2 COLOR GRADING TOOLS you need to master in Capture One 20

hi everyone kasia smoka from digital arts classes here today we will be talking about one aspect of photo editing that seems easy and effortless but in fact it is not we will be talking about color and color grading so as you know for sure sometimes you have images right from the camera that look really good that will look really harmonious and they don't require a lot of work they just look good right from the camera but on the other hand you might get images like this that were taken during sunny conditions very bright and sunny day but i have taken this image in the shade to avoid strong contrast and this is the result that i got so to work towards this result we will be talking about color harmonies and we will spend a bit of time with capture one color grading tools so i will show you in this video as well how to work with adobe color wheel this is a free tool super super useful if you don't know this tool you will really love it this tool is great especially when you want to harmonize colors in your image and when you have no idea why the colors are simply pulling your image apart so let's begin okay so let's take a look at our image so in this video we will be focusing purely on color here i have performed some initial adjustments so as you can see here i've been working with the heel tool i haven't done much work the skin of the model was almost perfect so i haven't done much this is all that i have done here so in this video we will be focusing on color this is pretty complex subject but if you want to learn how to retouch skin in capture one how to work with the heel tool you can watch my video where i talk about this in detail here is the link to the video so i have started this image by a little bit of cleaning up the skin after cleaning up the skin i have performed some luminosity adjustments so this is before let me zoom out and after so i have brightened the image i've done a little bit of dodging as well so here i focused on the face let me just show you the mask so this is preview of the mask so basically i just wanted to bring out the highlights in the hair i've worked a bit on the face here to have a bit more of the beautiful light so this is without the mask and again this is before and after very very subtle effect so after performing all these adjustments i started working on color but at the very very beginning just on my background layer i have already targeted the white balance so let's begin working on our image let's start talking about color grading so i'm going to actually create not a new variant i'm going to clone variant because i want to keep my luminosity adjustments i don't want to create them again so i just want to remove all the layers where i have worked on color so this is my image before color work if i hit y this is the image before any adjustments and that's the result after applying luminosity adjustments but before i started working on color before i started focusing on particular colors in the image i have adjusted white balance in the image so if we jump over to my background layer you can see here this is the white balance tool if i press and hold alt key and hit this little arrow you will see the image before and after the adjustment so it was way way colder so let me just reset this tool and if you want to do this automatically you can pick this little picker here and click on the area in the image that you know that should be neutral gray so i know for example that this shawl was black and here it looks pretty much blue if you take a look here at the color readouts at the very top if i hover over the shawl you can see that the blue is the higher value here so we have 97 for the blue 53 for the green and 11 for the red so we have very very strong bluish color cast we can try to correct this automatically so let me maybe click somewhere around here so this already helped a bit this made the image a little bit warmer so we got rid of the color cast and you can see that here in the place where i have clicked the black is black we have pure gray shade without any bluish color cast i feel however that this is a little bit too warm so here we will be working on a portrait and i feel that the skin is a little bit too saturated so i'm going to pull this slider a bit towards the left side towards the left side of the spectrum so by pulling it toward the left i'm actually adding more blue to the image so i'm going back towards the cold scale so i'm just going to work now with the arrow on my keyboard as i want to be precise and something like this six one six four yes i think it works well so with the first slider kelvin you are setting the image temperature so here to the left you have blue here to the right you have yellow and by pulling this slider towards the left you will be calling the temperature in your image and by pulling it to the right you will be adding yellow so let me actually show it to you so if i go all the way to the left i went for super extreme so now this is very very blue if i go towards the right i will be adding yellow and i want to be somewhere in the middle so i will go for something like the value that we had before something like 6 1 maybe eight zero okay with the slider tint you can correct the tint in your image if you feel that there is a bit too much of redness of magenta you can go towards the left so you will be adding green to your image if you feel that the image is too cold and you want to add more magenta you can go towards the right so on the right you have the maximum value for magenta 50 and on the left you have the maximum negative value negative 50 and this adds green so i'm just going to actually zero out and i feel that the image might get a little bit more of depth if i add green so now it is pretty much warm and let's just pull the slider a bit towards the left maybe something more subtle okay i think one negative 1.5 is fine so just by correcting the white balance just by pushing it a bit towards the warmer scale we got this natural starting point so let me just hit y on the keyboard so this is before this is the original image and here we have the image after the white balance correction let's actually switch off all my luminosity adjustments so now we will see just what we have achieved by correcting the white balance so this is the original raw file without any adjustments and this is just after correcting the white balance so you can see that this is super super important step when you are color grading your image so now it's worth mentioning that if you have a specific color grading if you mind if you have a specific game plan you can already use the white balance correction to go towards this direction however very often we want our images to look more natural we don't want from the very beginning to go towards super cool or super warm look so that's why i have started with the white balance correction and i'm going towards the neutral white balance if we wish so we can always after completing the color grading we can always super quickly create a new variant and then go back to the background layer and then readjust our white balance this is super super fast and easy in capture one okay so let's get back to our editing i'm going to switch on my layers my luminosity adjustments and if you take a look here you can see that i have the bw and if you're curious what's here i have created this layer just as a helper layer so here i just pulled the exposure saturation towards negative 100 this is helpful when you are dodging your image when you are working on luminosity adjustments without this layer working on luminosity adjustments would be more difficult because this image has as the original raw file quite a lot of complementary colors so you have those cool blues you have those very strong warm yellows and these colors are just pulling your eye towards them so it's much easier if you turn your image temporarily to black and white and now you can focus on modeling the face on modelling the shadow and light without this layer you can see that your eye immediately runs towards those super strong yellow shades and a bit to the warm tone in the skin to the skin tones but with this layer it's just super super easy to work on dodging and burning and on luminosity adjustments okay so we have the initial explanation out of the way and right now we can focus on color okay so let's quickly analyze the image color-wise so as i just mentioned before we have quite a lot of complementary colors over there let me just quickly jump to the adobe color wheel and let me explain what are complementary colors so complementary colors you can check very quickly here you have the color harmonies this is the color harmonies rule and here you have all the different rules so basically if you want to harmonize your images in the simplest possible way you should be working either with analogous monochromatic or complementary these are the basically two most simple ways to work with color to harmonize your colors without spending plenty of time on your images so i've been talking about complementary color harmony so let's just click on the complementary and here you can see that in this case adobe color will picked the typical cinematic color grading so that would be adding teal and blue to the shadows and adding warm tones to the highlights so you have these opposite colors here they create super strong color contrast if you have them neighboring in your image they will make each other stronger the blue and yellow or the blue and orange will always look beautiful they will strengthen each other but this doesn't apply only to the famous orange and teal color grading this applies to any pair of colors that lies on opposite side of the color wheel so for example if i pull it around if i switch it you can see that the opposite color to the magenta is green and if you would have this sort of palette in your image you will be working with the complementary color harmony as well so we can go for cyans and reds that's how it works so here with this example i just want to illustrate what is color harmony you can see how strong is the color contrast between here the purples and the greens so let's just get back to our image i want to show you how you can pull your image inside the adobe color wheel inside the stool and analyze your image so jump over to the extract theme and here you need to drag your image so you can either export a low-res jpeg or you can just take a screenshot i'm just going to do this this is the fastest way so shift command and four i'm on a mac so i'm just going to roughly take a screen grub and then i will pull it in my drag and drop field here in the adobe color tool so i'm just going to pull it and drop it here so here we are we have our image and adobe automatically sampled the colors that it believes are the strongest in the image so as you can see here we have the super super saturated blue if we just take a look at the photograph we don't see that blue that much but if you just cover the image with your hand and if you focus on this bar with color samples underneath you can see that this blue is just predominant it's super super strong and if you get back to the portrait you can see that this is just distracting our attention from the model from the face we want to focus on the subtle skin tones we want to focus on the face on the hair we want to just see the beautiful very graceful gesture the hand but our attention is immediately pulled towards this blue area here so this is how we will be working with color correction we will be pulling those color towards the either different tones or we will be desaturating them we want to remove all the distracting colors and we'll be working on strengthening the colors that are most beneficial in our portraits so if you remember what i was saying about the complementary colors you can see that they are quite strongly visible here we have this very cold blues the blue is super super strong then we have those warm beige tones to the right and then in the middle we have this sort of warm minty tone that is out of tune whatsoever so our job is now to harmonize the tones and if you remember what i have mentioned before the two simplest color harmonies to apply when you are working on images are either monochromatic or complementary so in case of this image i don't think that the complementary scheme will work because it is basically pulling the image in two different directions it is dividing the image so i have this horizontal line visible behind the model and i have taken this image with quite low aperture value so if we quickly jump over here to the metadata and if we check the setting yes i have taken the image with aperture 1.8 so just with the specific aperture setting i've managed to soften it so it's not that strongly visible however we have still the problem of colors so when the complementary colors are positioned one beside the other as the blue and the yellow here in this particular photograph they are making each other strong and they are pulling the viewers attention from the portrait from the very delicate very subtle skin tones so if we zoom in this is where i would like to hold the viewer's attention so to harmonize the image we want to get rid of the complementary color scheme and we want to go towards the analogous so if we jump back to our color wheel so here we can readjust the samples the central sample is important if we now jump to color wheel we can see that everything is just positioned around the central sample so here we have this greenish color that is completely nothing that we would like to hold in this image we want to get rid of this color all together so let's just reposition the color sample and let's position it actually over the skin tone that is nice pleasant and can establish a base from which we will start working and fine tuning colors so i believe something like that is fine so then we can reposition other samples so basically we want to have plenty of these nice brownish skin tones golden beige shades and get rid of the blue so something like this maybe this very strong dark chocolate brownish color okay so i have repositioned my control points and here we have our bar after the manual adjustments so if we jump back to color wheel we can now move over click on analogous and we can see that either monochromatic or analogous we can experiment here will represent the best direction that we should push our image that we should push colors in our image towards so actually analogous is not something that i would like to see in the image i don't want to go towards the super warm pinkish tones i feel that the monochromatic represents the best direction for our edit so if we take a look again at the color wheel you can see that all the circles that are positioned far away from the center they represent saturated colors so the circles originally were positioned somewhere around here so you can see that the colors are quite muted they are quite bright they are not saturated so this is our game plan for the color grading i will have the bar visible here i can always get back to it when i need or i can take a screen grab and i can pull it inside my capture one session so actually i can have it here as a next image and i can reference that way but the color scheme is quite simple and i think that there is no need to do this so let's go back to our image and let's finally start working on color so i'm just going to add another filled adjustment layer and this one i'm going to rename let's just name it color so to work on color we will be working in the color tab let's just move over here and we will be focusing on the color editor we will be working a bit with the color balance tool as well but let's just begin with the color editor i'm going to pull out the tool let's just make a little bit more room here so first of all i want to get rid of the super super distracting blue color the color of the sleeve here so let's just sample the color in the color editor let's just move over to the advanced so this will allow us to sample very very precisely specific colors in our image so let's just pick the picker and let's just click somewhere inside the blue sleeve so that way we have sampled the color let's click on the second icon so this will make sure that we are working with the whole saturation range of the color so basically at this point i want to get rid of the blue color i want to make it disappear and i can do this by desaturating the color or by just making it darker let's try to desaturate it first so i have sampled the color and as you can see just with this one click i've managed to get rid of the color we don't want to go all the way to negative 100 because in this image if we just zero out you can see that the portrait was taken in the shade and we have quite a lot of blue color here over her body so if i would desaturate the blues entirely now i'm getting this not very pleasant gray color over the arm so you can see it here all that area and the same effect over the shower so you want to get rid of the blue but you want to keep your colors natural as well so let's just go for something like maybe negative 39 okay as a next step let's target those greens we want to get rid of the greens as well don't forget that that color doesn't just appear here in isolation so the same when we were working with the blues the color was reflected over the body so the same will be with the green and in fact if you want to see the selected color range when you have the samples enabled you can click on this little icon here and that way everything that is gray in your image doesn't include the color and everything else does include the blue so you can actually see this very subtle things of blue in the sky and if we would look closer you would see the blue color that was visible over the skin when it was reflected so let's just switch it off and let's now target those greens so i'm going to click somewhere here and here the same i just want to desaturate the color let's first click on this icon to make sure that the whole saturation range is included so let's just pull not the hue sorry let's just pull the saturation slider towards the left so remember we want to maintain as natural look as possible we don't want to go into some dead grayish zones so i believe something like negative 20 is enough so this is before and this is after applying the adjustment so that way we will continue working on colors in the image so now i'm going to sample here on this dark green this wasn't included in the previous color selection so here the same i want to desaturate let's first click on this icon here so i want to desaturate this is too much let's just pull a bit towards the left you can as well shift the hue so if you take a look here at the collar wheel this is this little point represents where you have sampled and if you we will be working with the hue slider if you push it towards the left this will be going in the color wheel downwards so you will be going towards warm tones you will be pushing those greenish yellows towards the warm pink tone so you can see this is the sampled color and this is the sample after changing the hue so let's just zero it out and if i go in the opposite direction as you can see here instead of going towards the warm tones i will be pushing it towards the greens and scions so if i go like this this will actually add more greens and that's not what i want so i believe that the saturating the blue is enough you can always get back and fine tune those adjustments so i can make this color as well brighter or darker with the lightness slider so if i darken it it will actually make it stronger so i'm maybe i'm just going to lower the lightness just a fraction okay so let's continue working on the image i'm going to sample in this area again as it looks too strong still to my liking i'm going to desaturate it so let's push it a little bit further again so you may ask here why i didn't jump back to the initial sample and why i didn't desaturate here so you can see that the initial sample is a bit different but it actually doesn't represent the color after the adjustment that closely so let's maybe get rid of this one and let's just jump back to the first one you can see that this was the color before the adjustment and this was the color after the saturating now i want to adjust the color further and if i click on it again if i sample it again just take a look that this is the sample after the adjustment and if i click here the sample here the first one that is showing me the color that i'm going to sort of work with this is exactly not the color that i have here after the adjustment i don't know why it is like that but for me it is just easier to create another sample fine tune it and i can just have more control over the adjustments like that so this is not the color that we can see here i can just pull it in position near so just bear in mind that if you already adjusted the color sample if you want to fine tune it the initial color sample won't actually represent the color so it is just more helpful it's more useful if you take a look at the color on the image and don't focus that much on the sample so i want to desaturate it further let's just push it a little bit towards the left okay something like this i believe is enough let's now focus a bit on the skin tone so i'm going to sample maybe around the cheek here and i feel that the color is a little bit too red i want to have those nice orange golden skin tones in the image so let's just push it a little bit towards the warmer side so if i go towards the left this is the opposite direction i need to push the slider heel towards the right so that way i will be actually pushing the skin tones towards the yellow so if i click on the word hue this is showing me before and after the adjustment i want to make them a little bit darker as well so we can very very slightly push the lightness slider towards the left so to see the specific color before and after adjustment we can click here so this is before much more magenta much more red color in the skin tones and this is the after so now as the last adjustment i think i will click somewhere here in the shower and let's see what happens if we let's just make sure that we working with the whole saturation range and let's just push it towards the left and let's increase saturation so we'll see what is actually happening here so i'm adding cyan if i go towards the right i will be adding magenta so let's zero out saturation and i think we can add a touch of cooler tone this will increase the color contrast between the skin tones and the shawl which will work really really nicely so we will stick with the analogous color harmony however it will be nice to maintain the color contrast between the hair between the dark tones and the skin tones okay so we've been working with color editor and we were targeting specific colors so if we now move over to our layers and if we switch off our color layer you can see that the change is very very subtle however the difference is quite prominent so we managed to get rid of the colors that were pulling the viewers attention those blues those greens so now we can jump over to color balance tool this tool is super quick and super pleasant to use it gives instant results however the initial stage where we were working with the color editor is really important because only with this stage we've been able to get rid of the colors that were not needed in this image that were not beneficial so i'm going to actually add another filter adjustment layer and keep the color balance work separately let's just rename this layer to color balance okay so here we will be fine-tuning the highlight range mid tone and shadow i'm not going to be touching the master if it's needed you can always adjust it at the end this will add quite a strong color cast but our image is already quite monochromatic so let's just very quickly jump to our bar to our color scheme so here we can see that the colors are around those beige tones some of these cooler browns and some of them are in the reds so this is the inspiration this is the direction and i'm going to actually use it i'm going to adjust my shadows and push them towards the warm scale so i'm going to stick to the idea of analogous color harmony and i'm going to add a red tint to the shadows i'm going to use the slider to the right to darken the color range further so as you can see this is super super effective so just by adding warm tone just by adding the red into the shadows with the slider to the left you can control saturation so if i go all the way upwards this is 100 saturation you can see that this little circle moved towards the outer edge of the color wheel and if i go the opposite direction it is moving towards the middle and here we have value zero so i have just darkened the shadows if i double click this will zero out the value so i can now very very precisely add the red color tint and darken the shadows quite strongly okay very nice let's now jump over to mid tones and here let's just zoom in a little bit on the face and i will be targeting the skin tones after just adding the red tone to the shadows the skin tones already were pushed towards this very very beautiful warm golden tone i want to just fine tune them further so typically the skin tones will live in the mid tone range so i can add a little bit of yellow maybe orange i don't want these colors to be too close to each other so just working with those subtleties i think this works really well maybe a bit warmer and i want to darken the skin tones as well so let's just push this slider downwards and if we jump over to the highlights i will add let's just zoom out i will add a touch of this nice orange color and this one i'm not going to be darkening this will flatten the image so i'm just going to leave it as it is maybe let's brighten it a bit okay so on this layer we've been working with the color balance so this is before and this is the after i think i will darken the shadows a little bit more so let's push this slider downwards okay something like this this creates this nice tonal contour so we have similar colors we have those analogous colors but we have tonal contrast between brighter and darker part when i think of the mid tones the skin tones i think they are a bit too saturated and they are a bit too much on the yellowish side so let's just control this let's fine tune this and let's maybe brighten them a notch and let's push them a little bit towards the orange okay i'm very happy with the look i have achieved right now so now to unify the background further i'm going to very very quickly add a linear gradient from the top to add more of the warm tones to introduce a little bit of the glow so let's quickly add new filled adjustment layer and let's just rename it to top gradient let's now jump and pick the linear gradient tool and let's draw a gradient from the top so here i can actually warm up those stones with the white balance tool so let's jump over to the exposure top and here with white balance you should remember by now that on the left we have blues on the right we have yellow so by pushing the kelvin slider towards the right hand side we will be warming up those tones so this will only affect the masked area in the image if i hit m on the keyboard this is the preview of the mask i can as well use the hdr tool and just darken the highlights a notch this is too much i think something like this will work well so this is before and this is after applying the top gradient so this is very very subtle you actually may not be able to see it at all on your screen but it warms up the background very very nicely okay one more thing we can do here is to introduce a sort of glow so let's create a new filter adjustment layer and let's rename it to glow and now we will be working with radial gradient let's create a really nice big gradient here so after drawing our mask we can take a preview we can maybe push it a little bit lower let's hide the mask let's hit m on the keyboard and all we need to do here is just to increase exposure a very very little bit so something like that and we can go for lower value on the highlights we can as well go for negative clarity so this will sort of create the effect of the light hitting the hand from behind sort of backlit effect and this will soften a bit the texture so something like this so again before and after i think this is a little bit too strong so i'm going to push it upwards i just want to have a little bit of the brighter light but be without making the skin tones without making the hand actually cooler so we have exposure at zero point let's do this maybe 0.43 and if we just go for let's jump for the color balance and if we go for highlights let's try to introduce a little bit of warm tone as well something like this but without making it darker so it requires a lot of subtlety here so we want natural effect okay i think this works well now we can just reposition it let's just push it downwards and let's readjust the color it's a little bit too cold a little bit too greenish okay so i might spend really ages on fine tuning colors so i will be going towards wrapping up this video because i might really go for hours here i really enjoy working on color i don't want to bore you with this so for the glow again this is before this is the after i think it looks good we can jump back to the top gradient and make it a little bit warmer as well so if we inject a little bit of this nice golden glow okay let's just go back the last time to the color balance and let's see the before and the after i feel that the skin tones are a little bit overcooked so i think they are maybe let's just go for the mid-tones they are maybe a little bit too dark so let's brighten them up i want to have more subtlety here they are really really yellow so maybe still let's make it less saturated okay i think it looks way better so as the very last step i want to apply targeted sharpening so i don't want to sharpen the image all over so here on the glow layer we've been introducing this brighter light and i don't want to sharpen the area for sure and this actually i don't like it it creates this sort of purplish effect so let's just see again before and after no i think it doesn't help in this image so i'm just going to get rid of this okay and now as i just said we are going to introduce the targeted sharpening and maybe on the color layer i'm just going to go to the exposure tab and let's maybe desaturate the image a notch let's see if it will work i believe it's a little bit too strong so something very very subtle so something like this just a notch to get these more silvery stones okay so let's now add the very last adjustment layer new field adjustment layer and let's just rename it to sharpening and here we want to jump to the detail tab and increase our sharpening here so let's make sure we are looking at the image at 100 percent so now we have 100 percent let's just focus on the eye so i don't want to sharpen all the hair i don't want to sharpen texture of the skin i just want to sharpen the eye and just partly the hair so i will be painting in the mask if we just jump back to the layers if i hit m this is my mask so i'm going to clear mask there is nothing sharpened in the image so i'm going to select my brush let's go for a little bit bigger size flow let's go for lower value i want to just paint in very very subtly and hardness let's go for zero so let's just paint over the eye let's actually switch off the the overlay let's switch off the preview of the mask so i want to have the eye sharp and just a bit of extra sharpness over the hair so something like this and maybe here just a knot okay so if we switch the mask again a little bit more here so we can increase the flow as well okay so this adds this really really nice finishing touch so this is before and this is the after we can go for stronger amount of sharpening as well just don't overdo this as it will look very unnatural so if i zoom in further you can see let's focus on the hair and on the eye so this will be before sharpening and this is d after so let's now add a bit of film grain and that will be it so it doesn't matter on which layer you will be adding your film grain because it will be always applied to the background layer so let's go back to the detail tab and here under sharpening you have film grain i can see that i have already filmed grain applied so let's just reset this tool so before the film grain application you can see that this image is really really sharp here in the area where we have sharpened when we have added the extra sharpening on the eye so this is before this is the after and it is a little bit too digital to my liking i really like finishing off my edits with this nice film grain emulation so i'm going to go for either tabular or silver these are my favorites so let's go this time for silver and let's pull the slider to the right let's maybe zoom out so depending on the media where you will be presenting your image so you might want it just for social media you might want it for print depending on the final media you will adjust the film grain and sharpening okay so if you are getting value from this video subscribe to the channel you can hit the bell button so that way you will make sure that you never miss any tutorial from me that you will be always getting notifications when i publish new photo editing videos new photo editing tips okay so in this clip we've been talking about color grading let's jump back to the layers where i have them opened here they are set to medium size so that way i can see all of them here in the detail stop they were set too small i believe so this is quite annoying yes they were small and i like to have them open so here if we just switch off the top layers where we'll be working with color this is the image that we have started with then we've been working with the color editor so here we have targeted the colors that were not beneficial for our image that were pulling the viewers attention and distracting the attention from the face from all the subtle skin tones so i'm talking about the blues and greens and the yellows in the background here so we have targeted it here in the color layer with the color editor with the color balance we have fine-tuned the look so here we've been adding color but very very strongly we have affected the luminance as well because we have darkened the mid-tones we have darkened the shadows very very strongly and i think it helps to get the final look i really like how it turned out in the end so we have added the top gradient and we have applied some targeted sharpening to the image so i don't know about you maybe you are one of these people that say that editing color that color grading is easy i personally don't think so i think that color grading requires some plan some initial analysis and that's why i have shown you how to work with the adobe color wheel with this tool so here you can bring your images you can pull them in so then you can experiment you can get inspired with different suggestions remember that you can always reposition those samples you can go for entirely different looks so i wanted to get this nice skin tones as the most important tone in the image i wanted to go for warm look but you might want to go for example for something like this so you would reposition the samples let's just pick something different to have more tones to work with and then you would jump to color wheel and here on the color wheel you will see how your sampled colors are positioned in relation one to each other so you can experiment further you will definitely at times get images right from the camera that are harmonious and don't require any color shifts any manipulation but as in case of this image if we wanted to go towards the nice and warm look to enhance the skin color to enhance the skin tones we had to treat all the colors separately so we've been working on unifying the colors on harmonizing the image so this is the image we have started with and this is the final result and in fact color grading should be approached on a very personal level so i went here for all those very soft and nice pages but it fully depends on the project it depends on your idea it depends on your preferences so i want to say that with time you will create your favorite color palettes you might want to go and create your own styles and then you will be able to maintain bigger level of control you will be able to maintain a consistent look across your portfolio so i hope you are getting value from my tutorials i would be super happy if you subscribe to my channel and if you switch on the bell so this will enable notifications on the channel so this means that each time i publish a new video you will get the mini notification and you won't miss any of my tutorials this was kasia's mokwa from digital art classes on my channel i am helping you to express your unique vision and create impactful images thanks for watching and i will see you soon in the next video

Channel: Kasia Zmokla

Views: 13,729

Keywords: Kasia Zmokla, capture one pro 20 tutorial, capture one pro 20 color editor, capture one pro 20 color grading, color grading tutorial, portrait photography for beginners, portrait photography tutorial, portrait photography editing photoshop, capture one pro, color grading, capture one 20, capture one tutorial, color balance, capture one color grading, capture one 20 tutorial, color harmony photography, color harmony tutorial, capture one 20 skin tone, capture one color editor

Id: UCNJPhZ3Mj4

Length: 49min 48sec (2988 seconds)

Published: Sat Sep 12 2020