKING AND IT SUDDENLY OCCURRED TO DUMB ME THAT HE DIDN'T MEAN REALLY LONDON AND WHEN WE WENT BACK TO REHEARSE IT ONCE MORE I JUST SANG -- ♪ THE LOOK OF LOVE IS IN YOUR EYES ♪ AND HE DIDN'T SAY ANYTHING. WHEN WE GOT TO THE TOP OF THE STAIRS, I THOUGHT OKAY, DID THAT. WE GOT DOWN AND MY MANAGER SAME BURSTING OUT OF THE LIGHT BOOTH, WHAT'S THE MATTER, YOU'RE NOT SINGING IT? WHAT'S THE MATTER? HE SAID -- I SAID, HE THINKS I REALLY MEAN IT. SO WE REHEARSED AND THEN WE SHOT IT. THAT NIGHT, I WAS ASLEEP BECAUSE I HAD TO GET UP VERY EARLY THE NEXT MORNING TO DO THE SHOW. AT 4:00 A.M. IN THE MORNING, THE PHONE RANG, BARBARA, I WANT TO SHOW YOU LONDON. >> AGAIN WITH THE LONDON. >> YEAH, YEAH. AND I SAID, TOM, I CAN'T SEE LONDON AT 4:00 IN THE MORNING, OH, YES YOU CAN. TOM, I HAVE PIMPLE CREAM ON, I HAVE TO GO AND I HUNG UP. AND THEN IN THE MAKEUP ROOM, HE WOULD HARDLY LOOK AT ME. >> HE GOT REJECTED. >> I SAT HIM DOWN AND SAID IN THE MORNING. HE SAID YEAH, YEAH, I WAS DOWN IN THE LOBBY, YOU'RE LUCKY, I WAS GOING TO COME AND KNOCK ON YOUR DOOR. >> IF HE HAD KNOCKED, WHAT WOULD HE HAVE DONE WITH THE PIMPLE CREAM? >> HE WOULD HAVE BEEN HORRIBLY DISAPPOINTED. >> I DON'T THINK SO. WASN'T HE MARRIED AT THE TIME. >> THAT WAS ONE OF THE LINES. I SAID TOM, I'M MARRIED, HE SAID THAT'S ALREADY, I AM TOO. BUT HE WAS CUTE. >> HE WAS CUTE. AND HE'S ADORABLE AND HE'S FUN. >> YEAH. >> WHAT ABOUT DEZI ARNAZ? DEZI WAS MARRIED TO LUCY. YOU DID A SEGMENT OF "I LOVE LUCY"? >> YES I DID, IT WAS MY THIRD SHOW. >> HE HAS A REPUTATION. HE WAS A LATIN HOUND DOG. THEY DON'T HAVE TO SLEEP WITH EVERY WOMAN THEY SEE. >> TRUE, TRUE. >> BUT I MEAN HE WAS A HOT CUBAN AND I THINK THAT LUCY BASICALLY DIVORCED HIM BECAUSE OF THAT. DID HE COME ON TO YOU. >> YEAH, HE DID BUT I WAS WARNED. I WAS WARNED BEFORE I EVER GOT THERE. >> BY WHO, LUCY? >> NO, BY MY AGENT. >> WHAT DID HE SAY? >> HE SAID, LUCY, DEZI CAN MAKE TROUBLE ON THE SET AND IT WORRIES LUCY AND I CAN UNDERSTAND THAT. AND SO I HID. I LITERALLY HID. EVERY TIME I SAW HIM. >> OH, REALLY? >> UH-HUH. >> HOW DID LUCY TAKE IT? WHAT WAS SHE -- WHAT WAS HER REACTION? >> ACTUALLY LUCY WAS ALL BUSINESS AND WONDERFUL. I HAVE -- I JUST LOVE THAT WOMAN. AS I SAID, IT WAS MY THIRD JOB. I HAD A VERY TIGHT DRESS TO WEAR ON THE SHOW. AND SHE LOOKED AT ME AND SAID, YOU LIKE THAT DRESS? I SAID OH, YEAH, IT'S FINE. I WOULD HAVE SAID ANYTHING WAS FINE. I SAID IT'S FINE. SHE SAID TOOK IT OFF. I TOOK IT OFF. SHE TOOK THAT DRESS, SHE AND HER FRIEND TO HER ROOM AND THEY MADE IT PRETTIER. THEY SAT THERE AND PUT THOSE SPARKLES -- YOU KNOW THOSE PUNCH THINGS? >> THEY BEDAZZLED IT. >> YEAH, THE WHOLE DRESS. SHE COULD HAVE GIVEN TO IT THE WARDROBE CREW. >> RIGHT. ALSO TO MAKE YOU LOOK BETTER IN FRONT OF DEZI. >> THAT'S RIGHT. AND IN FRONT OF HER ON THE SHOW. NOT MANY PEOPLE WILL DO THAT. >> I WONDER IF THIS IS TRUE, MAYBE YOU KNOW IT. I HEARD THAT IN HER CONTRACT, ETHYL ALWAYS HAD TO BE HEAVIER THAN HER. IS THAT TRUE? >> I DON'T KNOW. >> BUT IF YOU WANT YOUR JOB, STAY FAT. THIS WAS INTERESTING TO ME, JFK WHEN HE WAS A SENATOR, WHERE DID YOU MEET HIM? >> I WAS IN THE AIRPORT IN NEW YORK, WHAT IS NOW JFK AIRPORT, BY THE WAY. YEAH. AND I HAD JUST SIGNED WITH FOX AND I WAS DOING A SERIES CALLED "HOW TO MARY A MILLIONAIRE." I PLAYED MONROE'S PART IN THE TV SERIES AND THE THREE GIRLS WERE SENT, THE THREE OF US, ON TOUR. AND THIS WAS THE END OF THE TOUR AND I WAS IN FRONT OF THE CANDY COUNTER WHERE I USUALLY AM. AND A MAN CAME OVER TO ME AND HE SAID, HEY, HEY, WHO ARE YOU WITH? AND I SAID 20th CENTURY FOX. REALLY WET BEHIND THE EARS. AND HE SAID NO, NO, NO, WHO'S WITH YOU? I SAID BOOKER McCLAY, THE PR GUY. AND PRETTY SOON BOOKER CAME OVER TO ME AND SAID DO YOU WANT TO MEET SENATOR KENNEDY? I DIDN'T KNOW WHO HE WAS. I DON'T CARE. I DON'T CARE. I SAID OKAY, AND THE NEXT THING WE KNOW WE'RE IN THIS LITTLE ROOM AND THE MAN WHO HAD COME UP TO ME THE FIRST TIME SAID, I WANT YOU TO MEET THE NEXT PRESIDENT OF THE UNITED STATES. WE'RE IN A TINY LITTLE ROOM. I SAID HELLO, HE SAID HELLO AND HE LEFT. AND THAT WAS PIERRE SALINGER, BY THE WAY. >> WHEN WE COME BACK, I WANT TO HEAR EXACTLY WHAT SENATOR KENNEDY SAID TO YOU. >> OKAY. >> WE'LL BE RIGHT BACK. HANGING BY A THREAD.
