BAFTAs 2023 FASHION REVIEW (It Was Actually an Enjoyable Red Carpet)

foreign [Music] mode and today on Hot Load we're coming to you with your 2023 Baptist fashion roast and review the Baptist stands for British art film Television Awards some of the best of television and films people arrived on the red carpet they wore stuff it wasn't great it wasn't totally bad though it existed to a degree that's fine but to another degree it's like it's like 65 degrees in February in New York so we're really going to have a lot of fun using lots of carbon maybe we should make it a little bit more worthwhile those are my thoughts and that goes for everybody everywhere all the time but now without further Ado let's get into it firstly we have Anna De armas wearing Louis Vuitton now this is a custom look it is a pink silk dress it's sort of in a mermaid cut it's a sort of light little silk and we can see at the bust area there is a frill that wraps around the top and around the bottom of the sort of bosom cage the rest of the dress is pretty simple it's kind of like a Mermaid silhouette to a degree at least where it's cut or at least where we can see there's a difference in my opinion of the slip I presume that there is a slip and that's why you can see that up top it has the sort of much lighter Sheen and reflection whereas on the bottom it does not it also could just be the angle of you know the knee push but for the most part I presume it's a slip I really don't know but either way there's an explanation for it I'm sure to be completely honest I know that she probably is here and nominated for the Maryland Film and so maybe that's why we have this like pink style I don't know all that much about Maryland's sort of lexicon of style but I do know that Anna De armas has been pretty blase now I know this is also a custom Louis Vuitton look as far as Louis Vuitton goes this is not the worst simple style that I've ever seen from them in and of itself it's like fine it's whatever it's not really memorable but I think the fit is okay I don't think it's horrible I don't like some of the puckering elements but besides that like it's fine but my issue is I think I had to realize with this look and you'll see it a lot more as we go on with Louis Vuitton custom Styles I think added to armas is boring and has gone a very boring route for press tour for Maryland and it's now annoying me I just think there could be a little bit more oomph and excitement and Pizzazz going on especially when we look at the other custom movies on looks later on in the video this just feels blonde and boring not well thought out not super interesting not really do doing like a research exercise and let me demonstrate the Maryland experience and I know people are going to be like well they don't have to dress like well I think they do that's me okay that's my opinion so I want that I want more Maryland references I want more excitement I want more Intrigue I want more Pizzazz I want more Extravaganza okay and anadaramus has not done that recently and it's very disappointing and I finally realized Louis Vuitton is not the problem next up we have Andrea Christie and she is wearing rahu Mishra who is an odd Couture who is based out of India specifically Delhi and Rahul has been getting a lot of Praise recently when it comes to his different avant-garde but also incredibly detailed embroidered Styles he's one sort of to watch in the old Couture space now this look is from the fall 2022 old Couture collection by Rahul Mishra and it's pretty much a very exaggerated sleeved dress that is full of a gorgeous gold floral 3D embroidery and apply K now the basis of the dress looks to be black and then this gold applique is put on top and see that it's pretty much a cocktail dress nothing super duper crazy in terms of silhouette of the actual dress itself but these sleeves are large and exaggerated they are curved almost like Crescent Moon cuts and just this gold almost looks like what you would see in like house Moving Castle studio ghibli-esque just detail on detail of these golden flowers it looks like the most beautiful section of an antique shop that you've found in some random little Street and some random little city and you're like wow this is Magic because that's what it looks like it really it does genuinely look magical I know some people say oh well the sleeves are exaggerated they're over the top they look cartoonish yeah I guess to a degree but I also think that they add such an exciting silhouette and I think oftentimes we look to the actual dress to make the silhouette so exciting and I think here what makes the silhouette so exciting is actually the sleeve the sleeve gives it this sort of orb shape which is so cool and different than what we usually see the fact that this leave is so highly detailed there's also really miraculous I love it I think it's exciting and fun I think the shoes work I don't know if they're gold or if they're silver oh actually they're beaded and have a little Fringe element which you think is cute I think they could be a little bit more gold inspired but that's just me hats off to Andrea Christie I don't know who she is and I apologize to her for that but I appreciate that you really went for this you really she's stuck to a cool young designer she went for an exciting exaggerated over-the-top look and at the same time I think it does all of the aforementioned things but it also is really beautiful it makes her look super exciting dramatic and gorgeous at the same time and I love it next up we have Angela Bassett wearing Pamela Roland now this is a purple halter style dress a little off the shoulder and then as we reach to around the elbow area there is a silk poof that juts out from the actual garments we can see that the rest of the dress is pretty simple in terms of cut there's a little slit element to sort of showcase a little bit of leg there's a flower handbag and a sort of pink bow peep toe platform heel I love Angela Bassett I don't love this dress it's sad I like certain elements of the dress I like the way that the off the shoulder element is cut I think it's really nice I like the idea of the sleeve I just think that it's a hard thing to have the sleeve be exaggerated like this but I don't think that the sleeve flows well I feel like it's a hard stop oh poof silk sleeve I think in certain elements the fit is okay a halter I don't think is really beautiful the slit is fine the bag and the shoe it's okay it falls flat to me I think that there should just be some section between the sleeve and some other part of the dress it doesn't deliver you know what I mean I appreciate the attempt but that falls flat next up we have Anya Taylor Joy wearing scarborelli now this is probably one of the more controversial looks of the evening and people you know had a lot to say about it it's pretty much the look from the spring 2023 old Couture collection the finale style made up of a cocktail dress in a champagne velvet with a matching shawl of champagne velvet that goes around the head and falls down to the floor but exposes back as well we can see that the look also is taken off at a certain point by Anya and she just shows that she's wearing this sort of strapless cocktail dress it looks to be a lot of trapezium shapes I Googled that on one end there long on the top and then diagonal comes down on the side and then at the bottom it's shorter than it is on the top flips the other way around when it comes to the waist and we can see that it's shorter on top diagonal sides longer on bottom and then it just sort of square rectangular shape at the very end and it's covered in these little bows people sort of call this dress out and said you you know compared to the model on the runway the color isn't exactly for her skin tone or they're saying that it doesn't look as good on her skin tone now will I say that when we look at the model in Runway who has a darker skin tone this champagne velvet really pops it does it looks beautiful on her it looks stunning on her I think that the color really is wonderful and gorgeous I also think the way that it creates sort of that wrap around wrap around style which is very Daniel Roseberry also I'd like to see a tick tock of Daniel Roseberry going wrap around the way that Anya sort of puts it almost like a head scarf shawl mantea I get it I understand it but I think that when it looks a little color-like it's also intriguing it's just a different way of styling the look but back to the skin tone thing listen I don't think that this color looks bad on Anya I just think that when you put it next to the model and Runway of course one is gonna pop more that's fine but I don't think it means that Anya can't wear this champagne color in velvet I don't think that it washes her out I don't think it makes her look awkward or weird or bad I just think that it's a difference of skin tone and like we can't really change the skin tone so like people can wear it and people can also wear it people will feel that one looks better than the other and that's fine it doesn't mean that I ain't a Taylor Joy can't wear it long story short I think the color is fine I do think that it probably should have been a little bit more steamed in terms of the shawl because we can see it really does crinkle and wrinkle a lot compared to the runway obviously again I presume that it moved a lot in transport and traffic and things like that we should have had like two assistants really going back to the actual dress itself which I do think is really the Intriguing part I personally feel that this look is a reference to an iconic scaparelli style that doesn't really get a lot of attention which is the dresser drawer style I also got really I believe worked with Salvador Dali on this concept where different pockets on an actual coat dress was had handles and elements and looked like it could be pulled out and create sort of dresser drawers and the pockets were definitely smaller than the proportions here but here I feel like this is very like dresser-like where those little ribbons at the top almost look like they could be pulled out and you could pull the dress out and there would be something inside of it when you pull it out or you could push it back so I don't know if this is actually what Daniel Roseberry was referencing but kind of looks like that I do think it's a cool reference if it is what's going on here it's just a nice way of tying it back into the history of scaparelli the idea of surrealism and clothing as a artistic interpreter rotation I think this is cool I think this is fun I think it's Chic I think it's elegant I think it's smart it's intellectual all wrapped up in a nice shawl next up we have Ariana Dubose and she is wearing a Fendi look I believe this is Fendi or Couture it's pretty much a bodysuit that has a oval Motif applique over a sheer long floor length gown cut with sleeves I don't really like Fendi or Couture so I don't get it a lot of the time but here I think that this look actually does a pretty good job of being sheer I do think that you can really feel there's a sheer element to it it almost looks invisible that netting The netting looks pretty good pretty spot on and we can see that it is a lighter color than Ariana dubose's actual natural skin tone but I don't think that it takes away from the actual natural skin tone which I think is cool I think the fact that we can see through it really really well is nice there's not a lot of steamage going on that really distract us from the actual piece I think the little oval Motif is really really nice it's little it's easy it doesn't take away from the sheer element it just adds a nice sort of optical illusion the bodysuit it's fine it's not really meant to be the big exciting piece in the look I think the necklace also does a really really great job I feel like that's like Bulgari it's a little snake necklace I think it's just a nice little add-in I think it plays off of the actual metallic or pearlescent element of little ovals on the actual dress this is nice next up we have Cate Blanchette wearing margella now this is a look that she actually wore from the 2015 Oscars it's a black fitted floral length dress with a sleeveless aspect to it the jewelry these rows and strings and strings of pearls are actually by Louis Vuitton from my understanding I think that actually what was done here was kind of chic and elegant nice and fun so we can see that there is regular white Pearls at the bottom two sort of strands and then up top there's more of a silver Pearl going on again two strands I think that with the dress this nice not choker effect but cylindrical neck detail is cool I think it's fun I think it adds to the look and then the thing that's really really interesting is one strand of pearls bottom pearlescent strand is attached to the rest of the necklace by this big crystal diamond Jewel situation going on here I don't know if it's an actual Diamond I don't know if it's Crystal I'm not sure but I do think the fact that it's attached there but then the actual last strand doesn't sort of sit underneath the rest of them rather it goes over one shoulder is really interesting and different and I think jewelry styling is that's not normal it's not super duper thought about you know what I mean like jewelry styling has put the necklace on put the earrings on put the rings on that's it very rarely I think his jewelry played with in a stylistic sense where you are sort of manipulating the jewelry in a different manner than it's usually intended and I like that I don't know who Kate's Stylus is but whoever it is hats off to you because I think that's rather rare the other thing is listen like re-wearing dresses I think is cool Cate Blanchette seems to do that a little bit also I think it's nice to see I used to not like it I think because I was like I want to see new I want to see exciting but I think that also the environment's burning so if we're gonna re-wear dresses every once in a while I'm fine with it don't worry I mean like everywhere clothes on this channel all the time clothes are meant to be reworn I enjoy that I also think that like the timing it's a solid what like seven years since I think that's cool I think that's exciting adding a little blue ribbon it's there I'm sure it means something to the British people and I like the sleeve or the lack of sleeve and the frayage I think that adds little margielaism into it the idea of deconstruction the idea of degradation of fabrics if we zoom into the bottom of the dress we can also see that the Hem is frayed as well which again I think just adds to that nice margiela ISM and then again just the fit of the dress is beautiful it really is it's a really really beautiful fit just the way that it nips in falls back out accentuates the hips accentuates the shoulders that's what margiela is it's a really sort of simplistic brand in terms of cut and technique and things like that just nice clothes and then there's little elements of deconstruction and reconstruction wrapped in which we all really like so to be completely honest I love this I think it's a beautiful way of bringing back a look that we've already seen but making it feel new and different and exciting I like the manipulation of jewelry shout out to cable and chat next up we have Cynthia ariva wearing a custom Louis Vuitton look is copper Style made up of a lot of little pieces of applique strips and we can see that it is a sleeveless experience it comes up and sort of wraps around the neck and then we can see descends down exposes the shoulders and wraps into the bodice you can see that at the bodice it's very straightforward these pieces really layer right on top of each other but as we can see around the sort of collarbone area there is a flowing out of these Styles and they're not as stiff and organized as they are on the bodice they flow out and then on the other side there's just a whole archipelago going on up top we can see that this sort of piece sort of branches out and then comes right back down into the actual bodice creates like a sharp interesting line I don't really love it I get that it's meant to be a little bit futuristic and a little bit sort of architectural I would say but I don't love that I just think it kind of detracts a little bit as we get to around the hip area we can see that these strips no longer are tacked down and as organized rather they be become fringy and they sort of move and groove and create a flowing out and loose end element to them we can also see that at the back of the dress there's a little bit of a train of them that flows out which actually I think is really exciting and exaggerated and fun and frisky and cool the look as a whole I like Cynthia rivo's going for it always I think the skirt is really really wonderful I think it's super exciting I think the color is fantastic on her I think though there should be a little bit more of this fringy tasseliness going on in the bodice area I think that the architectural structure coming out here diverts away from what's going on in terms of the skirt I also think that a little bit of the fringy going on on the bodice too would make it a little bit more exciting and I think that there's a hard split right at the hip where we can see the tack down element really dichotomizes from the fringy element of the skirt and it's pretty noticeable I do like what's going on around the collar area because it's trying to bring in the skirt to the top but I don't don't think it does it enough I love where it was going I just think a few too many ideas going into it and that sort of hurts the look overall when we're talking about that added to armless look earlier I just want to say again like creativity excitement extravagance interest in technique is here and not there next up we have Daniel deadweiler who is wearing our money Prive it's a blue silk dress with a little black silks top Hood situation going on over the neckline you can also see that there's a black sort of silk strap that goes and runs along and sort of creates a non-strapless effect now the dress sort of runs down creates a nice easy skirt effect you know it hits the floor well I think it adds a sort of liquidity to it in this nice blue it feels very water like I like the actual cut of the dress the thing I don't think really works is the green black and very light blue embroidered and appliquated waist belt I don't think it works I think it takes a away from the actual fit of the dress that is really really rather nice and I understand that we're trying to add an element of intrigue and interest and excitement to it and I think that's fine but I think that this is not the interest and Intrigue and excitement that we want from our money you know what I mean like I want to see a beautiful embroidery that is actually woven into the the Gown I'm not saying that it has to necessarily be woven Armani is better off doing it as a real sort of part of the dress rather than an exaggerated excited area because they think that this takes away from a the cut of the dress the way that it's draped the way that it fits which is beautiful it really makes a hard stuff like what is that oh what is that I don't think that the colors do a bad job I don't think that they take away I think also like the black stripes running through plays into a little strap element on the dress I think the blue is trying to play off of the blue and the green I think does look good with the rest of the colors it's not a bad color story whatsoever I just think that it's hard to put this non-languid belt over a very languid dress if that makes sense it's hard to wrap your head around or around your waist I like the idea of the dress I like the fit and the structure of the dress I just think that the belt is a little awkward but I like the colors too so you know they think it's a it's a preferential thing for people next up we have Eddie Redmayne and Hannah Bradshaw now they have been showing up wearing the same brand two red carpets and I really like it because I think it's very rarely done where you know a couple sort of shows up on a red carpet and wears the same brand and personally I think it's very necessary think that if you're gonna go and show up as a couple and take all your pictures together like there should be some continuity between your looks here it's happening we can see that Hannah is wearing a sheer dress and it's full of floral Embroidery in green red pink orange purple I think there's probably elements of yellow is it sort of very pretty Sarah Burton Styles does it probably have references in terms of Motif to like Victorian Ceramics or embroideries and things like that yes I'm sure it does and the thing is it's also a sheer sort of black dress showcases off much of the body which to me is kind of McQueeney in and of itself but at the same time I think Sarah Burton brings a lot more conservatism to the Alexander McQueen brand she does do sheer here it's just that she also is doing something that feels a little bit more buttoned up in terms of the floral motifs and things like that but even the florals like I think that the way that they're done with you know the little imprints of silver all throughout the way that they sort of degrade you know there's blank areas and spaces I also think it's like kind of nice it's it's not my favorite Alexander McQueen dress by far I mean you know it's hard to see sort of modern Alexander McQueen be like oh but I don't think this is a bad dress at all I think that it's nice and think it works I think it's fun I think it plays to the house codes I just think it does it in a different Manner and I have become okay with that and it's okay I'm good as for Eddie Redmayne though we're gonna have to dive away from the picture of him and had it together because Eddie is wearing a black suit jumpsuit which I like listen Eddie I feel like for the longest time has been so boring and so blah and I feel like recently he is trying to step it up trying to be exciting trying to be fun and frisky and it's working because I'm into all of those things so it's pretty much a black silk suit jacket style but in reality you can see at the hip area the suit jacket sort of just goes straight into this pair of pants we can see that there is a front pleat falls down really easy really Breezy really beautiful there's no shirt underneath I kind of like I think it's different normally somebody would wear a shirt and a tie I think Here Eddie doing just shirtless is fun and it's different I like the silhouette on him I think that it works really really well I know that he used to be a model so I think he can like pull off sort of avant-garde men's weary kind of vibe and I think this is that to a degree it's a little bit more focused on the history of tailoring things like that you'll see it in the pants we can see it in the suit jacket you know and the lapels and all that sort of stuff but definitely different than your traditional suit because it's really not a suit it's a jump suit so I like this Evolution for Eddie Redmayne he's still doing classic easy fabrics and things like that but he's trying little by little to make the tailoring a little bit more different a little bit more exciting a little bit more modern and I'm into it I'm happy with these McQueen moments next up we have Florence Pugh who is wearing Nina Richie designed by Harris Reed now this is a custom look and we have yet to really see what Harris reads Nina reaching looks like except for the fact that we've been seeing a little bit of it on the red carpet now this is a full tool gown with a mermaid cut and a very large frond asymmetrical neck detail situation going on now the thing about Nina Richie is it is a hard brand to really pin down what the Aesthetics and house codes are because for the longest time it was not really seen as like a Chic brand in the way that Dior and gray and Chanel and all of those Brands were seen it was kind of seen as more French aristocracies not homely but definitely less sort of international less Global takeover development it was much more a French brand for the French at least from what my reading says now this dress is actually based on a look that was designed for the spring 1988 collection I don't know if it was okatur or not but it's this large strapless orange gown with an asymmetrical tool skirt the sort of similar less exaggerated Frontage going on at the neckline area when I look at the original I'm kind of like okay I get it the color it's nice it's easy it's fun the fake flower sort of detail at the waist area I understand it but again very 80s I understand why he took inspiration from a look coming out of the 80s because a lot of his work does reference the 70s and the 80s as for the actual Florence Pew dress it's much neon and much richer in terms of color it's a much sort of punchier orange than the sort of Mandarin orange color I would say that we see in the original the frond detail does a good job of paying homage to style from 1988 it's just that the fronds are a little bit more exaggerated and large but they do this element where come under her right rest and sort of wrap around the breast go down and then re-wrap around on the left breast which I think is interesting I think it does sort of pay homage to the original look and it's cool that Harris is redefining or at least trying to Define house codes for Nino Richie customers who either don't really know that much about the brand or not at all interested in the brand and want to sort of get a little bit of a history lesson in it as we can see the actual bonus of the dress is draped and creates an intriguing sort of texture to it runs all the way down and around the knee area in the midst of the thigh we can see that this mermaid skirt juts out asymmetrically and to be completely honest listen we see a lot of tool Styles we've discussed this sort of ad nauseam at this point it's kind of not super rare to see tool but I think when you do see tool now it's important for a brand and a designer to really make it exciting and interesting and cool and fun to be completely honest I think that doing this sort of asymmetrical Mermaid silhouette it's good I think that it looks at the actual skirt from 1988 and does a good job of sort of again modernizing it making a little bit more relevant for this sort of age and this sort of experience you don't want to do two 80s heavy you want to do something a little bit more exciting that people would say oh I want to wear that and they think that this is a dress that people could look at and say oh I want to wear that I think the way that it flows out is nice I don't think it's a crazy dress but I do think that for the most part it does a good job of looking at the reference image modernizing it changing it shifting it and making it feel a little bit more youthful and exciting the color I think works I think taking off certain elements like flowers is what needs to happen and I'm excited to see what Florence and Harris do with Nina Ricci because I feel feel like there's growing camaraderie between the two of them because I think the Florence just walked for Harris's collection for Harris Reed that Harris does in London I'm intrigued I'm excited we have Google mabatha raw and she is wearing Gucci now this is a custom style made up of a whole lot of lace and a whole lot of chainmail to be completely honest if we start at the top we can see that there are these chain mail or crystallized sort of straps that hold up the dress which you think is actually kind of nice and Chic and cool and then as we reach the neckline we can see that it's a beige lace that seems to be placed over top of a chain mail like the chainmail or crystals I guess maybe not chainmail it's more crystals like the crystals going on on these sort of Opera gloves that I actually do kind of really like now listen we have sapota de cerno who is going into Gucci and becoming the new creative director I presume that he already started he's showing his first collection in the next few days and for the most part it seems like he's keeping an element of alessandra's work which is lace I mean we did see a lot of lace from Alessandra from very very early collection but it seems like Sabato is also trying to give it a little bit of a newer sort of lighter feel it's less granny Chic again you're adding the crystals underneath it what I do love is this green floral lace that comes in around the waist area it's intriguing because it cuts into this sort of beige lace I think that minty color plays off of both the silver and this sort of beige really really well and then we can see that it's lined in crystals too and then we can see that these hard cut divots bring us into the hip we can see that the beige sort of comes back in we can see still the crystal is underneath it and some little pleat effects flow out as well and come down and create a little bit of a train and a little bit of texture that's different than the lace and the crystals I like it I think that it's smart I think it's fun I think it's different it's not exactly what we would have seen from Alessandra Gucci I think that this kind of works it's weird it's wacky it takes a little bit of time to digest but to be completely honest I feel full without feeling like sick from it and I think that's that's good digestion next up we with Gwendolyn Christie who is wearing Guile's Deacon who is a fashion designer based out of London and also happens to be gwendolyn's partner or husband I think they're married I don't know if they're married but like you know they're in a relationship they've been in a relationship for I think about like 10 years if we're looking at the dress we can see that up top there is a black latex sort of style on the shoulders and at color neck area we can see that the neck actually kind of comes up rather High then dips down and then we can see the shoulders fan out the collar element fans out but as we reach right to where the bust area begins we can see that a pleated black fabric which is a really intricately pleated like those pleats are tiny tiny tiny tiny tiny come and start and hit right to around the waist area it adds a really intriguing geometric design we can see that the shoulders flare all the way out and the fact that its sleeveless allows the sort of pleats which come down and in to make a really rather intriguing sort of structure in silhouette geometric line based it's line heavy and I think also the fact that the pleats seem to really be the exciting extravagant element but I think the latex does a good job of not really taking away and rather Fading Into the background of the actual look which I think is hard for latex to normally do for Guiles you can I mean like I stand the waist is a latex so I think the waist sort of nips in and I don't think you'd get the full nip in effect at the waist with pleats they think that they're meant to be a little bit more voluminous and extravagant and overwhelming and I think that the way sort of nips in perfectly and then it juts right back into these pleats they're tears of these pleats and as we can see they get longer and longer as we get further and further down the dress and to be completely honest when we look at it from a farthest Viewpoint I thought that it was just a sort of silk that was gathered rather tightly but not too tightly to create this sort of wave but if we zoom in again we can see that the pleats are there like they're they're there they create the shape but they also have a shape in and of themselves they create a nice texture to them when you zoom in and the full effect is really beautiful the silhouette is fantastic on her I think that it fits her beautifully I love love love the bodice area I think it's Chic and elegant and wonderful the idea of nipping in the waist and then letting the fabric sort of again jut out and create an exaggerated silhouette to a degree it's really lovely again I just think the texture play is really nice and I think Gwendolyn really pulls off a full black gown like this so so well and again I think it fits in with her whole aesthetic of not being goddamn boring all the time she just isn't she's one that carries the team on her back almost all of the time and this feels a little bit more glamor I think it's a great way of showing that you can do glamor without being boring next up we've hung Chao and she is wearing erdum now this is an asymmetrical small gown Style it has a white bodice coming in we can see the straps and then an asymmetrical off the shoulder large strap that seems to be printed in some sort of sketch Motif it looks almost like an artist sort of pre-sketch that's down with a pen or pencil it's not sort of colored in with paints and all those sorts of things it feels honestly rather doodle-esque but intricate Doodles doesn't look like my doodles my doodles would never look like that but if you're looking at famous artists maybe they're Doodles we can see as we move down the dress that these Doodles are a little bit more intricate we can see trees and sort of swags of fabrics what looks like arms and legs and things like that listen I like it I think that it's a very ER Dam sort of shape I think ball gown silhouette done sort of modernly it's not like it nips in the waist and is super duper tight like Dior New Look it's just sort of normal it's intriguing I think it works and then the elements of asymmetry whether it's sort of the off the shoulder or the little sort of front frill that goes down diagonally on the sort of hip thigh area and then just sort of falls down easily it's nothing crazy I like it I think it's okay I think it's very Odom I do think they're more exciting artem looks that we could have seen But to be completely honest I think that this has a graphic element a graphic detail that we don't normally see I'm intrigued by it next up we have hoyon Jung and she is wearing Louis Vuitton she is a Louis Vuitton woman this is a strapless ball gown and it looks a little bit like a Christmas present kind of don't mind it listen the silhouette in and of itself again it's very opulent but it's kind of simple in terms of there's nothing really super duper crazy about it it's a strapless dress with a big bouffant skirt that falls and really lays itself on the floor the Gathering is not really crazy it just sort of creates these nice little folds in the front the fabric in and of itself is this gold that seems to be woven that way you know I don't think it's been embroidered or applique they think that it's meant to have this sort of gold crunchy feeling to to it it's fine I don't love it I don't hate it it's fine I do think that the jewelry could have been a little bit more exciting or what I mean like you have a whole lot of neck area a whole lot of neck real estate going on something fun and cool and Chic and elegant would have been great I know that Louis Vuitton does jewelry so I feel like it could have been cool to do a little bit more exciting or exaggerated jewelry pieces play off of the dress but to be completely honest like I think it's nice to see that LV can simple easy silhouette but do it in maybe a little bit more of a futuristic or out there material and textile next up we have Jamie Lee Curtis I don't know who she's wearing but it's a black velvet double-breasted Blazer and a white silk skirt to be completely honest about the look it's pretty bad you know what I mean like it's a black velvet Blazer paired over a white skirt and we pretty much just said okay could have been like the new Halloween movies it's kind of a horror I don't think the styling is great I don't think whatever it just it doesn't work we all know that we can all see that it's giving me like bad indigestion like I need an activity now to like fix it my one thing is I feel like feel like that I don't know if this is true Jamie Lee didn't DM me I don't know you know we didn't talk on the phone but I feel like she's maybe trying to do some sort of like Edwardian aesthetic something maybe a little Victorian in terms of like very long sort of flowing skirt with a jacket which to me feels very British woman of the manor I feel like we're trying to do something that's a little bit like Dutchess lady baroness kind of vibe where we're just going old school English I just don't think it works you know what I mean like listen if you pulled out some like old Galliano look or Old McQueen because they feel like Jamie Lee Curtis can afford like a nice vintage McQueen moment where we really go full estate full for side saddle ride Sandringham you know Christmas Day hunt I'd be into that you know I mean like there's a there's a Christopher John Rogers look that I think perfectly captures that sort of old school British Vibe it just feels like it's something that could have been made off Savile Row I would have loved that I think that would have captured this idea of the baftas and old school sort of British aristocracy and things like that but if that's what she's going for which is what I think she was going for it's not this at all this is not this is like modern British aristocracy to be completely honest not the vibe so rough next up we have Jody Turner Smith in a custom Gucci look I like this I think it's fun I think it's different I think it's exciting now listen we can see that there's continuity between Google membatha raw's look which was I had an under dress of crystals we can see that there's an element of crystallization running throughout the entirety of this dress except for the shoulder and collar area it's a purple net mesh style that we can see elements of I believe lace running throughout sort of on the top there's an asymmetrical Crystal sort of bodice that runs diagonally down we can see the sleeves also have this sort of crystallization and then there's big flows of feathers at the ends of the sleeves they seem to be at least from on the left side of Jody they seem to be very long sort of sleeves big long very dramatic very exaggerated and then as we move down the dress we can see that it goes this Crystal root and then these purple sort of feathers in like a diagonal band that wraps down and around then we have more of the crystals feathers crystals feathers I love it Jody always kind of goes for it she's always a little bit over the top always a little bit avant-garde I think that this is fun and it's weird and it's frisky and it's cool I think the feathers do a great job of exciting and different they're full it's not like that little light dainty feather where it's like evidently we didn't have enough feather really make it look dense like a dense forest here we have this beautiful sort of lilac and regular purple Forest of feathers running throughout the whole dress I think the necklace does a good job of sort of again bringing that silver back up to the sort of neck area the feather is the way that they hit the ground is also just luscious and lovely the way that the purple also sort of melts in with the crystals is also intriguing and cool and different the addition of the laser thing helps to sort of bridge the gap a little bit smoothly I love it even like the makeup if we zoom in I'm not a makeup person but like I love this this is cool this is different it plays into the look it's what we need it's what we want we were talking about Doja cat a while ago and like the dedication to the fashion element and I think feel like everybody's like oh [ __ ] we kind of Gotta Serve a look and it seems like everybody's kind of learning We Gotta Serve a look so thank you to Jody I appreciate this thank you to Gucci I appreciate this this is fun this makes me happy next up we have Julianne Moore wearing Saint Laurent this is a black strapless dress it's a full-length gown no sleeves there's nothing really crazy to it there's not a lot of drape elements it's fitted Falls and a very clean sort of column I don't love it I don't hate it it's just kind of there what is meant to be the exciting part is this white Marabou feather jacket it is faux in case you did not know I believe that all of caring does faux feathers and to be completely honest from afar it looked pretty real when we zoom in we can see it's a little bit more I would say synthetic looking but I think that it's kind of intriguing I think doing a little shawl element I get it it feels very 70s glamor I feel like we saw it with Haley Bieber at the Met Gala this year where last year technically I understand it I just think it's a little blah blase but maybe Juliana's doing just sort of classic easy breezy beautiful Cover Girl and like I don't hate it I don't love it again it's just there next up we have Lashana Lynch wearing Fendi or Couture this is a custom look it feels like it's inspired by the most recent Fendi collection but to be honest like I looked through I couldn't really find anything so we have this sort of intriguing shawl sort of neckline it definitely sort of gathers up top and creates an intriguing texture as we hit right around the collarbone like I literally can see on the collarbone it changes and it goes full sort of flat easy flows down and hits right around the sort of waist area on the bodice element and then on the sleeves it flows all the way down creates like a cape then we can see that the skirt they're met at that seam it's kind of awkward and weird and I don't really like it I just don't think it flows well it's old Couture I feel like it should be effortless and easy and it should be something where you look at it and say oh my gosh how did they make that I think the skirt is awkward and weird hits at a weird place it's like using the caftan sort of sheer fabric and then the opaque silk like it just looks awkward it looks blah and boring and I think that's my issue with Fendi out Couture is I love the idea of fendio Couture I think historically it was really cool it was artisanal fur and artisanal playing with different Fabrics to manipulate them into looking like fur if they weren't doing fur necessarily which is what Fendi started to do over time the idea of Fendi doing a spring show to me just doesn't make sense with fur it's a fur house listen they've always historically only done these old Couture collections as fall shows because that makes sense you know what I mean like it makes sense that you're doing a show as a fur house that's meant to sort of push and exaggerate and excite this idea of fur only in fall and winter seasons and so my issue is Fendi is not an old Couture house historically Carl Lagerfeld was an odcouturier in the sense of he knew how to make oat Couture because he had worked for okatraz Kim Jones is Not an okatorie it's not his thing he is a commercial product Juggernaut which I respect the utmost degree but like this is not great old Couture and that's my issue is listen put out a fall show every year and make it the best thing since sliced bread and I'll sit there and I'll clap like the rest of them but this to me it's just it feels unnecessary I don't think Fendi needs a spring old Couture show and I think that this proves there's not enough time going into it to make it feel even like oh well I get why we're doing a spring show because there's so much Pizzazz there it doesn't deliver I don't think Lashana necessarily looks bad I just don't think the dress should be considered old Couture next weave Lily James wearing Tamara Ralph it's pretty much a plunging white silk dress there's a web crystallized element that runs up and looks a bit like a spider web there's a floor-length skirt with a little bit of a drape in the center that runs all the way down and there's a back skirt that flows sort of back and all the way around and creates like a little bit of an intriguing silhouette but for them most probably don't like it I think it's a little too simple I think it's a little too basic it doesn't deliver I think the asymmetrical poof on one of the sides is weird I think the crystal element at bust area doesn't connect to anything it just doesn't feel like the Lily James we've seen recently and that's disappointing next up we have Madeline Arthur wearing Jean Bautista Valley it's pretty crisp classic easy John Batista it's a bright pink it's floaty and frothy it's gathered so so much that we can see it really does create a sort of intriguing texture the plunge is different and interesting and cool the bow is a very John Batista Valley aesthetic and the thing is I don't love it but I also like the fact that at least there's not the full reflective silk here that wraps all the way around the waist it's not like it's trying to make this bow the waist Nipper the band that wraps around at least is sort of the same fabric as the rest of the dress it's there you know I mean I don't love it I don't hate it it's easy sort of commercial John Batista I think that Madeline could have went for something a little bit more exciting in terms of John Batiste Diwali could have been pushed but I don't hate the dress I just don't love it either it's just there on anybody else you know a nice Sunday tea it's some nice place Uptown I'd say sure gorgeous wonderful but on the red carpet I want a little bit more Pizzazz next up we Michelle yo endure my queen I love her she looks amazing this is fantastic so this is a beautiful sort of champagne silk suit it is sort of a cape double-breasted Blazer jacket I love it I think when I see this silhouette from Maria Garza Curie every single time I think she's done it it's a gorgeous silhouette I will say that there are moments with Maria grazia that I say she looks good I'm not gonna ever deny when something that she does looks good and I think that this is an example of looks good I love the cut of the jacket I think it's beautiful the double-breasted element is gorgeous we can still see even though it's a double-breasted Blazer it nips in the waist it feels sort of new look-esque at least in terms of shape underneath but I like the fact that we can have this sort of Cape that comes down and creates more of a trapezine shape learn something new continuity I think the color again is just really really gorgeous I think it's really really stunning I think it's lovely the little lapels are Gorge they're wonderful they're fun they're Chic the pants I think maybe the pant could fit a little bit better I love the front crease I think it's cool I think it adds that tailored element I just think that we can see it's a little wavy a little wavy so it's maybe a little bit long for me but I don't think it takes away from the top like the top in and of itself could win it could win an Oscar it is function fashion Chic Eleganza Simplicity to the umpteenth degree which fits in with all of Maria grazia curie's Dior Aesthetics shoes I don't love the jewelry I think is fun I think it works I think it plays into everything I like even sort of drop hang earring I think it's nice I think it adds in with the cape element of the flow and the drop maybe fit the pants a little bit better but besides that Michelle yo in Christian Dior by Marie grazia I'm into it next up we have Nicola Coughlin wearing Valentino or Couture I love this as well listen this feels like old school 1950s 1960s oat Couture Aesthetics to me I just love this full full skirt I love the sleeves I love the nice neckline I like the fit of it I love the way that it nips in the waist just a little bit not super dramatic and then flows out into this big long floral length bouffant Bell skirt it's a magical silhouette it reminds me of old Dior it reminds me of old Balenciaga it reminds me of sort of the greats of the 20th century of Couture and like it makes me happy and the thing that I like about this dress as well is it's in this gorgeous sort of creamy silk it's really lovely and I think pure palette was very smart not only for the silhouette and all those sorts of things but if think the actual Motif here of these flowers is what really makes it feel modern I think a lot of times you can look back at those old sort of styles and see oh you know the motifs the flower sort of prints are very very dated that you know they're beautiful for when they were but I think in a modern context you wouldn't really wear them because they would feel a little bit older they skew a little bit more old school some people could wear them and they would wear them and I love that for them but I think that for a younger sort of audience who loves the silhouette they might want something a little bit more modern in terms of print and I think that this sort of rose print in gray and black and white with just those two little leaves in that bright blue that doesn't really take away too too much it's nice it feels cool it feels young it feels different and I think that that is what is sort of smart about this dress as well the little sort of perforations of flowers also running throughout it is cool chic and nice honestly love this dress think it's fantastic I think she looks great Valentino did a great job next up we got a controversial look Prince William and The Duchess Kate we got will wearing a double-breasted velvet suit jacket bow tie white shirt black pants I hate the shoes it's black I mean like he's the king he wants to do normal I get it the one thing that I will say about this look is Kate has already worn this look to the baftas I believe it's a Alexander McQueen dress by Sarah Burton I like this dress a lot I think it looks beautiful on her I think that that white is really crisp and clean I think that it fits her phenomenally the way that the drape sort of runs asymmetrically and then sort of creates a bow and flows down on the one side feels rather exciting for Kate Kate is not really a super exciting fashion girl I understand why the context of who she is and what she does it makes sense why but it still is very blatantly obvious Kate is kind of basic but I get it but I think that this dress does a great job of being simple not basic and also being very fashioned for forward the way that the dress falls down and sort of creates a nice little you know lettucey sort of hem at the bottom I love it I think that it's great I think there's continuity to it I just think that she looks wonderful in it and I think that the black gloves here the black Opera gloves that a lot of people find very controversial I think work I really truly think works I think that it adds a little bit of flair a little bit of excitement a little bit of difference on Kate that we normally wouldn't see on her I do have an issue you know I don't know if this is a Princess Diana reference but I feel like a lot of the times it was both Megan and Kate they would do this like Princess Diana cosplay which I hated I still hate it to this day but I hated it so much when they were both doing it because it just felt like listen make your own fashion moments I have the pictures of Princess Diana and I love them I don't need you to do bad Recreations of them and so I feel like here this is a look that I could say Kate looks great she looks radiant this feels like a Kate moment it feels like Kate is is doing simple elegant beautiful it could be kind of memorable I also like the fact that she rewears stuff I think that in the context that we're currently in in the global economy a lot of inflation a lot of talks about recession and things like that it makes sense why Kate would re-wear a dress I also don't think that Kate necessarily has to re-wear a dress which I also think is interesting not to like bring up Megan and Harry and Kate and will I think I'm gonna make a tick tock about it actually but I do think that it's interesting that Kate is re-wearing a dress when in reality if she didn't re-wear a dress and had a whole new dress made by Alexander McQueen or some other designer I don't think that she would get Flack for it so the fact that she is re-wearing it I do think is interesting and I do think that she is very cognizant of what her wardrobe demonstrates to the public the British public and also the public of the different areas of the Commonwealth to be completely honest I think Kate is very smart I think she understands to a degree what looks good on her I really like the dress so those are my thoughts next up we have Rosie Huntington Whiteley she's wearing a liar listen I like this I know that my last Rosie Huntington white lady experience you know some people were a little bit mad about it's fair but I think that this is a great moment where I say oh Rosie excuse me you look fantastic she's wearing a black turtleneck bodysuit it looks like a cheer but I don't think it actually is it's very Elia it's very chic it's very elegant very sort of king of cling fitted what I think is really really interesting by Peter moulier is the fact that he did this skirt that in reality is held up sort of like a belt and then the sort of black pieces of fabric jut in and if we zoom in really really close we can see that there's actually a clear piece of plastic with grommets which is a very azadine Elia thing he loved the man loved grommet he loved to stud they Loop into this sort of Center piece with the grommets and at the same time the clearness and the way that the fabric is cut it allows us to see sort of part of the groin leg area which I think is intriguing and different and fun and then it has a little bit of a flow out the slit is there so we can see the legs sort of moving it's not the craziest Deli look but if think that it's very intriguing in the way that it is showcasing the body Elia was a brand that was big on showcasing the body and I think it was big on showcasing the body in different intriguing non-conventional ways I think that this is a good example of that instead of it being like here's the hole with my crotch it's very smartly done where it shows only certain parts it's not vulgar rather it's intriguing and Chic and elegant and so I'm very into it next up we have Sheila at him wearing Prada now this is a custom look it's a silver metallic strapless dress with matching gloves I love the matching gloves I think that if you're a celebrity and you're wearing a dress and you're going to oh I don't know wear a pair of gloves with it make sure that they're in the exact same fabric and they match and they're super Chic and elegant because I think this is a great example of bits like a glove it looks fantastic and it keeps a continuity throughout the entirety of the look this strapless dress we can see is wrinkled and it's filled with different Crystal encrust mints running all throughout it I'm gonna be honest I love it I think we've been seeing English textile manipulation for quite some time I think it's based on Spring 2023 but it's also based on past product collections watch any of the videos where we talk about it it's from you know 2004 2009 things like that I love it and I think that here in this metallic silver fabric it's also great I think oftentimes it's really easy to get fabric that looks like it's tin foil when you do a silver I think it's so so easy and so many designers do it this doesn't look like tinfoil to me this feels much more tangible it feels much more crinkled and wrinkled and it doesn't reflective tin foily fabric rather it reads this is silver it's not aluminum it's not Mercury it's not any of those crunchy dunchy tin things rather it's a silver love little back sort of skirt that comes out I think it adds a nice sort of shape to the rest of the dress because we can see it really is like a column sort of skirt in the front and the way that it tapers itself down I think is really lovely the crystal elements that run throughout it really you can't see them all that much but if you zoom in you can and I think they just add a nice sort of history of Prada in terms of adding crystallization and embellishments and embroideries and appliques like I think the necklace works I think that it doesn't take away from the dress rather I think it enhances it I think she Latin is a product girl and it makes me very happy so thank you next up we have Sophie Turner wearing Louis Vuitton listen here's my thing again if you look at this lace dress with all of these little different crystals and pieces that run all throughout it in all different ways it's a great example of how like again Louis Vuitton does custom and Louis Vuitton does exciting custom on for the most part not on occasion it's for the most part they do rather out there avant-garde sort of intriguing cooler style so to not utilize the LV custom Atelier in that manner is a disappointment the black lace I think is cool I think it reads a little bit older but the way that the dress fits because it really does fit her phenomenally I think it gives it a little bit more Youth and a little bit more Beauty a little bit more excitement and then I think there's something about all these different Little Gems and crystals that look like they would be broaches or buttons or part of a big sort of necklace with these little pieces as sort of the main shining examples I think it's cool I think it feels avant-garde I think it feels artistic I think it feels like something you would find in a designer slash an artist Nick Cave that I saw at the Guggenheim recently something about him finding all these old sort of trinkets whether it was on the street or in vintage markets or antique stores or things like that and him sort of making them really beautiful and collaging them together so intriguing and cool and I feel like to a degree this has a similar sort of effect I'm not saying that I think Nicholas Jessica ripped off Nick Cave I just think that that idea of finding antique things and making them curating them I would say is intriguing here in this element it's not a dress I would pick out ever and be like oh I love it but I think that Sophie Turner really pulls it off wow and finally we have Viola Davis in a custom Stella McCartney this purple is lovely on her it's pretty much a fitted slip it's full of these sort of purple crystals and then added to this slip is a little Cape element I like it I think think it's fun I think it's Chic I think it does a good job of feeling young and flirty and cool and elegant but at the same time I think the cape adds a little bit of grandeur a little bit of opulence to it but it doesn't like take itself too seriously which I like and I think Viola I've been like struggling with a little bit recently but I think this is like a nice moment where I can say so let's talk about best and worst for best let's put in Andrea Christia and rahu Mishra I love that let's put in Cape Blanchette in that margiela and Louis Vuitton I'm gonna add in Google map of raw and Gucci Gwendolyn Christie and Guile's Deacon Jody Turner Smith and Gucci I love that Nicola Coughlin Sheila at him as for worst annada armas Angela Bassett Lee Curtis Lily James Prince William so I want to thank you guys so much for watching this Baptist review I hope you guys enjoyed please let me know you guys think of all the looks in the comments down below I will see you guys in the next video and TTY oh

Channel: HauteLeMode

Views: 268,730

Keywords: red carpet, tv baftas, bafta 2023, bafta tv awards, bafta awards, viola davis, baftas 2023, kate, kate middleton, will and kate, will and kate baftas, prince william, prince william and kate middleton, prince william bafta 2023, princess kate bafta, princess kate and prince william, michelle yeoh, anya taylor joy, florence pugh, jodie turner smith, dior, chanel, louis vuitton, prada, schiaparelli, gucci, alexander mcqueen, hautelemode, fashion, style, red carpet fashion, design, art

Id: OaY90C7CkVE

Length: 53min 51sec (3231 seconds)

Published: Tue Feb 21 2023