>> Stephen: HEY, EVERYBODY,
WELCOME BACK. THANK YOU, FRIENDS.
HEY, EVERYBODY. WELCOME BACK TO "THE LATE SHOW"
ALREADY IN PROGRESS. LADIES AND GENTLEMEN,
MY FIRST GUEST IS A TWO-TIME ACADEMY AWARD NOMINEE YOU KNOW
BEST FROM "MARRIAGE STORY," "BLACK KLANSMAN"
AND "STAR WARS." HIS NEW FILM IS "FERRARI."
>> YOU WERE SUPPOSED TO SAVE HIM.
>> YOU BLAME ME FOR HIS DEATH? >> YES.
YOU PROMISED ME HE WOULDN'T DIE. >> EVERYTHING, I DID EVERYTHING.
TABLE SHOWING WHAT CALORIES HE COULD EAT.
WHAT WENT IN, WHAT CAME OUT. THE DEGREES.
I KNOW MORE ABOUT NEPHRITIS AND DYTROPHY THAN CARS.
>> YOU LET HIM DIE. IT >> THE FATHER DILUTED
HIMSELF! THE GREAT ENGINEER.
I WILL STORE MY SON TO WEALTH. ITALIAN DOCTORS.
I COULD NOT. I DID NOT.
>> Stephen: PLEASE WELCOME ADAM DRIVER.
[CHEERS AND APPLAUSE] ADAM DRIVER.
[CHEERS AND APPLAUSE] HI. NICE TO SEE YOU AGAIN.
ALWAYS LOVELY TO TALK TO YOU. I'M PRETTY EXCITED ABOUT THIS
MOVIE. I MEAN, I DON'T EVEN KNOW A DAMN
THING ABOUT IT BUT I GET EXCITED BY THE WORD FOR ARI.
I KNOW SO LITTLE ABOUT THIS MAN'S STORY.
ALL I WANT TO START OFF WITH IS SAYING YOU MAKE A GREAT, YOU
LOOK FANTASTIC AS ENZO FERRARI. YOU JUST TURNED 40, RIGHT?
HAPPY BIRTHDAY. THIS IS FERRARI AT 60 RIGHT
THERE. THIS IS U.S. FERRARI AT 60.
IS IT NICE TO KNOW, LIKE TO PLAY A ROLE WHERE YOU GET TO BE YOU
20 YEARS FROM NOW AND GO "GOD, I LOOK FANTASTIC AT 60."
B TO A WINDOW INTO THE FUTURE. >> Stephen: YOU ARE A SILVER
FOX. YOU ARE PULLING A STEVE CARELL.
YOU JUST GET BETTER THE OLDER YOU GET.
WHAT DID YOU KNOW ABOUT FERRARI? >> Adam: SAME AS YOU.
I DIDN'T KNOW ANYTHING. ACTUALLY AUDLEY I WAS FIRST
INTRODUCED TO FERRARI THE CAR FROM
WATCHING MICHAEL'S "MIAMI VICE."
MICHAEL MANN, THE DIRECTOR. THE FERRARI THAT DON JOHNSON
DROVE. MY DAD WAS A BIG "MIAMI VICE"
FAN. >> Stephen: SO YOU NOTICE THE
FERRARI. >> Adam: THE BLAZER WITH THE
T-SHIRT. I ALWAYS KNEW OF FERRARIS HAS
DRIVABLE WORKS OF ART. THEY ARE NOT IN MY PRICE RANGE.
BUT I DIDN'T KNOW ANYTHING ABOUT THE MAN.
BEFORE THE MOVIE STARTED. I DIDN'T KNOW ANYTHING ABOUT IT.
>> Stephen: THE DIRECTOR, MICHAEL MANN, AS YOU WERE
SAYING. HE'S GOT A REPUTATION FOR
PRECISION ONSET. EVERYTHING IS JUST SO.
AND I'VE SEEN SOME FOOTAGE OF THE FILM.
I'VE SEEN PRESS PHOTOS. I UNDERSTAND THERE ARE
PROSTHETICS INVOLVED BUT I DON'T SEE ANY.
YOU LOOK LIKE YOU BUT WITH YOUR HAIR GRAY AND SLICKED BACK A
LITTLE BIT. WANTED THEY DO TO MAKE YOU
FERRARI? >> Adam: I AWARE OF SKULLCAP
AND A WIG SO THIS GUY, I WORKED WITH HIM.
HE DID THE WIG. SCOTT DEALER DID THE
PROSTHETICS. IT'S BACK AND NECK PROSTHETIC.
>> Stephen: YOU ALREADY HAVE A KNACK.
WHY DO THEY HAVE TO APPLY A NEW NECK?
>> Adam: CHANGES THE SHAPE OF YOUR FACE.
WE DID PROBABLY TWO, THREE WEEKS OF PROSTHETICS EVEN AFTER WE
SHOT THE FIRST WEEK. MICHAEL WANTED TO MAKE AN
ADJUSTMENT IN HIS THEORY IS SOMETIMES PROSTHETICS BECOME SO
ADVANCED AND THEY ARE SO WELL DONE AND YOU LOOK AT IT AND YOU
KNOWLEDGE THAT IT'S IMPRESSIVE BUT IT KIND OF DIVORCES YOU FROM
THE ACTOR PLAYING IT. HE WANTED TO CONNECT RIGHT AWAY.
ONE OF THE PROPHETIC TO BE SUBTLE.
>> Stephen: WHAT DOES IT DO WHEN YOU SEE YOURSELF?
SOME PERFORMERS USE MASK WORK AS A WAY OF SORT OF PUTTING
THEMSELVES INTO A CHARACTER ALMOST INSTANTLY BY PERCEIVING
THEMSELVES. WHAT DOES THE PROSTHETICS DUE TO
YOU AS AN ACTOR? >> Adam: EVERYTHING.
YOU'RE KIND OF IMAGINE HOW LIGHT IS HITTING YOUR FACE PER YEAR
WHERE WITH THE FRAME IS SO YOU'RE AWARE OF WHAT SHAPE
YOU'RE MAKING IN THE FRAME. USUALLY I LIKE TO KIND OF START
KNOWING EVERYTHING ABOUT THEIR INTERNAL LIFE WITH MICHAEL WAS
REALLY OBSESSED WITH HIS INTERNAL LIFE.
THEN WHEN YOU PUT ON CLOTHES OR SHOES, ANYBODY CHANGES UP WHEN
THEY TYPICALLY WEAR, YOUR BODY NATURALLY CHANGES.
YOU ONLY HAVE LIKE TWO HOURS UNTIL THE HISTORY OF SOMEONE'S
LIFE FROM BIRTH. SO OBVIOUSLY OF SOMEONE'S
INSECURE OR THEY ARE OLDER, THEY HAVE A BAD BACK, THEY CARRY
THEMSELVES IN A DIFFERENT WAY. EVEN THOUGH IT'S NOT WRITTEN
SPECIFICALLY IN THE SCRIPT, EVEN IT'S SUGGESTED, YOU KIND OF WANT
TO TRY TO PHYSICALLY EMBODY THAT.
SO WHEN IT COMES THE PROSTHETICS OR WEARING A FAT SUIT OR WEARING
THESE NICE SUITS, EVERYTHING IS STORYTELLING.
AND MICHAEL IS VERY TUNED IN TO --
ACTUALLY HE FAMOUSLY IS OBSESSED WITH TIES.
HE WILL STOP EVERYTHING AND -- YEAH, TIES.
I'VE A GREAT -- GREAT PICTURES OF HIM.
I TOOK A PICTURE OF HIM PICKING TIES.
HE'LL SPEND TWO HOURS ON TIES. SO WHEN HE ASKED THEM, WHY ARE
YOU SO OBSESSED WITH TIES CUSTOMER IF THEY ARE LOOKING AT
THE TIME, THEY'RE NOT LOOKING AT THE ACTORS FACE.
IT HAS TO SAY SOMETHING ABOUT THE PERSON.
IT'S THE DETAILED HELP CHARACTER.
EVERYTHING HAS TO SUPPORT CHARACTER.
WE DON'T HAVE TO TAKE A QUICK BREAK.
WILL BE RIGHT BACK WITH MORE ADAM DRIVER, EVERYBODY.
DON'T GO ANYWHERE.
