Who's Yehudi? - Yehudi Menuhin BBC documentary

you try now focus your hoodie Minuit what does he do what's he play you'll know nothing you and you say you want me to bring my banjo [Music] Yehudi Menuhin was the 20th century's greatest violinist as famous as any Hollywood star so famous they wrote songs about him who Dee's music spoke for him but the man behind the violin was harder to know a child prodigy unmatched by any of his contemporaries he achieved more by his teens than most artists do in a lifetime endlessly crossing continents and cultures heat a classical music out of the concert hall because he believed that music was for everyone and had the power to change lives [Music] he wanted to give more to the world than just music a restless inquiring soul he became a tireless figure fighting for the humanitarian issues he passionately believed him but you who DS cocooned and curious childhood marked him emotionally for life he was a man of paradox whose intensity of playing was adored by millions but who found it hard to connect to those closest to him [Music] I was 15 and a student at the Royal College of Music when your hoody first saw me play incredibly he asked me to come and study with him of course much of what we talked about was music we worked through some pieces of bark and Beethoven and I certainly came away a better fiddle player but I also came away with the sense that to be a truly great musician it's about much more than just music the hoody menu ins performances as a child dazzle both the public and the classical music world I don't think that kind of talent and that kind of emotional maturity is something that many children have I just don't think it's normal I honestly think it's a god-given gift [Music] he was so concentrated on that one aspect that one one thing music violin and that gave him huge confidence even within the rarefied world of child prodigies Yahoo DS talent was exceptional sometimes when you hear prodigies it's technically amazing but understandably quite naive musically I think what Judy had was the sense that you really felt a personality behind the music [Music] I think is the genius of menuhin when he was young that he could communicate and connect with an audience it's definitely many when he had his own sound his own soul through the music [Music] yahoodi was born in 1916 in New York and raised in California his parents Moshe and Maratha were Russian Jewish immigrants to tell you about her affair to remember her with shock and awe she was the tiger mother rich magnificently large and I think she drove and controlled and directed Yehudi with a force which she never forgot who she was a warrior and she was probably a very sweet man but I saw him as a taking leave equipment Martha and Yehudi were very alike they were both passionate even in looks they were like his music loving parents enjoyed classical concerts in San Francisco and took their toddler with them it was an experience he who'd he never forgot I learned to wait for those woman's when the sweet sound of the violin voted up to the gallery thrilling caressing and war entrancing than any other when you would he was about for some friend of Louise's moshus thought they were doing the right thing by giving him my 10 violin with ten strings and when he actually plucked the Judy's parents realize just how serious he was about music and when marathas mother gave the family a thousand dollars half went on a car and the rest on a violin for Yehudi it was the start of music taking over Yehuda's life and that of his family in his two younger sisters Hepzibah and yalta were educated at home and that's enabled their parents to focus on your Hootie's musical development you hood he was doing what he loved doing and he did it extraordinarily well but otherwise got put to bed did his lessons didn't go to school I think he probably missed that a lot not having the contact with other children Marissa wanted you who need to be taught by the best and in San Francisco that was the leader of the city's Symphony Orchestra Louie Persinger what he gave me as a musician was insight into music where another teacher would have denied me the great works until I had attained whatever height was deemed coefficient with depth person girl let his ears be his arbiter Judy's brilliance Persinger declared came from a deep mysterious and miraculous well under person as guidance Yahoo DS progress was phenomenal he made his professional debut at the age of seven and by 10 he was playing in front of audiences of thousands one moment little boy next minute picks up violin and experienced older man even like come through the music so I would imagine that for audiences in the 1920s this must have been quite startling and quite unusual his slide was pretty unique if you think most violinists I'd say in the Asha - style when they would slide certainly at the first part of the 20th century they would slide into the note so for example they would play something like that men you never do that he would play from above but he would take it sometimes apart so that the slide would recover then he would slide up and down so you'd have a sound that will become something like and it would leave a kind of a tail on the notes and that gave it already a very different expression and it became deeply personal there was no other violinist really that would play like that Yehudi fame spread and the concert that made him a national sensation was on November the 25th 1927 when he made his debut at New York's Carnegie Hall booked to play Mozart the precocious Yehudi refused he wanted to play one of the most challenging concertos in the repertoire not to show off but because he said he wanted to have fun with the music the Beethoven Violin Concerto is probably the one that most people would be judged by in terms of their maturity it isn't a showy flashy piece of music at all but it demands great musical maturity and expertise and also a wonderful sound of many violinists fear the opening of the Beethoven because it just has to be perfect [Music] dressed by his mother in velvet knickerbockers the eleven-year-old virtuoso walked out on stage before an expectant audience [Music] [Music] out of love tubular absolutely loved with human the music was an expression coming through him to the audience and it was one of those magic times it launched his career worldwide and it was one of those so life-changing moments I don't think he took the adulation in he was just very conscious of having done it well enough to have his delicious bowl of ice cream he was a boy but he was no ordinary boy Hollywood stars like Charlie Chaplin wanted to meet him and the Nobel prize-winning physicist Albert Einstein declared after hearing him play now I know there is a God in heaven in Europe Yehudi Concord City after city and in 1929 he came to London when he made his debut here at the Royal Albert Hall feverish expectation about the Boy Wonder was at its height at the end of the performance the audience having already demanded multiple encores rushed towards him on the stage and a great mob and firemen had to step in to protect him he stood there smiling taking it all in his stride seemingly oblivious to the pandemonium but this really was an unprecedented level of Fame for a classical musician he was more like a pop star in his day in 1931 maratha decided to move her entire family to Paris so that you hoody could receive a more sophisticated musical education in one of the crucibles of European classical music when it really came to great decisions which required strength of man and this quality it was always she who delighted in them and she started one day and say children must go to Europe we must take them there they must have that other background they need languages they need this the other of course my father would be taken aback how why and what's going to happen to us and what about jobs and what about this to the other she'd always win it was certainly a gamble and it was in favor of only one person which was you who tea but yahoodi wasn't the only talented venue in his sisters Hepzibah announcer were both super pianists but neither was encouraged by Marissa Yehudi was the focus of their parents attention yehuda didn't go to school and his friends were carefully selected it was an unusual childhood and I think this contributed to the fact that all his life he was a bit of a man apart [Music] he was definitely growing up musically but not perhaps as a human being he was still massively overprotected at home for example his mother made all the important decisions his father was his manager and although the entire menu and family were dependent upon him financially the 16 year old yahoodi wasn't even allowed to cross the road on his own I also remember him telling me you're still very young news kept in shorts far longer than any young fellow should be kept in shorts but not only was he kept in shorts but his legs were shaved so as to keep him looking the young Messiah with the fiddle that the public expected to see I don't think Moshe and Larissa had the worldliness to do otherwise their only answer was to to build a cocoon to isolate to isolate this genus to keep it pure not to get distracted not to have bad influences and that was the way they did it they'd build a wall around it the barbed wire and the whole thing and you had to get a special pass to come in and that was the way they dealt with it Judy had been keen to come to Europe because he wanted to be taught by the composer and violinist George Enescu well an escort was Romanian he was a fantastic violinist also a fantastic composer he'd go around different countries finding out about folk music how it influenced music and that would be his inspiration for his music for some reason many men and he really really connected so Enescu was his true mentor [Music] Yehudi an Enescu had first met four years earlier in Paris that summer Enescu had invited the whole Menuhin family to Romania for Yehudi it was an unforgettable experience [Music] UNESCO put the whole family up and you heard he played for some gypsies there and gave a very good boat away to a little boy that he found could play the violin so fantastically and nobody could say you can't give it to it I think what delighted to hoody with discovering gypsy music within ESCO it wasn't the music it was the gypsies that got to Yehudi it was this wonderful ability to do as you liked with the instrument the Hootie's time in Romania was in sharp contrast to his strictly controlled family life the spirit of the gypsies would leave a lasting impression in 1932 yahoodi traveled to London to meet Sir Edward Elgar to record the great composers violin concerto [Music] rehearsal started at the Grosvenor House Hotel but you hoody always remembered it was not the meeting he'd expected I had started to play at the soul of a century and hadn't even reached the second theme when Sir Edward stopped us he was sure the reporting would go beautifully and meanwhile if we would excuse him he was off to the races [Music] it was comforting to know he thought me adequate although I couldn't quite banish a suspicion that the attraction of the races first all question of my merits into second place days later they met at the recently opened Abbey Road Studios [Music] at the recording studio alga was a figure of great dignity but without a shred of self-importance all was ease and equanimity the recording was not only successful but good [Music] if you listen to his recording it's very very very free the people had complained that it was too passionate the way he played and Elgar said no I like it [Music] there is this passion that glowing burning passion in that piece menu ins recording of the Elgar remains the gold standard against which all violinists are judged and he was a 16 year old boy he just got it and L God didn't have to say anything and for me it's just an amazing reminder of those extraordinary intuitive gifts that he had how he just understood what music needed to say at 21 Yehudi was by any measure an exceptionally mature musician but his sheltered life had given him little opportunity to become a man he still lived at home dominated by his overprotective parents then along came the Australian heiress NOLA Ruby Nicholas [Music] your hoody had never met a woman like NOLA certainly early on in his life up until his late teens it was probably forbidden because Marissa used to vet everybody and I think that NOLA was was a shock treatment for for experiencing the the world out there I think she was wonderful for him she was great fun very vivacious a bit of a flirt and very pretty I think probably a large extent was the fact that you would he was at that stage ready to to get away from the total influence of his parents Yehudi married his 19 year old bride NOLA in London and they settled in California they had two children zamira and krav with his own family to look after yahoodi was finally growing up but he'd still not escaped his parents they lived in the guest house [Music] on December the 7th 1941 yahoodi was on his way to play in Mexico when Japanese forces attacked Pearl Harbor and America entered World War two Yehudi wasn't drafted but he was determined to support the war effort he left his young family behind to perform for the troops the conflict would change his life forever in both good and bad ways I remember him going away a lot I remember being in California with my mother I didn't know why he was away nobody told me about the war as far as World War 2 and your hoodie is concerned it connected him with everything that he had not been connected with prior to that which is just about everything so he I think that it just you know it was a hard Total Immersion course in reality everybody please there comes a time in everyone's life when a moment of seriousness is appreciate we offer you that moment tonight it is my pleasure and privilege to introduce one of the world's great concert violinists mr. Manoa I would like to play for you Schubert's Ave Maria I can't help believing that some of these GIS and these smokey nightclubs that were filmed when yahoodi was playing Ave Maria must have thought you know what the hell is this [Music] it's a very simple piece of music and yet it he had this ability to touch people in a time when they were unbelievable horrors so maybe took them out of that situation they were in in in into another place but but it also I think gave them the feeling of hope [Music] who's playing for troops that quite often were going into battle or maybe coming out of it and for the first time in his life I think that he really understood what he could give what music could do now I had to please men who had never attended a concert whose patients could not be relied on in barracks and hospitals there was no escaping personal relationships thus my war cracked open many inhibitions and helped me to communicate with others in one hospital on the Aleutians where half the Cairo keys were found to be frozen solid and the inside of the upright piano filled with beer cans the young conscripts responded wholeheartedly to a program of unaccompanied Bach including the entire g- Arata and finally the Chacon probably most of them had never heard of Baath [Music] the audience was incredibly important to him I think that that particular audience those troops gave him an understanding of life an understanding of humanity that he couldn't have gotten elsewhere yahoodi played more than 500 concerts to combat troops worldwide nothing though could have prepared him for what he'd see at Belsen just months after the camp's liberation with his friend the pacifist composer Benjamin Britten as his accompanist he played for the survivors determined to do the one thing he could console and uplift with the power of music in the audience at Belsen that day was a neat Alaska Val fish a young cellist who'd survived Auschwitz by playing in the women's Orchestra that's a day I shall never forget because suddenly there was an announcement that there's going to be a concert in Belsen now this was four months after the liberation and concerts were really very far removed from our normal life I knew who menuhin was but other than many people survivors actually knew [Music] they were playing under the most impossible circumstances as I said there was no silence in the room ever and at the price they didn't just stop playing you know I was very naive I thought well I'm going to here menu and I'm going to to faint such a fantastic thing I remember what he was wearing which was very touching he had a green shirt on the short sleeve shirt and a bit of his underwear was coming out as funny it's a ridiculous thing that I remember so they certainly dressed down for the occasion one of the pieces Yehudi chose to play that day was Felix Mendelssohn's Violin Concerto Mendelssohn's music had been banned by the Nazis because he was a Jew [Music] I mean we've come from Elle and they were two people playing music suddenly something other than death and smell and disaster [Music] Yehudi was emotionally shattered by his war throughout he'd had little contact with his young family the fact that he was away a great deal and playing and so committed to died I think that that became more important than his marriage that became more important than anything that was his music his whole life was seen through the prism of that post-war Yehudi suffered a crisis his marriage to NOLA was over he later said that this period was without a doubt the worst of his life the most unfocused the most imprecise when he let things drift near a disaster than at any other time and musically he was struggling to make the transition from his instinctive brilliance as a boy to a more cerebral adult artist he started to question everything that he was doing physically with the thing in his hands that had always felt so completely natural the fiddle went from being his greatest friend and Ally to being as he described it an instrument of torture suddenly the world's most famous and best paid violinist felt he had no idea how to play it was torture I do know the first every night I didn't know the first thing about violence Mary I just played and the funny thing is that the tour that followed in all those years were the successful as ever and more so but I knew that I didn't have what I wanted inside of there supporting me many critics feel that as a violinist menuhin was never as good again after the war but I think that this period although it was obviously traumatic was also something of a spiritual awakening for him I think the war made him a better violinist because it made him a better person who wants to hear an artist of technical perfection he's got no soul at far rather someone who's a bit ropey technically but who in the sheer emotional power of what they're saying moved me to my very core that's what menuhin does and never also than in those post-war recordings in 1947 Yehudi married again diana gould a british ballet dancer had a very strong personality that was a match for you who Dee's mother [Music] [Applause] dianna represented a completely new emotional experience for him they were both performers it's very easy to become involved with somebody who was so like-minded and also extraordinarily beautiful and graceful and and they hit it off obviously very well and so that became the story Yahoo DS new marriage and his war experiences had changed him now he would be not just a world-class violinist but a humanitarian and a champion of social change the man who'd often found personal relationships difficult was opening his heart to the world he was one an extraordinary feeling of well-being so much says one doesn't have to talk about it most people have to talk about well-being that the yoga never really has to talk about it's been I'm sure the greatest efforts under mr. Angus part-2 to talk talk talk guitar just as a musician if you ask what you feel about playing he'd rather play you with this young on a path then talk about it not that he hasn't thought about it and can you do this no I don't think I ever shall do that many wind was gloriously open-minded when it came to the music of other cultures he found improvising terrifying but said I always thirsted for abandoned it's the Gypsy in me for him the experience of playing Indian classical music with Ravi Shankar was nothing short of a revelation and I'm gonna meet someone who can tell us more at that first meeting what would have happened when they first sat down together and said you know let's jam let's play I mean how as a western musician do you even approach Indian classical music coming from a western classical perspective it can be very difficult to step into Indian classical music because by nature the way we work is so different we don't work from a paper we don't read our music when we when we play we play from a place initially of my that then leads to improvisation so first we memorize and we learn the music by ear through an oral tradition and then we start to improvise and obviously for our Western musician to come and step into that it's an entirely different language and mode of thought so that wouldn't have been easy I think something I noticed about him from the beginning was his humility you know for someone at that level of mastery of an instrument he was such a humble man he always seemed to come to life from a perspective of wanting to learn more and that there was always more to learn and I'm sure it was that aspect of him that enabled him to be able to come to a new culture with an open mind I know you've played with Western violinists before I would love to just explore it and see what that feels like yeah I'd love to I've played it once 10 years ago so I'd love to try it again let's see it's all employees right [Music] [Music] India wasn't the only country where your hoody found inspiration in apartheid South Africa he learnt that music could be a force for political change when needs to imagine somewhere like Russia and the fresh nerviosa a granite land where almost everything was forbidden and of course where the government policy was to build walls between people all the time and everywhere the beauty towards South Africa twice in the 1950s and he infuriated the authorities by visiting black churches and townships to listen to their music he looked to black African music he looked to the people who despite the fact that they were as it were second-class citizens seemed far more capable of enjoying themselves I had far more wild Aviva so he looked sideways video his left side where he's always wanted what was not on the menu and in South Africa founded [Music] Menuhin thought the music helped because at its best it was something which everybody did together as it were a liberating force all he was was the medium and it was a kind of gentle defiance Yehudi was now increasingly reimagining his own role within music he wanted to use his status as a leading world-class figure to highlight and address social injustice it's hard to overstate how rare this is in the world of classical music he could totally have got away with living his life of first-class air travel and grand hotels and rarefied concert halls but he didn't Yehudi moved to britain with his wife diana and their two children gerald and jeremy in 1960 london would be his base for the rest of his life now living thousands of miles away from his parents diana devoted herself to looking after your booty's career she was like a kind of one-person public relations machine for him which was regarded as a bit of a dragon she tried to fend off people she disapproved of but she did a great deal from at the same time you could argue that he needed to have a very strong woman to be dependent on Hepzibah whoo-hoo Dee's adored sister had moved to London to I think Hephzibah must have been the woman that he really admired and loved most because she had a depth to her that he's shared unlike Yehudi hepzibah's musical talent had not been encouraged by their parents but in spite of this her brilliance had blossomed and they delighted in playing together Hepzibah was he who Dee's favorite recital partner miss Mannering when did you first play this piece together we played this together about 1934 I think that must have it what we were the first in fact had played in public or not he had played himself in public and then we were probably in s content isn't better yes did he hear you play it yes yes he heard us played we practiced it by ourselves for quite a long time well I'm now going to withdraw and that brother and sister play [Music] Hepzibah and you hoodie together were there's nothing really quite comparable brother-and-sister childhood experiences both great artists she was very underrated as a pianist she was a fabulous pianist [Music] it's just unforgettable for me they were really like in a sense like Siamese twins they were just together they were just there [Music] [Applause] Yehudi had the chance to explore his diverging musical ideas when he became artistic director of the bath festival curating the festival and conducting its orchestra gave him a break from the fiddle and from the lonely life of a solo artist it means to me working with colleagues with the orchestra which is working with a body I mean it's like having a company instead of working alone the violinists type is a solitary one but violinist works for himself in seclusion since he is a little boy or girl the temptation is enormous because it compensates for a large band spent in solitary confinement I think the collaboration with Ravi Shankar really represents so much of what we really stood for you know he believed that all musicians are equal that all music is equal and that one can learn from other musicians that if you're willing and open enough to open your ears that you can find a way to communicate across boundaries yahoo DS internationalism led the United Nations to elect him president of UNESCO's International Music Council in 1971 he was the keynote speaker at the council's conference in Soviet Russia he used it as a platform to speak out for social justice and for a fellow musician addressing his audience in Russian yahoodi publicly questioned why the celebrated cellist Rostropovich persecuted for his support of dissident novelist Solzhenitsyn was banned from the conference it was unthinkable to menuhin as I see it that he should not have said exact deal close to exactly what he felt in a way which was absolutely inconceivable in those days the Soviets ordered a media blackout but when Muscovites heard of his speech they press messages of support into his hands he'd loved upsetting pompous people and he particularly liked upsetting pompous political people and so the to in a sense went together as the the unstoppable child in him as much as the political agitator as he grew older Yehudi reflected on his childhood he opened an international school for musically gifted children where they could live play and support each other he wanted their childhoods to be very different from his own although yahoodi still taught endlessly he was a frequent visitor here he believed passionately in passing down his knowledge to those of us of a younger generation you didn't have schooling as such well they had private tutors but he was on his own or with his sisters he didn't have that feeling of being in a class and kicking a football around and all the things that the school does he knew exactly how to be the kindly old gentleman and to make us all relaxed and all of us at the really menu in school we looked forward to his visits hugely from all sorts of points of view [Music] very good Nigel you didn't have to be so apologetic on the very last note it could be because you have every reason to be pleased it's going very well it's coming along very well it's essential that they start young because the young children who you've seen here know exactly what they want to do in life they want to be musicians they want to be violinist or pianists and they should be given every help in achieving what they want to do certainly with our students and when he worked with our students he was wanting them to find their own way of making music and their own way of finding the sound that they wanted so he was never prescriptive the philosophy of the school from day one was to be an international institution he had this vision of having you know a child from as was called n Red China and a child from Taiwan making music together he was both a visionary and incredibly pragmatic he made it happen Yehudi wanted the power of music to touch everyone he established the charity live music now to bring music into the lives of the disadvantaged and homeless the pleasure and challenge of playing to such different audiences gave him enormous reward it's really far better than playing for a traditional concert audience because of the convention and the obligation of the audience to behave and to respond in certain ways covers over a multitude of sins boredom or whatever it may be but here the response has to be genuine is either there or it isn't there [Music] today live music now enables young professional musicians to reach people in care homes hospitals and special needs schools he was a person want to believe the world a better place and he found it based upon these experiences Dilawar if only if he could take the rest young musicians at the start of their careers they will give their services where people were disadvantaged and yet within this chosen was a spirit that burnt alive if it could be illuminated by music was an idealist he was also a pragmatist and he was a dreamer but his belief that music could transform lives whoever you are wherever you come from was more than just a dream it was real it's alive it's happening all around us it's amazing [Music] [Applause] [Music] in 1971 the ever curious Yehudi met a man whose music evoked childhood memories of the time he first encountered the Romanian gypsies [Music] [Applause] [Music] Stephane Grappelli is gypsy downs both thrilled and challenged Moody [Music] I've always loved this instrument but I'd like to see it in every kind of situation Indian situation gypsy and of course jazz and I like to think that the jazz violin has come out of link with the gypsy world love the idea the gypsies because he was a gypsy they were like him he was a nomad he's a gypsy and he loved their freedom I know that ever since I'd played I started in the classical way learning to read music but it has always been my dream to to have some sort of contact some physical touch with a word the world of improvisation and he wasn't a great improviser and I know it's their hours and life before almost practicing the improvisation of what he was going to play when Grappelli went on a riff when he tore away with the stuff he was having a ball and that's what you really admired he I think always felt that he'd be pushed into a kind of musical straightjacket not just as a fiddler but as a musician as you who Dominion he could be no other in the eyes of those who came to hear him it refreshes me and allows me to go back to my own music which I know with a new feeling for the meaning of notes and intervals and rhythms yes it's like washing one's eyes and seeing colors much more brightly than more night otherwise yes in public Yehudi was an eloquent man but in private he struggled to share his emotions I wonder if it was only with a violin that he felt he could truly express himself [Applause] [Music] when in 1981 his beloved sister Hepzibah died after a long illness this very private man refused to let his public down he did everything possible to put her in the hands of the right doctors and paid for everything and did all of that but when she died it was like a sort of paralysis almost he didn't even give up a concert he was playing somewhere and he went on with that concert and I think he regretted not having had the courage to face it I [Music] think he was very complicated emotionally it's partly this unusual childhood he had of being Abunda kind-- or of being able to express himself through music but maybe not through emotions so he must have built up some protective shell [Music] he found himself when he picked up the fiddle at the cabe Yehudi Menuhin the that man that musician that artist whom the world knew but he said to me once I don't know who they see when they look at me and I think it was a question he was really addressing to himself [Music] [Music] in his eight decade Yehudi now lord Menuhin was as busy as ever performing in bosnia and post-apartheid South Africa and he'd established a violin competition to attract the world's finest young players music remained at the very heart of everything he did take less time with every year in March 1999 he was performing in Berlin with Daniel hope usually he would send me out to do an encore and would leave the stage and on that evening he decided to stay on stage and I could see him from the side and I thought it's unusual I've never seen him done that in all the years he would never be on stage during the Encore so I thought I'd play something different as a result and I've been listening to many many of his recordings during that tour and I come back to a piece which I just loved which was the Kaddish by maurice ravel and the way that he played that piece was just mind-blowing and I thought I would play the piece for him just the solo line of the piece and I dedicated it to him [Music] you listenin and we walked off the stage together and he said you know I haven't heard that piece in so many years and I said you're recording is the one that I always listen to he said it was rather good wasn't it and I said yes it really was he said but you know you should on the d-string you should play 3 3 2 2 not 2 2 3 3 as well I'll try that as we left the stage and that was his final concert [Music] yahoodi fell ill backstage days later he was admitted to intensive care where on the 12th of March 1999 he suffered a massive heart attack [Music] Yehudi grew up on stage all his life he had a deep need to perform but he was always much more than a musician and that makes him hard to define and hard to get close to for me though he was the ultimate teacher because he was always learning he never stopped [Music] I'd love to have known him more I'd love to have known him better but then I don't know anybody who did that was the great that was the paradox I don't know anybody who knew him knew you who D menuhin I remember him as a light as a shining light so I think he's still around somehow [Music]

Channel: Arthur Grumiaux - Official

Views: 35,527

Rating: 4.9212122 out of 5

Keywords:

Id: 0h0GkOP7ZUs

Length: 55min 1sec (3301 seconds)

Published: Thu Jun 20 2019