-Hmm?
-This is the first song that I ever played with you --
at the Montreal Jazz Festival. -Right.
-I'll never forget that. I first met Tony in Montreal
at the Montreal Jazz Festival, and all of a sudden,
I heard, "Is Diana here?" And I went, "What do you mean,
'Is Diana here?'" And you said, "Diana,
come on up here and play," and I'm like, "What do you mean,
'Come up here and play?'" You just took me
out of the audience all of a sudden
and just sat down, and we did "World on a String."
-Right. -I remember
I was just starting out, and I remember it so clearly, that I played "They Can't
Take That Away from Me." I accompanied you --
I didn't sing, just played -- and I can still remember sitting
at the piano and you singing. I'll never forget it
as long as I live, and so to be able to
finally sing that with you and know it so well
after 20 years, it was really emotional
for me today and really, really meaningful. -From the bridge where you
come back after the solo, Tony. -♪ We may never,
never meet again ♪ ♪ On the bumpy,
bumpy road to love ♪ ♪ Still, I'll always,
always keep the memory of ♪ -Would -- Would you be okay if we traded those lines
at the end? -Think it would
sound much better if you traded back and forth. -I sing, "The way
you changed my life," then you, "No, no, they can't
take that away from me." ♪ The way you changed my life ♪ -♪ No, no, they can't take that
away from me ♪ -♪ No ♪ Then I answer you. ♪ They can't take that away ♪ -So you say one line
and I do the next line, okay. -Yeah.
You take those two lines just as they're written,
I think. -Okay. [ Drumming ] ♪♪ -That's a good tempo. ♪♪ [ "They Can't Take That
Away From Me" playing ] ♪♪ -♪ The way you wear your hat ♪ ♪ The way you sip your tea ♪ ♪ The memory of all that ♪ ♪ No, no, they can't take that
away from me ♪ -♪ The way your smile
just beams ♪ ♪ The way you sing off-key ♪ ♪ The way you haunt my dreams ♪ ♪ No, no, they can't take that
away from me ♪ -♪ We may never,
never meet again ♪ ♪ On the bumpy road to love ♪ ♪ But I'll always,
always keep the memory of ♪ -♪ The way you hold your knife ♪ ♪ The way we danced till 3:00 ♪ ♪ The way you changed my life ♪ ♪ No, no, they can't take that
away from me ♪ ♪ No, they can't take that
away from me ♪ -[ Mouthing indistinctly ] [ Instrumental break ] ♪♪ ♪♪ ♪♪ ♪♪ -♪ We may never,
never meet again ♪ ♪ On the bumpy road to love ♪ ♪ Still, I'll always,
always keep the memory of ♪ -♪ The way you hold your knife ♪ -♪ The way we danced till 3:00 ♪ -♪ The way you changed my life ♪ -♪ No, no, they can't take that
away from me ♪ ♪ No, they can't
take that away ♪ -♪ No, they can't
take that away ♪ -♪ No, they can't take that
away from me ♪ [ Outro plays ] -[ Humming ]
-[ Chuckles ] -Beautiful. Really, really gorgeous
every time. -You're so good. -Thank you.
-Thank you. -It's very interesting to hear Bill Charlap,
who's playing piano. The band is
Bill Charlap on piano, Peter Washington on bass,
and Kenny Washington on drums. -Here's my idea
for an introduction -- like this, simple. [ Playing piano ] But you guys are gonna play
"ah, ah" with me, right? So... [ Playing piano ] [ Bass and drums join in ] -And, in rehearsing with Bill, you know, he's playing
all these Gershwin -- He's literally playing
what Gershwin wrote originally, from the original composition
from the music, and all the harmonies, and, as a pianist, you know, it's really interesting for me
to sort of look over and see what Bill is doing and all the intricate harmonies. It's very modern and,
um...danceable. [ Chuckles ] [ Humming ] [ Mid-tempo jazz music playing ] [ Speaking indistinctly ] ♪♪ We're gonna have martinis... -And at the end, the both of us
sing that "fascinating rhythm." -I was gonna just
give that to you. -Oh, yeah?
-Yeah. [ Both chuckle ] It's all yours.
You can have that.
