FOR 11 SEASONS,<i>
THE JEFFERSONS</i>
WAS A HIT FOR CBS WITH BOTH BLACKS AND WHITES, A RARE FEAT
IN TELEVISION HISTORY. HEMSLEY GREW UP
ON THE MEAN STREETS
OF SOUTH PHILADELPHIA, JOINING A GANG
AND HAVING SEVERAL
RUN-INS WITH THE LAW. MOTHER TOLD ME TO
GO TO THE AIR FORCE
OR GO TO JAIL 'CAUSE THAT'S
WHERE I WAS HEADED,
YOU KNOW. ALL MY FRIENDS
HAD BEEN IN JAIL. THEY HATED ME
BECAUSE I DIDN'T GO. "CHUMP, YOU AIN'T
DONE NO TIME." SO I DIDN'T WANT
TO DO TIME. SO I SLIPPED INTO
THE AIR FORCE, AND WHILE I WAS
IN THE AIR FORCE, I'M IN THERE
TRYING TO DECIDE WHAT I'M GONNA
CHANGE MY NAME TO WHEN I GET OUT
AND BECOME AN ACTOR. ISABEL SANFORD
WAS A WELFARE WORKER WHO QUIT HER JOB
AND LEFT HER HUSBAND, TAKING A BUS TO CALIFORNIA
WITH HER 3 CHILDREN TO TRY ACTING. I WASN'T OUT HERE
TOO LONG BEFORE I GOT A ROLE
IN MY FIRST MOVIE, <i> GUESS WHO'S COMING
TO DINNER.</i> THEN I KNOW I'D
REALLY MADE IT THEN. HA HA! I WAS A BIG STAR. COURSE THERE WAS A DRY PERIOD
AFTER I DID THE MOVIE. I WASN'T IN THE GREAT DEMAND
THAT I THOUGHT I WOULD BE. THE LIVES OF THESE
2 STRUGGLING ACTORS WOULD SOON BE
CHANGED FOREVER, DUE TO A GROUNDBREAKING
AND CONTROVERSIAL SITCOM, <i> ALL IN THE FAMILY.</i> I HAPPENED TO BE
TALKING ON THE PHONE
WITH ANOTHER ACTRESS, AND<i> ALL IN THE FAMILY</i>
CAME ON TELEVISION. AND MEANWHILE,
I'M TALKING, I COULD HEAR ARCHIE SAY,
TALK ABOUT JUNGLE BUNNIES AND WATERMELON RINDS
BEING THROWN FROM THE WINDOW. I COULDN'T BELIEVE
WHAT I HEARD. THEY ALLOW<i> THAT</i>
ON TELEVISION? OK. THE FOLLOWING TUESDAY,
I LISTENED. FELL DOWN LAUGHING! FUNNIEST SHOW! I DIDN'T REALIZE
IT WAS SO FUNNY. ALSO, I DIDN'T REALIZE
THAT I WAS GONNA BE IN IT. BUT ON THE SEVENTH EPISODE, THEY CALLED ME TO WORK
ON<i> ALL IN THE FAMILY.</i> <i> ALL IN THE FAMILY</i>
PUSHED THE ENVELOPE OF EVERY TABOO
ALLOWED ON TELEVISION, AND A NEW STORY LINE
WAS TO FEATURE A BLACK FAMILY MOVING IN
NEXT TO THE BUNKERS. ENTER THE JEFFERSONS. I GOT THE SHOCK OF
MY LIFE WHEN I HAD
TO FACE CARROLL O'CONNOR FOR THE FIRST TIME. I HAD TO READ WITH HIM.
GULP! I SAID, "WELL, ALL I
COULD DO WAS READ IT,
JUST DO THE BEST I CAN." SO CARROLL SAID,
"YEAH, HE'S THE ONE." IT WAS JUST AMAZING. HEMSLEY'S FIRST MEETING
WITH SANFORD DID NOT GO QUITE SO WELL. REPORTEDLY, HE CONSIDERED
HER POMPOUS AND ARROGANT, AND SHE THOUGHT
HE WAS A KNOW-IT-ALL,
LOUD-MOUTH BULLY. THE FIRST TIME
I MET SHERMAN, I WAS COMING INTO WORK. "ISABEL, COME HERE! THIS IS
YOUR NEW HUSBAND." MY HUSBAND? HE WAS
THIS LITTLE PIPSQUEAK! I COULD SIT ON HIM,
SMASH HIM LIKE A BUG! SHE GOES... OF COURSE,
I HAD TO BE POLITE. I DIDN'T WANT TO SAY,
"SAY WHAT?" COME ON! 'CAUSE I EXPECTED,
FOR ME, A BIG MAN
FOR MY HUSBAND. YOU KNOW, BIG. TALK OF A SPIN-OFF SERIES
OF THEIR OWN WAS ALMOST INSTANTANEOUS, BUT AT LEAST ONE CAST MEMBER
HAD HER DOUBTS. WELL, I WASN'T
TOO PLEASED ABOUT THAT 'CAUSE I DIDN'T WANT TO LEAVE<i>
ALL IN THE FAMILY.</i> ISABEL, SHE WAS AFRAID,
WHICH I CAN UNDERSTAND, SHE WAS AFRAID
TO TAKE A CHANCE. "I'M IN A SHOW ALREADY.
IT'S A HIT. I DON'T KNOW IF
THAT SHOW'S GONNA
MAKE IT OR NOT." IT WAS A HIT SHOW,
AND I WAS HAPPY. I WAS SATISFIED. 'CAUSE SHE HAD WORKED
SO HARD TO GET THAT JOB. I SAID, "I DON'T WANNA LEAVE<i>
ALL IN THE FAMILY."</i> I WAS REALLY
CONFIDENT ABOUT IT
BECAUSE I FIGUD, I KNEW IT WOULD WORK. THE CASTING DIRECTOR, SHE CALLED ME ONE DAY,
AND SHE SAYS, "WELL, THEY'RE QUITE SERIOUS
ABOUT DOING THIS SPIN-OFF, AND WHEN THEY DO IT, THEY ARE GOING TO GET SOMEONE
TO PLAY LOUISE JEFFERSON, AND THEY'RE GONNA
WRITE LOUISE JEFFERSON
OUT OF<i> ALL IN THE FAMILY."</i> WELL, THEN THAT HELPED ME
MAKE UP MY MIND
WHERE I WANTED TO GO. SHE SAID, "WELL,
I GUESS I'LL DO IT. HA HA HA! I WOULD'VE BEEN
OUT OF A JOB. <i> THE JEFFERSONS</i> WAS
THE FIRST TELEVISION SERIES TO FEATURE
AN INTERRACIAL MARRIAGE. NOT ONLY WERE THEY
AN INTERRACIAL COUPLE, BUT THEY DISPLAYED
AN INTIMACY THAT MADE
THE NETWORK NERVOUS. ACCORDING TO<i> TV GUIDE,</i>
SOME CBS EXECUTIVES FEARED
IT WOULD LEAD TO RIOTS. WELL, WE HAD, I THINK,
THE MOST SPECTACULAR
INTRODUCTION OF AN INTERRACIAL COUPLE WAS THE KISS THAT WE HAD. <i> THE JEFFERSONS'</i> DIRECTOR
SAID THAT WHEN A STUDIO
VICE PRESIDENT GOT WORD OF THE KISS, HE WENT BERSERK. THE VICE PRESIDENT WAS
PETRIFIED THAT TV STATIONS
WOULD DROP THE SERIES. AT THE LAST MINUTE,
FRED SILVERMAN, THEN HEAD OF PROGRAMMING
AT CBS, GREEN-LIGHTED THE KISS. BABY, WE'VE BEEN
DOING THAT PRETTY GOOD. DAMN GOOD. WELL, THERE
WERE PEOPLE--
OOHS AND AHHS. FROM THE AUDIENCE.
OOH...AHH. THE AUDIENCE WENT... "OHH! UGM!" SO I FIGURED IF THEY
OOHED AND AHHED, PEOPLE AT HOME
PROBABLY SAID, "GAHHH!" IN FACT,
THE BLACK AND WHITE KISS DID ENRAGE SOME VIEWERS, AND SOME OF THE RESPONSES
WERE UGLY. WE DID GET SOME HATE MAIL. YOU KNOW THOSE LETTERS
THAT PEOPLE WRITE, THEY CLIP THE WORDS
OUT OF A MAGAZINE
AND OUT OF A NEWSPAPER. IT'S ALL THE WORDS
OF DIFFERENT SHAPES
AND SIZES. ONE OF THOSE
CRAZY-LOOKIN' LETTERS. YOU KNOW, SOME MANIAC
JUST SAT AT HOME, HAD NOTHING ELSE TO DO
BUT SEND US
CRAZY LETTERS. IN FACT,<i> TV GUIDE</i>
DID A COVER OF US, ROXIE AND SHERMAN
AND ISABEL AND MYSELF, AND SOMEBODY
SENT A COPY OF IT
WITH MY FACE BLACKED... YOU KNOW, OUT, WHICH WAS REALLY
A COMPLIMENT. YOU KNOW, YOU CAN'T
PLEASE ALL THE PEOPLE
ALL THE TIME. DESPITE THE CRITICISM, THE SHOW CONTINUED
TO PUSH THE ENVELOPE. ROXIE AND FRANKLIN
AND SHERMAN AND ISABEL WERE HAVING ARGUMENTS
ABOUT SOMETHING, AND HE SAID,
"YOU'RE GONNA FIGHT, AND YOU'RE GONNA
FIGHT ONE ANOTHER." AND WE SAID,
"SURE, WE FIGHT." AND IT'S GONNA HAPPEN.
WHAT'S GONNA HAPPEN? YOU'RE GONNA--
SOMETIME WHEN YOU'RE
IN THE MIDDLE OF A FIGHT, YOU'RE GONNA CALL--
HE SAYS, "WHAT ARE YOU
GONNA CALL HER? IF YOU TWO EVER REALLY
STARTED GOING
AT ONE ANOTHER, INSIDE OF 5 MINUTES,
HE'D BE CALLING YOU-- DON'T ! HE SAID IT! FROM THE VERY BEGINNING, <i> THE JEFFERSONS</i> WAS
KNOWN FOR CONFRONTING
RACIAL ISSUES HEAD ON. BUT ACCORDING
TO ONE CAST MEMBER, HEMSLEY WAS RELUCTANT
TO COMPLAIN ABOUT SCENES
HE CONSIDERED RACIST. INSTEAD OF SPEAKING UP, HE SETTLED FOR A MORE
PASSIVE RESISTANCE BY REPEATEDLY
FLUBBING HIS LINES. EVENTUALLY, THIS FORCED
THE EXASPERATED DIRECTOR TO HAVE THE SCENE REWRITTEN. HEMSLEY WANTED HIS CHARACTER
TO EVOLVE, BUT IT WAS AN UPHILL BATTLE. SHERMAN, AT SOME POINT,
DIDN'T LIKE CALLING TOM
A HONKY. HE SAID, "WE'VE EVOLVED
FROM THAT. THAT WAS FINE
THE FIRST 2, 3 YEARS, BUT NOW WE'RE FRIENDS. I DON'T WANNA BE
CALLING HIM<i> HONKY.</i> SO THAT'S NOT FUNNY
ANYMORE TO ME." TO SAY THINGS
IN PEOPLE'S FACES,
YOU KNOW, NAME-CALLING,
THAT WASN'T ME. SO THEY STOPPED
WRITING THAT. BUT SOME BLACKS FELT BETRAYED
BY GEORGE JEFFERSON, A SCRAPPY
BANTAMWEIGHT ROOSTER WHO SEEMED MORE CUNNING
THAN INTELLIGENT. HE WAS FEARLESS
AND IN YOUR FACE, BUT MANY CONSIDERED HIM
A BRAGGING BUFFOON AND A GROSS STEREOTYPE. NO MATTER WHAT YOU DO, SOMEBODY WILL SAY
YOU'RE BEING
A STEREOTYPE. YOU CAN GO OUT THERE
AND BE A NUN. "STEREOTYPICAL." YOU KNOW,
YOU CAN BE A THUG.
"STEREOTYPICAL." IT JUST GETS
ON YOUR DAMN NERVES. COMING UP, THE SHOCKING WAY<i>
THE JEFFERSONS</i> GOT CANCELED. I JUST FOUND OUT
IN THE NEWSPAPER. THE RUG'S BEEN PULLED OUT
FROM UNDERNEATH US. ABC MAKES A DECISION THAT
CAUSES THE<i> HAPPY DAYS</i> STARS TO THREATEN TO WALK OUT. FRED SILVERMAN WANTED TO
CHANGE THE NAME OF THE SHOW TO<i> FONZIE'S HAPPY DAYS.</i> AND HENRY WINKLER TELLS
OF OUTRAGEOUS FAN BEHAVIOR. SOME WOMAN JUST
PULLED DOWN HER DRESS
TO SHOW ME HER... GOD-GIVEN GIFT. ALL WHEN... RETURNS. <i> [ Male Announcer ] SOMETIMES,
THE TOOL WITH THE MOST POWER...</i> <i> ...ISN'T A POWER TOOL AT ALL.</i> <i> THE Craftsman
Cross-Force Wrench.</i> <i> UNIQUELY DESIGNED TO DELIVER
GREATER TORQUE WITH EVERY TURN.</i> <i> Craftsman.</i> <i> TRUST. IN YOUR HANDS.</i> <i> WHAT MATTERS TO YOU?</i> <i> NOTHING.</i> <i> YOU DON'T ENJOY THINGS
THE WAY YOU USED TO.</i> <i> YOU'RE SAD.</i> <i> YOU HAVE NO ENERGY.</i> <i> MAYBE YOU FEEL GUILTY
OR ANXIOUS,</i> <i> CHANGES IN WEIGHT, SLEEP,
AND APPETITE,</i> <i> AND THE ACHES AND PAINS.</i> <i> CYMBALTA CAN HELP.</i> <i> CYMBALTA IS
A PRESCRIPTION MEDICATION</i> <i> THAT TREATS MANY SYMPTOMS
OF DEPRESSION.</i> <i> TELL YOUR DOCTOR RIGHT AWAY
IF YOUR DEPRESSION WORSENS,</i> <i> YOU HAVE UNUSUAL CHANGES
IN BEHAVIOR,</i> <i> OR THOUGHTS OF SUICIDE.</i> <i> ANTIDEPRESSANTS
CAN INCREASE THESE</i> <i> IN CHILDREN, TEENS,
AND YOUNG ADULTS.</i> <i> CYMBALTA IS NOT APPROVED
FOR CHILDREN UNDER 18.</i> <i> PEOPLE TAKING MAOIS
OR THIORIDAZINE</i> <i> OR WITH UNCONTROLLED GLAUCOMA
SHOULD NOT TAKE CYMBALTA.</i> <i> TAKING IT WITH NSAID
PAIN RELIEVERS, ASPIRIN,</i> <i> OR BLOOD THINNERS MAY INCREASE
BLEEDING RISK.</i> <i> SEVERE LIVER PROBLEMS,
SOME FATAL, WERE REPORTED.</i> <i> SIGNS INCLUDE ABDOMINAL PAIN</i> <i> AND YELLOWING OF THE SKIN
OR EYES.</i> <i> TALK WITH YOUR DOCTOR
ABOUT YOUR MEDICINES,</i> <i> INCLUDING THOSE FOR MIGRAINE,</i> <i> OR IF YOU HAVE HIGH FEVER,
CONFUSION AND STIFF MUSCLES,</i> <i> TO ADDRESS A POSSIBLE
LIFE-THREATENING CONDITION.</i> <i> TELL YOUR DOCTOR ABOUT
ALCOHOL USE, LIVER DISEASE,</i> <i> AND BEFORE YOU REDUCE
OR STOP TAKING CYMBALTA.</i> <i>DIZZINESS OR FAINTING MAY OCCUR
UPON STANDING.</i> <i> SIDE EFFECTS INCLUDE NAUSEA,
DRY MOUTH, AND CONSTIPATION.</i> <i>ASK YOUR DOCTOR ABOUT CYMBALTA.</i> <i> DEPRESSION HURTS.</i> <i> CYMBALTA CAN HELP.</i> [ tires screech,
glass shatters ] [ Dennis ]
WEREN'T EXPECTING THAT? WELL HOW ABOUT THIS... DRIVERS WHO SWITCHED
FROM Geico TO Allstate SAVED AN AVERAGE OF $473 A YEAR. [ Operator Judy ]
SEE HOW MUCH YOU COULD SAVE. CALL OR CLICK TODAY
FOR A FREE QUOTE OR TO FIND AN Allstate AGENT. Narrator: AUDIENCES LOVED<i>
THE JEFFERSONS,</i> BUT THE COSTARS BELIEVED
THAT CBS DID LITTLE
TO SUPPORT THE SHOW. IN ITS 11 YEARS ON THE AIR, THE NETWORK CHANGED THE
SHOW'S TIME SLOT 15 TIMES, MAKING IT TOUGH
FOR THE AUDIENCE
TO FIND THE SHOW. DO I FEEL THE NETWORK
WAS SUPPORTING THE SHOW, AND HELPING THE SHOW? PPBBBTT! LIKE, WHAT OTHER
SHOW WAS NUMBER ONE? WE DIDN'T GET THE
RECOGNITION AS BEING
THE NUMBER ONE SHOW. IT'S LIKE, UH,
OH, YEAH,<i> 60 MINUTES</i>
IS NUMBER 2? OH, WELL,<i>
JEFFERSONS</i> IS
NUMBER ONE, YEAH. AND, UH, OH, YOU KNOW,
LIKE, ANY OTHER SHOW WOULD HAVE BEEN LIKE
"YEAH! BOOM!" AND THEN WE COULDN'T
UNDERSTAND IT. UH, HONEY,
I HAVEN'T GOT A CLUE. IF YOU HAVE ONE,
PLEASE TELL ME. [LAUGHS] WHAT IT IS. I HAVEN'T GOT A CLUE
WHY WE DIDN'T GET
RECOGNITION. WE GOT IT
FROM THE PEOPLE, AND...AND WE DON'T
GET IT TODAY, EXCEPT FROM THE PEOPLE. Narrator: A TABLOID
REPORTED THAT HEMSLEY WAS IN A BITTER FEUD
WITH SANFORD BECAUSE AT ONE POINT
SHE WAS GETTING $25,000
PER EPISODE-- $10,000 MORE
THAN HE WAS MAKING. AND HE WAS THE BIGGER STAR. BUT BY 1982, HEMSLEY HAD
NEGOTIATED A BETTER DEAL-- ACCORDING TO<i> TV GUIDE,</i>
$60,000 AN EPISODE. <i> THE JEFFERSONS</i>
HAD MADE SHERMAN HEMSLEY
AND ISABEL SANFORD A CONSIDERABLE FORTUNE. BUT IN 1987, HEMSLEY
INVESTED IN A FILM THAT BOMBED
AT THE BOX OFFICE. THIS WOULD EVENTUALLY
LEAD HEMSLEY TO FILE FOR BANKRUPTCY
JUST LAST YEAR. HEMSLEY SUED
THE FILM'S DISTRIBUTOR
FOR HIDING PROFITS, AND WAS AWARDED
CLOSE TO $2 MILLION. BUT THIS WAS A SETTLEMENT
THAT HE WILL PROBABLY NEVER
BE ABLE TO COLLECT, SINCE THE FILM'S
DISTRIBUTOR HAS ALSO
FILED FOR BANKRUPTCY. <i> THE JEFFERSONS</i> COSTARS
HAVE ALSO HAD TO FIGHT
FOR THEIR PIECE OF THE PIE, A FIGHT FUELED BY
RESENTMENT, JEALOUSY,
AND GREED. WE WEREN'T GETTING
PAID ALL THAT MUCH,
YOU KNOW. WHEN YOU START
TALKING MONEY, THAT'S WHEN EVERYTHING
GOES PBBBBT! JUST TO GIVE YOU
AN EXAMPLE, AFTER 7 YEARS
ON<i> THE JEFFERSONS,</i> WE FOUND OUT THAT THE KIDS
ON<i> DIFF'RENT STROKES</i> WERE MAKING MORE MONEY
THAN WE WERE. EVERYBODY
GETS FUNNY WHEN THEY
GET A LITTLE MONEY. SO GUESS WHO WENT
INTO THE OFFICE--I DID, WITH MY LITTLE GROUP,
YOU KNOW, ROXIE AND MARLA. AND WE DID GET A RAISE. Narrator:<i> THE JEFFERSONS</i> IS
ONE OF THE LONGEST-RUNNING
SITCOMS IN HISTORY AND MADE MILLIONS OF
DOLLARS FOR THE NETWORK. FOR MOST OF ITS
EXTRAORDINARY RUN, THE SERIES
WAS IN THE TOP 20. BUT AFTER 11 SEASONS,
CBS SUDDENLY CANCELLED
THE SHOW WITHOUT EVEN THE COURTESY
OF A PHONE CALL
TO CAST MEMBERS. THE CAST WAS ANGRY AND HURT. YEAH, IT WAS A SHOCK.
DEFINITELY A SHOCK. IT WAS--EVERYTHING
WAS GOING FINE. I MEAN, WE LEFT "I'LL
SEE YOU NEXT SEASON,"
♪ DA DA-DA DA-DA DA ♪ AND THEN, BOOM. I DIDN'T KNOW
I WAS CANCELLED UNTIL MY COUSIN
CALLED ME FROM NEW YORK AND SAID,
"I UNDERSTAND<i> THE JEFFERSONS</i>
HAS BEEN CANCELLED." I SAID,
"WHO TOLD YOU THAT?" HE SAID,
"IT'S IN THE TRADES." "IN THE TRADES
THAT WE ARE CANCELLED?" I JUST FOUND OUT
IN THE NEWSPAPER,
YOU KNOW. LOOKING THROUGH
THE THING--"WHEN
ARE WE GOING BACK? WHEN ARE WE GOING BACK?
WE'RE NOT GOING BACK." YOU KNOW?
[CHUCKLES] I HEARD ABOUT IT ON, UH,<i>
ENTERTAINMENT TONIGHT.</i> YOU KNOW,
IT WAS JUST WEIRD. WE WERE STILL
IN THE TOP 10. WHAT COULD YOU DO?
THERE'S NOTHING
YOU COULD DO. YOU JUST FEEL LIKE
YOU'VE BEEN KICKED
IN THE STOMACH, YOU KNOW? IT WAS
JUST LIKE, "WHOA,"
AND THEN, YOU KNOW. THE RUGS WERE PULLED OUT
FROM UNDERNEATH US. THAT'S IT. Narrator:<i> HAPPY DAYS</i> IS
THE LONGEST-RUNNING SITCOM IN THE HISTORY OF ABC. FROM 1974 TO 1984,
ITS NOSTALGIC STORIES OF A WHOLESOME
MIDWESTERN FAMILY HAD THE ENTIRE COUNTRY
WRAPPED AROUND THE FONZ'S
UPTURNED THUMBS. <i> HAPPY DAYS</i> WAS INTENDED
AS A STAR VEHICLE
FOR RON HOWARD, BEST KNOWN
FOR HIS YEARS AS OPIE ON<i> THE ANDY GRIFFITH SHOW.</i> BUT HIS CHARACTER'S
POPULARITY
WAS SOON ECLIPSED BY A SUPPORTING ACTOR. FONZIE, PLAYED BY
HENRY WINKLER, WAS
THE EMBODIMENT OF COOL, AND BY 1977,<i> HAPPY DAYS</i>
SOARED TO NUMBER ONE
IN THE RATINGS. BUT HENRY WINKLER STRUGGLED
TO MAKE SENSE OF HIS
PHENOMENAL POPULARITY. I WOULD SIT IN
MY APARTMENT, YOU KNOW, AND I WOULD, UH,
SIGN 5,000 PHOTOGRAPHS
AT ONE TIME. NOW, I DID IT BECAUSE
PEOPLE WROTE ME AND
SO I WROTE THEM BACK. BUT I ALSO DID IT
TO STAY IN ONE PLACE TO ASSIMILATE
WHAT WAS HAPPENING. WHAT HAPPENED IN
TERMS OF THE CHANGE
TO YOUR LIFE BASED ON BECOMING
A CELEBRITY PROBABLY HAPPENED
TO HENRY MORE
THAN ANYBODY, AND IN SUCH
AN EXPLOSIVE WAY. AT ONE POINT THEY
WERE CONSIDERING-- FRED SILVERMAN WANTED
TO CHANGE THE NAME
OF THE SHOW TO<i> FONZIE'S HAPPY DAYS.</i> Narrator: UP NEXT,
RON HOWARD TALKS ABOUT
BEING OVERSHADOWED BY HENRY WINKLER... EVERYONE EXPECTED ME
TO, I DON'T KNOW, WHAT, THROW A TANTRUM OR QUIT? FONZIE'S POPULARITY
GOES DANGEROUSLY
OUT OF CONTROL... ABOUT 800 GUYS
STARTED FOLLOWING HIM
INTO THE JOHN, AND THE COPS HAD TO
COME AND PULL HIM OUT. ALL WHEN... RETURNS. <i> [ Male Announcer ] PUT SIX
TOOLS IN THE PALM OF YOUR HAND.</i> <i> INTRODUCING THE Craftsman
Universal Ratcheting Wrench.</i> <i> ONE TOOL
GETTING MANY JOBS DONE...</i> <i> FASTER.</i> <i> CRAFTSMAN.</i> <i> TRUST. IN YOUR HANDS.</i> <i> CAN TELL</i>
YOU SOMETHING ABOUT OSTEOPOROSIS YOU
DON'T ALREADY KNOW. IT RUNS IN
FAMILIES - MY MOTHER HAS IT,
AND NOW I HAVE IT. SO EVEN THOUGH I TRIED
TO KEEP MY BONES STRONG, IT WASN'T ENOUGH. NOW, ONCE-MONTHLY BONIVA
IS HELPING ME DO MORE. IT DIDN'T JUST
STOP MY BONE LOSS. BONIVA WORKED WITH MY BODY TO
STOP AND REVERSE MY BONE LOSS. AND STUDIES SHOW, AFTER
ONE YEAR ON BONIVA, NINE OUT OF TEN WOMEN STOPPED
AND REVERSED THEIRS, TOO. <i> (announcer)
DON'T TAKE BONIVA IF
YOU HAVE LOW BLOOD CALCIUM,</i> <i> SEVERE KIDNEY
DISEASE, OR CAN'T SIT</i> <i> OR STAND FOR AT
LEAST ONE HOUR.</i> <i> FOLLOW DOSING
INSTRUCTIONS CAREFULLY.</i> <i> STOP TAKING BONIVA AND TELL
YOUR DOCTOR IF YOU HAVE</i> <i> DIFFICULT OR PAINFUL
SWALLOWING, CHEST PAIN</i> <i> OR SEVERE OR CONTINUING
HEARTBURN, AS THESE</i> <i> MAY BE SIGNS OF SERIOUS
UPPER DIGESTIVE PROBLEMS.</i> <i> IF JAW PROBLEMS OR
SEVERE BONE, JOINT,</i> <i> AND/OR MUSCLE PAIN
DEVELOP, TELL YOUR DOCTOR.</i> YOU'VE GOT ONE BODY AND ONE
LIFE, SO DON'T WAIT. ASK YOUR DOCTOR IF
BONIVA CAN HELP YOU STOP LOSING AND
START REVERSING. <i>(announcer)
FOR A FREE
TRIAL OFFER</i> <i>CALL
1-800-4-BONIVA</i> <i>OR VISIT
BONIVA.COM</i> <i> ♪♪</i> <i> TAKE THINGS AS THEY COME?</i> I'VE GOT AN IDEA. <i> OR IMPROVISE?</i> <i> MAXWELL HOUSE CUSTOM-ROASTS
EACH BEAN...</i> <i> FOR A FULL-FLAVORED
CUP OF COFFEE.</i> <i> SO YOU CAN BE GOOD
TO THE LAST DROP.</i> TOMMY'S A REALLY GOOD KID. MY TOMMY WOULD NEVER EVEN
THINK ABOUT TRYING ALCOHOL. ISN'T THAT RIGHT,
SWEETIE? [ Ryan ] AHH! FRESH. MINTY.
READY! ♪ ♪ HI. OOOH, MINTY. [ sniffs ] SO WHAT DO YOU THINK? FRESH. <i> [ Female Announcer ]
FOR A FRESH BREATH FEELING</i> <i> THAT LASTS
UP TO 5 TIMES LONGER,</i> <i> THERE'S NEW SCOPE OUTLAST.</i> Narrator: HENRY WINKLER'S
ENORMOUS POPULARITY
ON<i> HAPPY DAYS</i> PROMPTED THE NETWORK
TO CONSIDER CHANGING
THE SHOW'S NAME TO<i> FONZIE'S HAPPY DAYS.</i> THAT IDEA WAS QUICKLY
DROPPED WHEN RON HOWARD, HENRY WINKLER, AND
GARRY MARSHALL, THE SHOW'S
EXECUTIVE PRODUCER, THREATENED TO QUIT
IF THE CHANGE WAS MADE. BUT FOR WINKLER,
WHO HAD STARTED OUT
AT $1,000 A WEEK, THE SHOW'S NAME
WASN'T THE POINT-- HIS LIFE WOULD
FOREVER CHANGE. STARDOM IS A TOTALLY
UNNATURAL WAY TO LIVE. IT IS AN UNNATURAL
STATE TO BE IN. HENRY, UM,
BECAME, YOU KNOW, AS HUGE AS YOU CAN
POSSIBLY IMAGINE. SOME PEOPLE
RIP YOUR CLOTHES, SOME PEOPLE JUST
WANT TO TOUCH YOU. SOME PEOPLE WANT YOU
TO TOUCH THEM. SOME PEOPLE
WANT TO KISS YOU.
[LAUGHS] IN THE SUPERDOME,
I'LL NEVER FORGET, HE WENT TO THE JOHN DURING THE COURSE
OF THE EVENING, AND ABOUT 800 GUYS
STARTED FOLLOWING
HIM INTO THE JOHN. AND THE COPS HAD
TO COME AND PULL
HIM OUT. SOME WOMAN JUST
PULLED DOWN HER DRESS TO SHOW ME HER
GOD-GIVEN GIFT. RON HOWARD WAS ACTUALLY
THE ONE THAT WAS
THE REAL MATURE PERSON BECAUSE HE COULD
HAVE SAID NO. IN HIS CONTRACT,
HE COULD HAVE SAID,
"NO, I'M TOP DOG." EVERYONE EXPECTED ME
TO, I DON'T KNOW, WHAT, THROW A TANTRUM OR QUIT
OR SOMETHING. UM, IT WAS A SITUATION
WHERE A CHARACTER EVOLVED. A VERY GOOD ACTOR
NAMED HENRY WINKLER CAME ALONG IN A SITUATION
WHERE HE WAS ABLE TO CREATE THIS PHENOMENON. Narrator: NOT EVERYBODY
IN THE COUNTRY FOUND THE REBELLIOUS
FONZIE SO ENDEARING. WELL, YOU KNOW,
THE VERY FIRST SHOW, UH, THEY TOOK IT
OFF THE AIR IN DALLAS AFTER THE FIRST
COMMERCIAL. BECAUSE THERE WAS
A SCENE IN THE VERY
FIRST SHOW WHERE FONZIE
SHOWS RICHIE HOW TO TAKE OFF
A GIRL'S BRA. AND THEY USED
A RADIATOR IN THE JOHN
AS THE LADY. AND HE WAS--AND THEY
FLIPPED IN DALLAS. Narrator: SCOTT BAIO,
A TOUGH BROOKLYN STREET KID
WITH A WINNING SMILE, JOINED THE CAST
IN THE FOURTH SEASON. FROM HIS VERY FIRST
APPEARANCE ON THE SHOW, SCOTT WAS ANOINTED TV'S
NEWEST TEEN HEARTTHROB. ERIN MORAN, WHO PLAYED
JOANIE CUNNINGHAM, QUICKLY BECAME
SCOTT'S BIGGEST FAN. THE TWO WERE SOON
EMBROILED IN A PASSIONATE
BUT TROUBLED ROMANCE THAT JEOPARDIZED
THE SHOW'S SUCCESS. MY RELATIONSHIP
WITH ERIN, I GUESS, WAS JUST, YOU KNOW,
WAS A TRAIN WRECK
WAITING TO HAPPEN. THAT'S REALLY
WHAT THAT WAS. IT JUST HAD TO HAPPEN.
I MEAN, WE WERE THERE
EVERY DAY, AND, YOU KNOW,
IT'S JUST INEVITABLE. LISTEN,
THEY'RE TEENAGERS, AND THEY'RE
WORKING TOGETHER. EVERYBODY SAW IT COMING. UM, I'M SU--I DON'T
THINK THEY WANTED IT
TO HAPPEN. I'M, YOU KNOW, AND
I COULD UNDERSTAND WHY. AND YOU COULD TELL
THAT SOMETIMES, UH, THERE WERE LITTLE
TIFFS BETWEEN THEM THAT THEY BROUGHT ON
THE SET WITH THEM, WHICH WE HAD TO
TELL THEM, YOU KNOW,
PUT THAT ASIDE. Narrator: EAGER
TO CAPITALIZE ON THEIR
OVERWHELMING POPULARITY, BAIO AND WILLIAMS WERE
POISED TO SING THEIR WAY TO EVEN GREATER
RICHES AND FAME. UH, A RECORD COMPANY
SAID, "DO YOU WANT
TO MAKE A RECORD?" "YEAH, WHAT THE HELL? I'LL MAKE A RECORD,
SURE." I WENT IN THE STUDIO
AND, UH, [SIGH] AND I, YOU KNOW,
ATTEMPTED TO SING. I THOUGHT I COULD SING
ON THE SHOW... MAYBE I COULD GET
A RECORD CONTRACT, AND MAYBE I COULD GET
MYSELF BOOKED OFF THE SHOW
AND ADD INCOME. WE'D SINK LIKE
10,000-15,000 GIRLS. STATE FAIRS, COUNTY FAIRS,
AMUSEMENT PARKS-- ALL SORTS OF THINGS
ALL OVER THE WORLD. Narrator: FAME, MONEY,
AND ADULATION-- THE SWEET REWARDS OF STARDOM. BUT THESE 2<i> HAPPY DAYS</i> STARS
WERE STILL NOT SATISFIED. SEXUAL DESIRE WOULD SOON
DOMINATE THEIR LIVES. I THINK THAT
MY ONLY VICE, FOR A CERTAIN AMOUNT
OF TIME, WAS WOMEN. I WAS SINGLE AND--
AND, YOU KNOW, AND, UH... REALLY LIKED GIRLS. I WASN'T ADDICD TO IT,
I JUST REALLY LIKED IT. AND BOY, I'LL TELL YOU,
THERE WERE, YOU KNOW, JUST-- THANK GOODNESS, A LOT OF
BEAUTIFUL LADIES OUT THERE. I'M NOT EMBARRASSED
BY IT, I'M NOT PROUD
OF IT. IT'S JUST SOMETHING
THAT I WENT THROUGH, AND IF ANYBODY
SAYS TO ME, YOU KNOW, "WHY WOULD YOU DO
THAT?" AND "DON'T
YOU FEEL--WHATEVER," I SAY--HOW COULD--DO YOU
BLAME ME FOR DOING IT? AND HOW COULD I NOT DO--
AND HAVE A GOOD TIME
IN THIS TOWN? I MEAN, IF I'M A--
I'M A, YOU KNOW,
A HETEROSEXUAL MALE WHO'S IN HIS 20s,
I MEAN, THAT'S WHAT
EVERY GUY IN THIS WORLD IS LOOKING TO DO
IS HAVE A GOOD TIME. AND I JUST HAD
THE LUXURY OF HAVING, YOU KNOW, A LOT OF
ATTRACTIVE WOMEN
WHO KNEW ME. Narrator: WITH SCOTT'S
IMMENSE POPULARITY CAME
THE INEVITABLE INFLATED EGO, TURNING HIM INTO
A NIGHTMARE ON THE SET. THE PRODUCERS' RESPONSE
WAS TO SHRINK THE SIZE
OF HIS ROLE. THAT, AND ADVICE FROM
SCOTT'S FATHER TO CHANGE
HIS ATTITUDE, BROUGHT HIM BACK TO EARTH. COMING UP, THE<i> HAPPY DAYS</i>
COSTARS HOLD OUT
FOR MORE MONEY... SHE THREATENED
TO WALK. COME ON, YOU CAN'T JUST
LIE TO PEOPLE. AND ERIN MORAN MAKES
SHOCKING ACCUSATIONS ABOUT
A<i> HAPPY DAYS</i> COSTAR... SHE SAID THAT,
UH, SOMEBODY
HAD ABUSED HER. ALL WHEN... RETURNS. THANKS TO THE NEW VENTURE CARD
FROM CAPITAL ONE, WE GET DOUBLE MILES
ON EVERY PURCHASE. <i> SO WE EARNED A SKI TRIP
TWICE AS FAST.</i> <i> WE GET DOUBLE MILES EVERY TIME
WE USE OUR CARD.</i> ( thuds ) I'LL TAKE THIS. ( crashing ) <i> DOUBLE MILES ADD UP QUICK.</i> AND ALL OF THOSE. <i>- SO WE BROUGHT THE WHOLE GANG.</i> - ONE ADULT,
ONE GOAT PLEASE. <i> IT'S HARD TO BEAT
DOUBLE MILES.</i> <i> EVERYONE KNOWS TWO
IS BETTER THAN ONE.</i> <i> INTRODUCING THE VENTURE CARD
FROM CAPITAL ONE...</i> <i> WITH DOUBLE MILES ON EVERY
PURCHASE EVERY DAY.</i> <i> GO TO CapitalOne.com.</i> - WHAT'S IN YOUR WALLET? - OH, POOR BABY. <i> FACT: EVERYDAY SURFACES</i> <i> CAN HARBOR ALLERGENS
LIKE DUST MITE DEBRIS,</i> <i> POLLEN PARTICLES
AND PET DANDER,</i> <i> WHICH CAN TRIGGER
ALLERGIC REACTIONS.</i> <i> NOW, LYSOL IS APPROVED TO
CONTROL ALLERGENS ON
SURFACES,</i> <i> TO HELP PROTECT YOUR FAMILY.</i> <i> LYSOL DISINFECTING WIPES
REMOVE 90% OF ALLERGENS.</i> <i> AND, LYSOL DISINFECTANT
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AT OUR HOUSE. [ laughter ] WHAT IS IT ABOUT SPAGHETTI
AND MEATBALLS? I MEAN, IT'S A FUN NIGHT. AND THE WHOLE DINNER IS
FROM GREAT VALUE AT WALMART. AND IT'S ALL FOR
LESS THAN $2 A SERVING. I HAVE A BUDGET
LIKE ANYONE ELSE. THIS IS WHAT I DID WITH MINE. <i> [ Female Announcer ]
WITH HUNDREDS OF NEW ROLLBACKS</i> <i> ON GREAT VALUE,
CHOOSE FROM LOTS OF MEALS</i> <i> FOR LESS THAN $2 A SERVING.</i> <i> IT'S ROLLBACK TIME.</i> <i> SAVE MONEY. LIVE BETTER.
WALMART.</i> [ Bomb Squad 1 ]
LET'S DO IT! TARGET'S IN SIGHT. 100 METERS. APPROACHING... TAKE YOUR TIME. ♪ ♪ I HAVE VISUAL. STEADY. <i> [ Male Announcer ]
CAREFUL, THIS CHEESE IS LOADED.</i> THANKS. <i> [ Male Announcer ]
NEW DELI DELUXE BACON CHEDDAR.</i> <i> BURSTING WITH CHEDDAR
AND A BLAST OF REAL BACON.</i> CAN YOU HAND ME SOME MUSTARD
WHILE YOU'RE IN THERE, TOO? [ birds chirping ] ♪ ♪ Narrator: AS WITH ANY HIT SHOW, THE ACTORS ON<i> HAPPY DAYS</i>
WERE NOT IMMUNE
TO THE TABLOIDS AND THE OUTRAGEOUS RUMORS
THEY REPORTED. I'VE BEEN GAY,
I WAS A DRUG ADDICT, WHAT THE HELL ELSE
WAS I THAT PEOPLE
WROTE ABOUT ME? AND I JUST SORT
OF LAUGH AT IT ALL. I MEAN, YOU KNOW,
IT'S JUST SILLY. ONE TIME I WAS DRIVING, AND I HEARD I WAS DEAD. SO I THOUGHT, WELL,
I BETTER PULL OVER
TO THE ROAD BECAUSE I CAN'T BE
A VERY SAFE DRIVER
IF I'M DEAD. WELL, I WAS DEAD
2 YEARS AGO. UH, GOT INTO CNN
AND ALL THAT STUFF. Narrator: AT LEAST
ONE TABLOID RUMOR DID PROVE
TO BE TRUE, HOWEVER. ON THE SHOW, THE FONZ
AND HIS MOTORCYCLE
WERE INSEPARABLE. BUT A LITTLE KNOWN FACT
IS THAT CREW MEMBERS ACTUALLY HAD TO PULL
THE FONZ ALONG WHILE HE WAS SEATED
ON HIS MOTORCYCLE, WHICH WAS FASTENED
TO A FLAT-BED TRAILER. HENRY DID NOT LIKE
THE MOTORCYCLE. HE WAS SCARED
TO DEATH OF THEM. THEY TRIED TO GET HIM
TO RIDE IT,
THIS AND THAT, AND, YOU KNOW, THEY
ONLY REALLY WANTED HIM TO RIDE IT FROM
THE CAMERA OFFSTAGE. AND IT WAS VERY
DIFFICULT FOR HIM. Narrator:
SOME OF<i> HAPPY DAYS'</i>
HIGHEST-RATED EPISODES FEATURED PINKY TUSCADERO,
FONZIE'S HELL-ON-WHEELS
GIRLFRIEND. ROZ KELLY,
WHO PLAYED THE PART, WAS CLOSER TO THE CHARACTER
THAN ANYONE REALIZED. LATE LAST YEAR,
KELLY GRABBED A SHOTGUN AND SHOT UP
2 NEIGHBORS' CARS, AND THEN FIRED INTO
ONE OF THEIR HOMES. ACCORDING TO THE<i> L.A. TIMES,</i> A NEIGHBOR'S BLARING
CAR ALARM SET OFF
THE SHOOTING SPREE. KELLY WAS ARRESTED,
PLEADED NO CONTEST
TO THE CHARGES, AND WAS PLACED ON
PROBATION FOR 3 YEARS. WHILE SOME OF THE<i> HAPPY DAYS</i>
STARS WERE MAKING SALARIES
BEFITTING A TOP 10 SHOW, OTHERS WERE NOT AS FORTUNATE. AND THEY WEREN'T
ABOVE PLOTTING TO GET THEIR FAIR SHARE. WE WEREN'T PAID THE WAY
PERFORMERS ARE PAID TODAY. IT WAS FINE, BUT IT WASN'T
LIKE THIS TREMENDOUS AMOUNT
OF MONEY. I WAS PROMISED
CERTAIN THINGS
THAT WERE NOT GIVEN AND I JUST SAID WELL,
YOU KNOW, COME ON, YOU CAN'T JUST LIE
TO PEOPLE. WE ALL HELD OUT,
YOU KNOW, AT VARIOUS POINTS
OF OUR NEGOTIATION. WE SAID, WELL, WE'RE NOT
GONNA BE ABLE TO GET, YOU KNOW, THE KIND
OF MONEY HENRY AND RON WERE GONNA BE ABLE
TO GET, SO MAYBE IF WE
ALL TEAMED UP TOGETHER AND HELD OUT, WE HAVE
A CHANCE, YOU KNOW? WITHOUT MENTIONING
NAMES, THERE WAS ONE PERSON
WHO WAS HOLDING OUT FOR, UH, REALLY,
A RIDICULOUS
DIFFERENCE IN WHAT
THEY OFFERED HER. NOW, YOU KNOW
IT'S A HER. IT'S A BUSINESS, YOU KNOW? SHE THREATENED
TO WALK. AND IT'S MONEY, AND THERE'S
NOTHING YOU CAN DO ABOUT IT. AND PEOPLE HAVE TO MAKE
A LIVING AND PEOPLE WANT
TO DO BEST FOR THEMSELVES. Narrator: BUT WHEN IT CAME
TO MONEY, RON HOWARD WAS
APPARENTLY AS NAIVE AS THE CHARACTER HE PLAYED. RON HOWARD WAS
INVESTING IN GOLD, AND ONE DAY... HE--THE GOLD
SHOT UP. SO HE SAYS,
"I BOUGHT SOME GOLD
YESTERDAY." I SAID, "GOOD." I SAID,
"BY THE WAY, WHERE
DO YOU KEEP IT?" HE SAYS, "WELL,
IT'S IN THE TRUNK
OF MY CAR." I COULDN'T BELIEVE IT,
AND HE OPENED UP
THE TRUNK OF THE CAR. I SAID,
"ARE YOU CRAZY?" I SAID, "GET THIS
OUT OF HERE. "GET IT IN A VAULT,
GET IT IN A BANK
OR SOMETHING." Narrator:
FOR SOME OF THE CAST, LIFE AFTER<i> HAPPY DAYS</i>
HAS BEEN ANYTHING BUT HAPPY. AFTER THE SHOW
WAS CANCELLED, ERIN MORAN BECAME
INCREASINGLY ESTRANGED
FROM THE CAST. SHE REFUSED TO BE PART
OF THE 1992<i> HAPPY DAYS</i>
REUNION TV SPECIAL. RUMORS PERSISTED THAT SHE
WAS ANGRY AT HER COSTARS. THERE WERE ALL THESE
RUMORS GOING AROUND, THAT SHE SAID THAT,
UH, FORMER CAST MATES
WERE EVIL. I DON'T THINK
WE WERE VERY EVIL. UH, IT WAS
THE FARTHEST THING
FROM WHAT WE WERE. I MEAN, IT WAS--
WHEN I HEARD IT, IT WAS LIKE,
I CAN'T BELIEVE THAT ERIN WOULD SAY
SOMETHING LIKE THAT. I MEAN, IT JUST
SOUNDED SO LUDICROUS. Narrator: ERIN MORAN'S
ACCUSATIONS GREW
EVEN MORE BIZARRE. ACCORDING TO A 1992<i>
PEOPLE MAGAZINE</i> ARTICLE, ERIN HAD ACCUSED
THE GOVERNMENT OF CONSPIRING TO HOOK THE COUNTRY
ON CRACK AND SPEED. IN THE SAME YEAR,
IT WAS REPORTED
THAT ERIN HAD ACCUSED A<i> HAPPY DAYS</i> CAST MEMBER
OF SEXUAL HARASSMENT. SHE SAID THAT SOMEBODY
HAD ABUSED HER
OR ATTACKED HER, UH, WHICH I KNOW
ISN'T TRUE. I THINK SHE
WAS BEING BADLY ADVISED BY EITHER A PR PERSON
OR HER SOON-TO-BE
EX-HUSBAND AT THE TIME WHO WAS LOOKING
FOR SOME PUBLICITY,
YOU KNOW. AND THEY CERTAINLY WENT
TO THE PROPER SOURCE FOR
GARBAGE, AND, UH, I THINK
SHE REGRETS IT. I DID WIND UP
SEEING HER AGAIN NOT--OH,
JUST A COUPLE
OF YEARS AGO, AND I WORKED
WITH HER ON A SHOW. AND SHE WAS GREAT,
SHE WAS LIKE
HER OLD SELF, THE WAY I ALWAYS
KNEW ERIN. COMING BACK FROM NEW YORK,
WE SAT NEXT TO EACH OTHER
ON THE PLANE AND, UH,
SHE WAS READING A BIBLE. AND SHE JUST SEEMED
AT PEACE WITH HERSELF FOR PROBABLY THE FIRST TIME
IN A LONG TIME. narrator: EVER SINCE SHE SOARED TO STARDOM IN THE '70s SITCOM <i>ONE DAY AT A TIME,</i> VALERIE BERTINELLI'S SQUEAKY-CLEAN IMAGE AND CHERUBIC FACE HAVE MADE HER THE DARLING OF TELEVISION AUDIENCES ALL ACROSS AMERICA. woman: LITTLE GIRLS WHO WATCHED HER ON THAT SHOW JUST ABSOLUTELY LOVED HER AND WANTED TO BE HER. man: SHE WAS JUST EFFERVESCENT AND IMPOSSIBLE NOT TO LIKE. woman: HER BUBBLY PERSONALITY, HER OUTGOINGNESS, HER RELATABILITY, HER WARMTH. SHE IS SOMEONE WHO, WHEN SHE WALKS ONTO A SET, SHE JUST LIGHTS IT UP. narrator: VALERIE BERTINELLI COULD BE YOUR SISTER, YOUR DAUGHTER OR THAT NICE, YOUNG GIRL WHO LIVES NEXT DOOR. HER UNQUESTIONED AUDIENCE APPEAL COMBINED WITH HER HEAVILY PUBLICIZED MARRIAGE TO ROCK STAR EDDIE VAN HALEN, HAVE KEPT VALERIE BERTINELLI IN THE PUBLIC EYE AND NEVER FAR FROM THE HEADLINES FOR MORE THAN 30 YEARS. narrator: FOR THREE DECADES, VALERIE BERTINELLI'S GIRL-NEXT-DOOR FACE HAD BEEN A STAPLE FIXTURE ON AMERICAN TELEVISION. IN THE 1970s, WE WATCHED HER GROW UP AS THE FRESH-FACED BARBARA COOPER ON THE HIT SERIES <i>ONE DAY AT A TIME.</i> SHE WAS THE HOLLYWOOD DREAM GIRL-- SWEET, YOUNG, INNOCENT, AND A STAR OF ONE OF THE MOST POPULAR SITCOMS ON TELEVISION. THEN ONE DAY IN AUGUST 1980, SHE ROCKED THE WORLD OF ENTERTAINMENT AND STUNNED HOLLYWOOD WHEN SHE ANNOUNCED THAT SHE WAS DATING ROCK-'N'-ROLL ICON EDDIE VAN HALEN. Ray: OH, MY GOD, VALERIE BERTINELLI AND EDDIE VAN HALEN, YOU JUST COULDN'T SEE THAT ONE COMING TEN MILES AWAY. Rene: I MEAN, THIS WAS LIKE THE ULTIMATE GOOD GIRL AND THE ULTIMATE BAD BOY BEING THROWN TOGETHER. narrator: SHE WAS EVERY PARENT'S DREAM, HE WAS EVERY MOTHER'S NIGHTMARE, AND "BEAUTY AND THE BEAST" HEADLINES HYPED THEIR RELATIONSHIP FOR ALL IT WAS WORTH. Galina: I THINK PEOPLE WONDERED, "WHAT IS VALERIE THINKING ?" AND THEN ONCE THEY ACCEPTED THE FACT SHE WAS ACTUALLY DATING THIS GUY, THEY THOUGHT, "YOU KNOW WHAT ? IT'S JUST A PHASE." EVERY GIRL NEEDS TO GO THROUGH HER BAD-BOY PHASE, RIGHT ? Valerie: WE TOOK ONE LOOK AT EACH OTHER, AND WE GOT MARRIED EIGHT MONTHS LATER. narrator: FOR THEIR PART, <i>ONE DAY AT A TIME'S</i> PRODUCERS DID THEIR LEVEL BEST TO BURY THE WHOLE THING, HOPING MAYBE IT WOULD ALL JUST GO AWAY. IT DIDN'T, AND VALERIE'S CAREER, AND EDDIE'S BAND, WOULD NEVER QUITE BE THE SAME AGAIN. VALERIE WAS BORN ON APRIL 23, 1960, IN WILMINGTON, DELAWARE. HER FATHER, ANDY, WORKED AS AN EXECUTIVE FOR AUTO GIANTS<i> GENERAL MOTORS.</i> THE FAMILY HAD TO MOVE WHEREVER AND WHENEVER HIS JOB REQUIRED. Rene: HER FATHER WAS A<i> GM</i> EXECUTIVE, AND HER MOTHER WAS A HOMEMAKER, AND SHE USED TO JOKE THAT SHE WAS KIND OF-- INSTEAD OF AN ARMY BRAT, A<i> GM</i> BRAT, BECAUSE THEY USED TO MOVE AROUND SO MUCH. Valerie: I ALWAYS HAD THEM TO GO TO, MY FATHER AND MY MOTHER, THEY WERE TERRIFIC PARENTS. AND I HAVE THREE BROTHERS THAT I LOVE SO MUCH, TOO. I'M REALLY-- I'M SUCH A LUCKY PERSON. narrator: THE BERTINELLI FAMILY WAS CONSTANTLY UPROOTED, MAKING IT NEARLY IMPOSSIBLE FOR THE CHILDREN TO DEVELOP ANY STABLE, LONG-TERM FRIENDSHIPS. IN AN EFFORT TO HELP HER MEET NEW PEOPLE, MAKE FRIENDS AND BREAK OUT OF HER SHELL, VALERIE'S PARENTS URGED HER TO ENROLL IN A PERFORMANCE PROGRAM AT THE NEARBY <i>TAMI LYNN ACADEMY OF ARTISTS.</i> Tami: SHE HAD THIS GREAT, GREAT, FRESH, LITTLE, PUNKY LOOK WITH THIS PERSONALITY THAT FOLLOWED WITH HER. SO SHE HAD THAT ALREADY GOING. Rene: SHE WAS A PRECOCIOUS YOUNGSTER AND SHE PROBABLY SAID, "I'D LIKE TO TRY MY HAND AT ACTING," SO THEY PUT HER INTO ACTING SCHOOL, AND SHE WAS PRETTY MUCH AN OVERNIGHT SUCCESS. Valerie: ACTUALLY, I WANTED TO BE A SINGER, AND THAT REALLY DIDN'T PAN OUT. I ALWAYS USED TO LISTEN TO CARPENTER RECORDS AND SING IN FRONT OF THE MIRROR, SING MY HEART OUT, AND IT NEVER GOT ANY BETTER, SO I DECIDED, "WELL, CAN'T DO THIS." narrator: VALERIE MAY HAVE BEEN A LITTLE SHY AT FIRST, BUT HER ADORABLE FACE MADE HER AN INSTANT FAVORITE. AT THE AGE OF 11, SHE LANDED HER FIRST TELEVISION ROLE. Valerie: IT WAS AN EASTER COMMERCIAL, AND I GOT THE JOB BECAUSE I FIT THE CLOTHES, ACTUALLY, AND THAT'S THE ONLY REASON. BECAUSE THEY WOULDN'T GIVE-- I COULDN'T GET ANY WORK, THAT WAS MY 100th INTERVIEW, AND I COULDN'T GET ANY WORK BECAUSE I WASN'T IN THE UNION, BUT I COULDN'T GET IN THE UNION IF I DIDN'T GET A JOB, BUT THEY FINALLY GAVE ME THE JOB BECAUSE I FIT THE CLOTHES THE BEST. Tami: AS A MANAGER, YOU ASK YOUR CLIENT, "WHAT DO YOU WANT ? "WHAT DO YOU WANT ? WHERE DO YOU SEE YOURSELF ?" UM, AND VALERIE SAID, "I WANT TO BE IN A SERIES, "AND I WANT TO BE ABLE "TO WALK DOWN THE STREET AND PEOPLE RECOGNIZE ME." WELL, SHE GOT IT, AND SHE GOT IT BIG TIME. narrator: AFTER FOUR YEARS OF JUGGLING HER BUDDING ACTING CAREER WITH SCHOOLWORK, IN 1975, VALERIE RECEIVED A CALL FROM HER AGENT, WHO TOLD HER THAT PRODUCER NORMAN LEAR WAS CASTING FOR A NEW SITUATION COMEDY, AND THAT HE HAD SPECIFICALLY ASKED FOR VALERIE TO ATTEND THE AUDITIONS. Valerie: THE CALL CAME IN-- JANE MURRAY, WHO WAS THEN THE CASTING DIRECTOR FOR NORMAN LEAR, SAW MY PICTURE IN THE ACADEMY PLAYERS DIRECTORY, AND SHE CALLED ME IN WITH ABOUT 100 OTHER DIFFERENT GIRLS. narrator: THE SHOW, TO BE CALLED "ALL ABOUT US," REVOLVED AROUND A RECENTLY DIVORCED, SLIGHTLY NEUROTIC MOTHER AND HER TWO TEENAGE DAUGHTERS. Ray: NORMAN LEAR PROBABLY SAW A-- YOU KNOW, ALL-AMERICAN GIRL, A LITTLE BIT SEXY BUT, YOU KNOW, MORE WHOLESOME. BUT WITH A LITTLE BIT OF MISCHIEF THERE, TOO. Michael: SORT OF LIKE YOUR KID SISTER WHO COULD TAKE A RIBBING BUT COULD ALSO DISH IT OUT, THE ALL-AMERICAN GIRL. IT WAS SORT OF A CLEAN SLATE, AND I THINK THAT'S WHAT ATTRACTED NORMAN LEAR TO VALERIE AND PUT HER IN THAT SHOW AND IN THAT ROLE. Norman: AS I RECALL, VALERIE WALKED IN AND SHE WAS MY DAUGHTER, MAGGIE. SHE JUST LOOKED, SHE CARRIED HERSELF, HAD A LOOK, FACIALLY, PERSONALITY-WISE, AND I KNEW I HAD TO WORK WITH HER. Valerie: THE FOURTH TIME I WENT IN, I READ AGAIN WITH NORMAN AND JANE SAID TO ME, "YOU WAIT HERE," AND SHE TOLD EVERYBODY ELSE TO LEAVE, AND I WENT, "OH MY GOD, I GOT THE PART." Rene: BEFORE SHE EVEN SPOKE A WORD, SHE WAS GOING TO BE AMERICA'S SWEETHEART. SHE JUST HAD THOSE ADORABLE APPLE CHEEKS AND THOSE BANGS-- I MEAN, WOMEN LOVED THOSE BANGS BACK THEN, AND THAT LONG, BEAUTIFUL SILKY HAIR. AND SHE JUST LOOKED LIKE AMERICA'S SWEETHEART FROM THE GET-GO. narrator: CAST IN THE PART OF THE HYPER, ARM-WAVING MOTHER, WAS ACTRESS BONNIE FRANKLIN, WHO HAD MORE THAN TWO DECADES OF FILM AND STAGE EXPERIENCE TO HER CREDIT. THE PART OF THE WILD-CHILD OLDER SISTER WAS PLAYED BY MACKENZIE PHILLIPS-- DAUGHTER OF JOHN PHILLIPS OF THE POP GROUP, THE MAMAS & THE PAPAS, AND ONE OF THE STARS OF THE 1973 FILM <i>AMERICAN GRAFFITI.</i> IN A SUPPORTING ROLE WAS VETERAN COMEDIAN AND CHARACTER ACTOR PAT HARRINGTON. Tami: PAT HARRINGTON IS THE GREATEST, HE'S SO FUNNY. HE HAD EVERYBODY ALWAYS LAUGHING ON THAT SET, ALWAYS. YOU COULDN'T WAIT FOR HIM TO WALK IN THAT DOOR, RIGHT ? EVERYBODY WAITED FOR THAT GUY TO WALK THROUGH THE DOOR ON THAT SHOW. Ray: IT WAS VERY MUCH A TRADEMARK NORMAN LEAR EFFORT. YOU KNOW, I MEAN, WHERE HE WOULD ALWAYS MAKE IT KIND OF COMEDIC DRAMA, WHERE HE WOULD DEAL WITH FEMINISM AND, YOU KNOW, PREGNANCY AND ABORTION AND, YOU KNOW, DRUGS AND PRE-MARITAL SEX AND ALL OF THE HOT-BUTTON ISSUES OF THE TIME BUT DO IT WHILE MAKING YOU LAUGH. Tami: I THINK VAL LEARNED A LOT FROM ALL THOSE PEOPLE, AND BONNIE WAS JUST LIKE-- JUST LIKE A MOM TO HER ON THE SET. SO THEY WERE VERY CLOSE, AND THAT'S THE WAY IT IS. WHEN YOU GET ON A SERIES, YOU'RE VERY CLOSE, YOU BECOME-- THERE'S A NEW FAMILY FOR YOU. narrator: BY THE TIME THE SHOW PREMIERED ON<i> CBS</i> IN DECEMBER 1975, THE TITLE HAD BEEN CHANGED FROM "ALL ABOUT US" TO<i> ONE DAY AT A TIME.</i> SUDDENLY IN THE SPOTLIGHT, AND SURROUNDED BY VASTLY MORE-EXPERIENCED ACTORS, ALL OF VALERIE BERTINELLI'S SHYNESS AND INSECURITIES CAME RUSHING BACK. NEW Kenmore Elite MULTI-MOTION
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POTENT. PROVEN. PROFESSIONAL.</i> ♪ ♪ narrator: VALERIE BERTINELLI SHOT FROM OBSCURITY TO INSTANT FAME IN 1975 AS ONE OF THE MAIN CHARACTERS IN THE HIT TELEVISION FAMILY COMEDY <i>ONE DAY AT A TIME.</i> ONLY 15 YEARS OLD, SHE HAD TO WORK DOUBLY HARD JUST TO KEEP UP WITH THE OTHER, MORE EXPERIENCED CAST MEMBERS ON THE SHOW. Norman: SHE WAS EASILY THE YOUNGEST IN THE GROUP, AND SHE, WITH GREAT DEFERENCE TO THE OLDER ACTORS, SHE WAS THE DAUGHTER IN THE FAMILY. Tami: I WAS IN THE AUDIENCE WHEN WE SHOT THE PILOT, AND JUST SEEING HER UP THERE-- I WAS SITTING WITH HER FAMILY, IT WAS-- WE HAD TEARS IN OUR EYES, WE WERE ALL CRYING BECAUSE WE WERE SO EXCITED FOR HER AND JUST SO EXCITED TO HAVE MADE IT TO THAT. Ray: I'M SURE THAT IT WAS DIFFICULT TO CAST VALERIE, ONLY FROM THE SENSE THAT SHE WAS SO NEW AND UNPROVEN AND UNKNOWN BUT, YOU KNOW-- SO THEY NO DOUBT HAD TO GO TO BAT TO GET HER, AND YOU KNOW, FIGHT A LITTLE BIT, JUST BECAUSE USUALLY THEY LIKE TO GO FOR A NAME WHEN THEY CAN. BUT SHE OVERCAME THAT, YOU KNOW, AND SHE HAD TO DO IT WITH HER CHARISMA AND-- YOU KNOW, AND TALENT. IF YOU'RE AN UNKNOWN, THEY DON'T JUST CAST YOU IN A SHOW IF YOU'RE, YOU KNOW, A LITTLE BIT CUTE AND WHOLESOME, YOU HAVE TO HAVE A LOT GOING, IT HAS TO BE THE WHOLE PACKAGE. AND SHE SEEMED TO HAVE THE WHOLE PACKAGE GOING FROM DAY ONE. narrator: DETERMINED NOT TO LET DOWN THE CAST-- OR HERSELF-- BERTINELLI INSISTED ON CONTINUING ACTING CLASSES WHILE DEALING WITH HER GRUELING 16-HOUR-A-DAY SHOOTING SCHEDULE. Tami: SHE WAS A GREAT STUDENT. SHE WAS FAITHFUL, WAS THERE EVERY WEEK, UM, ALWAYS-- ALWAYS KNEW HER SCRIPTS, ALWAYS WANTED MORE INFORMATION. SO SHE WAS VERY ADAPTABLE AND, UM, WANTED THIS. Norman: VALERIE WAS A VERY DETERMINED YOUNG PERSON AND ABLE, BUT NOT PRACTICED-- SHE HADN'T, WHEN SHE STARTED WITH<i> ONE DAY AT A TIME,</i> SHE HAD NOT HAD ANY SEASONING. narrator: BERTINELLI'S CHARACTER, THE TEENAGE BARBARA COOPER, WAS ORIGINALLY INTENDED TO BE PORTRAYED AS A TOMBOY. AFTER A GREAT DEAL OF WORK WITH HER ACTING COACH, VALERIE AND HER CHARACTER, BARBARA, BEGAN TO GROW. Tami: IT'S INTERESTING, WHEN SOMEONE HAS A SHYNESS ABOUT THEM, THEY'RE HIDING SOMETHING IN THERE THAT'S VERY DEEP. AND WITH VALERIE, TRAINING HER AND TEACHING HER AND BEING WITH HER AND GOING OVER SO MANY OF THE TECHNIQUES OF ACTING, I COULD SEE THAT SHE WOULD GET INTO THE CHARACTERS AND BRING OUT A PORTION OF THAT CHARACTER THAT ONLY SOMEONE WHO HAD THE ABILITY TO REALLY UNDERSTAND ACTING-- SHE COULD DO THAT. SHE COULD BRING OUT THOSE CHARACTERS. SHE BROUGHT OUT EVEN EMOTIONS THAT SHE DIDN'T EVEN KNOW SHE COULD. narrator: BY THE BEGINNING OF THE SECOND SEASON, IN THE FALL OF 1976, VALERIE HAD BLOSSOMED INTO A BEAUTIFUL YOUNG WOMAN. AND TO EVERYONE'S SURPRISE, THE SHOW BEGAN DRAWING A HUGE MALE AUDIENCE. Michael: SHE WAS SORT OF THE GIRL NEXT DOOR, YOUR KID SISTER, ALL ROLLED INTO ONE. PLUS SHE WAS AN EXTREMELY ATTRACTIVE YOUNG WOMAN AND FOR A TEENAGE BOY, THAT MEANT A LOT. Ray: SHE WAS CUTE, SO SHE WOULD GET THE BOYS CLAMORING TO LOOK AT HER AS WELL AND, YOU KNOW, SHE HAD-- SHE HAD THE WHOLESOME THING GOING IN SPADES AND SHE WAS JUST EFFERVESCENT AND IMPOSSIBLE NOT TO LIKE. narrator: WITH HER NEW, MORE MATURE LOOK, BERTINELLI STARTED ATTRACTING THE ATTENTION OF MORE THAN JUST NEW VIEWERS. SHE WAS SOON GETTING OFFERED ROLES IN TV MOVIES, WHICH WERE SHOT DURING THE SUMMER HIATUS FROM FILMING <i>ONE DAY AT A TIME.</i> Valerie: FROM THAT WORK ON TELEVISION, IT ENABLED ME TO DO ANY KIND OF FILM I WANTED TO DO FOR TV, WHICH WAS VERY NICE. I HAVE A SET CAREER FOR ME ALREADY. Norman: I THINK SHE'S DONE SOME REMARKABLE THINGS, SOME REMARKABLE DRAMATIC WORK, AND THEN-- I THINK, LOVELY ACTRESS. narrator: BY 1980, THE 20-YEAR-OLD STAR WAS WELL-KNOWN IN HOLLYWOOD CIRCLES. Rene: AT ONE POINT, SHE AUDITIONED FOR <i>RAIDERS OF THE LOST ARK,</i> AND AS SOME PEOPLE KNOW, AT ONE POINT SHE WAS ALSO ROMANTICALLY LINKED TO STEVEN SPIELBERG. Ray: AND THEN I GUESS ONE DAY, ONE OR THE OTHER ONE WOKE UP AND WENT, "OH MY GOD, I'M DATING STEVEN SPIELBERG," AND THEN WENT, "OH MY GOD, "I'M DATING VALERIE BERTINELLI. WHAT ARE WE DOING ?" Rene: SHE DID NOT GET THAT JOB FOR<i> RAIDERS OF THE LOST ARK,</i> AND AS FAR AS I KNOW, SHE DID NOT WORK WITH HIM. narrator: VALERIE MAY NOT HAVE GOTTEN THE PART IN<i> RAIDERS--</i> OR INDEED STEVEN SPIELBERG-- BUT ONE DAY IN AUGUST 1980, WHILE VISITING HER BROTHER, PATRICK, SHE GOT SOMEONE ELSE. Valerie: IT WAS DURING THE ACTOR'S STRIKE AND MY BROTHER, PATRICK, CALLED ME UP AND SAID, "VAN HALEN'S IN TOWN, "CAN YOU COME OUT ? "WE CAN GET BACKSTAGE PASSES AND EVERYTHING." SO I SAID, "SURE." I'D NEVER REALLY LISTENED TO VAN BEFORE THAT, SO I STARTED-- THERE WAS AN OLD TAPE IN MY CAR THAT MY BROTHER LEFT, SO I STARTED LISTENING TO IT AND I HEARD THE GUITARIST, AND I IMMEDIATELY SAID, "THIS MAN IS BRILLIANT, HE'S VERY TALENTED." AND THEN I SAW A PICTURE OF HIM AND THOUGHT, "HE'S CUTE, TOO." Ted: IT WAS REALLY EXCITING THAT VALERIE BERTINELLI WAS GONNA COME TO THEIR SHOW. AND SHE CAME TO THE SHOW AND CAME BACKSTAGE AFTERWARDS AND MET EVERYBODY AND MET EDDIE AND THEN THE RUMORS STARTED THAT SHE WAS COMING OUT ON MORE DATES, AND SHE STARTED SHOWING UP. Ray: OH, MY GOD, VALERIE BERTINELLI AND EDDIE VAN HALEN. YOU JUST COULDN'T SEE THAT ONE COMING TEN MILES AWAY. Rene: IT WAS SHOCKING, IT WAS REALLY ALONG THE LINES OF THE HEATHER LOCKLEAR- RICHIE SAMBORA COUPLING. I MEAN, THIS WAS LIKE THE ULTIMATE GOOD GIRL AND THE ULTIMATE BAD BOY BEING THROWN TOGETHER. BUT PEOPLE WHO WERE IN THE ROOM AT THE TIME KIND OF TALK ABOUT IT AS LOVE AT FIRST SIGHT, THAT THEY JUST LOOKED AT EACH OTHER AND JUST, "VOOM," THAT WAS IT, A LOVE STORY WAS IN THE WORKS. AND EVEN THOUGH THERE WAS SOME PRESSURE ON HIM NOT TO GET TIED DOWN BECAUSE THIS WAS LIKE-- YOU KNOW, VAN HALEN WAS REALLY KIND OF HITTING ITS PRIME, THEY WERE JUST DESTINED TO BE AND THEY WERE JUST NOT GOING TO BE APART. AND KIND OF THE REST WAS TABLOID HISTORY IN A WAY. Galina: I THINK PEOPLE WONDERED, "WHAT IS VALERIE THINKING ?" AND THEN ONCE THEY ACCEPTED THE FACT THAT SHE WAS ACTUALLY DATING THIS GUY, THEY THOUGHT, "YOU KNOW WHAT ? IT'S JUST A PHASE." Valerie: WE SAW EACH OTHER FOR THE FIRST TIME IN A HALLWAY IN THE BACK OF THE COLISEUM, AND WE TOOK ONE LOOK AT EACH OTHER, AND WE GOT MARRIED EIGHT MONTHS LATER. narrator: FROM THAT MOMENT ON, THE PRETTY-FACED STARLET AND THE NOTORIOUS ROCKER WERE VIRTUALLY INSEPARABLE. Ray: OPPOSITES DO ATTRACT, I GUESS, AND IT REALLY WORKED FOR THEM AND SHE PROBABLY CHISELED OUT SOME OF HIS ROUGH EDGES AND HE PROBABLY DID THE SAME WITH HER, IN MAKING HER A LITTLE MORE DARING AND DYNAMIC. Tami: THEY ACTUALLY LOOK ALIKE, THEY LOOKED LIKE BROTHER AND SISTER, IF YOU REMEMBER IN THOSE DAYS. THEY WOULD GO OUT INTO ALL KINDS OF EVENTS, THEY REALLY HAD A SIMILARITY TO THEM. narrator: IN APRIL 1981, ONLY EIGHT MONTHS AFTER THE PAIR MET, AND TWO WEEKS BEFORE VALERIE'S 21st BIRTHDAY, VALERIE BERTINELLI AND EDDIE VAN HALEN WERE MARRIED. Michael: I THINK VALERIE'S MARRIAGE TO EDDIE VAN HALEN SHOCKED A LOT OF PEOPLE. I WOULDN'T EVEN SAY "SURPRISED," I THINK "SHOCKED" IS A BETTER WORD. PEOPLE HAVE THIS IMAGE, AND THAT'S WHAT HAPPENS WHEN YOU'RE ON TV, YOU HAVE THIS-- ESPECIALLY WITH VALERIE, WHO HAD A VERY WHOLESOME IMAGE, MARRYING THE RAUNCHY ROCK-'N'-ROLL STAR. Rene: IT WAS LIKE SUDDENLY, THIS WHOLE DIFFERENT SIDE TO HER OF LIKE-- "WOW, MAYBE THERE'S "A LITTLE BIT OF A WILD CAT BENEATH THAT DEMEANOR." narrator: VALERIE BERTINELLI WAS AT THE HEIGHT OF HER CAREER ON<i> ONE DAY AT A TIME.</i> HOWEVER, HER MARRIAGE TO BAD BOY EDDIE VAN HALEN WAS NOW GETTING ALL THE HEADLINES. WAS HER NEW, EDGIER IMAGE ABOUT TO OPEN NEW DOORS ? OR WAS HER LOVE FOR THE ROCKER ABOUT TO RUIN EVERYTHING THAT SHE HAD WORKED FOR ? 3Q <i> I LIKE TO DO ALL THESE FUN
THINGS WITH MY FRIENDS</i> <i> EVEN WITH AN
OVERACTIVE BLADDER.</i> <i> I DON'T ALWAYS LET THE
WORRY MY PIPES MIGHT LEAK</i> <i> COMPROMISE WHAT
I LIKE TO DO.</i> <i> I TAKE CARE WITH VESICARE.</i> <i>BECAUSE I HAVE BETTER PLACES TO
VISIT THAN JUST THE BATHROOM.</i> <i> (announcer)
ONCE-DAILY VESICARE
CAN HELP CONTROL</i> <i> YOUR BLADDER MUSCLE,</i> <i> AND IS PROVEN TO
REDUCE FREQUENT,</i> <i> SUDDEN URGES AND
LEAKS, DAY AND NIGHT.</i> <i> IF YOU HAVE CERTAIN STOMACH
OR GLAUCOMA PROBLEMS</i> <i> OR TROUBLE EMPTYING
YOUR BLADDER,</i> <i> DO NOT TAKE VESICARE.</i> <i> TELL YOUR DOCTOR
RIGHT AWAY</i> <i> IF YOU HAVE A SERIOUS
ALLERGIC REACTION,</i> <i> SEVERE ABDOMINAL PAIN, OR
BECOME CONSTIPATED</i> <i> FOR THREE OR MORE DAYS.</i> <i> VESICARE MAY CAUSE BLURRED
VISION SO USE CAUTION</i> <i> WHILE DRIVING OR
DOING UNSAFE TASKS.</i> <i> COMMON SIDE EFFECTS
ARE DRY MOUTH,</i> <i> CONSTIPATION,
AND INDIGESTION.</i> <i> YOU HAVE BETTER
THINGS TO JOIN</i> <i> THAN ALWAYS A LINE
FOR THE BATHROOM.</i> <i> SO, PIPE UP AND ASK
YOUR DOCTOR TODAY</i> <i> ABOUT TAKING CARE
WITH VESICARE.</i> A GUY NAMED HIS OWN PRICE,
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WITH HUNDREDS OF NEW ROLLBACKS</i> <i> ON GREAT VALUE,
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WALMART.</i> narrator: WHEN VALERIE BERTINELLI, THE STAR OF TV'S HIT SITCOM <i>ONE DAY AT A TIME,</i> MARRIED ROCK STAR EDDIE VAN HALEN IN THE SPRING OF 1981, THEY WERE BOTH AT THE HEIGHT OF THEIR CAREERS. VAN HALEN WAS THE FOUNDER OF ONE OF AMERICA'S MOST POPULAR ROCK BANDS, AND VALERIE'S STAR POWER WAS IN THE ASCENDANCY WHEN SHE WON A SECOND OF TWO SUCCESSIVE GOLDEN GLOBE AWARDS FOR BEST SUPPORTING ACTRESS ON<i> ONE DAY AT A TIME.</i> THE FIRST OF VALERIE'S AND EDDIE'S PROBLEMS CAME BY THE WAY OF HIS BAND'S LEAD SINGER-- THE FLAMBOYANT DAVID LEE ROTH. Ted: SHE MESSED UP THE DEMOCRACY. IT BECAME THAT SHE WAS CONTINUALLY WHISPERING IN EDDIE'S EAR THAT HE WAS THE STAR OF THE BAND, THAT IT WASN'T ABOUT DAVID, BUT THAT EDDIE WAS THE STAR AND WITHOUT EDDIE, THERE WOULD BE NO VAN HALEN. AND SO THIS DIVIDE STARTED. narrator: A STRUTTING, PREENING FRONTMAN ONSTAGE, BEHIND THE CURTAIN, ROTH WAS ARROGANT AND CONTROLLING, AND FORBADE THE REST OF THE BAND MEMBERS FROM INVITING THEIR WIVES AND GIRLFRIENDS BACKSTAGE BEFORE PERFORMANCES. TO AVOID ARGUING WITH ROTH, VALERIE AND EDDIE SHARED STOLEN MOMENTS ON THEIR OWN. ALONE AND ISOLATED FROM THE REST OF THE GROUP, EDDIE WAS BEGINNING TO HAVE SECOND THOUGHTS ABOUT VALERIE. Ted: EDDIE BUZZED ME, AND HE CAME UP TO THE-- AND HE SAID, "CAN I COME UP AND HANG OUT ?" AND WE ENDED UP SITTING UP ALL NIGHT AND JUST TALKING ABOUT HOW THE TOUR HAD GONE AND HOW THE RECORD WAS DOING AND JUST LIFE. AND AROUND 4:00 OR 5:00 IN THE MORNING, IT EVOLVED INTO THIS DISCUSSION THAT HE FELT HE HAD MADE THIS TERRIBLE MISTAKE, AND THAT HE NEVER SHOULD HAVE MARRIED VALERIE, AND THAT IT WAS GONNA RUIN THE BAND, AND IT WAS GOING TO RUIN HIS LIFE BECAUSE THEY WERE JUST DIFFERENT. AND IT WAS REALLY-- AND I SAID, "IS IT REALLY THAT BAD ?" AND HE SAID, "YEAH, IT'S REALLY THAT BAD." narrator: ADDING TO VALERIE'S PERSONAL PROBLEMS, THE MOOD ON THE<i> ONE DAY AT A TIME</i> SET BEGAN TO DETERIORATE DRAMATICALLY WHEN CAST MEMBER MACKENZIE PHILLIPS BECAME ADDICTED TO COCAINE. Tami: IT WAS BAD TIMES AT THAT TIME... AND I JUST FELT SO SORRY FOR MACKENZIE-- WHAT SHE WAS GOING THROUGH, BECAUSE SHE JUST DIDN'T HAVE THE STRENGTH. Ray: SHE HAD A BOHEMIAN KIND OF UPBRINGING WITH HER ROCK-'N'-ROLL FAMILY, AND SHE ENJOYED THE DRUGS A LITTLE BIT TOO MUCH. Valerie: I WASN'T WITH HER THROUGH A LOT OF IT-- SOME OF IT HAPPENED DURING THE SHOW, AND I WAS WITH HER AND I ALWAYS SUPPORTED HER. I MEAN, I WAS LIKE, REALLY NAIVE ABOUT A LOT OF THINGS THEN. narrator: ONCE PHILLIPS' DRUG PROBLEMS HIT THE PRESS, AND HER WORK STARTED SUFFERING, SHE WAS FIRED. Ray: MACKENZIE PHILLIPS' DRUG ISSUES HAD AN INTERESTING IMPACT ON VALERIE BERTINELLI. I THINK SHE PROBABLY LEARNED, "OOH, DON'T WANNA GO DOWN THAT PATH," AND PROBABLY HAD A REVERSE ROLE-MODEL ALMOST EFFECT, BECAUSE I THINK SHE REALLY DID LOOK UP TO MACKENZIE IN THE BEGINNING, YOU KNOW, AS THE BIG SISTER ON THE SHOW, AND PROBABLY THE BIG SISTER IN HER LIFE, A BIT. Michael: WITH MACKENZIE PHILLIPS GONE, VALERIE HAD TO STEP IT UP A NOTCH, BECAUSE NOW, MORE OF THE PLOTS WERE FOCUSED ON BARBARA, WITH HER SISTER OUT OF THE PICTURE. AND SHE DID A GREAT JOB AND DIDN'T COMPLAIN ABOUT THE ADDITIONAL WORKLOAD. Tami: AND I THINK THIS REALLY MATURED VAL A LOT, BECAUSE SHE REALLY HAD TO TAKE ON THAT SHOW, EVEN THOUGH THEY BROUGHT IN A FEW OTHER CHARACTERS IN THERE. narrator: ALTHOUGH BERTINELLI, BONNIE FRANKLIN AND PAT HARRINGTON REMAINED CONSTANT, THE REST OF THE CAST BECAME A REVOLVING DOOR, CHANGING ALMOST SEASONALLY. AS OLD CAST MEMBERS LEFT, AND NEW ONES WERE ADDED WITH CONFUSING REGULARITY, THE SHOW'S RATINGS BEGAN TO SLIP, AND IN 1984, AFTER NINE SEASONS AND 209 EPISODES, <i>ONE DAY AT A TIME</i> WAS CANCELED. ALTHOUGH VALERIE WAS SAD TO SEE THE SHOW END, SHE KNEW IT HAD RUN ITS COURSE. HER CHALLENGE NOW WAS FINDING A NEW DIRECTION FOR HER CAREER. Ray: I THINK VALERIE DIDN'T QUITE KNOW WHAT TO DO WITH HERSELF FOLLOWING <i>ONE DAY AT A TIME.</i> I MEAN, SHE WAS, YOU KNOW, THIS LITTLE-- YOUNG, LITTLE-- YOU KNOW, PERKY INGENUE, AND THEN SUDDENLY, SHE'S-- "OKAY, NOW WHAT DO I DO ? "I CAN'T BE PERKY ANYMORE "'CAUSE I'M, YOU KNOW, "IN MY LATE 20s HERE "AND I'VE GOTTA THINK OF THE NEXT CHAPTER." narrator: VALERIE BEGAN QUESTIONING SOME OF THE CHOICES SHE MADE AS A YOUNG ACTRESS. <i>ONE DAY AT A TIME</i> HAD NOT PREPARED HER FOR LIFE AFTER THE SHOW'S CANCELLATION, AND ALL THE INSECURITIES SHE FELT AS A CHILD CAME FLOODING BACK. Valerie: I LOOK BACK NOW AND THINK, "GEE, I WOULD HAVE LIKED TO HAVE STUDIED OTHER THINGS" BECAUSE I DON'T FEEL VERY BOOK-SMART AT TIMES. AND I TRY TO GET AS MUCH READING IN AS I CAN, BUT I DON'T-- I CAN'T HOLD AN INTELLECTUAL CONVERSATION WITH PEOPLE AT A PARTY, SO THAT'S PROBABLY WHY I DON'T GO TO PARTIES A LOT, 'CAUSE I'M ALWAYS AFRAID OF MY INTELLECT SHOWING. SO I WISH I HAD GONE TO COLLEGE AND COULD HAVE REALLY STUDIED AND GOTTEN INTO OTHER THINGS THAT I ENJOY. narrator: VALERIE TRIED TO MAKE HER WAY ON THE BIG SCREEN, BUT MOVIE PRODUCERS COULD ONLY SEE HER AS A SMALL-SCREEN STAR. THEY WERE ALL ANXIOUS TO HAVE HER AUDITION, BUT THE GOOD ROLES ALWAYS WENT TO ESTABLISHED MOVIE STARS, NOT TV ACTRESSES. IN THE END, SHE CONTINUED MAKING TELEVISION MOVIES, BUT WAS DETERMINED TO BREAK HER IMAGE AS A LIGHTWEIGHT-- SHIFTING HER FOCUS FROM COMEDY TO MORE DRAMATIC ROLES. Michael: AND SHE SORT OF CARVED A SECOND CAREER FOR HERSELF AFTER<i> ONE DAY AT A TIME</i> WENT OFF THE AIR, WHICH IS ALWAYS TOUGH WHEN YOU'RE USED TO BEING THE STAR OF A HIT TV SHOW AND THE FAME GOES AWAY. YOU WONDER, ARE YOU GONNA BE ABLE TO ADAPT TO THAT NEXT STEP ? BUT SHE ACTUALLY DID A GOOD JOB OF TRYING TO BREAK OUT OF THAT MOLD BY DOING A SLEW OF TV MOVIES,<i> SHATTERED VOWS,</i> <i>THE SEDUCTION OF GINA,</i> WERE TWO OF THEM. Ray: THEN SHE DID A STRING OF REALLY BAD ONES, YOU KNOW, WOMEN IN JEOPARDY, THE USUAL-- THE USUAL, YOU KNOW, "OH MY GOD, PERIL, "MEN ARE HORRIBLE, LOOK WHAT THEY'RE DOING TO ME" MOVIES. Galina: I THINK SHE JUST SAW THIS KIND OF ROLE AS BEING PERFECTLY SUITED TO WHO SHE WAS AS AN ACTRESS. SHE IS SO LIKEABLE, THAT SHE KNEW THAT AS A WOMAN IN PERIL, THE FANS WERE REALLY GOING TO BE ROOTING FOR HER. narrator: HER MOST FAMOUS ROLE MAY HAVE BEEN THAT OF MAXI AMBERVILLE, THE LEAD CHARACTER IN THE 1987 EIGHT-HOUR MINISERIES <i>I'LL TAKE MANHATTAN,</i> BASED ON THE BEST-SELLING JUDITH KRANTZ NOVEL. Galina: IT WAS A PRETTY RAUNCHY BOOK, AND THE LEAD CHARACTER, WHO VALERIE WANTED TO PLAY, WAS THIS KIND OF TAKE-CHARGE WOMAN, BOTH IN THE BOARDROOM AND THE BEDROOM AND NO ONE THOUGHT THAT VALERIE COULD DO IT, BUT SHE FOUGHT FOR IT AND SHE PROVED HER CRITICS WRONG. SHE ACTUALLY DID A REALLY GREAT JOB IN THE ROLE. narrator: OVER THE YEARS, BERTINELLI STARRED IN TWO MAJOR MINISERIES, AND OVER TWO DOZEN TELEVISION MOVIES-- A MAJOR ACCOMPLISHMENT FOR ANY ACTOR. BY 1990, THE 30-YEAR-OLD BERTINELLI WAS BECOMING RECOGNIZED AS A SERIOUS ACTRESS. BUT HER MARRIAGE WAS SUFFERING THE CONSEQUENCES OF HUBBY VAN HALEN'S YEARS ON THE ROAD, AND ROCK-'N'-ROLL LIFESTYLE. ONCE AGAIN, IT WAS HER MARRIAGE, AND NOT HER CAREER, THAT WAS HITTING THE HEADLINES. AND ONCE AGAIN, SHE WAS BEING UPSTAGED BY THE AGING ROCKER. YOUR NEW Energy Star QUALIFIED
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LIFE. WELL SPENT.</i> SO I WAS SURPRISED
WHEN MY DOCTOR TOLD ME I STILL HAD HIGH CHOLESTEROL. THAT REALLY HIT ME, AND GOT ME THINKING
ABOUT MY HEALTH. I KNEW I HAD TO GET
MY CHOLESTEROL UNDER CONTROL. BUT EXERCISE AND EATING HEALTHY
WEREN'T ENOUGH FOR ME. NOW I TRUST MY HEART TO LIPITOR. <i> [ Male Announcer ] WHEN DIET
AND EXERCISE ARE NOT ENOUGH,</i> <i> ADDING LIPITOR HAS BEEN SHOWN</i> <i> TO LOWER BAD CHOLESTEROL
39 TO 60%.</i> <i> LIPITOR IS BACKED
BY OVER 17 YEARS OF RESEARCH.</i> <i> LIPITOR IS NOT FOR EVERYONE,</i> <i> INCLUDING PEOPLE
WITH LIVER PROBLEMS</i> <i> AND WOMEN WHO ARE NURSING,</i> <i> PREGNANT
OR MAY BECOME PREGNANT.</i> <i> YOU NEED SIMPLE BLOOD TESTS
TO CHECK FOR LIVER PROBLEMS.</i> <i> TELL YOUR DOCTOR IF YOU ARE
TAKING OTHER MEDICATIONS,</i> <i> OR IF YOU HAVE ANY MUSCLE PAIN
OR WEAKNESS.</i> <i> THIS MAY BE A SIGN OF A RARE
BUT SERIOUS SIDE EFFECT.</i> I THOUGHT I WAS DOING ENOUGH
TO LOWER MY CHOLESTEROL, BUT I NEEDED MORE HELP. WHAT ARE YOU DOING ABOUT YOURS? <i> [ Male Announcer ]
HAVE A HEART TO HEART WITH YOUR
DOCTOR ABOUT YOUR CHOLESTEROL.</i> <i> AND ABOUT LIPITOR.</i> narrator: BY 1990, VALERIE BERTINELLI'S GLORY DAYS AS THE STAR OF THE HIT TV SITCOM <i>ONE DAY AT A TIME</i> WERE LONG PAST, AND SHE WAS TRYING TO BUILD A NEW CAREER AS A SERIOUS FILM ACTRESS. HOWEVER, VALERIE OFF-SCREEN, MUCH LIKE THE CHARACTERS SHE PORTRAYED, WAS A WOMAN CONSTANTLY STRUGGLING AGAINST FORCES OVER WHICH SHE HAD LITTLE CONTROL. THANKS TO ENDLESS TOURING AND NEAR-CONSTANT PARTYING, VALERIE'S HUSBAND, ROCKER EDDIE VAN HALEN, HAD DEVELOPED A SERIOUS DRINKING PROBLEM. Valerie: IT'S A LOT EASIER THAN I THOUGHT IT WAS GONNA BE, AND THEN IN OTHER WAYS, IT'S A LOT TOUGHER THAN I THOUGHT IT WAS GONNA BE. BUT AS LONG AS WE HAVE THE COMMITMENT AND WE WANNA BE TOGETHER AND WE LOVE EACH OTHER, I MEAN, WE'RE GOING TO STAY TOGETHER. I DON'T UNDERSTAND COUPLES WHO HAVE BEEN TOGETHER FOR YEARS AND YEARS AND YEARS, AND THEN BREAK UP. I MEAN, AFTER YOU'VE PUT SO MANY YEARS IN AND YOU'VE WORKED SO HARD AT A RELATIONSHIP, WHAT'S TO SAY YOU CAN'T WORK ANY HARDER ? Rene: IT WAS SOMETHING THAT VALERIE KNEW A LOT ABOUT BECAUSE HER FATHER WAS AN ALCOHOLIC AND HER MOTHER HAS TALKED ABOUT THE DIFFICULTY THAT SHE HAD DEALING WITH THAT, AND OF COURSE, SHE NOW ENDS UP IN A MARRIAGE WHERE SHE'S ALSO STRUGGLING WITH SOMEBODY WHO HAS AN ALCOHOL AND A DRUG ADDICTION. Ted: EVERYBODY DRANK A LOT, EVERYBODY PARTIED A LOT. WE STAYED UP VERY LATE-- THERE WAS A THING-- A TRADITION-- THE RUNNING PHRASE WAS, "VAN HALEN MEANS NEVER HAVING TO SAY YOU'RE SORRY." YET EVERY MORNING, WE WOULD BE IN THE LOBBY AT 7:00 A.M., EVERYBODY WOULD BE UP, THE SHOW THE NEXT NIGHT WOULD BE A GREAT SHOW. THIS WAS SORT OF A MANAGED DEBAUCHERY. narrator: EDDIE ENTERED REHAB MORE THAN ONCE, AND WITH THE ARRIVAL OF SON WOLFGANG IN 1991, IT SEEMED LIKE HE MIGHT STAY SOBER. IN AN ATTEMPT TO COPE WITH HIS DRINKING AND THE STRAIN IT PUT ON THEIR MARRIAGE, VALERIE BEGAN ATTENDING ALCOHOLICS ANONYMOUS MEETINGS. IT MAY HAVE HELPED HER TO UNDERSTAND HER HUSBAND'S DRINKING PROBLEM, BUT ALL THE STRESS AND HEARTACHE CONTINUED TO EAT AWAY AT THEIR MARRIAGE. Valerie: IT TOOK ME A LONG TIME TO TAKE HIS PROBLEMS OUT OF MY LIFE, BECAUSE I MADE THEM SO MUCH A PART OF MY LIFE-- NAGGING HIM-- AND MY ENTIRE LIFE WAS FOCUSED ON HIS GETTING BETTER, SO I'VE JUST TAKEN MYSELF AWAY FROM THAT AND IT'S TAKEN ME A LONG TIME TO DO THAT. narrator: THROUGH IT ALL, VALERIE CONTINUED TO TRY TO BREAK INTO MAJOR MOTION PICTURES, AND ALTHOUGH GOOD FILM ROLES NEVER REALLY MATERIALIZED, THERE WAS ALWAYS A PLACE FOR HER ON THE SMALL SCREEN. Galina: VALERIE WAS, OF COURSE, TYPECAST AS THE QUINTESSENTIAL AMERICAN GIRL. SHE HAD THIS SQUEAKY-CLEAN IMAGE AND IT DID MAKE IT HARD FOR HER TO GET SOME PARTS. BUT SHE DECIDED TO USE HER IMAGE TO HER ADVANTAGE, AND GO AFTER ROLES IN WHICH SHE COULD CAPITALIZE ON HER GIRL-NEXT-DOOR APPEAL. FOR EXAMPLE, ONE OF HER FIRST MADE-FOR-TELEVISION MOVIES WAS CALLED <i>THE PRINCESS AND THE CABBIE,</i> AND WHEN SHE WAS PROMOTING THE MOVIE, SHE BRAGGED THAT THERE WASN'T A SINGLE DIRTY WORD IN IT, THERE WEREN'T ANY SEX SCENES, THERE WAS ONLY ONE KISS. AND I THINK THAT VIEWERS REALLY LIKED THE FACT THAT SHE WAS STAYING TRUE TO THE PERSON THEY HAD FALLEN IN LOVE WITH. Michael: VALERIE, WHILE SHE WAS KEEPING BUSY, HAD A COUPLE MORE TV SERIES THAT DIDN'T QUITE WORK OUT AS WELL AS<i> ONE DAY AT A TIME</i> DID, BUT SHE WAS WORKING, AND MANAGING TO BALANCE WORK AND A HOME LIFE AND ALL THE-- ALL THE TROUBLES WITH EDDIE THAT WENT ALONG WITH THAT. HE WAS ON TOUR A LOT, SO HE WASN'T AROUND, MAYBE THAT HELPED KEEP THE MARRIAGE TOGETHER. narrator: SHE ALSO FOUND WORK WHEN SHE APPEARED ALONGSIDE PRE-<i> FRIENDS</i> MATTHEW PERRY IN THE SITCOM<i> SYDNEY.</i> woman: I DON'T HAVE ANY FLAWS, WHAT ARE MY FLAWS ? Valerie: I DON'T HAVE TIME TO GO INTO THIS NOW. I'LL-- ASK ME LATER, I'LL MAKE YOU A LIST. woman: A LIST ? ( doorbell ringing ) Valerie: DON'T GET THAT, I KNOW WHO IT IS. narrator: CRITICIZED FOR ITS WEAK WRITING AND SOFT STORYLINES, <i>SYDNEY</i> WAS CANCELED IN ITS FIRST SEASON. Valerie: I WAS REALLY HAPPY WITH WHAT WE DID, I WISH WE HAD HAD ANOTHER CHANCE TO REALLY EXPLORE AND MAKE IT BETTER THAN IT WAS BECAUSE-- WITH A NEW SHOW, IT'S VERY HARD TO REALLY DO EVERYTHING PERFECTLY AT ONCE. I MEAN,<i> CHEERS</i> TOOK, WHAT, NINE YEARS NOW ? AND IT'S REALLY ON A ROLL, IT'S BEEN ON A ROLL FOR THE LAST FOUR OR FIVE YEARS. BUT IT TOOK A COUPLE YEARS BEFORE IT GOT THAT GOOD. SO WE NEVER GOT THAT CHANCE TO GET THAT GOOD. man: READY... AND ACTION. narrator: VALERIE'S NEXT ROLE WAS AGAIN IN COMEDY, WHEN SHE WAS CAST IN THE ROLE OF A YOUNG AMERICAN WORKING IN A PARIS COFFEEHOUSE. Valerie: AHH ! SOMEBODY WAKE ME UP, I'M IN MY OWN NIGHTMARE ! WELL, WE WERE REAL OPTIMISTIC AFTER OUR FIRST AIRING BECAUSE WE WON OUR TIME SLOT, AND THEN<i> DR. QUINN</i> CAME ON AND SHE KIND OF TOOK A BUNCH OF THE VIEWERS BUT NOW BASEBALL'S COMING ON, SO WE'LL GET THE WOMEN VIEWERS BACK. IT'S A TUG RIGHT NOW. THE OPTIMISM IS HARD TO KEEP UP, BUT IT'S NOT REAL HARD BECAUSE WE'RE HAVING SUCH A WONDERFUL TIME HERE AND WE KNOW WE'RE PUTTING ON REALLY, REALLY WONDERFUL SHOWS. narrator:<i> CAFE AMERICAIN</i> HAD ALL THE INGREDIENTS OF A SUCCESSFUL SHOW-- GOOD WRITING AND A CHARMING CAST, BUT VALERIE'S CHARACTER DIDN'T CONNECT WITH AUDIENCES, AND IT WAS CANCELED AFTER AN 18-EPISODE RUN IN 1993. Rene: HOLLYWOOD HAS A DIFFICULT TIME TRYING TO PUT HER INTO PARTICULAR ROLES. SHE NEVER GREW UP TO BE THAT LIKE, "VA-VA-VOOM" KIND OF SEX KITTEN, BUT SHE CONTINUES TO JUST BE THIS ADORABLE, ADORABLE WOMAN THAT WE ALL WATCHED GROW UP, AND PEOPLE-- I THINK, STRUGGLED WITH TRYING TO FIND A WAY TO CAST HER. Galina: SHE WAS ACTUALLY UP FOR ROLES IN SOME PRETTY BIG MOVIES LIKE<i> FOOTLOOSE</i> AND<i> THE BIG CHILL,</i> AND SHE DIDN'T GET THEM. WHEN SHE DID GET A ROLE, SHE HAD TO FIGHT FOR IT REALLY HARD. narrator: VALERIE WAS FINDING IT HARD TO GET MOVIE ROLES, BUT WITH A SON TO BRING UP, SHE HAD TO WORK, AND THERE WAS ALWAYS A PLACE FOR HER ON TELEVISION. Michael: SHE HAD TO GO BACK TO DOING THOSE ROLES IN THOSE CABLE MOVIES, AND IT'S SORT OF AN EASY WAY TO WORK-- SHE WAS WORKING CLOSE TO HOME, SHE COULD TAKE CARE OF HER SON. I DON'T THINK SHE MISSED THE STARDOM OF BEING ON A HIT TV SHOW AND HAVING TO SHOW UP TO ALL THE PARTIES AND GO TO THE PRESS TOUR AND THE CONSTANT INTERVIEWS. I THINK SHE PREFERRED CHOOSING HER SCHEDULE AT HER WHIM, BEING ABLE TO WORK WHEN SHE WANTED TO, WHICH ALLOWED HER, LIKE I SAID, TO TAKE CARE OF HER SON. Tami: ITALIAN WOMEN ARE TERRIFIC MOTHERS, SO GIVING HER JUST BEING ITALIAN, I KNEW RIGHT AWAY SHE'D BE A GREAT MOM, ABSOLUTELY. Valerie: I'M LUCKY THAT I CAN WORK FOR THREE MONTHS AND THEN TAKE THE REST OF THE YEAR OFF, AND I LIKE THAT. I LOVE TO WORK, BUT NOW THAT I HAVE A BABY, PRIORITIES CHANGE. HE'S MY PRIORITY, MY FAMILY. YOU KNOW, I'LL ALWAYS WORK, BECAUSE I'D MISS IT IF I DIDN'T, BUT MY BABY'S MORE IMPORTANT. narrator: IN PUBLIC, VALERIE GAVE THE IMPRESSION SHE HAS FOUND THE DELICATE BALANCE OF SUCCESS AND HAPPINESS WITH HER FAMILY AND CAREER, BUT BEHIND THE SCENES, VALERIE BERTINELLI'S MARRIAGE WAS SLOWLY FALLING APART. DESPERATE FOR NIGHTTIME
HEARTBURN RELIEF? FOR MANY, NEXIUM HELPS
RELIEVE HEARTBURN SYMPTOMS CAUSED BY ACID
REFLUX DISEASE. AND FOR THE MAJORITY
OF PATIENTS WITH PRESCRIPTION
COVERAGE FOR NEXIUM, IT CAN COST $30
OR LESS PER MONTH. HEADACHE, DIARRHEA,
AND ABDOMINAL PAIN ARE POSSIBLE
SIDE EFFECTS OF NEXIUM. OTHER SERIOUS STOMACH
CONDITIONS MAY STILL EXIST. ASK YOUR DOCTOR IF NEXIUM CAN HELP RELIEVE
YOUR HEARTBURN SYMPTOMS. IF YOU CAN'T AFFORD
YOUR MEDICATION, ASTRAZENECA MAY
BE ABLE TO HELP. CAN YOU BELIEVE HOW FAST
KIDS GROW THESE DAYS? AND SINCE 90% OF BONE
STRENGTH IS DEVELOPED BEFORE ADULTHOOD... IT'S SO IMPORTANT
THAT THEY GET ENOUGH
CALCIUM EVERY DAY. THAT'S WHY THERE'S
NEW DANONINO. DANONINO! UNLIKE LEADING KIDS YOGURTS, DANONINO HAS TWICE THE CALCIUM OF MILK, OUNCE PER OUNCE, WITH VITAMIN D. SO IT'S POWER PACKED FOR HEALTHY GROWTH. AND ITS RICH
CREAMY TASTE IS... YUMMY! SO THEY CAN START BUILDING
STRONG BONES TODAY... FOR STRONGER
BODIES TOMORROW. NEW DANONINO FROM DANNON. POWER PACKED TO HELP
KIDS GROW. [ baby babbling ] [ indistinct talking
on television ] [ laughs ] WHAT'S THAT? [ inhales deeply ] THAT'S
LAST NIGHT'S DINNER. <i> [ Male Announcer ]
HATE LINGERING ODORS?</i> [ baby cries ] ♪ ♪ <i> [ Male Announcer ]
FEBREZE AIR EFFECTS</i> <i> ACTUALLY ELIMINATES ODORS
CAUSED BY BACTERIA</i> <i> AND LEAVES
A LIGHT FRESH SCENT.</i> <i> FEBREZE.</i> <i> IT'S A BREATH OF FRESH AIR.</i> [ Ryan ] AHH! FRESH. MINTY.
READY! ♪ ♪ HI. OOOH, MINTY. [ sniffs ] SO WHAT DO YOU THINK? FRESH. <i> [ Female Announcer ]
FOR A FRESH BREATH FEELING</i> <i> THAT LASTS
UP TO 5 TIMES LONGER,</i> <i> THERE'S NEW SCOPE OUTLAST.</i> narrator: AT THE TURN OF THE CENTURY, THE FORMER ALL-AMERICAN GIRL FROM<i> ONE DAY AT A TIME,</i> VALERIE BERTINELLI, TURNED 40 YEARS OLD. SHE HAD SETTLED INTO A ROUTINE OF TAKING CARE OF HER SON, WOLFGANG, ACTING IN MADE-FOR-TELEVISION MOVIES, AND DEALING WITH HER HUSBAND EDDIE VAN HALEN'S ONGOING BATTLE WITH SUBSTANCE ABUSE. Valerie: I THINK OUR MARRIAGE HAS ALL OF THE WONDERFUL STUFF, AND ALL THE CRAPPY STUFF THAT GOES ALONG WITH MARRIAGE, AND HOW YOU HAVE TO MAKE A MARRIAGE WORK, AND HOW YOU HAVE TO WORK AT A MARRIAGE. AND HAVING A CHILD BRINGS ALL NEW THINGS INTO IT, BUT I DON'T THINK-- I THINK THE ONLY DIFFERENCE IS THAT WE HAVE THE RAGS, AND THE YELLOW JOURNALISTS, ALL THOSE CRAPPY MAGAZINES THAT WE HAVE TO DEAL WITH AND READ LIES ABOUT OURSELVES, SO THAT'S THE ONLY DIFFERENCE. OTHER THAN THAT, WE'RE ALL HUMAN BEINGS AND WE ALL MAKE MISTAKES AND WE ALL HAVE STRONG FEELINGS AND WE'RE ALL MEANT TO BE WITH A CERTAIN PERSON. SO IT'S JUST THAT WE'RE JUST A LITTLE BIT MORE HIGH-PROFILE, WHICH IS THE ONLY DIFFERENCE, WHICH ISN'T A BIG ONE. narrator: ALTHOUGH HER MARRIAGE WAS IN TURMOIL, HER CAREER WAS LOOKING UP, AND IN 2001, VALERIE WAS CAST IN THE PART OF AN ANGEL NAMED GLORIA IN THE SERIES <i>TOUCHED BY AN ANGEL,</i> STARRING ROMA DOWNEY AND DELLA REESE. Della: WE HAD BEEN ON FOR ABOUT EIGHT YEARS AND THEY THOUGHT IT WOULD INCREASE THE RATINGS. AND SO THEY WROTE A PART FOR HER OF A NERD, OF A VERY INTELLIGENT NERD AS AN ANGEL. AND FOR A LITTLE WHILE, IT TOOK THE AUDIENCE SOME TIME TO GET USED TO THAT. SHE HELD IT UP VERY WELL, THOUGH. Ray:<i> TOUCHED BY AN ANGEL</i> WAS WAY MORE OF A VALERIE BERTINELLI ROLE THAN<i> ONE DAY AT A TIME</i> OR ANY OF THOSE MOVIES. I THINK THAT WAS MORE THE REAL VALERIE AND WHAT SHE GREW UP WITH, KIND OF BEING THE GOOD KID, THE GOOD GIRL, AND SHE GOT THE CHANCE TO DO THAT ON THAT SHOW, AND I'M SURE IT PROBABLY GAVE HER THE WARM GLOW, THAT WARM, LITTLE FEELING INSIDE. IT WAS GOOD, IT REALLY REACQUAINTED HER TO THE PUBLIC. narrator: FANS LOVED HER PORTRAYAL OF GLORIA, AND SHE REMAINED A CONSTANT CHARACTER IN THE SHOW, APPEARING IN 59 EPISODES IN THREE SEASONS. Della: I HAD A LOT OF RESPECT FOR HER. SHE CAME INTO A SHOW THAT HAD ALREADY BEEN ON FOR SEVEN OR EIGHT YEARS, AND SHE HAD TO FIND A PLACE FOR HER TO BE. SHE DID THAT WITH GREAT CALM AND GRACIOUSNESS. SHE PICKED UP WHAT THEY GAVE HER TO USE, TO DO-- AND AT THAT TIME, SHE WAS GOING THROUGH QUITE A FEW THINGS IN HER LIFE THAT NEEDED A GREAT DEAL OF ATTENTION, BUT SHE WAS A TROOPER. 6:00 IN THE MORNING, MEETING IN A LITTLE TRAILER TO GET YOUR FACE SLAPPED WITH MAKEUP AND BEING GRACIOUS, AND THEN BEING IN THAT SAME TRAILER AT 10:30 AT NIGHT, TRYING TO GET WHAT THEY CALL A "TOUCH-UP," BECAUSE THE MAKEUP HAS WORKED HARDER THAN YOU ALL DAY AND IT'S DRAINING, AND TO STILL BE GRACIOUS-- IT TAKES A LOT OF CHARACTER TO DO THAT, AND SHE WAS ABLE TO DO THAT. Ray:<i> TOUCHED BY AN ANGEL</i> WAS NOT A YOUNGER DEMOGRAPHIC, IT WAS STILL PROBABLY PREACHING TO HER ORIGINAL CHOIR, BUT IT STILL REACQUAINTED HER THAT SHE WASN'T GONE, SHE WAS STILL AROUND AND HADN'T DISAPPEARED. AND, YOU KNOW, SHE WAS STILL TALENTED AND HAD A CAREER. narrator: BY THE TIME <i>TOUCHED BY AN ANGEL</i> WAS CANCELED IN 2003, VALERIE FOUND IT INCREASINGLY DIFFICULT TO GET GOOD PARTS IN THE ONCE-COMFORTABLE WORLD OF MADE-FOR-TELEVISION MOVIES. OVER THE NEXT THREE YEARS, SHE ONLY MADE ONE TELEVISION APPEARANCE, IN THE 2005<i> ONE DAY AT A TIME</i> REUNION SHOW. ALTHOUGH SHE WAS NEVER FAR AWAY FROM THE THOUGHTS OF HER LOYAL FANS. Rene: SHE WAS VOTED "WOMAN WE'D MOST LIKE TO SEE "FIGHT FOR HER LIFE IN A WEEKLY TV MOVIE," BECAUSE PEOPLE LOVED HER AS THAT KIND OF CONFLICTED CHARACTER-- SOMEBODY WHO IS TRYING TO DO GOOD BUT WAS SOMEHOW THROWN INTO CIRCUMSTANCES THAT WAS REALLY REQUIRING HER TO EITHER FIGHT FOR HER LIFE, OR REALLY KIND OF FIND A-- LIKE DIG DEEP AND MAKE THE RIGHT MORAL DECISION IN A PARTICULAR CIRCUMSTANCE. narrator: MORAL DECISIONS WERE THE ORDER OF THE DAY. VALERIE'S CAREER WAS ON A DOWNWARD SPIRAL, AND HER ATTEMPTS TO SAVE HER MARRIAGE WERE GOING IN THE SAME DIRECTION. Ted: EDDIE'S DRINKING, I THINK, BECAME MORE OF A MANIFESTATION OF HIS UNHAPPINESS, AS OPPOSED TO PARTYING. I DON'T THINK HE WAS DRINKING TO PARTY, HE WAS DRINKING TO-- YOU KNOW, INSULATE HIMSELF. AND HE CHANGED, HE BECAME A LOT DARKER. narrator: HER HUSBAND'S ON-AGAIN, OFF-AGAIN DRINKING PROBLEM AND HIS LONG MONTHS ON TOUR WITH HIS BAND, VAN HALEN, FREQUENTLY LEFT HER SOLELY RESPONSIBLE FOR THE CARE OF THEIR SON, WOLF. Ted: I THINK EDDIE WAS INCREDIBLY LOYAL. HE WAS VERY MUCH IN LOVE WITH HER BUT I THINK HE FELT-- HE FELT CONSTRAINED. narrator: IN 1999, SHE ALSO HELPED EDDIE THROUGH HIP-REPLACEMENT SURGERY, NECESSITATED BY A DEGENERATIVE CONDITION. THE SAME YEAR, A LUMP ON HIS TONGUE WAS DIAGNOSED AS MALIGNANT. Galina: VALERIE WAS THERE EVERY STEP OF THE WAY, SUPPORTING HIM, ENCOURAGING HIM TO GET HELP, BUT THEIR MARRIAGE JUST KEPT FACING ONE CHALLENGE AFTER ANOTHER. AND KIND OF ONE OF THE LAST STRAWS WAS AFTER EDDIE WAS DIAGNOSED WITH TONGUE CANCER AND WENT THROUGH TREATMENT, HE TOOK UP SMOKING AGAIN, AND VALERIE JUST KIND OF LOST IT. SHE COULDN'T UNDERSTAND HOW HE COULD CONTINUE TO SELF-DESTRUCT, EVEN AFTER HAVING HIS LIFE ON THE LINE. narrator: BY 2002, EDDIE VAN HALEN'S RECURRING CYCLES OF SELF-ABUSE HAD PUT MORE STRAIN ON HIS MARRIAGE THAN EVEN THE LONG-SUFFERING VALERIE COULD ENDURE. IN JULY OF THAT YEAR, THE PAIR ANNOUNCED THAT THEY HAD SEPARATED. ANXIOUS TO QUELL THE RUMORS AND PLAY DOWN THEIR PERSONAL PROBLEMS, THEY BOTH INSISTED THEIR PARTING WAS NOT NECESSARILY PERMANENT. Della: OUR MEMORIES WERE TOO PERSONAL TO TALK TO YOU ABOUT. I WAS ABLE TO BE THERE WHEN SHE NEEDED SOMEBODY TO BE THERE, AND SHE TOLD ME IN CONFIDENCE, I ACCEPTED IT THAT WAY, AND IT WILL REMAIN THAT WAY. narrator: IN DECEMBER 2005, VALERIE BERTINELLI FILED FOR DIVORCE, CITING GROUNDS OF IRRECONCILABLE DIFFERENCES. Ray: THEY STUCK IT OUT FOR OVER 20 YEARS, AND BY ALL ACCOUNTS, IT WAS A REAL POSITIVE, GOOD, SOLID MARRIAGE. BUT YOU KNOW, HIS DEMONS-- EDDIE'S DEMONS UNDID THINGS WITH HIS ALCOHOLISM AND PROBABLY WOMANIZING. THERE'S ONLY SO MUCH A WOMAN'S GOING TO TAKE, AND SHE'D HAD HER FILL. narrator: AT 45 YEARS OLD, VALERIE BERTINELLI-- ONCE AMERICA'S FAVORITE TEENAGER, AND THE STAR OF MORE THAN TWO DOZEN TELEVISION MOVIES-- WAS BOTH ALONE AND UNEMPLOYED. Valerie: I FOUND I WAS BECOMING A HERMIT AND I WOULDN'T GO OUT, I WOULDN'T DO THINGS, I DIDN'T WANT TO GO OUT, I DIDN'T WANT PEOPLE TO SEE ME, AND I DON'T WANT TO BE A HERMIT FOR THE REST OF MY LIFE. I HAVE A WHOLE OTHER LIFE TO LIVE. narrator: THESE FEELINGS OF ISOLATION HAD MANIFESTED THEMSELVES AS AN EATING DISORDER. LIKE MILLIONS OF PEOPLE, WHEN VALERIE FELT LONELY, SHE TURNED TO FOOD FOR COMFORT. Ray: YES, SHE DID, SHE DID PUT ON WEIGHT-- EVEN WHEN SHE PUT ON WEIGHT, SHE STILL LOOKED GOOD. I MEAN, SHE STILL HAD THAT FACE, STILL HAD THE YOUTHFUL LOOK. BUT YEAH, NOW SHE'S COMING BACK FROM-- YOU KNOW, FROM "OOH, THE DISASTER OF OBESITY." Valerie: WHETHER IT'S BEEN IN MY HEAD OR IN REALITY, IT'S ALWAYS BEEN THERE, BECAUSE THERE'S BEEN TIMES WHERE I'VE BEEN A PERFECTLY NORMAL WEIGHT AND I THINK I'M FAT-- WE ALWAYS HAVE THAT "FAT VOICE" IN OUR HEADS, WHICH IS STUPID, BUT THAT'S, ONCE AGAIN, SOMETHING ABOUT SOCIETY AND HOW YOU GROW UP AND I WAS TOLD I WAS CHUBBY AND CHUNKY WHEN I WAS 13, SO I BELIEVED THAT MY WHOLE LIFE. narrator: ALWAYS A DEDICATED MOTHER, THE BIGGEST QUESTION FACING VALERIE WAS NOT HOW TO RAISE HER SON WITHOUT A HUSBAND, IT WAS WHAT SHE WAS GOING TO DO ABOUT HER CAREER THAT HAD ALL BUT COME TO A HALT. CAN YOU BELIEVE HOW FAST
KIDS GROW THESE DAYS? AND SINCE 90% OF BONE
STRENGTH IS DEVELOPED BEFORE ADULTHOOD... IT'S SO IMPORTANT
THAT THEY GET ENOUGH
CALCIUM EVERY DAY. THAT'S WHY THERE'S
NEW DANONINO. DANONO! UNLIKE LEADING KIDS YOGURTS, DANONINO HAS TWICE THE CALCIUM OF MILK, OUNCE PER OUNCE, WITH VITAMIN D. SO IT'S POWER PACKED FOR HEALTHY GROWTH. AND ITS RICH
CREAMY TASTE IS... YUMMY! SO THEY CAN START BUILDING
STRONG BONES TODAY... FOR STRONGER
BODIES TOMORROW. NEW DANONINO FROM DANNON. POWER PACKED TO HELP
KIDS GROW. [ Amy ] HI, I'M AMY. THIS IS MY FAMILY,
AND THIS IS TACO NIGHT. IT'S OUR FAVORITE NIGHT
OF THE WEEK. AND THIS IS ALL
FROM GREAT VALUE AT WALMART. AND IT'S ALL FOR
LESS THAN $2 A SERVING. HEY, EVERYONE'S ON A BUDGET. IT'S WHAT YOU DO WITH IT
THAT MATTERS. [ laughter ] <i> [ Female Announcer ]
WITH HUNDREDS OF NEW ROLLBACKS</i> <i> ON GREAT VALUE,
CHOOSE FROM LOTS OF MEALS</i> <i> FOR LESS THAN $2 A SERVING.</i> <i> IT'S ROLLBACK TIME.</i> <i> SAVE MONEY. LIVE BETTER.
WALMART.</i> WELCOME TO THE WORLD OF LOVAZA,
WHERE NATURE MEETS SCIENCE. IF YOU HAVE HIGH CHOLESTEROL,
HIGH BLOOD PRESSURE OR DIABETES, YOU MAY ALSO HAVE VERY HIGH
TRIGLYCERIDES -- TOO MUCH FAT IN THE BLOOD. IT'S A SERIOUS
MEDICAL CONDITION. LOVAZA, ALONG WITH DIET,
EFFECTIVELY LOWERS VERY HIGH TRIGLYCERIDES
IN ADULTS BUT HAS NOT BEEN SHOWN TO PREVENT HEART ATTACKS
OR STROKES. LOVAZA STARTS
WITH OMEGA-3 FISH OIL THAT'S THEN PURIFIED
AND CONCENTRATED. IT'S THE ONLY OMEGA-3 MEDICATION
THAT'S FDA-APPROVED. YOU CAN'T GET IT
AT A HEALTH FOOD STORE. LOVAZA ISN'T RIGHT
FOR EVERYONE. TELL YOUR DOCTOR
IF YOU'RE ALLERGIC TO FISH, HAVE OTHER
MEDICAL CONDITIONS AND ABOUT ANY MEDICATIONS
YOU'RE TAKING, ESPECIALLY THOSE THAT MAY
INCREASE RISK OF BLEEDING. BLOOD TESTS ARE NEEDED
BEFORE AND DURING TREATMENT. IN SOME, LDL OR BAD CHOLESTEROL
MAY INCREASE. POSSIBLE SIDE EFFECTS
INCLUDE BURPING, INFECTION, FLU-LIKE SYMPTOMS,
UPSET STOMACH, AND CHANGE
IN SENSE OF TASTE. ASK YOUR DOCTOR ABOUT LOVAZA, THE PRESCRIPTION
THAT STARTS IN THE SEA. ♪♪♪ WELCOME TO THE
MODERN WORLD, PEOPLE. WOOLITE ISN'T JUST
FOR YOUR DELICATES! IT'S FOR ALL
YOUR CLOTHES! WITH WOOLITE COMPLETE
YOU CAN WASH EVERYTHING, FROM JEANS TO TEES, 'CAUSE IT HAS THE RIGHT
BALANCE OF CARE AND CLEANING. AND SAY
GOODBYE TO FADING, SHRINKING, AND STRETCHING. AFTER ALL, A LADY
NEVER REVEALS THE TRUE AGE
OF HER CLOTHES. WOOLITE COMPLETE, CLEANS AND CARES
FOR ALL YOUR CLOTHES.