LIVE FROM LONDON | Old Master & 19th Century Paintings Evening Auction

[Music] [Applause] [Music] thank you foreign [Music] foreign [Music] [Applause] [Music] [Applause] [Applause] thank you [Music] thank you [Music] thank you foreign [Music] [Applause] thank you foreign [Music] [Applause] [Applause] thank you thank you when Rubens left Antwerp in 1601 for Rome he was a minor painter working in a late mannerist idiom by the time he left Rome in 1608 he was on his way to Greatness the starting gun had been fired on a meteoric career that would transform the language of Western Art foreign the subject of this picture is Saint Sebastian a soldier in the praetorian guard of emperor Diocletian but also a Christian and when that was discovered Diocletian ordered that he be shocked to death by archers from his own regiment just look at the way in which Reubens has handled the white cloth sprinkled with the martyr's blood look at the quickfire brush Strokes it's got all the Hallmarks of Reubens in the first flush of his maturity a composition which emphasizes the tenderness of the relationship between the dazed Mata and the angel who so tenderly withdraws the arrow from his chest look at the way too in which the other Angel is untying his legs we know that Reuben's painted a version of Saint Sebastian for his great genoese Patron ambrogio spinola defender of the Catholic faith a mercenary soldier who fought the Protestant Dutch long and hard I think spinola must have really responded to this because reading his letters from the long campaigns in Holland we know that he himself felt something of a martyr more than something of a martyr and look at that great suit of armor next to the say that's surely meant to stand in for spinola the general himself this is a wonderful wonderful early work by Rubens at the height of his Bowers around a decade after painting his Saint Sebastian Rubens played hosts to two leading Flemish painters in his Antwerp Studio One was Anthony Van Dyke the other was Jacob Jordan's and between them they must be counted after Reubens the two greatest artists of the Flemish Baroque Jacob Jordans painted the startlingly original AKA homo in around 1619-20 and it's a picture that's only recently come to light it has the appearance of a sketch but it is indeed a finished picture a Nocturne one of the earliest really accomplished nocturnes in Jordan's career it's as if the figures have been perceived by the artist in the Here and Now of this moment and interestingly he's adjusted the composition as he worked originally there were just three figures the feeling that wasn't enough he added the fourth figure to the right of the painting to complete it to balance it what a contrast this image makes with rubens's Saint Sebastian the Rubens is so classical so statue-esque whereas Jordan's it's all about real life real characters snatched in the moment these are people you can believe in so there you have it an early painting by Reubens an early painting by Jordan's both great works of art and they're both in the same old Master sale on the 5th of July [Music] thank you [Music] What a fine personally about how good it was that he actually started telling stories through a series of paintings there's a narrative going on and I think he was just way ahead of his time he started something new and he started this whole idea of satirical paintings and I think he's sort of the father of it all foreign Dutch I've been in London for 40 years and now I'm making out using historical broken ceramics people give me things to restore and so I started looking at these objects that are broken and I started giving them a new narrative and a new story I have so many Inspirations in my work and and I don't focus on one thing in particular but how God is there always in the background taste in high life has a lot of humor there's so much cramped into one painting you really need to read the painting the first time I saw how God's words was about 38 years ago and that was during my first visit to the Zone Museum but when you go into the picture room and they open the cupboard doors in which the painting sit was just magical [Music] I was approached by the stone Museum to create a work inspired by something from the collection and I chose direct progress because I do like the story so much I wanted to tell the Rex progress story in a different way that reflected my work telling the story through eight devices but using my techniques of restoration and exploding ceramics as metaphors for each painting start with a perfect verse and it ends up in a all broken in fragments in a glass replica of the fast when he's in the mad house not many happy endings in how God's paintings taste in high life is a very humorous painting as opposed to the darker story of the rake's progress but it's a sort of themes that ho Gods addressed in in a lot of his paintings and it's really poking fun at people's fancy way especially clothing it's set in a room and the center character the old lady in extravagant gown there is the gentleman to the right all fancy dressed and Bowing in front of her there's another lady in the back with her dresses so big and so extravagant that it doesn't really fit in the room and it rides up at the back then there's all little small references to gambling she's also looking at this t-bowl as if it's the most important thing in the world there's so much detail and all they all have meaning they all tell stories there's paintings in the background they have a meaning there's a monkey which is sort of like is exemplifies the foolishness of mankind so it's all about riches and fripperies I love his irony I love his satire and I like to slip things into my work like that as well I think humor was very important [Music] [Music] when Rubens left Antwerp in 1601 for Rome he was a minor painter working in a late mannerist idiom by the time he left Rome in 1608 he was on his way to Greatness the starting gun had been fired on a meteoric career that would transform the language of Western Art [Music] subject of this picture is Saint Sebastian a soldier in the praetorian guard of emperor Diocletian but also a Christian and when that was discovered Diocletian ordered that he be shot to death by archers from his own regiment just look at the way in which Reubens has handled the white cloth sprinkled with the martyr's blood look at the quickfire brush Strokes it's got all the Hallmarks of Reubens in the first flush of his maturity a composition which emphasizes the tenderness of the relationship between the dazed Mata and the angel who so tenderly withdraws the arrow from his chest look at the way too in which the other Angel is untying his legs we know that Reuben's painted a version of Saint Sebastian for his great genoese Patron ambrogio spinola defender of the Catholic faith a mercenary soldier who fought the Protestant long and hard I think spinola must have really responded to this because reading his letters from the long campaigns in Holland we know that he himself felt something of a martyr more than something of a martyr and look at that great suit of armor next to the say that's surely meant to stand in for spinola the general himself this is a wonderful wonderful early work by Rubens at the height of his powers around a decade after painting his Saint Sebastian Rubens played hosts to two leading Flemish painters in his Antwerp Studio One was Anthony Van Dyke the other was Jacob Jordan's and between them they must be counted after Reubens the two greatest artists of the Flemish Baroque Jacob Jordans painted the startlingly original AKA homo in around 1619-20 and it's a picture that's only recently come to light it has the appearance of a sketch but it is indeed a finished picture a Nocturne one of the earliest really accomplished nocturnes in Jordan's career it's as if the figures have been perceived by the artist in the Here and Now of this moment and interestingly he's adjusted the composition as he worked originally there were just three figures the feeling that wasn't enough he added the fourth figure to the right of the painting to complete it to balance it what a contrast this image makes with rubens's Saint Sebastian the Rubens is so classical so statue-esque whereas Jordan's it's all about real life real characters snatched in the moment these are people you can believe in so there you have it an early painting by Reubens an early painting by Jordans both great works of art and they're both in the same old Master sale on the 5th of July [Music] [Music] thank you [Music] but I find fascinating about how good it was that he actually started telling stories through a series of paintings there's a narrative going on and I think he was just way ahead of his time he started something new and he started this whole idea of satirical paintings and I think he's sort of the father of it all my name is Barbara Fritz I'm Dutch I've been in London for 40 years and now I'm making out using historical broken ceramics people give me things to restore and so I started looking at these objects that broken and I started giving them a new narrative and a new story I have so many Inspirations in my work and and I don't focus on one thing in particular but how God is there always in the background taste in high life has a lot of humor there's so much cramped into one painting you really need to read the painting the first time I saw how God's words was about 38 years ago and that was during my first visit to the Zone Museum but when you go into the picture room and they open the cupboard doors in which the painting sit was just magical [Music] I was approached by the Southern Museum to create a work inspired by something from the collection and I chose direct progress because I do like the story so much I wanted to tell the Rex progress story in a different way that reflected my work telling the story through eight vases but using my techniques of restoration and exploding ceramics as metaphors for each painting start with a perfect vase and it ends up in a all broken in fragments in a glass replica of the fast when he's in the madhouse not many happy endings in hogard's paintings taste in high life is a very humorous painting as opposed to the darker story of the rake's progress but it's the sort of themes that hogots addressed in in a lot of his paintings and it's really poking fun at people's fancy way especially clothing it's set in a room and the center character the old lady in extravagant gown there is the gentleman to the right old fancy dressed and Bowing in front of her there's another lady in the back with her dresses so big and so extravagant that it doesn't really fit in the room and it rides up at the back then there's all little small references to gambling she's also looking at this t-ball as if it's the most important thing in the world there's so much detail and all they all have meaning the old tell stories there's paintings in the background they have a meaning there's a monkey which is sort of like is exemplifies the foolishness of mankind so it's all about riches and fripperies [Music] I love his irony I love his satire and I like to slip things into my work like that as well I think humor was very important foreign [Music] [Music] 's left Antwerp in 1601 for Rome he was a minor painter working in a late mannerist idiom by the time he left Rome in 1608 he was on his way to Greatness the starting gun had been fired on a meteoric career that would transform the language of Western Art [Music] object of this picture is Saint Sebastian a soldier in the praetorian guard of emperor Diocletian but also a Christian and when that was discovered dietitian ordered that he be shot to death by archers from his own regiment just look at the way in which Reubens has handled the white cloth sprinkled with the martyr's blood look at the quickfire brush Strokes it's got all the Hallmarks of Reubens in the first flush of his maturity a composition which emphasizes the tenderness of the relationship between the dazed Mata and the angel who so tenderly withdraws the arrow from his chest look at the way too in which the other Angel is untying his legs we know that Reuben's painted a version of Saint Sebastian for his great genoese Patron ambrogio spinola defender of the Catholic faith a mercenary soldier who fought the Protestant long and hard I think spinola must have really responded to this because reading his letters from the long campaigns in Holland we know that he himself felt something of a martyr more than something of a martyr and look at that great suit of armor next to the say that's surely meant to stand in for spinola the general himself this is a wonderful wonderful early work by Rubens at the height of his Bowers around a decade after painting his Saint Sebastian Rubens played hosts to two leading Flemish painters in his Antwerp Studio One was Anthony Van Dyke the other was Jacob Jordan's and between them they must be counted after Reubens the two greatest artists of the Flemish Baroque Jacob Jordans painted the startlingly original AKA homo in around 1619-20 and it's a picture that's only recently come to light it has the appearance of a sketch but it is indeed a finished picture a Nocturne one of the earliest really accomplished nocturnes in Jordan's career it's as if the figures have been perceived by the artist in the Here and Now of this moment and interestingly he's adjusted the composition as he worked originally there were just three figures the feeling that wasn't enough he added the fourth figure to the right of the painting to complete it to balance it what a contrast this image makes with rubens's Saint Sebastian the Rubens is so classical so statue-esque whereas Jordan's it's all about real life real characters snatched in the moment these are people you can believe in so there you have it an early painting by Reuben's an early painting by Jordans both great works of art and they're both in the same old Master sale on the 5th of July [Music] [Music] but I find fascinating about how good it was that he actually started telling stories through a series of paintings there's a narrative going on and I think he was just way ahead of his time he started something new and he started this whole idea of satirical paintings and I think he's sort of the father of it all foreign Dutch I've been in London for 40 years and now I'm making out using historical broken ceramics people give me things to restore and so I started looking at these objects that broken and I started giving them a new narrative and a new story I have so many Inspirations in my work and and I don't focus on one thing in particular but oh God is there always in the background taste in high life has a lot of humor there's so much cramped into one painting you really need to read the painting the first time I saw how God's words was about 38 years ago and that was during my first visit to the Zone Museum but when you go into the picture room and they open the cupboard doors in which the painting sit was just magical [Music] I was approached by the stone Museum to create a work inspired by something from the collection and I chose direct progress because I do like the story so much [Music] I wanted to tell the Rex progress story in a different way that reflected my work telling the story through eight vases but using my techniques of restoration and exploding ceramics as metaphors for each painting I start with a perfect verse and it ends up in a all broken in fragments in a glass replica of the fast when he's in the madhouse not many happy endings in hogard's paintings taste in high life is a very humorous painting as opposed to the darker story of the rake's progress but it's the sort of themes that hoe gots addressed in in a lot of his paintings and it's really poking fun at people's fancy way especially clothing it's set in a room and the center character the old lady in and extravagant gown there is the gentleman to the right old fancy dressed and Bowing in front of her there's another lady in the back with her dresses so big and so extravagant that it doesn't really fit in the room and it rides up at the back then there's all little small references to gambling she's also looking at this t-ball as if it's the most important thing in the world there's so much detail and all they all have meaning they all tell stories there's paintings in the background they have a meaning there's a monkey which is sort of like is exemplifies the foolishness of mankind so it's all about riches and fripperies [Music] I love his RNA I love his satire and I like to slip things into my work like that as well I think humor was very important foreign [Music] [Applause] [Music] thank you thank you [Applause] [Applause] thank you [Music] thank you [Music] foreign [Music] thank you foreign [Applause] [Music] [Applause] [Applause] [Applause] thank you thank you [Music] [Applause] [Music] foreign [Music] foreign [Music] [Applause] [Music] [Applause] [Applause] thank you foreign [Music] thank you good evening ladies and gentlemen welcome to Sotheby's for our summer old Master evenings painting sale uh welcome to all of you and it is a great pleasure I'm Harry domini I'm your Auctioneer tonight um before we start I'm just going to read you the conditions of business I'm sure you're all familiar but let's hear it again as noted in our conditions of business for buyers everything is sold under the authenticity guarantee and on as is Basis buyers premium and overhead premium will be added to the Hammer price each lot offered along with any applicable v80 or amount in your vat as well as any applicable artist resale right royalty as part of the total purchase price payable please note further Providence research in relationship lot 3 is continuing these refer to the online cell catalog for further information regarding lots of guarantees and irrevocable bids and please refer to our conditions of business for buyers for our full terms of sale um as the auction being on any lot by placing a bid on behalf of the seller and may further bid on behalf of the seller up to the amount of the reserve by placing responsible consecutive bids for a lot and the following lots have been withdrawn from this sale Lot number 30. so ladies and gentlemen welcome we start with Lot number one the son of Pietro the Virgin and child and we have interests here already and I start the bidding on this lot which is showing to you here and I start the bidding at 160 000 pounds 160 160 000 hundred seventy thousand hundred seventy hundred eighty thousand one hundred and eighty thousand is bid at 180 000. next bit is 190 180 I have 190 has been in the room thank you so much 190 200 000 against you sir 220 speed now on my right 220 000 that beats my book to 40 spin new place 260 against yourself 280 then 280 no more thank you so much 280 I've got three hundred thousand then at what is bid up three hundred three twenties bid I'm sorry the internet's coming in I'll wait for you for a minute but three twenties against you Eduardo would you like to bid 350. 320 is the bid in the room 340 why not 360 so nope 340 we have do we have 360 online we had 350 well I mean if the online bill is cutting his beds what do I do 350 then against your Eduardo 360 should we say 360 000 it's against you online could I have 380 next 360 000 is Bid here on my right bed water Roberta 380s bid online online now at 380. at 380 000 still against the room and still against Eduardo at 380 000 pounds do we have 400 380 against you no more from Eduardo it's online at 380 000 pounds all done then against the other tell if it's 390 I'll take 390. I apologize to the Denizen of the internet but uh the next bit is now 400. 390 a half it's withered water at 390. would you like to go 400 sir 400 is bad it's online at 400. is that it for you Eduardo again you're out again two nights in a row four hundred thousand pounds I'm selling men on the internet at 400 000 pounds anybody else at 400 000 all done for four hundred thousand pounds sold for four hundred thousand thank you very much not number one at four hundred thousand next we have Lot number two the wonderful Siege of Carthage on the casoni panel Florentine School a restitution from The Heirs of Ernst Salman and we have interest starting here at sixty thousand sixty sixty five seventy thousand seventy seventy five eighty thousand eighty I have now eighty thousand pounds at eighty thousand pounds eighty five ninety thousand ninety thousand is bid at ninety thousand ninety thousand ninety five one hundred thousand one ten is Bid 110 against you 110 is my bid 110 120 with Alex 130 with my bidder at a hundred and thirty thousand 140 online taken us both unawares it's 150 000 back with Alex you cleared my commissions at 160 now online one hundred and sixty thousand pounds 170. with Alex Bell at 170 next bit 180. 170 000 I have one of his bid it's online at 180 000 pounds 180 000 next bids 190. 190's bid at 190 000 still against you online 200 000 now at 200 000. would you like to try 220 Alex 210 will take 210 210 000. 210 000. Siege of Carthage was a long drawn out affair 220 000. do 20 against 230. two twenties against you next bit is 2 30. two thirties bid 230 000 back with Alex Bell 240 000 online 240 000. it's 250. two hundred and forty thousand two hundred and fifty thousand stood on the telephone 250 000. next bid's 260. it's against your 1960 you've bid thank you very much it's the online better now 260. shall we bid 270 Alex 260 000. the bid is online the underbidder is on the line 270 now back with Alex gets you online 280 it's been at 280. 280 000 pounds 280 000. 280 000 pounds an experience 290 290 speed at 290 000. 290 still against you online two hundred and ninety thousand selling to Alex belspider against the internet three hundred thousand online at three hundred thousand three hundred thousand try one more three hundred thousand pounds three hundred thousand three hundred thousand it's now online at three hundred thousand next bid I'll take three ten but I'm a cell three hundred thousand pounds to the online bidder three three hundred and ten thousand has been back against you I'm afraid online 310 000 the bitters with Alex 320 should we say 320 spit at 320 000. 320 000. bidding more 320 000. 320 000. it's against unanx for 320 000 pounds final time 320 330. 330 000 pounds procedures and investment three hundred and thirty thousand pounds it's been 340. it's against the online at 330 000. 340 000. 350 000. 350. Alex's bid 350 000 against you online and the room at 350 the bid is here on my right with Alex Bell at 350 000 pounds still against you online 350 000 I'm selling 360. 360 000. thank you very much it's with you online and selling here at Sotheby's for 360 000 all done paddle 33 thank you very much Lot number three ladies and gentlemen the Dominica Dominica Becca fumi sold as view behind um here it is the wonderful virgin child with John's and Francis and Catherine of Siena and we will stop living here at one million 200 000 what we need two one million two hundred thousand one million two hundred thousand one million three one million three is mid one million four one million four I have at one million four I mean in five four million sixes one million six is fifty one million seven hundred and eight eight one million eight I mean nine two million two million two million online on the internet two million two million two million two two million two is mid two million two million two two million four now two million four I have two and six two minutes seven on my right now two minutes seven Eduardo's bid it's against you online two million seven next bid's two million eight two million seven I have it's here on my right with Eduardo Roberti at two million seven two million eight now George factors in two million eight we have both on the telephones on the right two million eight against you two million nine in Speeders well I don't know two million nine at two million nine hundred thousand at two million nine three million George's bid at three million three I have can I say three million two red one three million and a half three million one I'll take three one three million one hundred thousand three million two back with George three million two hundred thousand three million three hundred thousand what is it for even in three million four three million four is good it's on my right George factor three million four three million five now three million five is three million six three million six hundred thousand three seven is bid at three million seven they're on my right at three million seven three eight George's bid at three eight three billion eight the next bit is three nine three nine is Bid now backwardo at three nine three million nine four million four million spin thank you four million pounds at four million pounds four million pounds four million one four million one hundred thousand four million one four million two four million two is mid four million two hundred thousand at four million two Edward is at at four million two at four million two hundred thousand George's anybody else in the robot four million two or back with my online bidder who started the whole proceedings it's still against you it's with George Factor at four million two hundred thousand pounds and I'm selling fair warning all done at four million two paddle 21 thank you very much Lot Number Four now is the David giland IO it's uh showing on my right and the bidding starts at 160 000 160 000. 160 170 180 speak 180 190 200 000 now at two hundred thousand next bits 220 200 I have at two hundred thousand pounds any advance on two hundred thousand at two hundred thousand two twenties bid 240 I have on my commission against you online not yours now at 240 next bit's 260. 240 I have but it's not yours now it's selling on commission at two hundred and forty thousand next bit is 260. at 240 would you like to bid again at 240 000 I'm selling them here on my commission against you online 240 000 fair warning one more bid please at 240 000 or I'll sell it here for two hundred and forty thousand pounds fair warning all done at 240. so paddle number seven lock number five now the first of the two wonderful portraits from the collection of Jersey the first of these the Earl of Essex the second world of Essex by William Segar showing here on my right and we start the video here at eighty thousand eighty thousand eighty thousand eighty thousand pounds a speed eighty five thousand dollars at 85 000. next bit is 90 85 we have at 85 000 pounds next bit is 1990s bid 90th bid ladies bit ninety thousand now at ninety thousand next bit's ninety five it's with the lady now at 90 000 pounds anymore with the lady here ninety five thousand against your mother hundred thousand hundred I have one hundred thousand at 100 000 expense one ten hundred thousand is Bid it's lady besated one ten thank you one twenties bid 120 000 in the room at a hundred and twenty thousand hundred and thirty hundred and forty hundred and forty spit at 140 000 150. one hundred and sixty thousand hundred and sixes to me gets to Julian at 160. 170 000. thank you so much man 170 000 is with Mr gascoigne at one hundred and seventy thousand fair warning then at 170 the better on my left anybody else at a hundred and seventy thousand and I'm selling on Julian's telephone for 170 000 not online not in the room on the telephone at one hundred and seventy thousand 34 thank you very much and now he comes to Lot number six shown here on my right the portrait of Catherine Parr the sixth of Henry VII's Queens attributed to master John and we start the meeting here at 500 500 and 50 650 750 850 850 000 in the room and selling at 850 000 pounds nine hundred thousand new place 950. one million one million won against yourself women in two one million three still against you sir one million threes of it not yours NASA at one million three of the bits in the room one one million four thank you one million Four Women in five one million five one million five it's in the robot one million five one million six thank you Chloe's bid at one million six million seven back in the room one million eight one million nine one million two million is big two one if you like so two billion one two million two million two million three two million three is a bit two million three against you two million four million five terminal five against you two means six thank you very much two million six is the bid on my right gets you in the room better on the right on the telephone with Chloe stead two million six hundred thousand next bit is two million seven two million six I have two million seven thank you two mean eight you've done that before two million eight no more at two million eight then the bid is on the right it's against you here on the telephones at two million eight it's still against you in the room sir show two minute eight fair warning at two million eight hundred thousand pounds and selling on my right against you here two million eight all done fair warning stole two million eight thank you very much to paddle number eighteen not number seven the master of the baranchelli portraits the Pentecost great work sold as viewed on my left and we start the bidding here at five million pounds five million pounds five million two five million two hundred thousand five million four hundred thousand five billion four five six five million six five million eight hundred thousand five million eight six million six million speed six million I have now six million next billion six million two six million pounds that's six million pounds next bit is six million two at six million pounds any advance on six million bidding did I hear repeating thank you six million two thank you so much it's on my left now six million two hundred thousand at six million two on the telephone six million two next bit is six million four six million two hundred thousand I have six million four now six million four is bit against your charge six six six eight six million eight seven million seven and a half now on my left seven million at seven million pounds at seven million pounds George has been at seven I'll take seven two if you'd like but I have seven bid already on the telephone here at seven million pounds any advance then at seven million pounds fair warning at seven million pounds that's seven million pounds all done at seven million George that's yours puddle 27 thank you very much not number eight shown in front of you the bartolomeo schedoni the Holy Family of the infants and John the Baptist and the bidding starts here at seventy thousand seventies bid seventy five eighty thousand eight you have and fifty eighty five thousand eighty five thousand is Bid eighty five now ninety ninety I have it ninety thousand next bid's ninety five ninety thousand pounds at ninety thousand any advance on ninety at ninety thousand pounds all done for ninety thousand pounds then fair warning at ninety thousand sold to paddle number fourteen at ninety thousand Lot number nine the second of the Baltimore's the rest on the flight into Egypt and shown here and we start the bidding at 350 000. at 350 000. 350. at 350 380 000 at 380 000. 380 400 400 000 now four hundred thousand is four hundred and twenty thousand now at four hundred and twenty thousand at four hundred and twenty thousand next bit is four fifty at four hundred and twenty thousand pounds 420 something four hundred and twenty thousand anymore at 420 000 pounds next bits four fifty for twenty four fifty spit 450 000 450 then 480. now at 480 000. anymore four hundred and eighty thousand pounds four hundred and eighty thousand are you all done against your 480 000 final time at 480 all done last chance for eighty past 480. Lot number ten the Jacob Jordans showing her in front of me on the easel and we start the bidding here at three hundred thousand at three hundred thousand pounds at three hundred thousand three hundred thousand is Big 320 000. 320 000 240 000. now at three hundred and forty thousand three hundred and sixty thousand Three Sixty seven three hundred and sixty thousand three hundred and sixty three hundred and sixty thousand three hundred eighty thousand now at 380. 380 000 pounds anymore three hundred eighty thousand then three hundred eighty thousand all done for 380. asked at 380. Lot number eleven is the wonderful Reubens since Sebastian tended by the Angels shown here on our tele behind our telephone desk and please note this painting is displayed in a loan frame from Arnold Wiggins and Sons should you wish to purchase it please contact a member of the old Master paintings Department uh please note this lot will be taken to our greenford Park Warehouse after the sale not estate in the printed catalog the Rubens here in its lone frame and offer to you now at three million pounds at three million pounds at three million pounds three million pounds is three million pounds next bit is three million one three million pounds I have at three million pounds at three million three billion one hundred thousand three billion one next bit is three million two three million one hundred thousand pounds three million one three million two three million two isn't it three million three three million four three million four has been three million five now at three and six three million six has been three million seven three billion seven we have at three million seven three eight three eight spit at three million eight hundred thousand next with three million nine at three million eight three million nine now at three million nine four million pounds is Bid now at four million pounds four million pounds four million one four million two for winning two is big on my left then four million two hundred thousand at four million two hundred thousand next bits four million three and in advance on four million two hundred thousand pounds are you all done at four million two hundred thousand pounds the bids with George Gordon all done then in the room at four million two hundred thousand pounds final chance sold to paddle number twenty eight thank you no 12 the first of the flower pieces the Ambrose is Bosch out the Elder there's still life here and we start the bidding at two hundred thousand pounds at 200 000 200 000 at 200 210 210 210 220 000 220 000 230 230 000. next bits two forty at two hundred and thirty thousand 230 230 000. more at 2 30. 230 000 240 000. now at 240. 240 000 has been 250 000. 250. 250 260 000. 260 000 it is two hundred and sixty thousand and he wrote 260 270 000. now 270. 200 280 000 at two hundred and eighty thousand pounds 280 an experts 290 at 280. any more than 280 for 280 000 pounds all done 290. 290 all done at 290. kenson 290 fair warning all done at 290. past 290. not number 13. coming out to view is the George flagel and we start the bidding here at eighty thousand pounds at eighty thousand eighty thousand dollars at eighty eighty five thousand eighty five thousand 85 000. 85 90 000 ninety thousand ninety five thousand hundred thousand one hundred thousand hundred and ten thousand hundred and ten thousand at one hundred and ten thousand next bits one twenty at a hundred and ten thousand any more than at one hundred and ten thousand pounds are you all done at one hundred and ten hundred and ten thousand it is next bits one twenty at one hundred and ten thousand not yours here one hundred and ten all done against your online as well at one hundred and ten thousand past 110. Lot number fourteen then the visit at the farm brogal the younger and the bidding starts at a hundred and fifty thousand at one hundred and fifty thousand one fifty hundred and fifty thousand one hundred and sixty thousand one hundred and sixty thousand any advance on one sixty hundred and sixty thousand one seventy one eighties there against you one ninety two hundred two ten two twenty to twenty two thirty to forty against to fifties your bitter at two hundred and fifty thousand here on my right 260 new place to 70. 270 it is in the room on the aisle 280 then 280 290. in the room at 290 against you Cleary at 290 000. 300 000 320 can I say thank you sir 320. next bid 340. 320 I have in the room 340. 360 sir thank you so much 360 spin bid is in the room at 360. 380 is that a bit you pointed at your ear I'm unaware of what pointed your ear means well I will because Chloe's pointing at her ear 370 against us can I take 380 so you don't need to point anything 380. George it's you against you at 380. 380 390 if you like I know you like the um odd numbers Chloe are you out yes you are 390 from Georgina is at 390 so it's against you 400 should we say I wonder thank you so much can we go back to 4 20 Georgie we have 400 it's been in the room Chloe's air is out 400 against you 420 should we say it's in the room against you four hundred thousand pounds next bits 420. selling it here in the room four hundred thousand anymore four hundred thousand that is in the room four hundred thousand selling that in the room no more thank you so much it's your search 400 000 cleared the Elder bidders at 400 000 pounds and it's yours so thank you so much your pound is 509. thank you for your patience Lot Number 15 then uh cell room notice please note that this painting is cataloged as Jan brogle the younger not a state of the printed catalog and please also note that the paintings displayed in the frame lent from Arnold Wiggins and Sons if you wish to purchase it please contact a member of the old Master paintings Department please note the revised estimate and we stop the video here at sixty thousand that's sixty thousand at sixty five seventy thousand seventy five eighty if you like sir 75 against you eighty thousand it's in the remedy at eighty thousand pounds any advance on eighty bitter is in the room at eighty thousand cares my commissions and nothing online and it's yours in the room sir at eighty thousand against the telephones and this room selling here on my left at eighty thousand pounds any advance on eighty thousand pounds all done your sir paddle five eight can I just see the paddle it's five eight five thank you it's brightly bad luck to remember the paddle before you've bought the knot but thank you for that number not number 16 Now we move on to the buffers I'm going to asked the still life with the one lead Croc porcelain dish and then we start the video here at seventy thousand at seventy thousand seventy five eighty thousand speed at eighty thousand pounds at eighty thousand next bits eighty five eighty thousand eighty five ninety thousand ninety we have ninety five ninety five a hundred thousand one hundred thousand at one hundred thousand experts one ten one hundred thousand is bid on commission at one hundred thousand any advance on a hundred at one hundred thousand at one hundred thousand pounds any further bits one hundred thousand pounds sending them here to my commission bidder for one hundred thousand against the room are you all done at a hundred thousand pounds one hundred thousand paddle number fifteen Lot number 17 is the Anthony class the still life with the glass vase coming out for you now and the bidding starts here at one hundred thousand pounds at a hundred thousand pounds next bits 110 100 000 pounds at a hundred thousand pounds 110 000 110 000. at a hundred and ten thousand hundred and twenty thousand one hundred and twenty thousand 120. 130 000 next bids 130 at one hundred and twenty thousand pounds any advance on 120 at 120 000 pounds at one hundred and twenty thousand hundred and thirty hundred and thirty thousand hundred and thirty thousand one forty now at one hundred and forty thousand hundred and forty thousand it is the expense 150 gets you here 140 000 pounds all done in the room at one hundred and forty thousand passed at 140. lot 18 is the Jacob on holstock still life with grapes apricots and plums out here for you and our betting starts at a hundred thousand one hundred thousand pounds next bits one ten hundred thousand pounds I have at one hundred thousand at a hundred thousand one hundred thousand one hundred thousand pounds it is at a hundred thousand and involves on a hundred one hundred thousand one hundred and ten thousand one hundred and ten is Big 120 000 120 120 now one Thirty One Thirty One forty hundred and forty thousand experts 150 at a hundred and forty thousand anymore then at 140 000 pounds all done at a hundred and forty thousand fair warning for 140 000 pounds passed at 140. lot 19. is the portrait of Monsignor Christopher it's shown on the wall as you came in the Villas Quest and the Pietro martinery and we start the video here at two million six hundred I'm just gonna have a sip of water if you don't mind foreign five hundred thousand two million five two million six two million six is bit two million six two seven two eight two eight two nine two million nine is big three million is Big Alex Bell at three million at three million pounds three million one is next three million pounds is bid on my right at three million pounds at three million pounds next bit three million one three million pounds and Advance on three million pounds three million pounds for the Striking portrait at three million pounds on my right then with Alex feld's bitter at three million pounds next bit is three million one three million pounds is Bid it's bid here and selling on my right three million pounds and it involves on three million pounds at three million pounds three million pounds three million pounds well done fair warning at three million pounds I sell here on my right to Alex Palace better at three million pounds fair warning sold paddle 32 thank you very much lot 20 is the government link the portrait of an old woman here it is and we start the bidding here at 200 000 at 200 000 pounds at two hundred thousand two hundred thousand is Big next bits 210 200 000 I have at two hundred thousand pounds at two hundred two hundred and ten thousand two hundred and ten thousand now at two hundred and ten thousand two hundred and twenty thousand two hundred and twenty thousand two hundred and twenty thousand two twenties bid 230 000. now at 2 30. 230 000. 230. 230 240 000. two hundred and forty thousand 240 000 pounds next bits 250 at 240 000 any advance on 240 at 240 000 pounds fair warning for 240 000 all done at 240 past 240. Lot number 21 then showing here is Gabrielle Matsu's made cleaning fish outside the house and the bidding starts on this at 150 000 at 150 000. at 150 150 000 pounds next bids 160. 150 000 160. thank you Christopher Apostle 160. 160 000. next bids 170 170 has been in the room and online it's against you on both fronts two 170 is the better seated in the room 180s on the telephone 190 is seated in the room at 119th selling in the room it's against you online it's two hundred thousand two twenty is Bid 220 000 against you Christopher and also against you online 220 000 is the bid in the room at two hundred and twenty thousand 240 000 260 000. 260s bit against you now Chris also against you online at 260. at 260 000. 280 000. no more 290 if you like sir nope yes 290. 290 speed it's in the room at 290. against you Chris at 290 300 000. I'm sorry sir I offered you false hope but it was rotten fish three hundred thousand at three hundred thousand pounds all done at three hundred thousand still against you online at three hundred thousand pounds at 300 then on the telephone against you in the room selling for three hundred thousand yours at panel number two thank you very much Christopher Lot number twenty two is the franzmann mirrors the Elder the young woman searching for fleas by candlelight and the bidding starts here at two hundred thousand pounds at 200 000 at 200 000 at two hundred thousand that's next bit's two twenty two hundred thousand pounds of speed at two hundred thousand two hundred thousand anymore two hundred thousand to twenty two twenties bit now at 220 220 000. two hundred and twenty thousand pounds in expense 240. 220 240 000. at 240 now 240 000. two hundred and forty thousand two hundred and sixty thousand two sixty then next bit is two eighty two sixties at two hundred and sixty thousand pounds any advance on 260 against you all here at two hundred and sixty thousand pounds fair warning at two hundred and sixty thousand last chance two hundred and sixty thousand passed at 260. Lot number 23 is the Isaac monostata The Peasants dancing carousing outside the Village Inn and the bidding starts here at sixty thousand pounds at sixty thousand sixty five thousand sixty five thousand at sixty five thousand seventy thousand seventy thousand seventy five thousand eighty thousand now eighty thousand at eighty thousand eighty five thousand eighty five thousand it is next bids ninety at eighty five thousand pounds 85 000. 90s next 85 we are at at 85 000 pounds sure at 85 000 then fair warning for 85 000 pounds past 85 000. little 24 is the William calf still alive for the Nautilus cup coming out to you now probably from the family of Emmy wolf and at two hundred thousand pounds to start it two hundred thousand at two hundred thousand at two hundred thousand at two hundred thousand pounds two hundred thousand pounds 220 000 at 220 000. two hundred and twenty thousand two hundred and forty thousand at two hundred and forty thousand at 240 in experts 260 240 000 at 240 000. 240 at two hundred and forty thousand pounds 260 000. now at 260 260 000. two hundred and sixty thousand two hundred eighty thousand two hundred and eighty thousand pounds any advance on 280. at 280 000 pounds are you all done then at two hundred eighty thousand fair warning at two hundred and eighty thousand pounds past 280. Lot 25 coming in as the Jacob Isaac van Rossdale the wooded landscape with the stream and the group of trees from the Thailand showman collection and the bidding starts on this lot at eighty thousand pounds at eighty thousand eighty thousand at eighty ninety thousand ninety thousand at ninety thousand pounds do I have a hundred thousand at ninety thousand pounds at ninety thousand one one two can I say one two thank you as in 120 not 1.2 million you sure do I think you are I think we all are 120 000 pounds is Bid it's on my left with David Pollock 120 000 pounds at 120 000 pounds and selling on my left here on the telephone at 120 000. at 120 000 any advance on a hundred and twenty at a hundred and twenty thousand for one hundred and twenty thousand next bit's 130. at 120 000 against you online selling on the telephone for one hundred and thirty thousand pounds are you all done for one hundred and twenty thousand pounds last chance at 120. battle number l035 thank you so much lot 26 is coming out now the Jan Van de capella the calm C from the private collection and starting the bidding here at five hundred thousand pounds at five hundred thousand five hundred thousand has been 550 000 now at five hundred fifty thousand next bit six at five hundred and fifty thousand do I have six hundred six hundredths bid at 600 000 pounds now 650 is next at six hundred sure six six fifty then that's six hundred and fifty thousand pounds I'll take seven hundred next at six hundred and fifty thousand at six seven hundred thousand now it's seven hundred thousand at seven hundred thousand next bit 750 at seven hundred thousand pounds at seven hundred thousand pounds against you here at seven hundred any more than at seven hundred thousand pounds against you online at seven hundred thousand are you all done at seven hundred thousand fair warning for seven hundred thousand past 700 Lot 27 is the Nicholas van werendel here it is the still life of flowers and we start the bidding here at 60 000 pounds at sixty thousand sixty thousand at sixty thousand sixty five seventy thousand seventies bid at seventy thousand seventy five eighty thousand eighty five against yourself 90 mayor say 90 speed in the room now ninety thousand next bit's ninety five at 1995 is Bid new place a hundred thousand pounds I'll come back to you sir I will not leave you lagging it's a hundred against you sir do you want to be 110 110 is Bid still against you as well sir 110 I have against you Eduardo the bed is in the room 120 000 hundred and twenty thousand so you have priority 130 000. I'll take the bidders of the remote come to the telephones one hundred and thirty thousand it's against you sir would you like to be 140 130 is the bid here at 130 000 I can come back to you if you like 140 kelvin's bit 140 against you so 150 has been 150 Kelvin not yours now 150 is the better in the room at a hundred and fifty thousand 150. it's in the room at 150 160. 160 speed is he coming back it's I'll it's against you so 160. 170 in a new place if you've given up 170 okay I've got three bidders in the room this is a very exciting red letter day 170 000 180 000. one against you sir 190 can I get 200 200 000 200 000 thank you 210 if you like sir nope two hundred thousand is Bid now I'll come back to the telephones as if to prove that presence is its own reward 220 000 against yourself no more thank you so much kelvin's bid at 220 all right it's still against you sir at 220 would you like to come back in no more and still against you sir 220. no more than at two twenty of the bits on the telephone finally they have a use at 220 000 pounds and against you on the right as well and selling at 220 on kelvin's Telephone against my winners in the room at 220 000 for the final time against you all at two hundred and twenty thousand pounds thank you so much Pebble number 16. now Lot number 28. the Antonio Yoli London the view from the River Thames with Saint Paul's Cathedral and I'm offered 130 000 to start 130 000 130 140 140 speed 150 150 000. 160 170 against yourself 170 is my bid 180 if you like 180 speed 190 I have 200 if you like two hundred thousand thank you very much to 220 000 online against yourself no more 220 is my bidder online at 220 000 online at 220 240 new place two hundred and forty thousand against you online 240 260 000. no more at 260 then the bidder is online and selling against the telephones against the room selling online at 260 000 still against you sir and you at 260. level number 16. thank you very much not number 29. and the can letters per candidate is here and we start the bidding on them at uh one million one million one million pounds one million one one million one one million two one million two is big one in three women and three I have one in three one mean four I'm winning four now I'm in five one million five is the woman and six well I mean it's seven on my right woman in seven an expensive one million eight one million seven has been on the telephone it will mean seven at one million seven hundred thousand next bits one million eight at one million seven hundred thousand pounds if it is one million seven next bids one million eight one million seven I have bid here on my right at one million seven hundred thousand at one million so any advance on one million seven hundred thousand pounds at one million seven heading sir it's against you it's on the telephone seven hundred thousand experts one million eight at one million seven hundred thousand pounds anymore at one million seven are you all done I'm selling that here on the telephone on my right at one million seven fair warning all done at one million seven one million seven hundred thousand pound number five thank you Lot number 30 is withdrawn which means we'd move on to Lot number 31 the yakuba amigoni of bathsheva at her bath which is shown on my left behind our telephone desk and we start the minute here at 180 000 pounds it's 180 000 180 190 190 speed at 190 000. next is 200 200 000 we have at two hundred thousand do I have 210 200 000 is bid at 200 000 200 000 210 000 is bit 220 000. now two hundred twenty thousand next bits 230. 230 spit against you sir 240. can I get 250 250 spit in the room now two hundred and fifty thousand at 250 selling in the room at two hundred and fifty thousand pounds next bit is 260. 250 260 spit on the telephone 270. 279. here on my right at 270. nextbid's 280. 270 280 bid 280 some 290. 280 000. no thank you it's still with Gordon then at 280 000 pounds the bid is against you in the room next bits 290. sure nope at 280 000 selling on the telephone final time on Gordon's phone at 280 000 parts all done number 22 thank you very much Lot number 32 Boucher the Capriccio view of a mill from the European private collection and we start the mini here at 90 000 pounds at ninety thousand at ninety thousand pounds at ninety thousand pounds do I have 95 90 000 is bit at ninety thousand pounds ninety thousand pounds has been at ninety bidding ninety five thousand ninety five thousand is Big at ninety five thousand one hundred thousand now at a hundred thousand at one hundred thousand experts 110 100 000 pounds it is at a hundred thousand pounds at one hundred thousand pounds any more advances at one hundred thousand pounds all done at one hundred thousand fair warning for one hundred thousand pounds last one ten at 100. onto lot 33 the eruption of Mount Vesuvius on the 15th of June 1794. by Volare and the bidding starts here at 70 000 pounds at seventy thousand seventy thousand pounds I have seventy five thousand now at 75 80 online online now at 80 and against you on the televins 85 000 85 is Bid against you online 85 85 is my bid now ninety thousand Gordon's bed at ninety thousand on the telephone ninety thousand it's against you online the bids on the telephone at ninety thousand pounds any advance on 1995 000 online ninety five thousand one hundred thousand one hundred thousand is Bid one hundred thousand one hundred thousand if it is on the telephone it's with Gordon it's against you online the next bid's 110 I'm selling the volcano for a hundred thousand pounds on the telephone are you all done online and off at one hundred thousand pounds fair warning for one hundred thousand pounds HUD number 22 thank you very much indeed Gordon your bid [Music] and now we move on to Lock 34 the wonderful William Hogarth taste in high life or taste de la mode depending on whether you speak English or French and this work from the Iva collection we start the Billy here at one million five hundred thousand pounds one million five hundred thousand one million five hundred thousand is one million six one million five I have at one million five hundred thousand one million five at one million five hundred thousand and you've answered a woman in five at one million five women in six one million six now at one million six would you write me one seven one in seven one million 700 000. now one million seven at one million seven hundred thousand next bit is one million eight at one minute seven at one million seven hundred thousand pounds one million seven expensive one million eight nine sorry one million nine I have one minute nine against you one minute nine two million spin Edward has been two million pounds now at two million pounds two million on my right any advance on two million I'll take two million one if you like two million is bid on my right sorry are we good I'm so delighted two million pounds it would be awfully bad to be not good in the middle of a Hogarth two million pounds two million pounds I have next bit's two million one two million pounds at two million pounds here on my rope for this marvelous Hogarth at two million pounds but it's two million one two million pounds is the bid selling at two million pounds it's going on my right at two million pounds two million pounds next bit is two million one at two million pounds of the Hogan two million pounds no more two million pounds try one two million bands two million pounds selling on my right on the telephone desk at 2 million pounds next bit is two million one but I'm selling it here for two million pounds all done last chance and selling two million pounds sold two million paddle 12. thank you lot 35 ladies and gentlemen is the Benjamin West fetus bringing the armor to Achilles shoot here in front of me and the bidding starts at two hundred thousand at two hundred thousand pounds at two hundred thousand at two hundred thousand pounds at two hundred thousand next bits 220 200 000 I have at two hundred thousand two hundred twenty thousand two twenty 220 000 240 000 now 240 000. two hundred and forty thousand two forties the bid next bits 260 240 we have at two hundred forty thousand two hundred and sixty thousand now at 260 next bids 280 260 we have at 260 000 at two hundred and sixty thousand and evolves on 260. at 262 80s bit in the room 280 set thank you so much 28 is the benefited here at 280 000 and I'm selling in the room for 280 000. next with 300. here it is 200 000 and I sell for warning all done at 280 000 pounds last chance for 280 and selling it's your sir paddle 582 thank you very much Lot 36 is the portrait lady Catherine Bateson by Sir Thomas Lawrence she's coming out to you now presented and the bidding starts at 150 000 150 000 150 at 150 000 150. 1 6 160 170 170 speed next bids 180 170 we have at 170 000 pounds next bits 180 170 is the bid 170 000. at 170 000 at 170 any advance on 170. 170 000. at one hundred and seventy thousand it speeds 180 170 180 180 now 108 000 at 180 000 then at one hundred and eighty thousand pounds per warning then for 180 000 pounds all done at 180 asked at 180. Lot number 37 ladies and gentlemen is the Jacques Louis David the portrait of General Barrel Claude magnet the artist's son-in-law here is the David showing to you here and the bidding starts at one million five hundred thousand and one million five at one million five hundred thousand one million five is big one million five I mean six I mean six hundred thousand at one million six 700 000. at one million seven one million eight one million eighties people million nine one million nine against you one million nine not yours at one million nine two million pounds now it's against John trade not yours at two million two million two I have two million two million two thank you Christopher boss has been two million two next but it's two million four two million two I have here on my left two million two at two million two hundred thousand for two million two Christopher's bid two million two hundred thousand pounds any advance on two million two at two million two hundred thousand pounds two million two all done then for two million two hundred thousand pounds are you all done selling it on the telephone for two million two last chance at two million two hundred thousand number thirty thank you so much lot thirty eight first of the wonderful paintings on marble this is the vehicle the Trump blows still life and we start living here at forty thousand pounds at forty thousand at forty thousand pounds at forty thousand pounds forty thousand pounds is bit forty two thousand and actually two thousand pounds at forty two next bits forty five thousand forty two is Bid forty five thousand forty eight thousand fifty thousand kelvin's been at fifty thousand at fifty thousand pounds any advance on fifty fifty thousand pounds it is here on my left at fifty thousand pounds any more than it fifty thousand fifty five fifty five is Big it's against your Kelvin fifty five sixty thousand sixty five thousand seventy thousand seventy thousand against yourself 75. 80 000. no more 80 000 it is on my left with Kelvin at eighty thousand against the mirror in the room at eighty thousand pounds anybody else eighty thousand an expense eighty five at eighty thousand pounds I'm selling then here on my left for eighty thousand paddle number 25 thank you very much lot 39 the Jan Franz vandal he's still left with a pineapple and the bidding Starts Here eighty thousand at eighty thousand pounds at eighty thousand eighty thousand is bit eighty five thousand eighty five now next bit is 90. 85 000 is Bid 85 000 any advance on 85 000. at 85 90 Spirit one has been at 90. ninety thousand I have 95 is next at ninety thousand on my right for ninety thousand pounds ninety five thousand against you at ninety five thousand not Joseph ninety five thousand one hundred thousand is Bid back with it 100 000. one hundred thousand pounds any advance on a hundred at 100 000 I'm selling on my right Eduardo's paid for one hundred thousand one ten online at 110. 50 115 000 pounds and that means leaves the online bidder open to offering 120. but 115 is the bid and 120 is bit against you 120 000. 130 000. against you now online the next bid's 140. 140s bid online at 140. 140 000. no more it's online it's 140 Eduardo's out I'm selling for 140 000 fair warning HUD number 44 online thank you very much Lot number 40 the Christian vanpool the roses and the glass vase painted again on marble and sixty thousand offered for this at sixty thousand pounds at sixty sixty five thousand now at sixty five thousand next bit is seventy 70s bit online 75 000 against you not yours online at 75 000 against you I'm afraid 80 000 ladies been in the room at eight at eighty thousand any advance on 80. I'm selling them in the room at eighty thousand against the online bidder at eighty thousand pounds the bidder is in this room 85 online ninety thousand in the room now at 90. ninety thousand at ninety thousand nachos online at ninety thousand pounds at ninety thousand dollars any more than that ninety thousand or I'm selling for ninety thousand it's here in the room and selling at ninety fair warning for ninety thousand pounds not yours online but yours in the room at ninety thousand pounds ninety five online one hundred thousand back in the room at a hundred thousand one hundred thousand one hundred thousand pounds can I have that 110 online one hundred thousand the bidder is in this room the under bidder is elsewhere possible one hundred thousand the bid in the room at one hundred thousand against you online at a hundred thousand and selling per warning final time for one hundred and ten thousand for one hundred thousand pounds it was Madam paddle 584 thank you so much lot 41. I can work by Christian van Paul the peaches and forty thousand for this forty thousand pounds forty thousand is Bid 42 42 45 48 000 48 000 spit at forty eight thousand pounds next bit fifty at forty eight thousand at forty eight thousand pounds 48 000 is a bit the expense 50. and forty eight thousand bidding at forty eight thousand fifty thousand on to Eduardo's telephone at 50. it's against you online next bit's fifty five fifty thousand I have all done then and selling it fifty thousand pounds here am I right for fifty thousand pounds are you all done for fifty thousand final time against you online and selling at fifty thousand fifty pound number twenty three thank you coming out here and offered to you at nineteen thousand pounds nineteen thousand twenty thousand twenty thousand pounds of speed at twenty thousand twenty two thousand now at twenty two thousand at twenty two thousand next is twenty four thousand twenty two I have at twenty two thousand against you here against you there at 22 next bids twenty four at twenty two thousand pounds against you online at twenty two thousand bidding for twenty two thousand pounds next bit is twenty four for twenty two thousand pounds in advance twenty two thousand hold up twenty two thousand pounds not yours online at twenty two thousand pounds are you all done fair warning for twenty two thousand Pastor twenty two lot 43 the Christian van ball the sprig of roses showing here and the bidding opens at thirty thousand thirty two thousand thirty two thousand thirty five thousand thirty five thousand thirty five thousand pounds next bits thirty eight thirty five thousand thirty five thousand that's thirty eight thousand forty thousand against you not yours online at forty next bids forty two forty thousand I've got forty two thousand forty four thousand forty four thousand is Bid 44 000. next bit is forty six forty six thousand forty eight thousand forty eight thousand still against you at forty eight thousand next bid's fifty forty eight thousand pounds against you online at forty eight speeds fifty at forty eight thousand pounds at forty eight thousand forty eight thousand at forty eight thousand pounds not yours online we'll have to bid again I'm afraid but it's a forty eight thousand against you for forty eight thousand pounds any advance at forty eight thousand pounds and all done forty eight thousand past 48. 44 is the Thomas Gainsborough here it is and the winning starts here at a hundred and seventy thousand pounds 170 170 000 at 170 170 000. 180 000 180 000 190 200 000 200 000 is my bid on commission two hundred thousand against you two hundred thousand two ten but I have 220 against you two twenties bid 220. 230 000. two hundred and forty thousand two hundred and forty thousand like Spitz 250 250 spit 250 then on Julian gascoigne's telephone at 250 000 pounds next bit is 260. for two hundred and fifty thousand any advance 250 000 nuts all done selling here for 250. pedal number thirteen thank you so much Lot number 45 is the John Constable of the study for hamster Heath rainbow please note this painting is displayed in a loan frame from Arnold Wiggins and Son should you fancy the frame please contact a member of the old Master paintings Department and we start the video here at 200 000 add two hundred thousand two hundred thousand pounds is bid at two hundred thousand at 200 000 minutes at 200 000. next bit is 220 200 000 pounds I have two hundred and twenty thousand thank you sir two hundred and forty thousand two hundred and forty thousand speed two hundred and forty thousand next bits 260 260 000 at two hundred and sixty thousand next bits two eighty at two hundred and sixty thousand pounds 260 there expense 280. two hundred and sixty thousand pounds not sure at two hundred and sixty thousand pounds any advance on 260. at 280 then online 280 000 pounds online better at 218 expense 300. 280 I have online at two hundred and eighty thousand pounds two I'll take two ninety if you like 280 I've got it's online it's selling it 280. 290 is the next bid at 280 I sell fair warning old time and support number 29 thank you very much lot 46 is the Toro from the Louis Dreyfus family collection a group of trees at fontembler and our bidding starts here at 90 000 pounds at ninety ninety thousand pounds is bid at ninety thousand experts ninety five ninety thousand I have at ninety thousand ninety five thousand one hundred thousand one hundred and ten thousand at a hundred and ten thousand next with one twenty at a hundred and ten thousand pounds at one hundred and ten thousand at one hundred and ten thousand pounds are you all done at a hundred and ten thousand selling them for 110 000 at 110 000 pounds gets you online at 110 then all done fair warning one hundred and ten thousand pounds sold two thousand number Thirty One lot 47 first of all Victorian works the John Rodham Spencer stand up cephalus and progress sold as viewed and our bidding starts here at a hundred thousand at 100 000 pounds one hundred thousand is Bid one hundred one ten one ten then one twenty hundred and twenty thousand next bits 130 against you sir 120 then and a hundred and twenty thousand at a hundred twenty thousand at one hundred and twenty thousand any more than at one forty are you all done at a hundred and forty thousand fair warning 140 000 passed Lot number 48 is the Lord Layton cleobulus instructing his daughter cleobi line from a collection of Sir Christopher on dutchie and the bidding starts on this painting by Lord Layton at two hundred thousand pounds at two hundred thousand two hundred thousand pounds at two hundred thousand at two hundred thousand pounds two hundred thousand dollars any bucks on two hundred thousand at two hundred thousand pounds two hundred and twenty thousand two hundred twenty thousand speed at two hundred and twenty thousand two hundred and forty thousand two hundred and forty thousand at 240. 140 260 000 at 260 then 260 260 000. 260 280 000 now at two hundred and eighty thousand next bids three three hundred thousand two eighty I have at two hundred and eighty thousand two hundred and eighty thousand pounds anymore at two hundred and eighty thousand dollars 280. two hundred and eighty thousand pounds a warning for 280 pass 280. not 49. the Vincenzo cabianka albani divaregio is sold as viewed and we start opening here at uh seven hundred thousand at 700 000 750 750 000 750 000 pounds at 750 then and you've also 750. 800 000 code peening at eight hundred thousand pounds then on the telephone at eight hundred thousand pounds eight hundred thousand pounds any advance on 800. 800 000 pounds I have a twenty I'll take but 800 is bid at eight hundred thousand pounds next bid would be eight twenty at eight hundred thousand pounds at eight hundred thousand anymore eight hundred at eight hundred thousand pounds are we all done at eight hundred I'm selling that on the telephone at eight hundred thousand pounds 800 with Claude at 800 fair warning to the room at eight hundred thousand pounds are you all done for eight hundred thousand pounds puddle 29 thank you so much not number 50 then we come to the Ivan constantinovich ivozovsky the beat should be Ritz shown here and our bidding starts at 300 000 pounds at three hundred thousand at 300 000. at three hundred thousand pounds any advance on three hundred thousand at 300 320 000 320 000 pounds 320 next bit 350. 320 spit 350 000 at 350 now 350 000 speed 350 000. at 350 380 now 380 000. 380 then expense 400 380s bid at three hundred and eighty thousand pounds then fair warning at 380 then on commission at 380 against this room for three hundred eighty thousand pounds are you all done selling then for three hundred and eighty thousand pounds against this room for three hundred and eighty thousand sold to paddle number 25. ladies and gentlemen thank you very much we'll see you tomorrow for old Master paintings Day Sale we wish you a wonderful summer thank you and good evening foreign [Music] [Applause] [Music] thank you [Music] thank you [Music] thank you [Applause]

Channel: Sotheby's

Views: 12,074

Keywords: sotheby's, art auction, auction house, fine art, contemporary art, luxury, global, live auction, old master paintings, rubens, jordaens, canaletto, master of the baroncelli portraits, velazquez, jacques-louis david, katherine parr, hogarth

Id: QRZNiUMBAUM

Length: 112min 45sec (6765 seconds)

Published: Thu Jul 06 2023