vMix for Remote Production REMI, call-ins, Zoom, Skype, WebEx, Streamyard

hello my name is anthony baroccus with ayba communications and stream for us i want to talk about doing remote live production in an age of covet 19. [Music] we are now in an age of remote production i have used many kits where i go to a location i bring my gear you see me write about using switcher studio for ipad and i've got my tricaster kit and we deploy cameras in the room and there's hundreds of people and we produce a show and that's just simply not possible at this point and the era of remote production where everybody is at home or maybe they go into a small office where it's just them or whatever and they come to me remotely i'm not deploying a camera i'm using their camera and they are becoming part of my show there's lots of different ways to do this and all different pieces of software almost all different pieces of software offer ways to bring in remote colors now obviously there are solutions such as zoom and skype and blue jeans and several others which allow multiple people to come together and have discussions but what they don't do is they're not produced shows for a larger audience now some of these actually have like a panel and an audience an audience can ask questions and things like that and that is you know actually very useful but there's times when you actually just want to produce a show for a a large audience whether it be on facebook or youtube or via a private cdn you want to be able to focus on the production aspect and have more control of the production as well so what i have chosen to use is i'm i've chosen to use vmix and vmix is the tool of choice for me for this specifically because of the capability of the call in aspect now vmix calls it vmix call but it's not really a phone call it's a remote guest it's a remote camera that people are coming across the internet so it's not like um a phone call conference and unlike um skype or other tools there's not a central repository that everybody is calling into each of these callers come into my specific solution my control room this desk i put together specifically to be a control room they come into my control room individually each as a separate source and that lets me position them have them in different places pictures and pictures three across and things like that or go to them full screen as if they were individual cameras because in reality they are you know each person is speaking to an individual camera that's in front of them and they have a headset mic or they have a little in-ear earbuds or they're using a desk mic in front of them so realistically it's kind of like everybody has their own mic everybody has their own camera and i am producing the show via vmix now what i've got set up here is on this laptop over here i have a vmix call or this is where i would assess the stream via a second device if i don't want to have it happen on my main device these three monitors right here are all connected to this laptop which is a pretty high-end gaming laptop and under it is a cooler to help keep it cool because when you're producing a video and you've got a lot of video coming in and out and compression for streaming and things like that and recording uh it can tend to get a little warm so i want to keep this thing as cool as possible and that way i maximize that it doesn't go into thermal overload it doesn't start bringing down the clock cycles to not overheat and things like that i want to make sure this thing is happy even if you're at a desktop you want to make sure the desktop has proper cooling extra fans that's not buried inside of a case it can really get rid of the heat that it's generating when it computes um it has a built-in camera but i've added an additional camera on top um i'll show you a little bit more about that when i do a closer walkthrough and then over here i have an elgato stream deck which gives me a control surface that i can control the show as if i had like a real uh function and i'm not clicking on the keys and i'm not mousing around as much as i really need to so with that um i am going to insert video here of what i've got going on so let's start with the main display and what i have going on here with the main display is i've got down the bottom various tools um obviously mail and internet over here is for pictures this i leave up this is the process manager so i can see what's going on this down here is a fan control this little icon down here ndi for doing ndi tests switcher cast which is how i am actually sending the screen to be recorded and over here is firefox which is on my second display over here let's go back to here and then stream deck vmix and speedify so let's go into vmix here and that's going to take a moment to launch and vmix is enabled me to set up different shows and build shows for specific clients so that i can do i did this past tuesday i did a um a lunch talk with three people at noon and then at six o'clock i did a book launch so completely different media sets completely different call-ins completely different setups but each you know was built specifically in vmix now vmix is a build as you go type of setup and there are other solutions that are more pre-built like a tricaster you have an a bus and a b bus and you have all of that set up and that's not how vmix or wirecast or some of these other software-based tools work however the tricaster was not my solution for this type of need this remote production because it doesn't have enough remote call-ins that i need i would need to set up a remote computer for each one and then use ndi to bring each of those feeds in and then somehow work out audio back to each person so it would be kind of complex managing the audio as well and vmix has a great solution for that as well when you launch vmix it launches into a blank template there's really not a lot going on here you've got two blank inputs you've got a couple blank actually it kept my additional audio buses but even a and b wouldn't be over here on the right you could do preview and your program bus and typically that would even be a little large it would look more like this but i have a lot of inputs uh coming in and this is why uh this is up as high as it is so what i'm gonna do is the last show that i did was a book launch and i am going to open that so up here in the top left you can see i have a bunch of these shows that i've put together a couple of them are tests and things like that but here i've got this book event for a production company called pixel so we're going to open that it's going to load this preset now vmix calls them presets but you can call them projects you can call them shows you can call them whatever you want to call them but they're called presets now now that this has loaded you can see like i'm talking to the camera here which is the webcam right on top of the screen here and you can see my audio coming in right here on the left here where it says me now me is only going into bus b and one of the really advantageous features that i found in vmix is i this is this is the high-end one so i can i think i have eight six or eight calls i'm only using four but four has been proven to be a really good number because even when i do corporate shows it's usually only one or two maybe three so four has been plenty and that's how i've built this show let me just use my cursor here and i'll walk around here we have brooke tom and mike these are three call-ins if i right-click on this call manager i have this window that opens up so this window lets me see my four different callers it would be larger if there was more and it's also a chat window so that i can chat so if i need to say you know hello everyone and it is also the way that the callers can choose to send a message back to me during the show because once we're in the show their mic is part of the show but if they need to say something to me they can quickly say um i need to go to the bathroom or something like that and i know to cut away to something else and or something like that this window i actually don't keep on top of my main interface so i actually slide this off to the right here and i keep it docked over here over on this window i have as you can see a browser window with the client which was interbang books and this is the book launch so we can look at some of the statistics for this it's got six thousand views since tuesday evening so that is wednesday evening today's thursday afternoon so in a day and a half it's got six thousand views or six thousand minutes viewed and that is pretty good estimated reach of four thousand seven hundred um so we could look at the statistics for this but it worked out very well uh the call-ins you know had some data issues but not data issues bandwidth issues but overall this worked out very well to reach the audience let me close this and you can see compared to the other videos that are on this channel this has got a lot of views a lot of minutes views and one thing uh that i do like to look at you can see right here the peak live viewers the audience ramped up over the course of the show and once we actually began this is like pre-show right here and once we actually began the show and everybody was actually talking the audience built and it stayed all the way through the show here so that is a key aspect to well-produced content i always find is the audience stays and then at the end we had lots of audience questions so the audience stayed right until the end and then we closed the show and that was it peak live viewers was 156 and that just worked out very very well for us in terms of building the show let's go back to the main display here i have my four callers and one of the really really nice features that vmix has that i've really been able to leverage is right here you can see i am sending the video source i can change what the remote guest sees i can send them output one which i have set to be program so brooke tom and mike all got to see program on output one uh david here david was a remote producer for a production company and david was looking at output 2. output 2 was specifically this other multi-view window that i have so david was able to see what i'm bringing up in preview over here they were able to see what's on program he's able to see all of the guests he's able to see a clock timer um and the three shot down here i left up so if i'm on somebody full you can always see how everybody is lining up within the little boxy windows because because these boxy windows are cropped so you don't want to come back to somebody if they're like way over here or they're reaching for something so he knows if i'm not cutting to someone in the three shot why i'm not cutting to them because they're hanging out of they're not centered up in in the in the box down here then of course me so he could actually like wave to me and like send me a message and we can communicate that way or i can wave to him because he can see me and then back on the main interface we have obviously me is an input then we have these three recorded questions right here where this black box on the left is automatically populated with the brook who was the author of the book so this if you click on right here on the setup the not that the box one is brook over here set setup background no not the background i keep doing that every time box one is brooke so brook when she connects automatically populates into each of these windows which is really awesome the same with this three shot this three shot i have has the publisher the author and then a fellow author and all three of them are able to have this conversation across the uh the windows here and then up here i have four overlays so i'm able to do an overlay for let's make this live so we're going to cut to this live and we're going to put an overlay from the the publisher we can put an overlay which is a call to action hey you can order this book now an overlay for the production company and i'm able to bring those up on an as needed basis over any anything that's playing i'm able to bring these up so i've got four basically downstream keys now these three things down here in the lower left these are the three video clips from the callers and you know for instance this this one uh clip right here let me open that up this collar she shot it vertically but it actually came in sideways so i was able to come in here and position and rotate it so that it was vertical and i could zoom in and everything and then i actually did a little bit of color adjustments to it and a little bit of color correction over here you can see i pushed it a little bit more towards blue because it was quite warm so we made it a little more natural looking so i'm able to do that with all of my inputs that are coming in here you know increase the contrast on them make them look more uniform across as opposed to just whatever the camera captured at that moment continuing down the list of sources i have lower thirds for each of the guests and then i have um this is the still store that we have that we can go to at any time we have a closing video this is a the bug and then we have uh the opening video this is the opening video right here it's called it's basically pre-show so this is a long video clip that led into it uh had some music and then um and i bring it up here you can see this whole thing is 21 minutes long so we had about 15 minutes of just like lead in and then a good section where he's introducing the book the author says something and then we come back to and then we go to the live portion and then obviously this is my clock and logo in the corner just so everybody can see exactly what time it is how long we've been running and things like that and this show came together very easily but another key aspect of what i like about vmix for doing this and especially in an era of of remote callers in an era of remote callers the key is i need to be able to communicate with them and yes you can you can text chat but if somebody's talking and they're looking at the camera they're not looking at the text they're not looking away so i need to be able to talk to them and especially pre-show people who are not used to doing something like this because it's it's very new to a lot of people to be able to communicate just ear to ear you know like by voice and understand their inflection and you know reassure them this is all working this is all everything looks good on my end they sound great they look great they're doing a great job being able to have a second audio channel now i don't have an audio mixer on this desk there's literally there's no audio mixer here i have the video inputs are coming in via ethernet they're coming into the network the audio from each of those sources is coming with it and the audio going back to them is coming out of vmix now right here on the left hand side i've got tom mike david and brook is up here you can see that none of those actually go to the master audio output and here's me labeled me this is only in channel b now if you come over here and look at brooke brook is listening to bus b tom is listening to bus b so i'm talking directly into everybody else's ear so they can all hear me on this b bus over here the one that's moving when i talk the a bus is for everyone else so when david wanted to talk he's on the a bus mike is on the a bus thomas on the a bus brook is on the a bus they're all talking to each other but this a bus or any other non-master bus is separate from the master until i push this button like if i wanted my voice to go master i push this now my voice is part of the program and since i don't have my headsets plugged in i have you know i've got good headsets so that i can make sure i can hear any even remote noise you know so somebody's doing dishes at a remote guest and they've got the door closed but you can still hear it we can tell them hey listen i can still hear the dishes i can still hear the dog i can still hear the kids playing in the other room you know you can let them know and if there's anything they can do about it like hey you know go tell you know your daughter to stop putting away the dishes for the next half hour then we're able to facilitate that but i need to be able to really hear it and so having a good set of headphones to listen to what's going on is key also it also makes sure you've got the best audio if everybody wears headsets this way the only thing going into their microphone is their voice that you don't want to have them using the built-in speakers of the laptop because part of that goes into the microphone and then the system tries to cancel it out and ends up actually canceling part of their voice so you get this really garbled result so isolate use headphones and that ensures the best quality even if it's wireless headphones a little bluetooth earbud or you know put a little black earbuds and run them behind your back so they just tuck in and you don't even really see it ladies with long hair that just vanishes so there's there's definitely ways around it you don't have to wear big over-the-ear headsets but since i'm not on camera and i really want to make sure i hear it well i've got good set of headsets now coming back over here when the show is ready to go i go over to this a bus and at on the hour when we go live i clicked this bus and now brooke tom and mike are live they actually become part of the master program audio out if you come down here here's the pre-show it's on master the the recorded questions they're all on master and the other clips they're all all masters so these things will all play out to the master program even if the hosts microphones are muted and then it also needs to play because you remember the the people calling in are not listening to the master they are listening i set each of them to listen to bus b so i have to make sure that anything that plays back also plays back on b because that's the one i'm talking to and they all hear it on b me i would solo a and so i'm listening just to a i don't want to hear my own voice because there's a slight delay and it throws me off so i take this and i'm just going to put me up here so what i would do is i would take b goes to the guests i listen to a so i'm listening to everyone else but not myself and i want to make sure that i can hear what's going on too so you can see like you know all these video playbacks go to the guests who are listening to b me who's listening to a and the master for the audience so that's how i've got this routing going on and because these are all video playbacks the audio is just on a hundred percent if you wanted to have vmix switch the audio with the camera then you could add these buttons up here and what it would do is when you go just the tom then his microphone would go on and when i go away from tom this would automatically turn it off which is not what i wanted to do we're having a discussion where anybody can jump in at any time they've got a very quiet environment so i just turn them all on manually here and everybody's mic is live 100 of the time and then i manage what goes live up here with the a bus so that has enabled me to be able to take in the guests manage the shots manage the audio because managing the audio out to the guests is critical i need to have good audio i need to hear everybody i need to tweak any particular audio because there's an equalizer on each input i if somebody's a little bassy somebody's a little troubly i can go in and adjust each of their audio and then the last aspect is managing your data now what i've done on this laptop here is i've added a program right over here on the right you can see i've added this program called speedify and speedify what it does is it will take two connections i have both my office wi-fi which is all i'm hooked up to right now so that i can share the screen i have my office wi-fi and i also have an ethernet connection with a completely second data source and for that i'm using a wi-fi hotspot and that is only coming into this laptop so this laptop is able to lean on the cable internet that's coming into the house and a secondary data source so if you know the kids are on zooms and my wife is on a webex for work and there's a whole lot going on or somebody's watching tv and they're streaming a show and there's a whole lot of congestion on the cable in the house this program that i'm producing can all of a sudden lean more heavily onto the ethernet and the lte data for making the broadcast continue to go with an uninterrupted connection to the internet it's using both of those things and it will vary the load depending on upon what it sees and what it needs then i take this speedify comes into the source here and i'm still needing to manage data going out so one of the key things i've done especially it's not just your home but like with cable internet it's everyone in your neighborhood as well is all on you know there's a switch at the end of the neighborhood and then everybody in the neighborhood shares all the data coming from that switch and honestly when they tell you you have 600 megabits down and 30 megabits up you don't really have that it's always up to it depends upon what everyone else in the neighborhood is doing because if every single household in the neighborhood tried to pull 600 down everybody's only going to get 30 down 40 down it's always it's it's a balance it's an ebb and flow of all the different houses and all the different demands at particular times and it's it's an average across all of them so that's why i do the bonding but in order to make sure that i was trying to manage this as best as possible there's two other aspects that i can do in here and one of those is on each of the callers there's a return video feed and the returned video bandwidth to the guest so i brought that way down so they're all getting a low 360 pixel across 500 kilobits not even megabits or gigabit kilo bits 500k less half of one megabit up but you have to remember i'm sending four of those so even though i've got it dialed down that's a half a half that's two megabits up total and honestly for the producer i actually gave him an 800 kb i actually gave him a little bit higher bandwidth so that and it was 720p you know higher resolution more bandwidth so he could see the multi-view a little clearer for the guests they're just looking at the program it's not really critical that they see what's going on their job is to look good and talk to the camera but i'm managing the bits of all these four callers and if you've got five or six or seven or eight depending upon all these callers your upload bandwidth all of a sudden starts to shrink and then of course i'm managing what else is in the household what else is in the local loop i have to like be concerned about that so my primary focus is my main stream output which is three and a half megabits a second for a 720p live hd stream now three and a half that's you know on average pretty good it's not really healthy but i'm also trying to make sure that i'm not pushing too much too hard and it can it gets constrained somewhere between me and facebook because this went to facebook i need to make sure that my stream has enough headroom so that it still can fit through whatever else is going on in the house in the neighborhood via cellular via cable modem there's a lot to be concerned with so my goal was to do a high quality stream at 720p and limit it to that not try to push 1080 p60 at 10 megabits and then have some sort of herky jerkiness or drop frames because it's trying to push too much and there's not enough bandwidth all the way out to facebook because even facebook is having issues getting things turned around having video streams be reliable so just being aware of that and trying to make it comfortable all the way through will do will do you a lot better than trying to put the biggest baddest signal out there and then having other issues down the line another thing you can do is the incoming stream on this you can go to advanced settings remote guest video bandwidth i have all of these set to auto now the auto i can you know set them to a particular bandwidth and it will try to do that but when i leave it to auto one of the key features of vmix is it'll dynamically ramp if somebody's bandwidth goes down it'll reduce the resolution it'll reduce the bit rate and then when it can when it sees it'll push it back up and i've seen through my remote caller uh statistics over here these bottom boxes will change dynamically through the whole show these boxes right here will tell me oh this one's at 720p this one's at 720p but this one over here it's been down sampled to 480 and it's just trying to get through and then very often when there are issues and you hear it having issues in the audio you look over there and very often it might be normal is green when you get everything great and then i'll go to yellow and then red means it just it's having you know it might have even dropped to zero for a moment and then has to come back up the very nice thing is i have had signals drop out for more than a second and then come back it recovers very nicely so you don't have to don't freak out when it does a little herky jerky when it when there when it even stops for a moment because this the the system the codex behind the scene that are coming into my you know production here are very reliable and they have been able to recover and just start back up and then a minute later it's back up to 720p coming into me and it looks and sounds great and i didn't have to do anything i didn't have to like manually try to hey quick hang up and try another call let's see if we can get a different routing a different connection between you and me so these this over here i leave this up so this is always available as a resource to me as to what the current status is and of course like i said this is also the chat window so if i hear like a little bling in my ear i'm able to come over here and see you know the producer may have said hey you know get ready with the closing graphic i want to close it you know as soon as he gets done something like that so we're able to communicate that way we're able to communicate via facebook messenger since we're already in facebook that was our cdn our delivery method of choice and all of that operates over the two internet connections i had and i could have more than two if i wanted to i could have like a usb c connection to another hotspot and have three connections up here and then bond across all three of them and this interface allows me to manage everything that's going on in the show but honestly vmix until this year has is new to me i come from a broadcast background i like having a control surface here's my input row here's my output row and then i you know build everything else it's kind of regimented to coming from that end and vmix is sort of like craft it however you want it's sort of like baking your own show how much of each ingredient you put in it's completely up to you one thing that makes it extremely manageable is having an external control surface like this and this stream deck couples with you know so many different things stream deck uh is this is the very this is the smaller well this is not the smallest one they get a really teeny one this is about the smallest one that i would like to get uh that goes for about 150 dollars and was it three one two three four five 15 15 buttons and this is set up for this show and let me quick show you that so here is my stream deck let me collapse this and this and this so here's my stream deck right here i have it set up for the pixel book launch so here you can see i've got all three of the hosts i have a three shot a three shot plus graphics i actually know what i can do i bring this over here all right so what i have here is i have the stream deck and over here on the left hand side of the screen we have the multi-view so you can see that as i push each of these buttons the input changes in into the preview you can see even see on the second row down down here it highlights a different thing and then the name you know you can't really see it up here because it just says preview but each of these is my sources uh if i want the three shot clean i click on three shot clean it pops up in the preview and then once i get it in the preview i can go either fade or take so if i hit take it takes it instantly if i hit fade it fades between them the fade and take is really handy when i've got the three shot so bring the three shot up and now the three shot plus graphics so i've got lower thirds on all three of those things and i fade the graphics in and then i fade the graphics out and of course like i said i can go on a there's multiple screens here i can go to a second screen and i've got the bug on the right i've got the bug on the left so i can bring each of the bugs up individually let's go back up and then i've got my questions so i can cue up the first question so he's at the ready and then i can take him i can go to this question and take that i can go to the third question and take that so you can cue up anything you want here also if i go to brook full screen and i take brooke brook's title is right there or if it's tom tom's title or if it's mike here's mike's title so each of these you know because we're going to be highlighting each of these three people throughout the show and i'm gonna keep tagging them gotta keep tagging them gonna keep tagging them and then jump over here put the bug on the left put the bug on the right go back up and this is how i've set it up the stream deck software is extremely customizable you can build any button you want you could say have it say anything you want and let's jump and let me show you the control panel and how that ties into vmix vmix is incredibly customizable i am only scratching the surface at some of the deep deep capability there are hundreds of individual little callable commands and there's a whole api set where you can call into vmix and control it remotely that i haven't even begun to touch so this is just a very light usage of vmix as opposed to very deep usage so let's let me show you how i integrated the stream deck and vmix so over here on the right we're going to do the stream deck and let me go get my shortcuts so what i did here was i was able to take these each button is completely customizable like this button over here is nothing but what i did was i you created a hotkey so i take this hotkey you drop it on a button and then that will let me do what it does so let me delete this just leave it blank click on brook so i you can call it whatever you want b-r-o-o-k you can do caps lower case you can change the font you can put it bottom medium top you can make change the size bold underline change the color and over here you can go get a different background it's just amazing what you can do if you wanted to you can there's even apis so that you can have the video from that particular input up here on this button because on the buttons these are actually little tv screens in in um in the device you know it these are like as i make the changes here they change over on the device itself and it is very very amazing so anyway now i have the hotkey as numpad 1 because it's just i just started one two three you know it's like so you go to here this is numpad2 this is numpad3 and then that's how those are talking to the computer then in the computer numpad one open preview put in the preview input number one so let's look at that we're going to edit this we want to say num number pad one and you can pick any button on on the laptop then what do you want to do preview input well there's a lot of capability here you can you know if you want to do an overlay which is how i did the the bugs and the lower thirds those are all overlays you could do titles output transitions i just it is so deep so input what i did was i just said i'm going to preview the input there's and just look at all the other commands in here that i'm not using it is just astounding the capability that's in here so i'm putting it in preview and then let me click on that preview input and then what do i want to go there oh i want brook to go in there and you can pick from any of your inputs and that's how it goes and then down here you can call this a local shortcut which will be saved just in this show or this preset can be part of the application and it carries from show to show to show so you can actually build you know if you're used to a a more s uh static type of setup you could actually build you know one two three four five is input one two three four five and it's always going to be whether you have a hardware interface or like that you know one two three four five and then it you know it's my buttons are function key one two three four five and my previews are one two three four five like a tricaster so if you're coming from a tricaster you could actually probably get a preset just load it in and then it kind of operates like a tricaster because all the buttons are going to be all that you're used to or if not you just easily build it yourself that's part of the customizability of this application is that it's not really forcing you into any particular paradigm you build it how you want to build it so over here oop let's see that's that and show in the web controller so we click over here we say ok and that's what that input is so you can see space is fade enter is cut which i bring over from using my tricaster if i'm using the physical keyboard i can actually use that and then i just come down here and all of these little all the different pieces of the show here's my overlay input so here is uh her title here is her title here's his title here is bug one bug two and then preview inputs for the still store for this title for the pre-show without text and the lower third rectangle you know it's like this is how i did it and then obviously i ran out of the num number pad and then i started using f23 f22 f21 f20 and you could use all the keys because vmix doesn't come preset with the keys on the keyboard doing anything you know if you call up a title you can use them as a keyboard but when the vmix application is actually running these keys don't do anything unless you tell vmix that you want them to be doing a particular thing that's how this thing comes just like when you open it there's no video inputs unless you load a preset it's it's all you build it but then that seems to be a downside to some people but then you build something once and then you can take what you've built and duplicate it and take pieces of it and build something else and build something else and build something else and then next you know you have you know a half dozen pre-built things and that can cover so many types of productions and then if you're doing something that's very specialized yes of course you can then take that and mold it into something completely different and save that you know one doesn't mean you're limited to that you could do something for else from scratch you the the the possibilities are pretty much endless here but this let me quickly come over here and say you know book tom mike you know three shot three shot so what i did here with this one this is numpad four this is f24 you go over here to f24 this is preview input so the three shot plus and the three shot now originally i had the three shot and then i had the three shot with the graphics as an overlay but then that got confusing during one of our rehearsals where i would then switch to a camera and say take forgetting that i was looking at an overlay so everything i was doing was happening underneath the full screen overlay and i decided that's not a good way to work if i want to have an overlay i would have like a graphic where i could still see something behind it so i took that full screen graphic with the three titles and i made that like a regular piece of video so it would have to go in the preview be brought over brought back and it was not an overlay anymore so you can change anything that that is going on in your shortcut list and then of course there's midi there's surface there's shuttle pro joysticks so if you have pan tilt zoom controllers you can have somebody switch between cameras and move the cameras around i mean it's just so much capability and so deep this this application enabled me to do something that if i were to try to do it with my tricaster it doesn't have the skype tx inputs so i would literally need a separate computer with skype for each caller so that's four more computers and then i would have to run ndi on each of those four computers have that ndi come into my tricaster and then i'd have to manage the audio buses so that each of them came in on one channel and well now i need to send each of them a signal back but minus themselves so they're not being confused by their own audio that is something we call mix minus it's the main mix minus themselves vmix does that which is another great simplification for the person building we know what needs to be done normally we have to do it we have to build it and make it happen and here vmix sort of says oh well you're sending audio back to caller one well we're just gonna take the audio from caller one out of that they're not gonna hear that they're gonna hear everything but that so that is a great built-in feature that for remote production like we're doing with multiple people and multiple destinations all coming in remotely we're not getting together right now this type of remote production and it doesn't have to be same city same town same state same country same nation you know it could be anywhere around the world they all just come in they appear as sources like cameras i'm able to cut between them as if i had brought cameras or i had sent cameras out to all of them anywhere in the world wherever they're at this has been a look at my command center for the show that i produced for a book launch and how i was able to leverage vmix with a remote production that looks as good as if i was doing it with everyone in the room my name is anthony baroccus from aiba communications thanks for watching

Channel: IEBA Tech Thoughts

Views: 50,832

Rating: 4.902564 out of 5

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Id: 0q7rjeC2Fb8

Length: 43min 25sec (2605 seconds)

Published: Thu Jul 30 2020