ANTONIO GAUDI Documentary Film.....The Unfinished Vision (English)

bye so so ah who has dishonored the city of barcelona with constructions which have embarrassed all those who place their confidence in him to crown his noble career he has got into his head the idea of building a church whose extravagant dimensions are explained by his modest desire to install their the entire holy family what is really stupefying is that people who cannot be ignorant of the magnificent traditions of their country are about to entrust the house of god to an eccentric the fact is he hasn't the remotest idea of the most elementary rules of architecture you have only to look at the way he tortures supporting columns to realize that he is in my opinion ignoring all that men have painfully established in the past what are we to think of those who show wild enthusiasm about a few absurdities which scarcely does ever mention in a list of oddities in buildings which are perfectly beautiful there is one virtue which seems to be essential and that virtue is discretion but alas gaudi is hardly ever discrete and thus nearly always fails the more extravagant he becomes the greater are his failures the works of antonio gowdy above all the great cathedral seem to me to represent a mistake made by a genius which future architects of the sagrada familia will have to remedy in those awful combinations of stone and wood or iron the stone is humiliated and architecture loses its unity then his work is ruined yes miguel you were the young man from madrid who wanted to see me yes senor no do you see my works not me they're more important but come on come on so i remember when i was your age i too was just beginning my studies tell me miguel are you studying art as well as architecture no only architecture senor gaudi you must call me don antonio do you know what an architect is an architect is someone who can see the nature of things before they exist someone who knows how to put in order and arrange things in a form that's three-dimensional but with feeling feeling is life whenever we go wrong it's because of the head and the head is only an instrument of control good day good day anna soup these women with this mania of theirs who always say have a little more they are the enemies of a good long life because meat and stew attack the kidneys the same as wine attacks the liver i hope that this fruit hasn't been chilled anna you know how they lose their flavor nothing here good good i think i should be leaving don antonio if you like tomorrow morning we can pay a long visit here in the quell park you'll find it interesting i look forward to it i'm extremely grateful to have this opportunity of getting to know you the only way of getting to know people is by spending their money and we architects we always spend other people's money good afternoon antonio my my ideas is it seemed the ideal place because of its perfect location here on the slopes of this bare mountain i wanted to create a garden village it was to be a suburb entirely on its own to be totally independent between these columns i wanted the marketplace it would sell everything food clothing even toys for the children above this ceiling i wanted a big square for the children to play and for the people to dance in at fiesta time i used to get pieces of broken tile they were going to throw out of the factory to get a great variety of color because nothing in nature is all one color no plant or rock animal or earth is all one color all is contrast hmm other books one the doctrine of morals haven't you noticed that when a man leans on a cane he inclines it at an angle these columns are like stone canes our problem was to find the right degree of inclination the right degree depends on the amount of work each column has to do each one has to carry its own load vertical columns are bogus they need crutches to support them you won't find them anywhere in nature nature is god's architecture my columns don't need support but don antonio why has the work been stopped what you see here now is the work of fourteen years then the count of quell died as you know it was his faith his great generosity which made my work possible unfinished it's all unfinished the first geometry is that of the egyptian pyramid its section is the right angle triangle of measurements the third landmark is binomial which gives not only the circle but also the hyperbola and the parabola this is the crypt that was to be the first of a series of cathedrals an architect should not be vague geometry is his language with geometry he must find the right form for each use with the exact shape to give it its character it's only the engineer who uses one form for everything the architect is distinguished from the structural engineer by virtue of making the construction superior spiritually or destined for divinity as it were also partaking of this superiority is the house or construction destined for man which to be complete has to have a place dedicated to god and this is not new with christianity since all pagan peoples have places dedicated to their gods regiment one passes imperceptibly from one to the other i felt a need to create a new setting for the church something more natural without the formality of straight lines and so i decided on this the parabolic arch see how it unites links everything together it is the father it is supreme saint peter's church in rome and the sistine chapel are nothing more than the work of decorators not architects so he says hey so light is the mother of all visual art contrast and color color and light but always contrast now this building is not mine it was already built when i was asked to change its appearance i used architects who were at the same time artists and together we tried to combine rhythm and color both inside and out the painter interprets an object through color the sculpture through shape but the architect he must create the object itself my first idea was to make a double ramp to allow people to keep their motor cars in the basement of the building but the ramp took up too much space as for the building itself i made use of clean geometric lines lines that are free free from ornamentation ornamentation is to architecture what meter and rhyme are to poetry you'll see what i mean roofs have always interested me here you have only the sky behind you all these shapes and forms that you can see around you are something more than just ornaments they have a practical use they release air and smoke they help the building to breathe i have a deep understanding of space because i come from a long line of coppersmiths and of sailors and sailors too are people of space as also are coppersmiths because before they can fashion their metal they have to visualize the space all of these ancestors of mine shaped me you see the ability to visualize things in space is something not everyone can possess so so do so so nature does not present us with any objective if you look over there do this is the great route the mediterranean the light of the mediterranean possesses great harmony because it falls neither horizontally nor vertically but at an angle of 45 degrees now in northern countries they have a sad horizontal light and in the tropics a harsh severe light which is vertical and it is for this reason that i believe that architecture is mediterranean and because of this i think we are first cousins to the greeks and to the italians and you will remember that don quixote only recovers his reason after reaching the shores of the mediterranean but observe that he refused to go on living after he recovered his sanity the more scientific a man the more useless he is science is analysis and analysis is death since the dissection is always carried out on things which are dead science is like some immense block of metal immovable and you must realize it is only art which can transform it and make it available to everyone don't antonio what is it it wasn't there have been criticisms about your designs for the sagrada familia the critics think that um that i'm a revolutionary well the majority of critics are artists that are frustrated they lack talent or courage you listen to them and you're lost i am no revolutionary i am a traditionalist originally this church was not my project when i was commissioned to continue construction i modified as far as possible the project they'd initiated adopting ideas i'd had during my days as a student do you know what was my inspiration there through that window a tree the trunk sustains the branches and leaves without other elements of support whoever saw a tree with buttresses everything in balance everything in harmony because it goes back to the origin of things understanding this you will also understand that originality is a return to the origin this you will never learn in school there you will learn only discipline and analysis and plenty of text people who want everything explained by books are like people who go to a chemist and ask him give me something to take with my breakfast and something else to take with my supper the man who has to build to make things should never criticize the works of others or praise his own there is nothing unusable nothing that can't be used so so so san antonio could you spare a moment of course pepe what is your trouble well i can't solve the problem of the design of this seat i see can we have a look well i can't get the right shape to fit this bench of yours here but plaster is it still wet yes it's still soft good now take some and pour it right here until it's level with back that is it now let your trousers fall down and sit in the plaster you will find that once it is hardened you will have the exact form of a seed pedro here pleasing john antonia oh he's just around there right thanks dona antonio may i speak with you for a moment i finished the rose no no that is not what i wanted where is the style where's the personality it says nothing about the artist who did it nothing nothing now just look for example here more angular in the cutting to bring out the pure design of the flower give it your signature style you may have noticed the statues on the front of this church i have adopted a simple method for obtaining the true form of the body that which is taken from the skeleton you know that the skeleton of the male differs in proportions from that of the female the question is to see the body from various angles but from one position fixed i used a system of mirrors to observe the form in various positions and then took photographs of all the angles from right there from where you're standing now it is the skeleton which controls the movement through a series of small levers which act on the muscles as though they were motors one moment please good afternoon father good afternoon on antonio i took the liberty of bringing along these very kind people who have come from america they are very eager to see the sagrada familia welcome to our cathedral of the poor if i can be of any help these four towers will rise to a height of 550 feet there will be 12 towers eventually each one representing an apostle the design of the towers i took from the stars themselves what i mean is that stars move in an orbit that is the path of their equilibrium therefore they rotate or themselves in a manner that makes their movement helicoidal these columns of the sagrada familia follow a bundle of forces that is their balance they are generated by a star-shaped section that rotates as it slides upwards this also occurs in the trunks of trees the theory is quite an old one what do you think it will cost when it's all finished i don't know i won't be here by then so i cannot tell you but it will cost much in sacrifice this church must be enriched by sacrifice if it is not it will never be completed but this sacrifice you speak of will it mean suffering everyone has to suffer the only ones who do not suffer are the dead a man who doesn't want to suffer wants to die i have no hopes to finish my church not unless god decides to give me perpetual life no i don't plan to finish it i leave that to future architects i want to build a church where everyone will find something of his own the peasants the animals of the farm the scientists the stars and their paths the holy men the life of jesus so so so done antonio i'm most grateful to you for letting me have not only your time but your ideas ideas i've never had very much time for ideas as i am always working what are your future projects you ask me about things which i do not know things which have no concrete form you must forgive my shortcomings like everything human i'm incomplete well until the next time we meet miguel hey hey

Channel: jalaimo07

Views: 209,246

Keywords: Antoni Gaudi-Architect, Documentary Film

Id: 1Lt7PF3Z5Og

Length: 45min 23sec (2723 seconds)

Published: Thu Jan 22 2015