An Advanced Civilization Existed Older Than Recorded Time, Stunning Archaeological Evidence

[Music] I know you're all fascinated by mysteries like me it's something that really drives me um of somebody who's just obsessed with mysteries as soon as I hear a mystery I try to figure it out and figure out what it means as a child I really became intrigued by one particular mystery and I mean as a small child I had a mother who was interested in this type of mysteries as well and she introduced me to something that I have believed today to be the greatest archaeological mystery of our time and I really believe that this is the greatest archaeological mystery and I'm sure you're all familiar with it but I just want to go over it fairly quickly let's see if this thing is going to work Oh No okay no that's not it yeah but that wasn't the next slide okay yeah this thing goes more all right I call it the greatest archaeological mystery of our time it started in the 1800s when the Victorian era archaeologists began uncovering something strange in the ruins of the new world civilizations they were digging up they noticed that cultures like the Maya and Aztecs in Mexico and the Inca and pre-inca cultures of Peru of which there are numerous shared profound parallels that they had the parallels were with the cultures like the Egyptians in the old world and the Babylonians and Persians in the old world they noticed that they had the same art the same architecture the same symbolism the same iconography and so for example ancient cultures as we know across the world didn't just build pyramids they built stepped pyramids and a lot of the times they build pyramids without a top they're called truncated pyramids and beside that they realized that all around the world there was mummification both in the old world and new world the two hemispheres across the Atlantic not only that but they noticed that the means were given gold masks on their faces and that's an interesting detail that was also the same instead of alphabets they wrote in strange pictures that were called hieroglyphs they're called hieroglyphs in the new world and the old world as well and they also used the same horrible vault arches they're called corbelled vault arches and they use these in their temples and so exactly what meaning it had they weren't sure but they believed that there was something special there there's a lot more parallels but just to throw one more at you and I know you've seen this one before they all had the same elongated skull tradition so the Victorian era archaeologists wondered you know how is this possible across the Atlantic Ocean thousands of years before Columbus and so they theorized that there must have been a mother culture a parent source back to which these parallels can be traced and they called it sort of an advanced civilization and they believed it was so old that it had been forgotten by history they identified this mother culture with the legendary Atlantis and the Greeks talked about how the Atlantis existed in the middle of the Atlantic Ocean as the story goes the continent or the city of Atlantis fell beneath the waves but survivors fled forming new civilizations on both sides of the oceans for many Victorians this theory of Atlantis that sank beneath the sea and survivors fled to both parts of the world neatly explained the parallels that they were finding so when I was around college-age I really started this really started to sink into me and I felt like this was a great and interesting topic to pursue for a few years I was actually interested in Egyptology and I wanted to pursue a career in Egyptology so I started asking my professors and asking archaeologists and attending lectures and conferences but I learned something very important they all found on what I was interested in they didn't really care about any of the parallels they were very almost upset when I would bring them up at a conference and whatever I seem to mention it everybody kind of looked at me and like go away and that kind of made me feel like I had to do something because I knew I truly believed there was something there and so I figured you know maybe it's that we haven't really found the kind of smoking and gone maybe we haven't found enough evidence to show what I believe was a probable connection between these this old world in this new world so the year was 1995 I was 23 years old I was just graduating from college and I decided to travel and so I got a job and I saved some money and I went to different parts of the world and I went to really good places and one of the places I went to was Egypt and I'd stayed for quite a while this photo was really special for me because it reminds me of a great time in my life when I was discovering a lot of different things and realizing who I was as a person and so I while I was away I spoke with scholars I spoke with Egyptologists museum curators people at the archaeological sites people who who grew up around their guides at the sites and within a few years I started to recognize new parallels that the past Victorian scholars hadn't recognized before and I started to recognize one parallel in particular that really just grabbed me and just grabbed ahold of me like nothing else in my life and you can see it here I found an architectural parallel common to every single ancient culture and I started to call it a triptych temple triptych is a word that was used by the Renaissance artists in order to explain a certain type of painting where the middle piece of the painting is larger than the two smaller pieces of the painting on either side now notice here in this in these images how the door in the middle is slightly larger than the two doors flanking it on either side I first noticed these triptych temple among the pyramid building civilizations which as we know are the world's oldest cultures but tryptic temples are visible in the ruins of practically every ancient culture and the thing that really got me was when I started to show people is they said well that's just a coincidence and I said no because I've really looked into this and I noticed that they had come multiple times in each culture and here's an example this is a collage of triptych temples that I found built by the ancient Maya culture of Mexico and as you can see it's not just one it's several of them and this is just a small handful I could put probably about 30 or 40 more triptych temples built by the Maya that I know about on the screen so I in started to really realize that something big was behind this three in one door temple a three door temple I intensified my study of ancient religions and spiritual traditions and I started to realize that the triptych is not just a random visual similarity ancient peoples everywhere built the same triptych temples to symbolize and to celebrate the same what I started to call universal religion I began to call this teaching this universal religion as a kind of perennial philosophy or as a kind of wisdom tradition and slowly I started to understand the universal religion it's a self empowering spiritual doctrine and as we'll see today it's based on the number three matching up to the three doors of the triptych in a nutshell just a quick idea here the universal religion of the triptych temple teaches what in Latin is called the coincidentally apposite Oram and that means the union of opposites or harmony of opposites this idea I would start to realize forms the foundation of every ancient civilization bar none on the left describing the Maya religion and I think see from back there but the Mesoamericans scholar Mercedes DeLaGarza wrote the basic concept of the Mayan religion is that and that of Mesoamerica in general is the harmony of opposites that's a profound statement he's labeling what I found as the triptych as the actual basis of all of Mesoamerican and Mayan religion in the middle describing the Egyptian worldview the Dutch Egyptologist onry Frankfurt said the same thing he said the deeply rooted Egyptian tendency to understand the world is as a series of pairs of contrasts balanced in unchanging equilibrium that's the same thing it's the same exact concept the balance of the opposites and on the right regarding Asia the Hindu scholars even Rosen said the ability to see the Harmony is nowhere more prominent than an Indian theology transcending of all pairs of opposites it is central to Hindu thought central that means there's nothing really more important than that so this evidence shows that civilizations in ancient Africa Asia and America were linked by the same the very same balance of opposites idea religion concept whatever you want to call it so I I really felt like I had something at this point when I returned to New York City from my travels I was still in my 20s and I started to see triptych temples everywhere but not in the ruins of ancient cultures now I was seeing them in more modern buildings not in thousand-year-old buildings but in hundred-year-old buildings so I started to wonder where these are these modern triptychs in some way memorials to the ancient triptych temple that I found and I began to suspect that I wasn't the only person in the modern era to understand what the triptych temple was or to discover the triptych temple phenomenon or the universal religion that it symbolizes I couldn't though find any books on it I spoke to professor's archaeologists historians and nobody had heard of it and nobody could tell me where I could find more information so I continued looking for the triptych in architecture and then one day I was in Manhattan in New York City I was standing in front of Rockefeller Center which I think you're all familiar with and I kind of had an aha moment in my life I noticed that the building's facade had a massive triptych entrance its twin outer doors are decorated with male and female figures while the center door depicts an ancient God or deity now think about this a male on the right a female on the left and a god in the middle this matched my research I was starting to realize that the twin outer doors of the triptych symbolized the doors of opposites and the center door symbolizes the unity of the two doors in balance you know when they say Center yourself you're off center you're on one side don't go to one side don't go to the other stay balanced in the center and that's where I started to feel like this was all about so if you look closely now at the God and the triptych Center door he's holding a compass he's holding a gold compass I didn't know it then but in time I learned that the compass is one of the chief symbols of an age-old fraternity of builders it's called the Masonic fraternity I learned that the Freemasons have a history reputed to stem from antiquity that the Brotherhood is not really a religious group but more of a mystical order I learned that Freemasonry contains allusions to a variety of ancient civilizations not just one culture but many different cultures and in my mind I thought wow that's a perfect storehouse for an ancient Universal religion I also learned that many famous men were freemasons but what struck me probably as as the most important thing was that I realize that Freemasonry holds some sort of strange fascination with the number three and there's the Masonic square and compass it's very similar to the gold compass that's being held by the deity in the Senate or the triptych and here with the number three we read in Masonic author Jeremiah house book in Freemasonry the number three is the most important and universal in its application of all the mystic numbers and we find it pervading our whole ritual on top of this I discovered that US government buildings convey triptych architecture including but not limited to the US Capitol building in Washington DC which is arguably the most important building in the United States as Freemasonry came to America from England I found many British examples of the triptych also again we could see we have the center door being a little bit the triangle in the center is a little bit bigger than the two twin triangles flanking it so I started to realize that there was something important that Freemasonry had to do with the triptych and I became fascinated by secret societies in general the Freemasons the skullenbones the Shriners the Odd Fellows the Knights of Pythias and others and I soon realized that the triptych is a common denominator that all of the secret societies share it indicates to me that they were founded for a common purpose namely to safeguard the universal religion of antiquity and to teach it to new initiatives and just to give you a quick preview here of some of the triptychs that i found here are some Masonic lodges with a triptych on the facade and as you can see it's a it's a purposeful triptych it's a symbolic triptych that didn't have to be there it was put there purposely for a reason here are some Knights of Pythias lodges the Knights of Pythias being a secret society as well like the Frey Mason's here are some Knights of Pythias lodges with a triptych facades and again the same thing it seems as though the triptych was put there on purpose for a reason to symbolize something here are some Shriner buildings with triptych facades the Shriners were a spin-off organization of the Freemasons and here are some Odd Fellows lodges again The Odd Fellows another secret society Odd Fellows lodges with triptych facades and I don't know if you've heard of the Skull and Bones secret society at Yale University but boom right there there's there's a triptych on the facade the skullenbones headquarters at Yale University up in New Haven Connecticut no scholar has like I said before has ever noticed this triptych repetition there's been no books about it no lectures no papers but here's something interesting some artists have unconsciously picked up on it now I don't know do you guys have the Simpsons here you do right oh no there's been the crazy few days and I haven't forgot to ask somebody but the Matt Groening is the creator of The Simpsons and in one episode the fictional Stonecutters are a parody of the Freemasons and if you look at groanings triptych it forms the the headquarters here as you can see the center door is wider and taller than the two doors flanking it notice there's a giant eye in the middle door of the triptych we're going to talk about that in a bit but a lot of Masonic lodges also have that same exact pattern that same triptych even made with triangles and the eye in the center is prominent the way as you can see here it's a little hard to see but if you look closely there's a giant eye inside that triangle so when I was a kid again another one what about the Flintstones that you guys have the Flintstones yeah the loyal Lord of dinosaurs you know tryptic secret society and the Flintstones and the reason I think of what people was all you know they knew everybody knew you know I don't know about that I think maybe as an artist the artist had to was tasked with drawing a secret society and he probably looked at some buildings of secret societies as and as an artist he probably recognized didn't think much of it but included it here so I was really enthralled by all this I really felt like I was onto something very important so I went down to I grew up in New York City and I went down to visit the Lord the 23rd Street Masonic Temple I expected to find these master occultists master esoteric teachers but instead to my great surprise and to my great dismay I learned that most Mason's had very little interest in esoteric subjects I soon realized that for the past 150 years Freemasonry has been suffering from a kind of amnesia the true wisdom of the fraternity seems to have disappeared from the from the consciousness of its members in their book the Hyrum key Freemasons Chris Knight and Robert Lomas say a compelling reason for silence among Mason's it's not so much a fear of macabre tribution it's more that they don't understand a word of the ceremonies they participate in our biggest criticism of Freemasonry is its sheer pointlessness it doesn't know where it came from and no one knows what it's trying to achieve according to the website of the Grand Lodge of England the honest answer to the questions when where and why Freemasonry originated that we simply don't know and and so this is a challenge you know why don't the Freemasons understand their own origins so this gave me kind of a newfound enthusiasm one thing very quickly is that I learned from the from the Grand Lodge of England I spoke to them and they said the only thing that we can tell you is that we believe that Freemasonry has arisen from the cathedral builders of medieval times and so that really sparked my interest and I kind of with newfound enthusiasm I went to Europe and I started to study the cathedrals and right away I noticed that they were all packed with incredible symbolism and symbolism that not necess early Christian I found that different symbols that we call pagan were written in stone upon them but I started to notice something really important and this is what really changed my life at this point I started to notice a repeating architectural pattern the same pattern over and over again on different cathedrals and scholars have not recognized this pattern I asked many probably over a hundred of them and nobody had heard of anything could never point me into a book that showed me this pattern and so I described this pattern in my 2011 book written in stone where I refer to it as the cathedral code it's formed by the following three architectural features first two tall Twin Towers on top second a giant Rose window in the center and third a triptych three-door entrance on the bottom and this same pattern repeats on literally hundreds and perhaps even thousands of Gothic cathedral facades in Europe so why do we have the same could be a repeating pattern why is it possible that there's a message encoded in this design is it possible so I was traveling from Cathedral to Cathedral trying to figure it out during my trip I took a book The Hunchback of northrend I'm written by Victor Hugo 1829 and in it Hugo called architecture the handwriting of the human race he also said something even more telling he said excuse me from remotest antiquity the human race has employed architecture as its chief means of writing sometimes an entrance a front or even an entire church presents a symbolic meaning wholly foreign to religion or even hostile to the church only the initiated can decipher these mysterious books I was also reading a book called the beautiful necessity written by in 1910 by an American author named Claude Brogdon he wrote in medieval Europe fragments of the secret doctrine transmitted in the symbols and secrets of the cathedral builders to in much of Gothic architecture in his 18 in his 1989 book the occult conspiracy author Michael Howard agreed with this saying it's generally believed in occult circles that these medieval Masons had inherited esoteric knowledge from their pagan antecedents and that this knowledge was incorporated into the sacred architecture of the cathedrals so I slowly became convinced as I was looking at these Gothic cathedrals that in fact what they really are are triptych temples or something akin to it I also began to think that the entire Gothic cathedral facade surrounding the triptych including the twin towers in the Rose window is a message in stone that reveals the triptychs true meaning of course this would be heresy and this would be considered a direct threat by the church and so I started to learn that at some point in the 1700s the church suddenly and inexplicably broke away from the Freemasons the church did a 360 degree about-face and instead of commissioning the Freemasons to build more cathedrals they suddenly sought to stop a stomp out and destroy Freemasonry forever in the 1700s Pope Leo the 13th accused the Masons of practicing paganism imagine that you have these builders of your churches for centuries and then all of a sudden something happens and you accuse them of being opinions he wrote the purpose and aim of the Masonic sect having been discovered from plain evidence is easy to understand to try to revive after 18 centuries the manners and institutions of paganism we intend to turn our attention to the Masonic fraternity to illustrate more and more this wicked force and stop the spread of this contagious disease wow that's big something big happened what do they find so we can find the answers to what they found I believe by decoding the Gothic cathedral architecture and in order to do that we need a key and I think I found the key the key is what's called a tracing board and it's present in every Masonic Lodge around the world the tracing board in my opinion is a blueprint of the Gothic cathedral facade it's a blueprint of the cathedral code it might not look like a brute a blueprint to you but that's exactly what it is look at the twin pillars on the tracing board Mason's call these the jaqen and Boas pillars these are the cathedrals Twin Towers I believe writing in the early 1900s other authors believe that as well including Masonic author Walter will jurist who wrote the twin pillars have been incorporated into Christian architecture if you recall the construction of York Minster or Westminster Abbey you'll recognize the pillars in the two great towers flanking the main entrance is this true are the twin pillars called by Freemasons jaqen and boys really encoded into all the twin pillars of cathedral architecture if so why what exactly do the jaqen and Boaz pillars symbolize Masons are told that they symbolize the that they once decorated the front entrance to King Solomon's Temple in Jerusalem but I believe that this is just a dead end story it doesn't lead anywhere it doesn't teach you anything in truth the Masonic twin pillars form what I believe are the very foundations of the ancient Universal religion that I talked about how well look at the tracing board notice how the pillar on the right hand side which is called jaqen is capped by the Sun and the left hand pillar on the left side obviously called Boaz is capped by the moon this duality of the sun and moon tell us something critically important all the world's cultures perceive the Sun and Moon as perfect opposites as I'm sure many of you know in every culture a swastika symbol was used to symbolize this idea every culture same concept a swastika has two S's one s is a symbol of the Sun and the other s is a symbol of the Moon the Sun and Moon are perfect opposites according to a law in nature that we can all understand the Sun rules the day the moon rules the night the day brings light the night brings dark the light brings hot the dark brings cold the hot brings dry the cold brings moist the day symbolizes life the night symbolizes death life is embraced as good but death is feared as evil now this is a naturally occurring pairs of opposites that are happening here and by this chain of associations the Sun and Moon engender and denote all the pairs of opposites in our world in our universe now here's something interesting the Sun and Moon shine on average 12 hours out of 24 each daily that's half each that's exactly half each right and here's something that I honestly changed my life there's next a little bit of information when viewed from Earth the Sun and full moon appear to be identically sized in our sky as if these twin heavenly bodies are perfect opposites the Sun is much bigger obviously but the moon is much closer so when viewed from Earth they're the exact same size so if you put this all together this is a not a marvelous coincidence the way astronomers say but really what it is it's evidence of the mystical nature in my opinion the mystical nature of human existence ancient Chinese philosophers knew this well their Taiji to symbol sorry the Taiji to symbol which we call the yin-yang depicts the Sun and full moon together in one circle the yin or full moon covers half the circle the yang or Sun covers the other half and now think of this in terms of the tracing board the Sun crowns the jaqen pillar that's yang the moon crowns the baz pillar that's him thus the jaqen and Boaz pillars or Freemasonry like the yin-yang symbol stand for or the doctrine of duality the pairs of opposites and this is something that will ensure co-author I quoted before also know he said many centuries before our Bible was written the two pillars were used in temples they stand from what is known as the pairs of opposites everything in nature is dual and can only be known in contrast with its opposite and here's a quote from an interesting author named Warren Kenton whose work is often cited by Prince Charles he said erected by the Masons the West front of each church had two towers representing the twin columns the masculine and feminine aspects flowing down from heaven called in Charles cathedral the Sun and Moon towers now this is interesting because here Canton points out something that's a little bit more tangible for us to look at we have the two towers on Charles Cathedral the right-hand tower is capped by an image of the Sun and the left hand and hit by an image of the moon and this is referring to what Kenton calls quote the masculine and feminine aspects that's because man and woman like every other pair of opposite is encapsulated by this doctrine we're told by the early 20th century author Claude bragdun men like the Sun is Lord of the day woman is subject to the lunar rhythm the masonic gills of the Middle Ages were custodians of the esoteric the north or right hand tower the man's side was called the sacred male pillar jaqen and the south or left hand tower the woman's side the sacred female pillar boss and we see this on the grand master certificate of the 16th century heretic Giordano Bruno who was burned at the stake in the year 1600 for heresy we have a male pillar crowned by the Sun on the right side facing us and a female pillar crowned by the moon on the left side facing us again this matches the twin towers of Gothic cathedrals but why is the pair of it's teaching so important why is it important that we have duality what what is it exactly I mean what is this new wisdom mean to you and me and the answer is we live inside the universe not separated from it thus we too are formed by opposites our bodies are made from the same pairs of opposites as the universe the light and the dark the good and the evil the right and the wrong etc Shakespeare said our life is a mingled yarn good and evil together and the ancients believed this wholeheartedly they believed the right side of our body was male and solar and the left side was female and lunar and again Claude bragdun says though essentially a unit there's a well-marked division into right and left we have two arms two legs two ears two eyes moreover the terms of such pairs are masculine and feminine with respect to each other one being active and the other passive so no human of course is completely one gender or the other despite our physical characteristics we all possess both masculine and feminine manly Hall was a Masonic author and he noticed this and he said in ancient times men fought with their right arms and they defended with their left arms the right side of the body was considered masculine and the left side feminine so this portrait appeared in an esoteric manuscript in the 1400s it's a two-headed human a male on the right holding the Sun and a female on the left holding the moon this is an esoteric portrait of you it reveals the true makeup of a human being half male half female and this explains the angel on our right shoulder telling us to do good and the demon on our left shoulder telling us to do evil and that's something that we find in a lot of different cultures till today there's good and evil in the world and that means there's good and evil in all of us now here's the question is that our fate to be ruled by in and yet to be to be tossed about left and right to be so off balance that we don't know who we are and we can't find our Center know the answers of the ancient philosopher said was no and we can transcend this duality how do we do that well we do that according to the Freemasons and recordings of the people who preserve this ancient wisdom we do that using the Masonic number three and remember I said before three is the key number in Freemasonry the masonic three teaches that we're more than just the twin opposing halves of an animal body there's a these twin halves don't constitute the whole human being only the physical part the material part the part that lives and dies on earth the masonic three teaches that deep down there's a spiritual part and this third part this spiritual part encompasses both sides of the duality and it can be found only through the union of the twin opposing halves and this is again what i said before the latin term coincidental apposite or amor the pairs of opposites the balance point of the opposites as I mentioned before and I'll explain now how the ancients knew this they knew it because you could see it in their symbols look at the Taiji two you have yin and yang and they represent the physical size of the human body but now look Nina and yang are both encapsulated inside of a giant circle okay a lot of people missed that circle they just say oh it's yin and yang yeah but what about the the third part the most important part of this is the circle the circle encompasses both yin and yang and the circle symbolizes eternity because with no beginning and no end a circle has always symbolized eternity to all ancient civilizations the circle according to three Mason's is a symbol of your soul it's called Tao in Chinese thought and the circle is the part of you out of which all existence arises and inside of which the pairs of opposites live and move and have their being the ancient Chinese philosopher Lao Tzu says he who follows the Tao is one with the Tao being at one with the Tao is eternal though the body dies the tower will never pass away the union is in fact a three-part symbol as I just was mentioning it has three parts it's made of twin dualities yin and yang with the circle being the third part the Tao being the third part and this is the higher unity that yin and yang are encompassed in and Lao Tzu tells us that as well he says the Chinese Trinity being the duality of yin and yang organized into a higher unity is regarded as the source of all existence and its symbol E in yang possesses special significance for Chinese thought for the Chinese heart and so this idea that a third force of unity ties together twin opposites is central in Freemasonry we find it in Masonic thought and in Masonic architecture too in Freemasonry though its symbol is not a circle like it is in Taoism encompassing the yin-yang in Freemasonry its symbol is the triangle the triangle that unites the twin pillars jaqen on one side and boas on the other in precisely the same way the circle unites ian and yang and we could say that in another way the triangles apex transcends its two lower points just as your soul transcends the two animal halves of your body and this is because your soul is older than and higher than your body your soul is the source of your body think of the storing of the Garden of Eden the fall we've fallen after eating from the tree of knowledge of good and evil we've fallen down into the lower world of duality we've fallen from our higher spiritual home in the heavens and we've landed in a world of opposites and this concept is rampant in the writer and Masonic writers of the 19th and early 20th century including John Yorker who said according to this mystic doctrine all souls have pre existence and have descended from the spiritual world into the earthly prison of the body in other words your divine all ready you existed before your body's birth and you'll survive your body's death you're more than just a physical body you are a soul and in authentic Freemasonry and in these teachings in this hermetic wisdom being sold means being a god a soul is a God you are a God a fallen God but a God just the same having fallen you are now in a sense imprisoned by the body which mimics the duality of the universe which your body temporarily lives in and the esoteric scholar Alvin Boyd Kuhn said that he said man is a God in the body of an animal according to the pronouncement of ancient philosophies absolutely right because the ancient philosophers talked about this they all did you find the same concepts that you find in Greek philosophy and Hinduism you find that in towers and you find in religions essentially all over the world the famous 19th century essayist Ralph Waldo Emerson who's one of my favorites said a man is a God in ruins and the famous 19th century French poet Alphonse de Lamartine said limited in his nature infinite in his desire man is a fallen God who remembers heaven I thought that was a profound quote when I first came across it man has fallen because in a sense your body is not your true home it's an imperfect and transitory vehicle it's taught in ancient philosophy that your body imprisons your soul because think about it your body has to be cared for in order to survive your body has to constantly breathe eat drink maintain a constant temperature fight disease even if your body can endure for decades death will eventually destroy it so for the ancients your fallen to a body was somewhat perceived as a tragedy the 19th century author Allen tha's Gregory wrote the plate inist s' in general believed in a pre-existing state in which all souls had sinned and lost their wings and so they sank into these bodies partly as a punishment for former Follies it means you've descended so deeply into the material world that you've lost fight of your god self of your spiritual self you're sewing wrapped in matter that you have amnesia of who you really are and that's the God within you so the important part of the Masonic teachings that really touched me the most was that despite all this you can use the number-3 to sort of take back who you really are remember who you really are you do this by turning on the soul you know that your soul is being covered over by your body but if you balance the opposites if you transcend the opposites you can actually find that Center between them and that's the third force that's the coincidental apposite orem and you find this in again all the traditions and especially in the magical traditions we're told by Israel Regardie who was a student of the magician Aleister Crowley only in the reconciliation of opposing forces is the pathway made to true occult knowledge and practical power in other words you have to join your right and left sides you have to join your male and female halves and you'll find what you're seeking and this is what we're told in the aphorism aphorisms of za so most when you join the opposites a mystical awakening occurs it involves are suddenly becoming aware of an organ and human faculty that we didn't know we really had and we can see that hidden organ on this Masonic tracing board it's very similar to the Masonic tracing board I showed you earlier it depicts what seems to be an ancient pagan temple and that's because it reveals an ancient pagan teaching first look at the twin pillars jaqen and boas they're aligned with the Sun and Moon directly above them now look at the tops of the twin pillars they both form the lower two halves of a triangle third look at the apex of that triangle and notice the luminous I directly above it why and I the answer is when you unite the opposites you suddenly become illuminated awakened you suddenly become whole again and when this happens a mysterious hidden eye opens within you Plato called the eye of the soul and the soul is who you really are and we see this here in an old Masonic Temple in Prague Czechoslovakia many Freemasons believe incorrectly that this is the eye of the God of the Bible but according to Plato we in every man there's an eye of the soul which is far more precious than 10,000 bodily eyes for by dallona's truth seen the eye of the soul is naturally adapted to be resuscitated and excited by the mathematical discipline excuse me located in the centre of our brains Plato's eye of the soul has historically been called the Divine's eye the mind's eye the cyclopean eye and that's a whole nother lecture where we could talk about the cyclopean ruins they're very advanced they're very powerful I think it has something to do with the third eye the real name of it is the third eye and the awakened third eye and dows its possessor with higher consciousness and curiously the third eye is not even mentioned in Western medicine our history books carry a very small description of it they call it the pineal gland in Webster's dictionary only has a couple of sentences devoted to it calling it an appendage of the brain it has the structure of an eye and it's variously postulated to be a vestige a third eye or even a seat of the soul and there you have a remnant of the of the teacher they're calling it a seat of the soul awakening the third eye is a custom in Asia to this day and the Hindu religions Buddhism here the third eye is called erna and Trinette rrah it's marked by a dot from the forehead it's called the oddness chakra it's one of the seven chakras that are aligned in our spinal column going from the pelvis to the top of the head I'm sure you've all heard of them before all the chakras are connected from the lowest to the highest through a central channel called the sushumna and two opposing channels the eda and Pingala run to the left and right of the sushumna negatively-charged eda is our left channel that's the lunar and feminine channel positively charged Pingala is our right channel that's our solar and masculine channel here you can see that the EDA and galah channels of Hinduism of Kundalini Yoga matched up perfectly with the jaqen and Boaz columns and the in and yang of Taoism and so you're starting to see that they're all the same it's teaching the same concepts everywhere the art of Kundalini Yoga is personified on this ancient megalithic hindu statue it depicts a male on one side a female on the other both balanced in the middle by the god shiva and the awakened third eye is visible the late dr. lisa nella who was the co-founder of the kundalini clinic in california says that kundalini is the real cause of all the so-called spiritual and psychic phenomena the secret origin of all esoteric and occult doctrines the master key to the unsolved mystery of creation the inexhaustible source of philosophy art the science and The Fountainhead of all religious faiths past present and future and so during my studies I came to believe that Kundalini Yoga this awakening of the third eye by balancing the jaqen and boys sorry moon was the played a key role and in the great work of all the secret societies not just Freemasonry and here are some images of what I believe is the awakened third eye on some Oddfellows regalia the Masonic triangle thus denotes more than just balancing life's to Ala T's it stands for the awakened third eye that occurs when life's to Alaniz are balanced and I want to show you a cool quote from Carl Jung he says unfortunately our Western mind lacking all culture in this respect has never yet devised a concept or even a name for the union of opposites through the middle path that most fundamental item of inward experience it said once the most individual fact and the most universal the most legitimate fulfillment of the meaning of an individual's life 1918 doctor George Washington carry the all-seeing eye this is the eye of Freemasonry the third eye while incredibly formed that few masons understand their own symbols the fact remains that they use them and let's return now to the Gothic cathedrals and we'll be finishing the lecture right now with this you can see if you follow the twin towers down they end in what I call the doors of opposites a third larger door is centered between the doors of opposites and this third larger door unites the doors of opposites into a kind of three-in-one symbol just as the apex of a triangle unites its two lower halves and just as the circle unites the twins in and yang so the triptychs Center door that signifies this center point this balance of the two opposite sides between them and therefore it represents the soul between the soul within us in our Center and the God within us in this way the entire triptych itself represents Karl zooms union of opposites through the middle path when we do this when we unite the opposites when we balanced ourselves in our Center we awaken to a different path we find our inner God we find our inner peace and I think that's what this triptych tradition says all around the world I have to only just given you a very small piece of what I've found because of the only 45-minute bility would tell you I don't want to go into every ancient culture and show proof of that I do that in my book but the idea here is we find the inner God in the middle between us this God symbol on Rockefeller Center triptych when we do balance these opposites now very quickly though if you follow the middle door upward you see the Rose window and the Rose window is circular okay we said the circle is always a symbol of eternity in the eternal soul it's a perfect symbol of the the God within us and the soul within us between the Twin Towers of duality and we have author Michael Rose who says in his book ugliest sin the Rose window is a representation of perfection balance and the harmony of the purified soul got a great quote here from Prince Charles who really has a lot of esoteric wisdom in him and he says the entrance into the building is talking about Charles Cathedral which is which I showed before the entrance into the building is through a West front which comprises two soaring towers one with a symbol of the moon upon one bearing the symbol of the Sun and beneath them sits one of the most spectacular of all rose windows symbolizing the uniting of the apparent duality represented by the symbols of the Sun and Moon when I read that it was a kind of confirmation that I was reading these cathedrals correctly and that really blew me away the Rose window is a descendant of Roman I called the oculus it actually stands for I what Plato called the eye of the soul because the Rose window was both a symbol of the eye and the soul and it's depicted just above the center door of the triptych it's aligned perfectly in the center between the twin opposites so the last quote I'll show today is this one from the Hunchback of Notre Dom where Victor Hugo likens that Center Rose window with the eye of a cyclops he says there's a certain about our above all others when the facade of Nora Dom's should be admired it's the moment when the Sun already declining towards the West looks the cathedral almost full in the face it's raised growing more strongly while the central Rose window flames like the eye of a cyclops I think that's an esoteric reference right there in the US we have something called the Ku Klux Klan that's cool close the word circle the circle clan that evolved into a racist organization but originally it was an esoteric an esoteric community and if you think about a Rose window really what a Rose window is it's a circle with a dot in the center and that we know in symbology is a symbol of the self so tomorrow what I'll do is I'll present the conclusion of this lecture and we'll see how an eye symbol is depicted above the triptychs Center door it's a common feature in Europe and in other parts of the world it's not unless you really unless somebody points it out to you like I'm doing here it's hard to see but here you can see this is the Bank of France and this building is from the late 1800s I believe it's a triptych it's a three-in-one pattern and there's a third awakened eye above the center door and this is the whole con the triptych that we see in all the ancient civilizations it means the same thing everywhere EDA on one side Pingala on the other that's the jaqen and was the sushumna in the middle with the awaken third eye to signify the higher self this is a building in New York City that has the same three door and triptych two pillar Jack dick and and boys and if you look at the light coming from the third eye above the top you could see a parallel so the information I presented here is just a small amount of the information I've gathered there was a universal religion of antiquity it was based on the balance of opposites the main architectural symbol was the triptych temple and it was encoded in architecture by the Freemasons who I believe inherited this wisdom from their pagan antecedents and that's it we'll talk about more tomorrow in part 2 thanks everybody [Applause] [Music] [Music] you you

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Length: 53min 1sec (3181 seconds)

Published: Mon Jul 09 2018