Patton: A Genius For War | Full Documentary | Biography

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NARRATOR: Although George S. Patton would live to be 60 years old, he actually lived in America's mind and heart for just about three of those years-- 1942 through 1945. What a three years they were. In the biggest and most flaming campaigns of World War II, he embodied the cutting edge of American vengeance and power against the Axis hordes. He broke Hitler's legions with the headlong lan of the hard-riding Western cavalryman that he indeed was. But the heart and spirit that always seemed so confident and invincible had chasms of weakness and despair from which even his mighty 3rd Army couldn't save him. The truth was that Patton the soldier was one of the most complicated military men who ever dominated a battlefield. He captured or liberated 81,000 square miles of territory, like the entire country of France. He captured over 1,250,000 prisoners. That's comparable to nearly five armies, because his army's strength was only 250,000. He killed or wounded a half million Germans. Unbelievable. The greatest achievement in all of military history. He believed, or came to believe, that he was a reborn warrior from times past. In fact, many times reborn, that his soul had gone many times around the wheel. He believed God had put him on Earth for a purpose. And that purpose was to lead a great army in battle. He sauntered in Sunday morning about noon, and I popped up and saluted. And he says, Eklund, he says, you know Chaplain so-and-so? I said, yes, sir. He said, well, get rid of the son of a bitch. He can't preach. There was such a contrast between the public Patton who could curse like a stable boy one minute, and the next minute, turn around and get down on his hands and knees and pray to his god. NARRATOR: While he was never defeated in war, he often found the battles of peace unbearably hard. Little about the man or his background was expectable or as it seemed, except the size of the fight and determination in him. It ran in the family blood. [music playing] The fighting Patton blood came to Virginia in 1770 with Robert Patton, a highly successful merchant and civic leader. He was described as "a man who was hot-tempered and something of a dandy," and as "a mule-headed fiery little man." He married the daughter of courageous Brigadier General Hugh Mercer, a prosperous and legendary hero of the Revolutionary War. He had to be bayoneted seven times, clubbed, and shot before he would die while riding to Washington's aid at Princeton. Robert's son, John Mercer Patton-- doctor, lawyer, and politician-- married Margaret French and seeded the warrior strain that was to mark the Patton ancestry. Of his eight surviving sons, six would serve the Confederate gray in the Civil War. From Bull Run to Cold Harbor, four would fall, two would die. The eldest of these heroes was the first George Smith Patton. At VMI, he had been rated first in tactics, French, mathematics, Latin, geology, and chemistry, showing the rage to excel that would dominate his grandson. He had married redoubtable Susan Glassell Patton and gone to the Civil War as the father of two children, George and Nellie. After exemplary service and a wounding in earlier battles, Colonel George S. Patton I fell, mortally hit at age 31 in the Battle of Winchester in 1864. His widow would sell everything except her husband's sword, saddle, gold watch, and Bible, in order to head for the Western frontiers. The courage of such a move into the unknown was pure Patton. In fast-growing California, Susan married George Hugh Smith. Her eldest child, George Patton II, father-to-be of the future general, would grow up gripped with the heritage of his late father, burning to pick up the fallen banner of the dead hero. George Patton II absorbed this memory of his father and wanted to fulfill what he saw to be his father's thwarted destiny as a soldier. Went to VMI, graduated first in his class. However, his family, his widowed mother needed a breadwinner at home. So Papa resigned his commission and became a lawyer in California. But that left him saddened. It left him dissatisfied. And in a very benign, loving but nonetheless assertive way, Papa passed that thwarted dream that he'd had of a military career on to his young and ever-eager son, Georgie. NARRATOR: The future general's maternal grandfather, Benjamin Davis Wilson, contributed ferocity to the Patton blood. He was a trapper, grizzly bear fighter, bandit killer, rancher, politician, and real estate entrepreneur. He was known as Don Benito and had a frightful temper. Ruth Wilson was his treasured daughter, and certainly the carrier of his warrior fires. She would marry George S. Patton II December 11, 1884. On November 11, 1885, George S. Patton III was born. Georgie, as he would be called all his life, began as a charming, loving, sweet-tempered child. That and his bravura good looks made him the family favorite. And the Pattons knew how to play favorites. They lined up to happily spoil him rotten. The man to be famed for his fierce discipline knew little of it in his own early life. None, not even his father, spoiled him as resolutely as Ruth Wilson Patton's spinster sister, Anne, known as Aunt Nanny. Aunt Nanny's unrequited love was Patton's father. She wanted to marry him. She was in love with him from the time she first set eyes on him. Her sister won his hand in marriage. But to her death, she considered George S. Patton II her husband, and she considered George S. Patton Jr. as her son. After she died, her nieces went into her bureau and found not only some of Georgie's baby clothes, but some of the swabs and gauze pads that had bandaged scraped knees from childhood that at that point were 30, 35, 40 years old, that she had saved from those early days at Lake Vineyard. He had his way in virtually everything he did. He was given a horse. He was given a saddle. He was allowed to roam the vast Patton estate in Southern California. He grew up happy-go-lucky, totally unlike the character that he later became. NARRATOR: Georgie's younger sister Anne, called "Nita," endured a lifetime in the overpowering shadow of her brother, but still managed to adore him along with the rest. But it was to his father that young Georgie gave his heart. CARLO D'ESTE: His father began to read to him at an early age, telling the stories and the myths of the Patton family, of the tradition of the Revolutionary War when General Hugh Mercer died at Princeton, right on through the Civil War where his own grandfather was killed at Winchester and his great uncle was mortally wounded at Pickett's Charge at Gettysburg. He saw himself as not only the embodiment of these great Pattons that had come before him, but as one who had this destiny that he had to fulfill. young George S. Patton Ad was still in childhood, there floated into his life the first ominous cloud. The golden-haired boy seemed flashingly bright at play, but at lessons, he was a disaster. Even the worshipful Aunt Nanny began to suspect her beloved nephew was, behind it all, dim-witted. The problem was the maddening, then-unknown affliction dyslexia, which caused his senses to garble writing. ACTOR AS PATTON (VOICEOVER): I had trouble with my As, Bs, and-- now, what was that other letter? His parents read to him continuously and also had tutors to try and help him. They were afraid to send him to school until he was about 11 or 12 years old because they would be embarrassed that he would be ridiculed by his classmates. CARLO D'ESTE: His father and his Aunt Nanny read to him. They read the classics. They read the Bible. Patton learned not only the traditions of his family, but also the stories of the great generals of history. Very early on decided he needed to become the great warrior that he dreamed of being. He imagined himself to be weak, to be not intellectually gifted, to be pampered at home, and he felt he needed to be tough. And he decided to act tough even if he didn't feel tough. NARRATOR: Bravely, young Georgie plunged into Pasadena's Classical School for Boys where he had to develop a photographic mind to make even acceptable progress in reading and mathematics, yet he shone in ancient and modern history. He would pattern himself after the great heroes, and for a Patton, that meant military heroes. One minute he was this young, carefree, rather happy-go-lucky teenager, and virtually the next minute, as he prepared himself to enter West Point and to follow a military career, he decided that he had to be this other character. And eventually, you could not separate the character that he was portraying from the real Patton himself. NARRATOR: But there was to be a great distraction. During the summer of 1902, when Georgie was 16, a wealthy Boston family, the Ayers, traveled to California in their own railway cars to visit the Pattons. With them was an auburn-haired 16-year-old who had already entertained three proposals of marriage, Beatrice Banning Ayer. She had recently been narrowly persuaded by a governess not to have a square-rigged ship tattooed on her chest. Young Georgie Patton didn't know it yet, but Beatrice would alter his life forever. The Ayers were a wildly successful May-December marriage. He was a self-made patent medicine millionaire, now 62, and she a successful actress 30 years his junior out of a powerful family that would one day own Catalina Island. They were big-city Easterners and would be no pushover for any provincial suitor of their eldest daughter. Beatrice was a mountain of talents, playing mandolin, piano, steel guitar, and musical saw. She later wrote songs and a novel that would be published, was a crack sailor, and spoke sturdy French. The idyllic summer culminated in a family theatrical called "Undine," with Beatrice in the leading role and the future military terror as a water sprite. Although they went their separate ways after the magical season, the bond between them, though nurtured only by sparse letters and trinkets, would never be broken. With no openings at West Point, Georgie followed the footsteps of his father and grandfather to Virginia Military Institute. A cram school headmaster told his father glumly, your son's case is one of those from which we distinctly shrink. Still his father continued to orchestrate a tireless letter-writing barrage to all who could affect a West Point appointment, calling in all the political IOUs of both the Patton and Wilson families. The campaign would take him only so far. In the end, Patton had to get in on his own merit. He had to take the competitive exam, and he did pass it. But nothing came easy for Patton. He had to work twice as hard as everyone else. NARRATOR: Now he was a West Pointer, but his struggles were far from over. His dyslexia dragged him steadily downward despite his mightiest efforts. CARLO D'ESTE: He had a terrible time. He couldn't read properly, so that virtually everything had to be memorized. NARRATOR: At the end of Patton's first year at West Point in May of 1905, he flunked and was sent back to repeat his plebe year. The setback was devastating to him. His entire life seemed over. He had to do things better than anyone else. And his whole life was keyed around this attempt, day in and day out, to prove himself. And so for him, mediocrity was virtually a sin. NARRATOR: At West Point, the terrible unstoppable resolve that was to characterize the rest of his life now seized him as he drove himself mercilessly to excel. Patton never lost his aversion to those of allegedly inferior social status. Of his fellow cadets, he wrote that "most were nice fellows, but very few indeed are born gentlemen. The only ones of that type are Southerners." Not surprisingly, he made few friends and was deemed arrogant and remote. On parade, he lamented that-- ACTOR AS PATTON (VOICEOVER): I was only part of the Corps, not the whole thing. NARRATOR: Now he began a conscious process of killing the sweet-tempered, affectionate child he had been in order to produce the profane, choleric adult that he felt his new life required. He let his naked ambition show and openly aspired to become the first general from his class. Sensing the rising momentum of his country in the young century, he was already anticipating a great place in it. CARLO D'ESTE: He never threw a single scrap of paper away. From the time he entered West Point, he wrote in the notebook, "for a future biographer, this may be of interest to you." And then he sort of summarized his life. And here he is, a 19-year-old cadet and he really hadn't done that much, but yet he was already seeing someone down the line years hence writing a biography of his life. NARRATOR: While he was far from a natural athlete, he characteristically turned his blazing will upon training himself at sports. He showed a remarkable aptitude for fencing and fell in love with its aristocratic overtones. His lifelong propensity to injure himself came to the fore with his athletic striving, and he limped frequently to the Academy infirmary. The reason that he was so accident prone was that he never did anything by half. For Patton, whatever it was, whether it was running track or jumping over a fence or sword fighting, he had to be the best. He knew only one way and that was all out. NARRATOR: Things started to look up all around. Beatrice and he had become a definite item. His marks and his standing in class improved. And he now had lower classmen of his own to torment. His overzealousness offended virtually everyone. He reported eagerly-- ACTOR AS PATTON (VOICEOVER): I believe that I reported more men than any other officer of the day this summer. They don't like me. But when I get out in front of them, the foolishness stops. NARRATOR: With his dyslexic difficulties at West Point now caving in to the sheer weight of his will, George Patton found time and confidence in 1909 to press his way toward the hand of his ever more beloved, Beatrice Ayer. But there was a very large persuasive and rich obstruction in his path. ROBERT H. PATTON: The military was not a gentlemen's profession in the view of Frederick Ayer. While willing to give his blessings to the marriage of Georgie and Beatrice, said, first and foremost, you must leave the military and then we can talk. But Patton politely but firmly resisted Frederick Ayer's entreaties to accept both money and position as the price of giving up his career. NARRATOR: Later, Patton would tell Ayer-- ACTOR AS PATTON (VOICEOVER): It is as natural for me to be a soldier as it is to breathe. NARRATOR: Defending his destiny, he wrote to her parents-- ACTOR AS PATTON (VOICEOVER): I awaken at night in a cold sweat, imagining that I have lived and done nothing. Worse than failure, worse than mediocrity, Georgie feared as a young man the acceptance of failure, the acceptance of mediocrity. NARRATOR: The truth was that Beatrice dreaded the prospect of becoming an ill-housed knockabout Army wife, yet she would lock herself in her room and stage a hunger strike to support her insistence on marrying her Georgie. Patton's graduation from West Point came after five tough years, with his creditable standing of 46th in a class of 103 being achieved with sheer bulldog grit. It was a trait that would become all too familiar to his battlefield enemies. After his graduation from West Point, George Patton chose the cavalry as his assignment. But the neglected Army of 1910 defended a huge nation with a poorly paid 84,000 men and only 4,300 officers-- hardly enough to fill a football stadium. He was assigned to a hardscrabble outpost at Fort Sheridan, Illinois. CARLO D'ESTE: There wasn't a great future. There were no wars in the near prospect, and so it was a courier for the hardy, for those that were willing to endure a very difficult lifestyle. NARRATOR: As she had at West Point, Aunt Nanny packed up and moved to be near her treasured boy. But Georgie was distracted from his loving aunt by the sudden success of his romantic pursuit. Frederick Ayer finally caved in to Patton's suit of his daughter with generous words and deeds. "It has been my custom when my children have married to give them a monthly income. I admire your firmness of purpose in sticking to the Army." George Patton Sr. had sent his new daughter-in-law a sentimental note saying, "In my memory, I saw the little white-headed kid who was Georgie. This far off father surrenders his only little boy to your loving keeping for always." Beatrice Ayer and Second Lieutenant George S. Patton Jr. were married on May 26, 1910, in a great social event at the splendid Ayer home of Avalon on Massachusetts' North Shore. When Georgie's mother fell ill, a glorying Aunt Nanny took the place of honor in the receiving line next to the only man she had ever loved, the man at whose death she would one day moan, "Wait for me, George. Wait for me." A long, stylish wedding voyage to England began the marriage joyously. For Beatrice, it made the return to the stark realities of a second lieutenant's wife at a nondescript Army post even harder to bear. The way she coped was to frequently go home to visit her parents, to take breaks away from this strange alien life that she'd been thrust into. Yet at the same time, she was determined to tough it out. She married George S. Patton for better or for worse, and by God, she was going to see this through. NARRATOR: With the birth of little Beatrice, called Bea, in 1911, Patton found himself unready and this displeased. CARLO D'ESTE: He found fatherhood extremely difficult. And he found the birth of his first daughter, Beatrice, a traumatic event. He had a difficult time adjusting. He felt lonely. He felt isolated. All of a sudden, he was no longer the center of attention. NARRATOR: The Ayer coffers helped raise the social level for Georgie's Army family. That money bought him one of the first motor cars and a hot interest in all things automotive. Still, he was not a social class bully. A custom at Army posts in the early 1900s was that young junior officers were bumped from their quarters if a more senior officer wanted them. Georgie thought this was a great slight and a great insult, and therefore to avoid that, always took the worst quarters on any post that he was assigned to. NARRATOR: A transfer to Fort Myer near Washington in 1912 rescued the Pattons from the bushes and plunged Georgie into the tony social world of parties, fox hunting, and polo in the Virginia and Maryland countryside. Bea came back into her own, and Georgie began to make contacts that would serve him all his life. He found himself a regular riding companion of Secretary of War Henry L. Stimson, who was impressed with the young officer and pushed his interests aggressively. It was time to upgrade the Patton horseflesh to reflect the new competition. He visited Lexington, Kentucky, to buy seven new thoroughbreds. ROBERT H. PATTON: He was able, through his wife's means, to afford not only many polo ponies and English jumpers, but the very best that could be had. At one Army post, he went to the commanding officer's door when he first arrived and knocked on the door and said, where will I be stabling my 20 ponies? And of course, the colonel probably had one pony to his name, and this wasn't exactly the best introduction to the Army post for Georgie. NARRATOR: With the fifth Olympiad to be held in 1912 in Stockholm, Sweden, the United States turned to Lieutenant George Patton for the modern pentathlon. Five events for soldier athletes including running, pistol shooting, swimming, fencing, and riding. They were betting on his reckless determination and sheer guts. He had only a couple of months to prepare. And he simply went out, trained as hard as he could, ran as hard as he could, jumped as hard as he could. And the amazing thing is that he almost won a medal. ROBERT H. PATTON: Georgie came running into the stadium at the end of the long distance run in Stockholm completely exhausted, and apparently crossed the finish line and collapsed in a heap. He was so delirious with exhaustion that all he heard was his father who came running down out of the stands, saying to the trainer, will the boy live? Will the boy live? NARRATOR: He had defeated 20 of 29 fencers and 17 of 23 swimmers without being a natural athlete. It was the first of many Patton trips into the national limelight, and he wanted more. His showing inspired a sword-training stint at the classic French Cavalry School at Saumur, where he qualified to become the first US Master of the Sword. He designed a new US Cavalry Saber and published important articles in the "Cavalry Journal." Times were good, and he knew how to make them better. He flattered his superiors. He wrote a great many letters telling other people how great they were. He advertised himself. He performed in horse races and steeplechasing and polo and all sorts of things to self-advertise. NARRATOR: Patton got another plum assignment to cavalrymen's heaven-- the Mounted Service School in Fort Riley, Kansas. It was all good riding, good company, and good prospects. There was still a sign reading "Officers will not shoot buffalo on the parade ground from the windows of their quarters." Still, he now began to chafe at his lack of progress. The man who wanted to be the first in his class to make general was now 29 and still a second lieutenant. Promotion in the peacetime Army was almost non-existent. One could spend 10 or 15 years as a second lieutenant or as a first lieutenant. NARRATOR: Ruth Ellen Patton was born in 1915. Not only did she disappoint as another girl instead of the expected heir, but she would turn into a spitfire to bedevil him in his own image. He even found fault with her name. ACTOR AS PATTON (VOICEOVER): I don't like the sound of either Ruth or Ellen. ROBERT H. PATTON: Across the dining room table and across playrooms and living rooms in the households wherever they lived, they tended to argue and debate. And she did not back down. At one point, Beatrice was told that her daughter, Ruth Ellen, was swearing in class in first or second grade. And she called her daughter in and said, why are you swearing in class? And she said, well, I'm doing it because Daddy does. NARRATOR: Patton's doldrums began to fade with the sharp deterioration of relations between the US and Mexico as revolutionary upheavals spilled across the southern border. He melodramatically wrote Aunt Nanny-- ACTOR AS PATTON (VOICEOVER): By the time this reaches you, I may be a heap of rotting carrion on the sand hills of northern Mexico. NARRATOR: But the prospect of a war, of course, delighted him thoroughly, and it looked as though there were a couple of them coming. The Patton genius for being in the right place at the right time when the bullets were flying thickest would soon make its way into national headlines in the Mexican War and the First World War. ve n would move toward the Mexican border under Brigadier General John J. Pershing. The terror that young Lieutenant George S. Patton Jr. felt arose from the prospect of missing his call to glory in the coming trouble. The 30-year Mexican dictatorship of Porfirio Diaz had been overthrown in 1910. But the democratically-elected President Francisco Madero was murdered and replaced by General Victoriano Huerta. A US effort to support his opponent, Venustiano Carranza, had backfired into growing anti-Americanism. Francisco Villa, known as "Pancho" a murderous bandit leader and folk hero, struck across the border with brilliant guerrilla tactics. The last thing that General Pershing needed in his expeditionary force was another young lieutenant. The odds did not daunt Patton. So he literally forced himself by virtue of going to Pershing and saying, I want to become a member of your staff, and actually persuading John J. Pershing to accept him as an aide when he didn't have a vacancy for an aide. MARTIN BLUMENSON: He modeled himself on Pershing to a great extent. He was very close to Pershing during the expedition to Mexico. He noticed that Pershing was very careful about details and small details. And Patton learned that if one is very careful about the tiny details, everything in the end is going to work out OK. I think Patton modeled his bearing and his posture and his way of talking on how Pershing did this. NARRATOR: Pershing was a dominating commander, the ideal kind of officer upon whom Patton could model himself. The glacial stare, the no-nonsense discipline, the willingness to accept unpopularity came to Patton straight out of "Black Jack" Pershing. Patton's career certainly wasn't hurt by the fact that his sister Nita and Pershing had a romance. In fact, Patton at one point almost became Pershing's brother-in-law. NARRATOR: Pancho Villa capped a rampage of murder with a raid on Columbus, New Mexico, on March 9, 1916. 18 Americans died in the fighting. The incident ruled the headlines in the United States. The US Cavalry and George Patton soon thundered into Mexico in hot pursuit. Young Patton learned more than fighting. The problems of movement in the desert were eagerly recorded. The lessons would serve him crucially later in his North African campaign. It was the last significant moment of the US Cavalry, and Patton warned that the troops had not been allowed to bring their sabers. But his moment of glory in Mexico was not on horseback, but in the usurping automobile. The Punitive Expedition was really the making of Patton. He launched what he called "a great raid" to locate one of Pancho Villa's senior lieutenants. They found him at a hacienda. There was a great shoot-out. Villa's henchmen was killed along with two other Mexicans in a shoot-out. Patton overnight became a national figure. He was reported in all of the newspapers. The corpses of the Mexican that he killed were placed on the hood of his car and taken back and delivered to Pershing, almost as if one would deliver a trophy. NARRATOR: As the Mexican expedition went in circles, Patton grew depressed and took refuge in some long-held beliefs. The idea of Georgie being present at long-ago battles came about early in his mind. They didn't come from nothing. This idea of reincarnation, spiritualism was part of the family vocabulary. He'd fought with Hannibal. He'd fought with Caesar's legions, Alexander the Great, and of course, the Civil War with his ancestors. In each situation, he was a hero who died on the battlefield. And that belief in reincarnation combined with love of his ancestors inspired him to be a courageous, brave soldier. And as a consequence, he felt that he had experienced so much in warfare that he knew exactly by instinct or by intuition what to do on the battlefield to win. NARRATOR: With the inconclusive end of the Mexican campaign, he again had time to worry himself about his family. When his father made a run for the US Senate, Patton was delighted, even though George Sr. lost. Georgie, though he loved his father, often criticized his father for continuing-- long after the Pattons had become wealthy, for continuing to be a winemaker, to sell off parcels of land, in effect to continuing to be a capitalist. Georgie said to his father, you've got the money in effect. Now go and do something noble and honorable. Go and run for office. Go and become a prestigious cabinet official in Washington government. Do something in effect that has the aspect of grandeur that, in Georgie's view, business did not have. NARRATOR: Patton's career almost ended when a gasoline lantern blew up in his face. The fate that would finally get him was hunting. Yet for him, the gods of war would always be kind. In the spring of 1917, the US threw off its thin cloak of neutrality and responded to the indiscriminate sinking of its ships by Germany. [pow] The country entered the great European slaughter that had been raging since 1914. Mobilization was begun on a massive scale, to the unconcealed joy of George S. Patton. Most vitally for Patton, the commander of the American Expeditionary Force was to be his old Mexican commander, Black Jack Pershing. Patton was ordered to Washington as his aide. On May 28, 1917, Patton, now a captain, sailed for France. Beatrice would not see him again for nearly two years. In France, a new weapon was being slowly, painfully born. It would one day bring George S. Patton to pinnacles of fame and glory. Patton's great opportunity came at the end of 1917 when Pershing appointed him to head the new AEF Tank Corps, which at the time consisted of Patton and one lieutenant. Between January, 1918, and the summer of 1918, Patton singlehandedly created the AEF tank training center. He created the ideas, the tactics, the design, the uniforms, the procedures. Virtually everything that was done came from Patton. Over 10,000 men had been trained before the first battle took place. It was an amazing accomplishment. NARRATOR: Patton studied the Battle of Cambrai, in which the British had launched the largest tank attack ever mounted. 324 machines struck the Hindenburg Line and penetrated six miles, overran two divisions, and captured 8,000 prisoners-- a success that 100,000 foot soldiers had failed to achieve four months before in the same area. ACTOR AS PATTON (VOICEOVER): If resistance is broken and the line pierced, the tank must and will assume the role of pursuit cavalry and ride the enemy to death. NARRATOR: George Patton's prophetic words became the bedrock of all armored warfare for the rest of the century. lieutenant colonel in France,n George S. Patton set about drilling his special brand of spit-and-polish discipline into his blossoming tank corps. His men gained a grudging, growing pride in the Corps and its commander. ACTOR AS PATTON (VOICEOVER): I don't see why they like me, as I curse them freely on all occasions. MARTIN BLUMENSON: He was always concerned about what made soldiers fight and what made them do things above and beyond the call of duty. And I think it was that that made him such a wonderful trainer of people. There is a magic when he's working with troops. There was a magic bond between Patton and his men. NARRATOR: The fledgling American troops were sent to the Meuse-Argonne sector to straighten out a bulge in the line called the Saint-Mihiel salient. [boom] The French had previously lost 60,000 men in failing the same effort. Patton's tank brigade was slated to go in. He joined dangerous patrols to begin a lifetime obsession with the need of a tank officer to personally see the ground on which he was to fight. His instructions to his men were succinct. ACTOR AS PATTON (VOICEOVER): Remember that you were the first American tanks. You must establish the fact that American tanks do not surrender. NARRATOR: The first American tank attack in history went forward, led by George Patton. He left his command post and went into the battlefield on foot, kicking and cursing the hesitant. As he progressed, he came across an aristocratic officer walking coolly forward with his infantry. As on later battlefields, neither Douglas MacArthur nor George Patton would let himself flinch from fire. [pow] [boom] CARLO D'ESTE: Patton encountered MacArthur. Artillery fire was raining down from the German side. Both were standing, facing the enemy fire, neither one willing to acknowledge the fact that they might be killed at any moment. Neither man flinching. It was really a case of one-upsmanship. NARRATOR: Patton's courage was remarkable-- bordering on foolhardy. He walked boldly over a bridge reported mined by the Germans. Later he led his men into a contested town riding on top of a tank being splattered with bullets. He proudly said-- ACTOR AS PATTON (VOICEOVER): I am the only man on the front line except General MacArthur who never ducked a shell. [explosions] He didn't know it at the time, but eventually this helped to make his reputation when it was widely reported that he had ridden a tank under fire. And he also had the honor of being perhaps one of the first Americans ever to ride a tank in battle, because this was the first day that American tanks had ever been employed in combat. NARRATOR: The carnage moved him to follow his lifelong penchant to write melodramatic poetry when saddened. ROBERT H. PATTON: Georgie was by no means a great poet. A sort of poor man-- perhaps a very poor man's version of Rudyard Kipling. However, he took it very seriously. ACTOR AS PATTON (VOICEOVER): The roar of the battle languished, the hate from the guns grew still while the moon rose up from a smoke cloud and looked at the dead on the hill. [boom] NARRATOR: Patton had a great triumph in the Saint-Mihiel battle and became fascinated with the potential of tanks in a new sort of swift mobile war. On September 26, 1918, the Americans and the French launched a great offensive in the Meuse-Argonne sector. Patton's armor was to be in support. The troops and tanks went forward, and the Germans threw everything they had at them. Artillery raked the advance relentlessly. Near the town of Cheppy, disoriented by fog, Patton found himself on foot out in front of the tanks and came under severe fire from some of the 25 machine gun nests defending the town. [gunfire] CARLO D'ESTE: It was at this point that Patton later claimed to have had a vision, that he looked up in the sky and in the clouds he saw the outline or the image of his Confederate kin, of his great uncle and of his grandfather. And they seemed to be beckoning to him, saying, come on. Come on. Get up. No Patton could be a coward. And he later related that this inspired him to lead the men out of this depression where they were hiding. NARRATOR: The results were disastrous. His men were cut down. Patton took a vicious leg wound from a machine-gun bullet and certainly would have died if not pulled to the safety of a shell hole by his orderly, PFC Joseph Angelo. Patton was badly wounded when he was shot with a machine-gun bullet in his upper thigh. His doctors later looked at the wound and marveled that he survived. NARRATOR: As he was rushed back for treatment, Patton realized that he was almost exactly the age his grandfather and namesake was on the day he died at Winchester. So it was somewhat to Patton's surprise that he survived and was made a full colonel. He said he would have preferred a medal to the promotion. On George Patton's 33rd birthday, the guns on the Western Front grew silent as the armistice was signed. The end of the war robbed him of the euphoria of defying death. It also ripped the special bond that binds men in battle. His expected greatness lay still unachieved. He suffered acute withdrawal and a great letdown. One of his poems began-- ACTOR AS PATTON (VOICEOVER): I stood in the flag-decked cheering crowd where all but I were gay, and gazing on their ecstasy, my heart shrank in dismay. NARRATOR: The peace he dreaded would be less permanent than he feared. Some 350 miles east of where Patton lay, an eccentric German corporal named Adolph Hitler brooded vengefully on defeat. The men would meet at the head of deadly legions. As the huge Army shrank down, Patton's colonel's rank shrank back to captain before inching back to major. He and his beloved Tank Corps retreated into a painful irrelevance. Upon his return to the United States, he found himself let down in humdrum domestic doldrums, facing daughters he hardly knew and who hardly knew him. He was gone for nearly three years. And in that time, their mother had painted their absent father as a knight in shining armor. This was truly the walking god come home. Well, young Ruth Ellen and young Bea, who were three years old and five years old when he came home, were sorely disappointed by the man. CARLO D'ESTE: At the end of World War I, Patton returned to the United States and was assigned to Camp Meade, Maryland, where the Tank Corps was then to be located. It was here that he met a young tank officer by the name of Dwight Eisenhower, who had spent the war training tank troops outside of Gettysburg, Pennsylvania. They spent time together as-- thinking as tank officers about the future of the tank. They experimented together. They played poker together. Their families became close friends. NARRATOR: It was a friendship which neither man knew had great implications for the future. A future that would carry one of them to the presidency of the United States and the other to a soldier's grave on a foreign shore. would discharge 2.6 million enlisted men and 128,000 officers. The regular Army fell to 130,000. Patton's wartime rank of colonel had been reduced to major in the shrunken peacetime Army. The end of the war left him to deal with the one thing for which he was never prepared-- peacetime. The thrill of important rank and leading men in combat in a huge and respected Army was suddenly gone. The Army retreated to a small tradition-encrusted force with no money, no future, and certainly no impetus toward mechanization. Within a few months, it drove Patton back from the Tank Corps to the Cavalry. The interwar year period was a terrible time, not just for Patton, but for all Army officers. They felt their careers were at a dead end. Most of them felt that they would either die or retire in the grades that they held. NARRATOR: The long-awaited Patton heir arrived on Christmas Eve, 1923, at Avalon, in the person of George Smith Patton IV. Patton's old World War I comrade, Joe Angelo, wrote his congratulations and hoped the baby would become a great officer like his father. In 1925, Patton took the family in tow to Schofield Barracks in Hawaii. Duties in what was called the Pineapple Army were light, and reviews, polo, and parties plentiful. But he was miserable. He suffered during this period from depression. His marriage was troubled. His assignments he found boring. It was a time when he could see no future. [gunfire] His boundless creativity tried to find expression in the invention of a device to add portability to the machine gun. But there was too much indifference to innovation in these interwar years for anything to come of it. Goaded by hotheaded Ruth Ellen, Patton was not getting along much better with his daughters. ACTOR AS PATTON (VOICEOVER): Beatrice Ayer Patton, how did a beautiful woman like yourself ever have two such ugly daughters? NARRATOR: When Patton grumpily ordered Ruth Ellen off a horse so he could show her how to do something right, she was overheard to mutter, dear God, please let that SOB break his neck. At a moment when the frustrated Patton needed no more misery, a great new sorrow arrived. George Patton Sr., beloved father and grandfather, the family's great touchstone to its gloried past, died at 71. After Papa died in 1927, Georgie was unable to make the funeral. He couldn't get a ship from Hawaii to California in time. When he arrived a couple of days later, he first went to the cemetery in full uniform, knelt on the grave, said a prayer. And as he said later, he looked up and he saw his father's ghost walking along a flower-strewn path beside the cemetery. He said, I saw Papa looking at me. And Papa shook his head and smiled and put fingers to his lips as if to say all was well, I was not to mourn. Georgie was devastated by the death of his father. It really was the trigger of a succession of difficult events which then would come to Georgie in the next five years. NARRATOR: One of those was the Great Depression. While Patton was insulated from the economic crunch by his wealth and career, he was to confront the human costs. In 1932, he encountered one of the ugliest moments of his career. Jobless disgruntled veterans of World War I marched on Washington to demand bonuses and established a shantytown they dubbed "Hooverville." One of the veterans was the man who had saved Patton's life in France, Joe Angelo. The embarrassed Hoover administration decided to disperse the marchers. The Army got the call and George Patton had to suppress the men who had once served him in battle. To cries of "shame, shame," the horse soldiers drove off their former comrades with tear gas, clubs, and the flats of sabers. As Hooverville was put to the torch, Joe Angelo asked to be brought to Patton, his old war buddy. CARLO D'ESTE: Patton completely disavowed Angelo. He pretended that he didn't know him. It was a traumatic moment. Angelo never forgave Patton for ignoring him, for rejecting him. Patton himself may very well have never forgiven himself for not acknowledging it. NARRATOR: After 14 bleak years as a major, Patton's permanent rank was advanced to lieutenant colonel in 1934. Even in this rank, his responsibilities didn't go much beyond constructing squash courts and skeet ranges. Ordered back to Hawaii in 1935, he decided to test the mettle that he was not sure remained inside him. He risked himself and his family by endeavoring to sail 2,238 miles across the Pacific from San Diego to Hawaii on his 40-foot schooner, the Arcturus. ROBERT H. PATTON: He hadn't had a great deal of experience sailing. He had-- was a self-taught navigator, which was quite a feat, considering he was never good at mathematics to begin with. And this was a way of courting danger. And if he survived it, then it was a testament from the heavens that they still had something in store for Georgie Patton. And if he didn't survive it, well, best to get it over with then and know now, rather than later. NARRATOR: The grueling month-long sail, in which his navigation proved perfect, failed to restore his spirits in Hawaii. He was 50 years old, gray, and in the grip of a midlife crisis. At this time, Bea wrote and published a successful novel and book of poetry, and in general showed that she had always been stronger than her husband. He resented it and treated her badly. She did tell her daughter, Ruth Ellen, at one point, she said, I'm staying with your father. And I want you to remember that I'm staying with him because he needs me more than I need him. And this I think was a very important revelation for her as a wife to this man who so long had dominated. NARRATOR: A stifling tension fell over the Pattons' relationship. His daughter grew distressed over his treatment of their mother. He played polo like a madman, spoke indiscreetly, and drank too much. He also was tempted by another snare of middle-aged men-- a much younger woman. His wife finally grew so irritated with his kind of self-indulgent depression that she wrote in her book, she said, I don't know how long it takes for a man to spiritually gut himself. I suppose it depends on how much guts he had to begin with. NARRATOR: Beatrice knew that George's promotion to colonel in 1938 only reminded him of the long-dead years since he had last held that rank in 1918. But suddenly, on the morning of September 1, 1939, Colonel George Patton had more important things to consider-- the chance to achieve the destiny for which he had waited for more than 20 years. With Adolf Hitler's blitzkrieg into Poland, the world moved grimly to the edges of war. As England was drawn into the conflict, America realized that the defense of its wealth and safety was in the hands of a woefully unprepared Army that had to be restored with breathtaking speed. A draft was instituted, and a massive remanning and rearming program began. Patton had one huge worry about his future in the building war machine-- his age. When George Marshall became chief of staff, he began cleaning out the Army. There were too many old men. He got rid of most of the senior officers over the age of 55. At the time he did this, Patton was already 55 years of age. But Marshall knew Patton. He knew that this was a man that was going to lead at least a corps, and later, perhaps an army of men. NARRATOR: All careers in the armored forces took a sharp turn upward on May 10, 1940, when German Panzer divisions under the tank genius General Heinz Guderian broke through the French forces and drove their British allies into the sea at Dunkirk. In the United States, changes in armor organization would be rapid, especially for Colonel George S. Patton Jr. In 1940, as long advocated by George Patton, the American armored units were welded into an independent force, free of powerful infantry and cavalry chiefs. It was the death knell of the old Cavalry and the rebirth of Patton's career. CARLO D'ESTE: Patton's return from the wilderness in 1940, when he was transferred to Fort Benning, Georgia, to become the assistant division commander of the 2nd Armored Division, was the real breakthrough in his career. NARRATOR: Somewhat to his astonishment, he found himself missing Beatrice deeply. He seemed to realize what a mess he had made of his marriage and belatedly apologized. ROBERT H. PATTON: Georgie needed Beatrice very, very much. He wrote in so many letters to her, in addition of the love and romance that he felt. And indeed it was a very nice, healthy, physical love that they had and he is very frank in his letters about that. Also, though, he laments her absence because he says that she keeps him from getting in trouble. NARRATOR: Beatrice arrived to join him, and they seemed to rediscover some of their sense of fun on the local party circuit. He needed a smile because the sad state of the 2nd Armored Division depressed him deeply. ACTOR AS PATTON (VOICEOVER): Now we've got to make them attack and kill. God help the United States. NARRATOR: "The New York Times" called them a "partly organized rabble of khaki-wearing civilians." The Patton touch was needed and arrived heavily. He decided that the first thing his outfit needed was a visible commander. CARLO D'ESTE: His general mode of arrival was with sirens blaring and screaming, arriving with a bevy of outriders, the military police. Everyone knew who it was. They knew it was Patton. They knew he had arrived. He believed in the presence of a commander as having a tremendous influence. NARRATOR: No commander ever trained troops to a higher standard. It was rabid that they not waste their lives in some foolish act. ACTOR AS PATTON (VOICEOVER): A pint of sweat saves a gallon of blood. NARRATOR: Even the look on his face was calculated to inspire. To him, there was a Pershing-like way that a general had to look, and he trained himself at it as rigorously as he trained any of his men. He had what he called his "war face." He practiced it in front of a mirror. It was this stern visage that many of us are familiar with was what Patton called his war face. And he could turn the war face on and off at will. NARRATOR: Patton's desire to establish esprit de corps produced his much ridiculed tanker uniform. It was a bilious green, and some sniggeringly called him the "Green Hornet." After 31 years in the Army, George S. Patton was now a brigadier general. He was more than ready to make his weight felt at last. In the early '40s, a series of sprawling war maneuvers sending 300,000 men across the American South became the first test of the rebuilding US military. The maneuvers broke into national headlines, and unit commanders' reputations were made or broken as thoroughly as they would be in a real war. Patton's flair for the unorthodox served him brilliantly. CARLO D'ESTE: The 1941 Louisiana and Carolina maneuvers helped make Patton. He commanded 2nd Armored Division. He was making such a splash that he appeared in July of '41 on the cover of "Life" magazine. At one point during the Louisiana maneuvers when 2nd Armored was making a wide sweeping movement to attack the enemy force in the rear, his tanks began to run out of gas. And being innovative and not letting little things like having not enough fuel stop him, Patton delved into his own pocket to help buy fuel to keep his tanks rolling. NARRATOR: As the 14,000-men 2nd Armored became a crack unit, Patton became a major general and added inspiration to the training. ACTOR AS PATTON (VOICEOVER): Battle is not a terrifying ordeal to be endured. It is a magnificent experience wherein all the elements that have made man superior to the beasts are present. Courage, self-sacrifice, loyalty, help to others, devotion to duty. One of the phrases that occasionally popped out was that wars are won by blood and by guts. And some wag eventually decided that this would make a good label to hang on Patton. And so it became-- what started out as something fairly innocent became a label that was hung on him that he really hated. No one ever called Patton "Old Blood and Guts" to his face. NARRATOR: An overage colonel named Dwight Eisenhower, not seeing much future for himself, contacted the fast rising star that was his old friend. Eisenhower wrote to Patton and said, I hope you will find a place for me. And Patton said, please come. I want to have you serve under me. So Eisenhower's aspirations at that early stage were merely to have served as a tank officer under George S. Patton. He had no idea that Marshall had other ideas about where he was going to go with his career. NARRATOR: Worse, tensions with the Japanese empire rose starkly. In an effort to turn back Japanese aggression in the Far East, President Franklin D. Roosevelt had declared a strangling oil embargo against Japan. When diplomacy failed, Japanese surprise attack on Pearl Harbor plunged the United States into a two-front war against terrible enemies. [gunfire] North Africa, where the British were locked in a death struggle with General Erwin Rommel's Afrika Korps, was to be the destination of the first American land combat units to cross the Atlantic. Operation Torch, the Anglo-American invasion of French North Africa, was an ill-regarded brainchild of British Prime Minister Winston Churchill. But it was a way to rush green American forces into the war in the West. Dwight Eisenhower, pushed past Patton to lieutenant general, received British endorsement to command Allied forces in North Africa. Ike's natural affability and diplomacy contrasted starkly with Patton's way. The operation was to make three simultaneous landings near Casablanca, Oran, and Algiers. Patton was picked to command the Western force into Casablanca by General Marshall, who maintained a weakness for fighting eccentrics. Patton's orders to his commanders were blunt. ACTOR AS PATTON (VOICEOVER): If you don't succeed, I don't want to see you alive. [boom] NARRATOR: The Casablanca landing and 74-hour struggle against the Vichy French was not a shining military hour. The battles were shadowed by complicating political negotiations. CARLO D'ESTE: Patton proved in Morocco that he could be more than a commander. He proved that he could also be a diplomat. His many years of hobnobbing with the high and mighty, his knowledge of French enabled him to interact very smoothly, not only with the French, but with the Sultan of Morocco. NARRATOR: At the front, the poorly planned and led campaign was going badly everywhere. The thrust toward Tunisia was bogged down, and German forces poured into the area from the west and from across the Mediterranean. Allied Forces were being badly beaten. The Americans had not shown well. The media played up a competition with Afrika Korps Commander Erwin Rommel. "Time" magazine reported, "Patton wanting to duel the German tank against tank." ACTOR AS PATTON (VOICEOVER): It would be like a combat between knights in the old days. The two armies could watch. If I killed him, I'd be the champ. America would win the war. If he killed me, [snicker] well, he wouldn't. NARRATOR: An American disaster opened the door to Patton's destiny. The Germans turned a veteran Panzer army against green and badly trained US forces and inflicted terrible defeats at Sidi Bou Zid and Kasserine Pass. American spirit, equipment, tactics, disposition, and leadership all failed. The British and German alike now viewed the Americans with contempt. Eisenhower now saw that his forces lacked the tactical experience needed to rescue the situation. He relieved the failed commander and sent for the man born to fix combat calamities-- George S. Patton Jr. Rushed up to repair the crisis in American armored leadership after the ugly defeat at Kasserine Pass, George Patton at age 57 felt that his life had only just begun. And Patton came running, because he wanted to be in combat, loved to be in combat. Took command of the II Corps, had 11 days to give them back-- give the troops back their self-respect and train them. And he did that in 11 days before leading them in battle, and they took El Guettar. And then they defended against a massive German-Italian counterattack, and they did well. They performed beautifully and turned this disaster into a success. NARRATOR: Patton now made Omar Bradley, a friend from Hawaii days, his deputy Corps commander, launching a career and events that would one day move Bradley above him. Bradley wrote bewilderedly of Patton, "His language was studded with profanity and obscenity, and I was shocked. Yet when Patton was hosting at the dinner table, his conversation was erudite and he was well-read, intellectual, and cultured." Now promoted to three-star general, Patton remembered something from his childhood. ACTOR AS PATTON (VOICEOVER): When I was a little boy at home, I used to wear a wooden sword and say to myself, George S. Patton Jr., lieutenant general. NARRATOR: The hero of Britain's victory at El Alamein, General Bernard Montgomery, was too much like Patton with his towering ego and vivid hates for them to ever really get along. Patton found him "wonderfully conceited," "the best soldier I have met in this war." [explosions] The mere thought of defensive hiding sickened Patton, whose doctrine of attack held that soldiers in defensive positions were waiting to die in pre-dug graves. His pet peeves were foxholes and slit trenches. And I remember Patton once going up to Terry Allen's CP in a little palm grove near El Guettar. And he saw all the slit trenches around there and he said, Terry, you got a slit trench too? As though he disapproved of a general taking cover during a bombing. And Terry said, yeah, right over there, General. And with that, Patton went over and pissed into the trench. NARRATOR: Patton told all generals where he wanted them during an assault. ACTOR AS PATTON (VOICEOVER): Dammit, I want that hill in front of you. Get off your ass! Get a pistol in your hand and lead that attack yourself! NARRATOR: Yet he was uniquely loyal to his erring commanders. CARLO D'ESTE: He was rarely willing to give up on an individual who had failed. He once was given, over his objections, a division commander by Eisenhower that he didn't want. And when the commander messed up, Eisenhower said, I guess we're going to have to sack him. And Patton said, we'll do no such thing. He's my commander, and by God, I'll make him-- I'll make him do it right. And he did. NARRATOR: In the final phases of the Battle for Tunisia, the British, with open contempt, assigned the Americans the menial task of drawing off the Germans. ACTOR AS PATTON (VOICEOVER): Ike is more British than the British and is putty in their hands. Oh, God, for John J. Pershing. NARRATOR: Patton had to struggle with the skeptical Britons to gain his share of fighting, but he performed with crushing brutal efficiency when he finally got into the heart of the fray. German resistance in North Africa collapsed. The canny Rommel later wrote, "In Tunisia the Americans had to pay a stiff price for their experience, but it brought rich dividends-- although we had to wait until the Patton Army in France to see the most astonishing achievements in mobile warfare." [explosions] In the summer of 1943, George S. Patton was hoping that the hard lessons learned in the North African victory would ease the way for Operation Husky, the landings at Sicily. Churchill's hope was to knock Italy out of the war and open up what he insisted on calling on "the soft underbelly of Europe," words quickly made a travesty by the fierce German resistance. Patton's planning and presence were key to saving the Sicily beachhead from disaster. Patton and Montgomery were the invasion troop commanders, with British General Harold Alexander overall. Patton had no doubt that Americans would continue as second fiddle because of Kasserine Pass. It enraged him when his 7th Army was assigned to guarding the flanks of Montgomery's advancing 8th Army. ACTOR AS PATTON (VOICEOVER): When the 8th is going well, we're told to halt so as not to take any glory. NARRATOR: Patton demanded that Alexander allot the American Army a meaningful role in what had become a one-horse race by the British to capture the city of Messina to the north. It wasn't until Patton became incensed and flew to see Alexander, who was the Army group commander there, and got his permission to head for Palermo. ACTOR AS PATTON (VOICEOVER): I am getting tactful as hell. If you treat a skunk nicely, he will not piss on you as often. NARRATOR: Patton gleefully began a northward race against Montgomery's British. He was always at his best when he let loose after galling restraint. Patton would take chances. He'd push, push, push. He used to call himself "the best damned ass-kicker in the United States Army." And he always had the ability to get more out of a division commander than a division commander thought he could give. NARRATOR: The campaign through the rugged Sicilian mountains was a vicious one, with both sides showing little propensity to take prisoners. With feats like marching over a hundred miles through brutal terrain in 72 hours, Patton's forces were quickly in Palermo. Patton took every delay as a personal insult. Where he was checked at the coast, he conducted rash amphibious operations to go around the Germans. Some of his officers objected to the strategy and casualties, but he went forward. With the British delayed in a hard fight at Catania, the Americans were now welcomed as full participants in the bloody drive on Messina. [explosions, gunfire] Patton had made Omar Bradley a Corps commander in the Sicilian campaign, giving him a chance to shine that Bradley did not miss. The quiet Bradley had some misgivings, saying, "To George, tactics was simply a process of bulling ahead. He never seemed to think out a campaign." ACTOR AS PATTON (VOICEOVER): Even if you've got to spend men to do it, I want to beat Monty into Messina. NARRATOR: The Americans were first into Messina. The arrival was no more than symbolic, but it was important. MARTIN BLUMENSON: The business of getting to Messina ahead of the British is what convinced the British that the Americans were just as good-- at least just as good as the British soldiers. I think that's why Patton wanted so badly to get to Messina ahead of Montgomery, who should have been there. NARRATOR: For George Patton, the most important explosion of the nasty Sicilian campaign would come not from a gun, but from a glove. In Sicily, George S. Patton's thoughtless and impatient worship of military courage was to turn against him the kind of forces he was least able to turn back. He went to a field hospital to visit the wounded. It was very difficult on Patton. He was very emotional. When he came to a soldier who had combat exhaustion or combat fatigue, what they called "shell shock" in World War I, Patton just couldn't stand it anymore. Lost his temper and drew his glove and slapped the soldier. NARRATOR: News that Patton had slapped not one, but two soldiers in Sicily would turn Patton's moment of triumph into a disaster. Eisenhower angrily ordered him to apologize to his entire Army. In one case, his magnetism turned the moment of humiliation into something of a triumph. The men assembled to listen to his speech of apology would not let him get started. They began chanting something to prevent him from speaking, because they did not believe that he owed them an apology. And so they kept chanting and cheering, and Patton choked up and began to cry and walked off. NARRATOR: The man he had slapped with say of Patton, I think he was suffering a little battle fatigue himself. But now Eisenhower was fighting loud cries for Patton's scalp, and there were widespread doubts about his stability. You never knew what he was going to say, and sometimes never knew what he was going to do next. He was impulsive and impetuous. He wore his opinions on his sleeve. And he had opinions on everything under the sun. NARRATOR: The Germans weren't the only ones who regarded Patton as the Allies' best fighting general. The US High Command, as exasperated as they were with him, knew there was critical work to come for such a fighter, and he would be vital to Operation Overlord, the assault across the English Channel on Hitler's fast-heartening Fortress Europe. But Patton didn't know that. CARLO D'ESTE: In the autumn of 1943, Patton was in virtual exile in Sicily. 7th Army had been stripped away from him. He felt he had no future. And yet, while he was undergoing literally the tortures of the damned, wondering if he would ever see another command again. He was actually under consideration for two major commands. One was the command of the Anvil force, which was going to invade southern France in the summer of 1944. And the other was as the commander of 3rd Army, which is the job that he eventually got. NARRATOR: The men who would command Overlord knew their Patton well. Eisenhower, who would be at the top; Montgomery, who would be temporary commander of ground forces; and Patton's former Corps commander, Omar Bradley, who would command the American ground armies. Patton was ordered to England in January of 1944 to command the 3rd Army, then forming in the United States. But meanwhile, the Allies would use his formidable reputation with the Germans in the war's greatest deception. Patton was brought up as the fictitious commander of a fictitious command. That deception plan called for the creation of an army that consisted of nothing of about 200 radio operators who filled the air with traffic. The deception plan, which was passed on to the German by their agents that had been turned by the British, Patton was to attack across the Pas de Calais with this fictitious Army group. NARRATOR: The ruse would keep the desperately needed German Panzer units defending the Pas de Calais from reinforcing Normandy. Meanwhile, Patton's mouth made new trouble for him at an English social club in Knutsford. He allegedly suggested carving up the postwar world between Britain and the United States, leaving out Russia. It slipped through the censors and became a cause celebre. Calls went out for Patton's head, for his relief, and it very nearly cost him 3rd Army. ACTOR AS PATTON (VOICEOVER): If I was reduced to colonel, I'd demand the right to command one of the assault regiments. Both Eisenhower and George Marshall felt that the way to control Patton was to put him under the command of someone who could command him and administer him with an even hand. And they certainly felt that Omar Bradley filled that bill nicely. NARRATOR: Politics turned back into war on June 6, 1944. On D-Day, the Allies stormed across the English Channel into Normandy, and at Omaha Beach, held on by the skin of their teeth. As the fighting raged, Patton waited impatiently to lead 3rd Army into action. When the call came, he would write new and indelible chapters into the history of war. When Patton and his 3rd Army finally arrived in Normandy on July 6, one month later, he found a situation much graver than the one imagined by the planners at this stage. Casualties were severe and the Allies were bogged down by fierce German resistance and an impenetrable tangle of hedgerows. The desperately needed advance was nowhere in sight, and recriminations filled the air. After the failure of the British to punch through at Cannes, General Bradley conceived and put into effect the thunderous Operation Cobra. It would be Patton's job to exploit any success with his armored columns. The American attack began behind 34,000 tons of crushing aerial bombing in the area of Saint-Lo, followed by several days of hard ground fighting. Then suddenly the German front began to collapse. A full-scale breakout from the tangle of hedgerows into the open plains was in reach. Eisenhower knew it was time to cut Patton loose. Warfare would never be the same. ACTOR AS PATTON (VOICEOVER): The crust has been broken. We're about to eat the pie. NARRATOR: Patton's tanks shot forward in a frenzy of spectacular battles and advances that shattered the German left flank in Normandy. Marshall was right when he had said, "Patton is the man with the drive and imagination to do the dangerous things fast." The greatness, the fame of General George S. Patton Jr. was achieved in a nine-month period in the ETO in Europe starting in August, August 1, 1944, and continuing through to May 8 of 1945. That's where Patton achieved his greatness. CARLO D'ESTE: The end of July and the beginning of August of 1944 were Patton's golden moments. What had been a stalemate in Normandy was now a breakout in the pursuit as he watched his units move across France, sometimes at the rate of 40 or 50 miles a day. I mean, this is what you train for, is to see your army on the loose, defeating your enemy. Patton was simply enjoying himself as perhaps no commander before or after. NARRATOR: At Avranches, Patton achieved what was described as "pushing 200,000 men and 40,000 vehicles through what amounted to a straw." Every manual on road movement was ground into the dust. Patton bridled at what he thought was a missed opportunity on the part of his superiors. When a failed German cover attack at Mortain allowed a vast encirclement of German armies in the Argentan-Falaise area, Patton felt that he had been held back from closing the gap between himself and Montgomery and sealing the Germans in. Monty was pressing down from the north. Patton was pressing up from the south to close the gap and bag the German. Boundary line ran across Argentan. Patton was not to go above that line. Patton pleaded with General Bradley to break through the line and close the gap. He said, let me go, Brad, and I'll chase those goddamn limeys is right into the sea. NARRATOR: Some thousands of Germans got out, though mostly without their armor. Patton was smoldering. And now, with the loss of time at Falaise, as his sprint to the Seine was too late to cut off the Germans there, and he was ordered to stop. [cheering] Patton was content when General Jacques Leclerc's Free French Division was allowed to take Paris. He thought it would free him to drive full tilt into Lorraine. It was a time for hot pursuit, not consolidation. But a furious Patton soon found himself confined to a static campaign before Metz, pinned in place not only by stubborn German defenses, but by withholding of gasoline that halted his armor. ACTOR AS PATTON (VOICEOVER): God damn it, my men can eat their belts, but my tanks got to have gas. NARRATOR: But the truth was that by August 1944, the 3rd Army had gone so far and so fast it had crucially overstretched its supply line. Patton took desperate measures, including stealing from Montgomery's supply line. COY EKLUND: He just stopped that column that was headed north to go to General Montgomery. He just said, dump it right there. And truck after truck, dump it right there. And he just had them dump about 10 truckloads of gasoline right there on the side of the road. And we had gasoline for a little while. NARRATOR: In times of stalemate, his soldiers found time to poke fun at his frailties. COY EKLUND: The voice was high-pitched, extraordinarily high-pitched. And when you went by the office door, if the phone rang and he picked it up, he'd say, (HIGH-PITCHED) General Patton. (NORMAL VOICE) That was his voice. It was incongruous. NARRATOR: A figure of fun was his ill-tempered dog, Willie. Cartoonist Bill Mauldin, after visiting with Patton, wrote, "Willie had his beloved boss's expression and lacked only the ribbons and stars. I stood in that door staring into the four meanest eyes I'd ever seen." But there were no smiles in the Lorraine campaign. By November, it was a bitter battle of attrition in the worst winter weather in 38 years. He drove his men. ACTOR AS PATTON (VOICEOVER): There are more tired division commanders than there are tired divisions. NARRATOR: Again, the gods of war summoned Patton. On December 16, 1944, Hitler launched a huge surprise attack spearheaded by two Panzer armies. It knifed deeply through the lightly defended Ardennes forest. German Commander von Rundstedt's goal was to capture the key supply port of Antwerp and starve the Allied attack. In what history would call the "Battle of the Bulge," Bradley urgently ordered General Patton to rush help to the north. Germans drove into the Ardennes in December of 1944 split the American armies from the British and turned the momentum of the European war from the gates of Germany back into the vulnerable heart of Belgium. The pivotal road junction of Bastogne was cut off along with the 101st Airborne Division. Eisenhower called Patton to a desperate meeting. RICHARD J. STILLMAN: Patton saw it as a glorious opportunity, so he told Eisenhower that he could turn his entire army, 250,000 strong, from facing east to a northerly direction. And it was bitter cold, three feet of snow, terrible fog-- just miserable, miserable conditions. Roads all icy. Eisenhower said, George, be realistic. What the hell do you mean you can turn your men around in 48 hours? What can you do? He said, we can do it. NARRATOR: Well ahead of schedule, Patton's 3rd Army tanks turned to north and raced for the besieged Bastogne. RICHARD J. STILLMAN: So I'd see him time and again on the road, encouraging his troops, inspiring them in an open Jeep in bitter cold weather, encouraging them on. It's a difficult thing to disengage and move laterally in the face of the enemy at any time, even a small unit. It's a dangerous move. NARRATOR: Even God got a steady stream of Patton admonitions in the form of prayers. ACTOR AS PATTON (VOICEOVER): You seem to have given von Rundstedt every break in the book. You have to make up your mind whose side you're on. I've lost all patience with your chaplains. NARRATOR: Patton's armor was not to be denied. On the day after Christmas, elements of the 4th Armored Division broke through spirited German resistance and entered Bastogne to relieve its bloodied defenders. There was more tough fighting ahead, but Patton's race to the rescue had broken the back of the Germans' last major effort. The 3rd Army now duplicated its rampage across France in the bloody clearing of resistance before the Rhine. ACTOR AS PATTON (VOICEOVER): I've just pissed in the Rhine River. For God's sake, send gasoline. NARRATOR: Patton was ordered to bypass the city of Trier because it would take four divisions to capture it. He radioed tersely-- ACTOR AS PATTON (VOICEOVER): Have taken Trier with two divisions. Do you want me to give it back? NARRATOR: When Patton inspected the Ohrdruf and Buchenwald concentration camps 3rd Army had liberated, he became physically ill. He got the burgermeister of the nearest town to call all the citizens together-- people who said they had never heard of a concentration camp before. He marched them through the place. The same day, the burgermeister and his wife returned home and committed suicide. His last military disappointment came when he was ordered to stop at Pilsen while the Russians occupied Berlin and Eastern Europe. The joy of receiving a fourth star was dimmed by Bradley's having gotten the promotion first. On May 7, 1945, Germany surrendered. [cheering] Patton understood the wild joy, but could not join in it. When peace came to Europe, Patton was exhausted physically, mentally, morally, every which way. His exertions during the war had burned him out. There seemed to be no future role for Patton. No one wanted him. He had visions of going to the Pacific, fighting with an army under MacArthur. MacArthur didn't want him. He ended up as the occupation commander in Bavaria, commanding 3rd Army in a role for which he was wholly unsuited. It was a depressing time when Patton went almost overnight from being a hero to being a man no one wanted any part of. NARRATOR: He returned to America on a bond tour. The hero's welcome that he received was barely enough to feed an ego bereft of the war that had fed it. He wondered whether the family he so awkwardly loved would be enough to sustain him in his remaining years. ACTOR AS PATTON (VOICEOVER): I've become sort of a demigod, and I don't know if fox hunting and sailing are going to divert me. NARRATOR: He returned to Bavaria to begin rebuilding and get a new government started. But again, he spoke self-destructively. MARTIN BLUMENSON: He feared that the Soviet Union was going to take control of all of Europe. He thought that the Germans would be excellent allies to use against the Russians. And he thought that the Germans and the Americans should band together now and take on the Russians. NARRATOR: In rebuilding Germany, he found the former Nazis the most capable and put them in key positions. RICHARD J. STILLMAN: At a press conference, Patton was asked by a reporter why he had so many Nazis in key positions. Patton replied, the Nazis, it's a party, just like the Democrats and Republicans. As we walked down the hall after the conference, he remarked, stupid goddamn statement. I knew better, but I wouldn't give the son of a bitch the satisfaction of knowing it. NARRATOR: That was the final straw that caused his relief from command of the 3rd United States Army. Eisenhower would say, I'm not moving George for what he's done, just for what he's going to do next. It was the end of their long friendship. A bitter Beatrice would later turn down invitations to the Eisenhower White House. It was a very sad affair for all of us. A few of us went down to the train station to say goodbye to him, and there were tears in all of our eyes. ACTOR AS PATTON (VOICEOVER): Caesar couldn't have been a supply sergeant in the 3rd Army. Oh, it's hell to be old, [inaudible] and know it. NARRATOR: Fate stepped in for the weary hero. On December 9, the day before he was to fly home, Patton was involved in a low-speed car crash while going hunting. No one else was hurt. Patton was thrown forward and instantly paralyzed, his neck broken. While Willie mourned and Beatrice was rushed to Heidelberg where Patton was hospitalized, desperate doctors improvised a harsh device to relieve pressure on his shattered spine. Fish hooks were obtained and put under his cheekbones to help traction on his back. He endured what I consider unspeakable pain. ACTOR AS PATTON (VOICEOVER): This is a hell of a way to die. NARRATOR: After a blood clot caused his lungs to fill, General George S. Patton Jr. died at age 60 on December 21, 1945. Both his daughters reported visitations by his spirit. A funeral train passed from Heidelberg to his final resting place at Hamm, Luxembourg. It made numerous stops in terrible weather. It was raining. It was ugly. It was cold. It was dark. And yet, wherever the train stopped, soldiers and ordinary citizens came forward to honor Patton, to put flowers on the train. NARRATOR: Among his last words, heard by his beloved Beatrice, were "I guess I wasn't good enough." As had been the case many times in his magnificent life, he had spoken too quickly. There was a tremendous outpouring of grief. Soldiers who knew him by reputation, soldiers who had served under him but never met him were deeply affected by his death. NARRATOR: A correspondent said, "Georgie Patton didn't die from an automobile accident. He died of a broken heart when they took away his army." General George S. Patton was buried in the Ardennes soil in what he had called "poor tank country." To the silent beloved soldiers at whose head he would forever lie, he undoubtedly proclaimed his favorite greetings to his troops-- ACTOR AS PATTON (VOICEOVER): I'm damn glad to be here. [music playing]
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Channel: Biography
Views: 200,795
Rating: 4.8517222 out of 5
Keywords: history, bio, biography, patton, george s patton, general, war, military, usa, general patton, biography channel, bio channel, biography tv, biography documentary channel, the biography channel, biography documentary, biography channel documentary, documentaries, Biography a&e, full episode biography, biography clips, A Genius For War, general patton speech, general patton documentary, general patton movie, patton biography, patton bio, patton biography clips, patton full documentary
Id: FbV8Rfiq1Ko
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Length: 94min 24sec (5664 seconds)
Published: Tue Nov 10 2020
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