How Van Gogh’s Sister In-Law-Made-Him A Renowned Painter | Raider Of The Lost Art | Perspective

[Music] on the 25th of january 1891 teo van gogh died at the age of 33. just six months earlier his brother vincent van gogh had also died leaving behind an astonishing collection of artworks that were almost completely unknown with the death of teo vincent's closest confidante to most ardent supporter the van gogh artistic legacy hung in the balance and the responsibility fell on the shoulders of joanna bonga teo's widow [Music] this was a great act of faith she may only have met this very difficult person her husband's brother two or three times in her life and yet she determined to keep together this legacy of painting she did it with great tenacity and also found uh skilled with lending pictures allowing pictures to be bought so that slowly and then increasingly quickly the fame of vincent began to spread without joanna bonga vincent van gogh may have been completely lost to the world in the decades that followed van gogh's works have been on a truly remarkable journey they inspired an entire artistic movement they fell victim to the trials of world war ii they have been the target of greedy forgers and daring thieves and their value has skyrocketed from the day they first caught the world's attention the man himself also became a legendary figure thanks to the publication of the letters between vincent and teo and the story is still being told a long-lost masterpiece by vincent van gogh was only revealed in 2013. i think van gogh will always have huge commercial value because of the myth of the man he really is this character that everyone is fascinated by she sold more than 250 works of art we are sitting here having this conversation because that's why van gogh's has grown so famous she spread him over the world we have glimpses of his other lost paintings some of which could still be out there [Music] joanna bonga had only been married to teo van gogh for two years when he died with his passing she had inherited almost all of vincent's works but as a young widow with a newborn son to care for she was in a very precarious position she had the assistance of her art-loving brother andreas but even he didn't appreciate her new collection of masterpieces you could have your own room at home mother could help with the boy [Music] what will you do for money gianna was a middle-class dutch girl sister of a friend of a dutchman living in paris who was in the van gogh brothers circle she was a very educated woman she worked as a translator in the library of the british museum i think there's a mixture of sort of dutch steeliness and victory and sentimentality she doesn't seem to have been tremendously interested in art before she was pulled into this circle of avocado in the very first letter theo wrote to you and vincent was in the hospital in ireland he wrote we must keep the memory of my brother together don't you think shan't we darling he says so before being married she knew that she was part of the game i'll teach again take lodges i'm not going back besides mother doesn't have room for all the paintings nobody would think any less of you for selling she seems to me for being a rather serious-minded intellectual young woman who took her responsibilities seriously and who really took on this project of uh uh posthumously serving the reputation of vincent van gogh she was the person who championed van gogh after his death i think she really saw herself as taking over the mantle from teo who was his main supports both commercially and emotionally and she knew how important it was to him to really launch the career events why don't we try to find a buyer for you here i could ask you my office if you'd like the insurance brokers well it wouldn't be much obviously no they don't approve of bohemian art do they well it's better than nothing joanna bonga's brother andreas who had known vincent van gogh would eventually assist in joanna's quest but at one point it's believed he proposed a horrifying solution to his sister's storage problem you know they may not be painters joe but they're perfectly decent people it isn't boring to work hard or provide for oneself not everybody's brother is so easy to take advantage of well it's said that andreas bongo wanted to destroy the paintings after vincent's death it does seem strange afterwards and it does seem slightly out of character so it may have been something he did or he thought of at one point very quickly there still weren't very many sales there still wasn't very much of a reputation so uh it would be an entirely rational thing to do not uh not to hang on to all this junk i'm sorry theo loved vincent i know he was happy to help and vincent did work hard he made himself sick he worked so hard i'm sorry she was fiercely protective of his art she really saw um herself as carrying ontayo's legacy making sure that vincent became known and got what he deserved really as an artist she apparently decided that what she what she ought to do is devote herself to as becoming a sort of curator of this collection i'd like you to leave but i only want what's best for you and the boy you won't get a better price in amsterdam get out vincent was a genius feel new i'm not selling [Music] but how did joanna bonga become a curator for an almost unknown artist her discovery of the letters written between the brothers would prove key in telling the lost story of vincent van gogh's life as would his reputation amongst other avant-garde artists who also struggled for recognition of their work [Music] in 1891 joanna bonga was left widowed at the age of 28 with hundreds of artworks by her troubled brother-in-law vincent van gogh there were no obvious buyers for the paintings as vincent is only thought to have sold one picture during his lifetime the red vineyard was purchased by the neo-impressionist painter anna bach vincent may not have had any real commercial success but he was very appreciated by the other avant-garde artists of his era this reputation he developed would prove a starting point for joanna's quest as with her discovery of the letters that teo and vincent wrote to each other that brought vincent's story to life she found them in a kind of bottom drawer they were living in pigao at the time of her and theo of course she poor woman was widowed very young and she was left with nothing except 200 van goghs she said every every week i saw the yellow envelopes coming in and theo put it in the cupboards and and she got letters too from vincent but she said i only want to publish the letters after his work will be known so she waited and she did it on purpose and i have a very strong idea that she waited until the mother of vincent and teo died so it was not a not too complicated for this old mother i think there's something like 700 between the two boys most of them are from vincent because he threw theos away the great one where he says i'm going to sign my pictures vincent because the french can't pronounce van gogh you know that kind of thing they're wonderful lessons she was so aware then when she married teo she got vincent too that was part of it vincent had lived in paris with his brother teo from 1886 to 1888 when the city was still enthralled by the work of impressionist painters and vincent had begun to ever so slightly make his mark on the art world as soon as he arrived in paris and thanks to uh teowin in part he did meet all of the avant-garde artists and in fact before he left for uh for arl in the south the last artist he went to see was your surah and we know that gogan was coming to admire him but it remained a very marginal kind of enthusiasm another of the great artists of the era who admired him was toulouse latrek he even made a pastel sketch of his friend vincent in 1887. he'd spent two years living in paris almost everything we know about angel's life comes from his letters and that was the one time when he was living he was actually sharing a flat most of the time with his brother theo so there was no need for him to write so there are very very few letters from those two years although the exact details may not be known what is for sure is that it was in paris that vincent's style of painting changed dramatically he'd been influenced by the impressionists of the era but also by japanese art he was ahead of his time now many of the tendencies in terms of very bright color in terms of decorative patterning in terms of self-expression in the way he did it were coming to be valued in the avant-garde but before he could make any real name for himself in the world artistic capital of paris van gogh moved to all in the south of france in 1888. we sometimes think of him as an isolated figure working away in the south of france with little contact with other artists but in fact when he was in paris he was right in the heart of things and actually one of the reasons he left paris was he found it too exhausting it was in all that he created his best known works including the sunflowers his most commercially successful work now was made really in the last part of his life i mean when he died a lot of the paint wouldn't have been dry on the sunflowers and that thick and pastel paint would still be wet so there really wasn't much of a chance for him to be promoting his work and i don't think he was that kind of person he wanted to be in the south just working frenetically as he did the pictures that we see as attractive and full of life and bubbling with enthusiasm at the time uh were rejected and seen as just to avon guard 20 or 30 years later things that he had intuited about fragmentation so if you look at the surface of van gogh it's very clearly made up of of fragmentary brush strokes and there are all sorts of fallings apart going on including mental ones that would have been very unfashionable in the 1880s people wanted synthesis i think people relate to it now just because it's highly emotive it's subject matter which is feels it's nature it's portraits but in the colors and the marks and the vibrancy of it it's almost mythic i sort of 40 years later and after the first world war people were aware of a world that was fragile and they found that in van gogh's paintings you know sort of strident anxious colors and flickering brushwork had he lived another few decades i suspect he would have become very marketable but he died just too soon it did then take a few generations for a wider public to appreciate those values whilst in the south of france van gogh had stayed in touch with two other struggling artists of the era emil bernard and paul goga in his letters to them he even included sketches of the paintings he was creating in all it's one of the things that's given van gogh such a fame because the letters give a marvelous insight into his art van gogh goga and bernard had also remained in contact by painting self-portraits and sending them to each other with the other member of the trio in the background if you look at the museum you see some paintings by gogan and by bernard why are they there because they were exchanged as he had done for most of his adult life van gogh wrote many letters to teo during his time in al my dear tayo many thanks for the canvas you sent now we can join battle once more my dear vincent your new consignment arrived yesterday evening the painting is truly remarkable i have rented a room in montmartre which you'd like it is small but overlooks a little garden full of ivy joe sends her warm regards and a smile from the little one i remember you insisted a great deal on me getting married you were right van gogh's attempt to start an artistic community in the south of france did not end well though he had checked himself into the asylum as saremi where he painted many more of his best-known works i do so wish you would tell me how you feel nothing is more distressing than uncertainty i don't say that my work is good but rather it is the least bad that i can do every day i wish for your speedy recovery there was one very important moment and vincent sliced part of his ear and had to go to the hospital in ao and then there's a letter of go to theo and she says how beautiful two heads on one cushion so it means that in the hospital the two brothers were on the same bed and talked things over just like they did when they were very young and i think that's a very moving moment in realizing how close this relation was all your kindness to me dear brother i've felt it more than ever today don't bother your head about me or about us old chap i am beginning to consider madness and illness like any other and we all must accept the illnesses of our time do not despair sooner or later we each have our share better days will come write to me dear brother ever yours your loving vincent your loving tale vincent van gogh would eventually return to paris in 1890 where tayo and joanna had recently had a son also called vincent vincent and joanna's relationship was vestigial as far as actual person-to-person meeting is concerned she saw him when he arrived in paris in may 1890 and there was another visit to over well vincent was the venus little village north of paris she says and i thought i would meet a boy that was very struck by all these diseases but he was well formed and he was at broad shoulders i was surprised that he was so alive and so well aware of his position and then they visited him in uh overseers 30 kilometers north of paris and they had a good time that day and they had lunch together and he played with the little vinson everything else joanna found out about vincent she would either have heard from theo uh learnt from reading the letters or learnt art of vincent's death which makes it all more remarkable that she devoted most of the rest of her life to uh vincent's reputation and achievements as an artist vincent would not last long in overseer wars he continued painting right until the very end though making some of his most experimental works including a piece called tree roots which is believed by some to be his last ever painting he would die on july the 29th 1890 of a gunshot wound [Music] she had a little feeling of guilt after vincent died and she said but we didn't say anything wrong did we no we did they said it was not our fault it was in his head and we did not cause it tayo van gogh would also be dead within six months it must have been incredibly stressful for taylor being the his benefactor making sure that he was funded also being his pretty much sold confident to all of the highs and lows of vincent work and mental state of course he was heartbroken and he was he had lots of grief and it was very hard for him and he was sad and he was everything but still he had a second stage of syphilis too no doubt the emotional shock of losing his brother who he'd been so close to must have also exacerbated his condition within a few months he went totally mad and if you want to have an uncomfortable night read the report of the the doctor of theo because it was a very hard very hard time for him following the death of her husband and brother-in-law joanna had to make use of the limited reputation vincent had built up amongst his fellow artists following the death of teo and vincent johanna really rallied to make sure that his art became known and her house became a sort of hub for people interested in van gogh and she really really pushed him it didn't take her long soon claude monet came to see van gogh's works and announced his surprise that a man who loved flowers and light so much could have been so unhappy another giant of the time camille pizarro also showed his appreciation declaring that vincent's flowers look like people there were some young artists and they helped her with the first exhibitions here in amsterdam in 1892 and she did it very well she did essentially i think three things she published the letters bit by bit she lent pictures to international exhibitions which there were a sequence so that people saw van gogh's work and a certain amount of it was sold these early sales were made to some of the most influential and wealthy people of the era the major galleries would quickly follow behind them in trying to purchase works and it's during this time that many of the mysteries of what happened to van gogh's paintings started to form some items would sadly be lost forever some are still missing and one has been sitting unappreciated in an attic for decades joanna bonga wasted no time in presenting the works of her brother-in-law vincent van gogh to the world she arranged numerous exhibitions and loaned the paintings to various galleries and it wasn't long before buyers soon came knocking on her door [Music] joanna had works from the entirety of vincent's career but it was the sunflower paintings that would unsurprisingly prove the most popular possibly the very first buyer of vincent van gogh's work after he died was the celebrated french writer octave mirbo in 1891 he purchased both the irises painting and the three sunflowers painting for a mere 600 francs [Music] in 1894 emile schuffernecker an avant-garde artist himself started collecting van gogh's when he purchased one of the series of sunflowers amazingly he chose to alter the picture by stretching out the canvas on all sides and painting in the gaps himself hugo von schudie the director of the national gallery in berlin was also taken by the sunflowers buying one of the series for himself in 1905. the painting has remained in germany ever since but it was in 1908 that the most determined collector emerged that year helena crawler muller first acquired this early painting by van gogh titled edge of a wood and it would begin a long love affair with the artist helena colomello was a very very wealthy person one of the wealthiest person in holland at the time when helena went to paris she did not buy little bags but she did buy if and goes just having them five at a time or ten at a time she mostly but her husband also was buying in the beginning she started buying one-on-one and then they went to paris to to auctions visiting artist studios and there is one weekend she bought five of course together the crawler mullers managed to purchase 91 van goghs making it the second largest collection in the world and eventually the centerpiece of the crawler muller museum it was very obvious that in the netherlands she was the wealthiest collectioner at that moment for her vancouver was the greatest artist that there had been and he was sort of the start of modern art and she was also very interested in because he was was painting and drawing social themes and she was a very social conscious person so that attracted her too helena crolla muller's support played a key role in developing van gogh's legacy but surprisingly she had no contact with joanna bonga and bought her paintings from the first dealers in van gogh's works that's quite surprising because joe had the paintings and if you see where the kind of u-turn what went from yo to helena colomelo that had everything to do with the fact that helena colomelo was a very very wealthy person and yo was a very convinced social democrat and i think the the characters of the ladies were not that close to each other she was also played in a very important role in that because she showed her own collection she gave them a loan to other exhibitions both nationally as internationally and yo bongo also gave her collection they both were very important in making him so famous and so well known joanna bonga would marry again in 1901 her new husband johann cohen goshalk was also an artist and painted portraits of her but she would be left widowed again in 1912. she went to live in new york city soon after world war one broke out and it was during this terrifying time that she first published the letters of vincent and teo they sold very well it was during the first world war and people think that's a wrong moment to publish letters like that but on the contrary during war time people are more attached to literature or to very important things that were happening in the past after world war one joanna returned to the netherlands where she continued to work on building vincent's legacy she loaned out the sunflowers to another artist called isaac israel's who used them as the backgrounds for his paintings israel's also painted portraits of joanna with whom he had once had a brief relationship isaac already knew teo when he lived in paris and visited him there and he was a well-known painter here they did a lot of impressionist things in cities very well known in amsterdam yo and he met each other and they liked each other very well very very well we have the diaries of yo still and uh there is a line and she says i was at the studio of isaac israel's we played with fire and then two lines are cut out very interesting and i think the only one who could have done this was her son vincent [Music] the series of sunflowers paintings had become van gogh's most recognized work thanks to joanna's efforts in 1924 jim eid the curator of the national gallery in london made it his mission to purchase one of the sunflowers but it wouldn't be easy to convince joanna to part with her personal favorite [Music] would you care for some tea yes he had begun to paint sunflowers in paris already paul gauguin had told him this was a great subject for him had told him that these were marvelous he repeatedly said how tremendous he thought the sunflower paintings were and tried to get van gogh to give him one of them as well so vincent and goga both thought that these were important pictures we know from a quote from vincent van gogh that he really saw the sunflower as his own symbol there's something about them that grabs people i mean the color of the yellow on yellow is a dramatic and interesting way of presenting it it's so become an iconic that one just associates sunflowers almost the flowers with van gogh to paint a picture which is effectively all in modulations of one color would have seemed tremendously radical or indeed to some relatively avant-garde artists who saw it early on completely insane i cannot express how honored we would be the sunflowers truly is a masterpiece we acquired this in 1924 when we received uh money from samuel cortold the industrialist specifically to buy modern paintings for the national gallery and right then van gogh was right at the top of the list of modern artists whom we wanted to represent here it was very keen to buy a van gogh and really wanted the sunflowers and they pleaded with the ohana to sell the sunflowers to the national gallery we would take the greatest of care there's a couple of letters from her which are very moving she says that she's seen the painting every day during her life or her adult life and she didn't want to part with it she knew that it was important and she wanted to hang on to it i think she had a connection with it and knew that teo did too and wanted to keep it it's not for sale i understand jimmy at that point was one of the few people in britain who really knew about modern art and could speak authoritatively what he said to johanna bonger in my understanding was that we are the national gallery if this artist is to be represented here we really need a picture of the highest achievement [Music] jimmy's persistence would eventually prove worthwhile in the end [Music] a few days later she sent her another letter to the director of the national gallery saying that she would reluctantly sell it for the sake of vincent's glory because she wanted him to be represented in such an important gallery dear mr eid [Music] i have tried to harden my heart against european i have looked on that picture every day for 30 years [Music] i could not bear to part with it it was really the kudos and importance of that gallery that made her think this is really going to set and stone vincent as a titan of the 20th century i have come to realize that no other picture could represent vincent in a more worthy manner [Music] he would have wanted it to be there in your gallery it's interesting that van gogh actually had lived in london earlier in his life when he worked as an art dealer when he's in his early 20s and he loved going to the national gallery so it's very nice that his sunflowers have ended up there she also would have known that he was a great admirer of certain aspects of british art and british literature the moralizing side of it that art was about something that it taught you things it is a sacrifice i must make for his glory with van gogh's work now in the national gallery joanna's mission could be declared a complete success as vincent had been accepted as a truly great artist she would die just a year after the painting was sold but what of the huge number of van goghs that joanna still had in her possession they would eventually become the very foundation of the van gogh museum in amsterdam when it opened in 1973 but in the intervening decades many works by vincent had gone missing due to the chaos of world war ii and a collection of mysterious owners and devious forgers the struggle to get them all back [Music] continues joanna bonga the guardian of vincent van gogh's legacy died on september the 2nd 1925 soon after selling the painting of 15 sunflowers to the national gallery in london before she passed away though van gogh had already inspired a whole new generation of artists especially in germany it truly was germany that first embraced him as a great artist and if we look at the art that emerged in germany uh in the decades following it is as if they'd been waiting for someone who would show them how to paint with this intense expressivity and with this extraordinary sense of color van gogh had in fact been so lauded in germany that fakes of the artists first started to emerge here the major incident was in the 1920s when a berlin gallery owner otovaca faked dozens of van gogh paintings which were initially accepted by the experts and then they realized they were wrong and he was found guilty and since then there has been a continual problem of faking a number of van goghs have been de-attributed even those which belong to museums so it continues to be highly controversial the fear of fakes continues to the present day one of the sunflowers paintings once owned by emil schufeneker was sold for a record 22.5 million pounds in 1987. it was known that the picture had been extended around the edges but some of the time claimed that the whole painting was a copy done by schufeneker however this claim was later confirmed to be untrue the problem of fakery has also dogged another work by vincent van gogh for nearly its entire existence but in 2013 the van gogh museum was able to present a newly rediscovered painting for the first time in many decades the sunset and montmartre it is a great pleasure for us to present to you this morning a new work by vincent van gaal that painting was one of the paintings that was owned by tayo van gogh and passed into the hands of johanna and it was first sold in 1901 and then it went through a period until 1908 when we don't know the provenance and then it went into the collection of a norwegian businessman quite soon after he bought it he was told it was a fake so he just put it up in his attic and there it stayed with his family and then about 20 years ago it was sent to the van gogh museum and to ask what it whether it might be authentic and at that point it was rejected and the museum said it was not right and then in 2011 research was launched again and they looked at the paint technique the type of paint really under the microscope they used a letter from july 1888 when it was painted from vincent duteo which described a very similar scene of this abbey painted from the scrub land below there were two key points one was it had a number chalked on the back which turned out to be an inventory number from andreas bonga so we could link it up with an 1890 inventory and the other thing which was surprising was missed by the van gogh museum the first time is that it shows the castle of montmartre in the south of france which had a very unusual tower and that helped to identify it there is a kind of rule in art history that when a a picture disappears off the the beaten track when it goes to a place like norway where it's not seen by a lot of people then it becomes the assumption arises oh it can't be right and it falls out of out of favor the discovery of this new work gives us hope that other missing van goghs may be found one day many of them vanished during world war ii there are probably roughly ten van gogh paintings which disappeared during the second world war there were a few that were probably burnt and destroyed including a very important self-portrait there were some that were looted or stolen and not turned up one of the loss of van gaal which i personally would most like to see that is the picture of the painter on the road to tara skong that is a picture of van gogh himself walking along the road which led past his yellow house out into the fields this one disappeared during the second world war it was probably destroyed in a fire the chance is unfortunately rather small that it survived there are others which one day we may see again there's an important flower still life which was stolen during the wars has not turned up i mean it might one day who knows there is an extraordinary photograph of hermann goring sort of caressing in a creepy way this very important late van gogh from the over period called a tree with ivy a painting which possibly going then uh appropriated as a lot of pictures in paris were disappearing into collections of prominent nazi officials it seems goring had a taste for contemporary art as well as renee sansars and brockhart but if he did uh it wasn't he didn't remain with the main collection of goering's work which was then recovered maybe it's in a bank fault somewhere still one can hope there are a tantalizing number of lost fangoths which it would be uh wonderful to see again and also destroyed vancouver amongst the latter one of the most poignant is the sunflower painting this one was bought by a japanese collector in 1920 it was actually the first van gogh to go to japan which is interesting it was in a private collection and was uh destroyed on the 6th of august 1945 the very same day as the first atomic bomb was dropped on hiroshima so this was on a separate bombing raid in tokyo itself is very interesting coincidence it tells us a lot about the different ways he was thinking about sunflowers at that moment because it doesn't resemble our picture at all so clearly he was working out a lot of possibilities in his mind we had a rather poor photographic reproduction of the painting but what i found was a very early 1920s color reproduction in a portfolio published in japan which had not been known about to vanguard specialists and this had much more natural colors so it gave us an idea of what the picture looks like and even more interestingly this reproduction has an orange frame around the painting of orange strip of wood and if you look at van gogh's letters he describes how he wanted to present the blue sunflowers against an orange frame so for the first time we can see how van gogh wanted to present the picture some of the others which have disappeared we one might entertain hopes that one day they will reappear while the search for lost van gogh's continues the story of vincent's life has become world famous after the publication of the letters the writer irving stone released the wildly successful novel lust for life in 1934 which told the story of vincent van gogh's many hardships [Music] what do you know about pain it will be made into a film starring kirk douglas 20 years later let me talk to kay for as long as i can keep my hand in this flame the movie captured or to become one of the most legendary times in van gogh's life when he was staying in al with paul gauguin another artist who was largely unappreciated during his lifetime i've dug ditches in the stinking heat of the tropics i worked in the dachshund weather so-called my hands froze on the ropes and i can tell you there's nothing noble or beautiful about it i did it so i could go on painting i didn't have a brother to support me there was already a sort of bit of a myth of the man around gurgaon he had been a stock broker and he left his wife and he was really sort of a character within those circles and vincent i think really looked up to him saw him as this pioneer of an emotive form of art full of synesthesia and using paint to conjure different ways of thinking and set the senses he was just on the edge of having a breakdown when goku arrived goku actually mentions this in his own better so it's a theo um and then phagos actually gets better for a couple of months i think he paints something like 25 pictures in five months and he's just painting and painting and painting not necessarily the happiest period in his entire life the israel that they both envisaged of working in this wonderful artistic commune never came to fruition it was a disaster [Music] the reason we know so much about the life and work of the unknown vincent van gogh is thanks to the tireless efforts of joanna bonga the epic battles with paul gogan down in al his tortured mental state the mutilation of his own ear and of course the devoted relationship between the artist and his brother tayo all of these elements are part of the legend of vincent van gogh so why has joanna's story largely been forgotten well i suppose joanna's contribution comes from a lot of people's points of view after the stories ended after the brothers van gogh died her role becomes very important i guess in the public eye people are really interested in vince and to some extent their interest in teo but joanna was further away from them and didn't know vincent well she sold more than 250 works of art because she has sold them that's why van gogh's has grown so famous i think it's certainly true that her name johanna banger is not as well known to the general public as she ought to be because what she did was on an heroic scale in assuring this legacy and assuring the fame of vincent [Music] she spread him over the world but still she had about 600 works by van gogh many drawings 200 paintings and about 200 pieces of art of other people the paintings went to the van gogh museum in the 1970s so everyone just assumes they've been in a museum and i guess for that reason she's not well known it's quite possible that van gogh would have been completely forgotten without joanna bonga because there would be very very few work surviving she did play a very important role without her so much the material wouldn't have survived vincent he said people will only understand my portraits 25 years after and and he was right

Channel: Perspective

Views: 20,679

Keywords: Arts, The Arts, Theatre, Music, Full EPisode, Full documentary, documentary, performing arts, van gogh, vincent van gogh, van gogh museum, art history, dutch art, theo van gogh, vincent van gogh documentary, vincent van gogh paintings, arts, artists, art television, arts tv, is there an arts channel?, art, raiders of the lost art, lost art, ovationtv, vincent van gogh (visual artist), starry night, art explained, van gogh documentary, van gogh exhibit, van gogh paintings

Id: ZYqynB1LJ8A

Length: 44min 0sec (2640 seconds)

Published: Sat Dec 18 2021