Learn How to Paint HIBISCUS HUMMINGBIRD with Acrylic - Paint and Sip at Home - Step by Step Tutorial

hi there i'm michelle the painter from berkshire paint and sip and this is paint and sip at home [Music] all right so today we're going to be painting hibiscus hummingbird and i'm going to be sipping on a little spike seltzer and if you enjoy this video i do hope that you like and subscribe to my channel and that you also check out my patreon page where you're going to find additional painting perks so let's get painting and let's get sipping all right so for my materials today i'm going to be using a stretched and primed 16 by 20 inch canvas if you're painting along with me you can certainly switch up the size but that's what i'll be using for my paint today i have acrylic paint my colors are titanium white deep yellow burnt umber which i'll call brown fire red green oxide and mars black of course you can switch up those colors too if you'd like but that's what i'll be using for my tools today i have a standard number two pencil and then i have three brushes i have a half inch wide flat bristle brush i have a number eight round brush and i have a number one round brush and i will refer to these as small medium and large as we go through the painting process of course you can switch those up as well if you're painting along with me you're probably going to want to have a cup of water for washing your brushes as well as a paper towel for drying your brushes and down below this video i do provide you with a couple of additional resources that can help you through your painting process you can find them in the video description below and what you're going to find is a link where you can purchase the same exact paint kit that i'm using from the large canvas to the fancy palette and the brushes and all that good stuff so that's down there there's also a link where you can download a free image of the final painting so you can print that and use it as visual reference as you go through the painting process and there's also written step-by-step instructions down there for you as well and that's all we're going to need today all right so what we're going to do for the first step is we're going to be painting the background i'm going to be using my large bristle brush the colors that i'm using are white yellow and brown and what this is going to be is it's going to be we're going to paint our sky and it's going to just gently blend into kind of an out of focus flower field in the background so we're going to start the um look of out of focus kind of grass and stuff as within this step so how i'm going to do this is i'm going to start on the sky portion where i'm going to work my way down into the out of focus ground so it'll be lighter at the top and darker at the bottom and then when we get to the bottom we'll start pulling the paint up and it's going to be a whole lot of fun and it's going to cause a really cool effect that'll add some great dimensional elements to the painting so i'm going to start with some white paint and i'm i've got quite a bit of paint on my brush at this point i'm going to be doing a really large area up at the top it's taking up almost i would say about two quarters of the way on the the top edge and then i'm coming down maybe about a third of the way into the canvas i'm using kind of a long criss-cross type motion and then once i've got this big area of white on what i'm going to do is i'm picking up a little bit of yellow and white on my brush at the same time and i'm going to start to intermingle them with that lighter center area so what this is going to do is it's going to give the illusion that we've got a bright sun in that area and maybe it's the morning and it's or the a sunset and it's got a little golden hue around it so i'm just gently kind of blending this yellow and white into that first area that we put onto the canvas and it doesn't have to be super smooth of a blend because this is meant to look like maybe out of focus clouds rolling by or just some atmospheric dimension so you can really have some fun with it as i'm coming down i'm adding a bit more yellow onto my brush with the white and in a second i'm going to start introducing some brown paint as well so this area can get darker and darker as it goes down towards the bottom of my canvas and you can of course have this go as light or as dark as you want i'm kind of getting these colors to work their way around that brightest area in the center again just to give it the illusion of that is our sunshine type area in the middle there now i'm going to start using yellow white and a touch of brown all on my brush at the same time and i'm still just kind of using that long crisscross type motion i'm going to get these areas to look like they belong together so i will back my way into the previous section so that way it doesn't look like we just have distinct sections in the this colored sections in the painting this is going to help them to blend nicely together so i just go back up into the previous section and i am like i said using a good amount of paint so this paint is staying pretty moist for me plus i am using a student grade paint which tends to be more fluid than the heavy bodied paints that come in a tube so my paint will definitely stay a little bit moist longer than those that come in a tube and have a heavier body to them this is a thin body paint and if your paint isn't as thin as mine you can certainly thin it out with a little bit of liquid medium or you can add a tiny bit of water to it i just caution you if you are going to use water the water will tend to be a little bit dangerous because it can pull the paint right off of your canvas so just be mindful of that if you are going to add water to your paint to get it to thin out a bit um your your safer bet is to add a little bit of liquid medium but that again adds some translucency so you run you know the risk of it looking a little bit different but you can always do layers and stuff like that so now that i've got this on here i've got pretty good coverage on the entire canvas you can see that i went a little bit darker as i came down towards the bottom of the canvas i think i'm going to add a bit more white in through here just intermingling these colors a little bit now that i've got it pretty well covered what i'm going to end up doing is i'm going to be putting as i think i'm almost done i'm going to end up putting a little bit more brown on my brush and i'm going to pull up some out of focus type um areas of grass so what's going to happen because my paint is still wet underneath i am almost streaking some of those lighter colors and it's really going to give it a beautiful out of focus type effect i'm doing some longer ones on the sides so this maybe is going to end up looking like we're in a deep in a meadow somewhere and we've got lots of long wild grass that are that's just kind of um surrounding our beautiful hummingbird that we're going to have on here and that is all i'm going to be doing for this step we're going to be using our pencil for the next step so once you've got this beautiful background in here you can put your large brush away wherever you'd like to take out your pencil and get ready for the next step all right so we're going to do for the next step is we are drawing an outline of our flower so we'll be using our pencil and i do want to forewarn you before you attempt this step that you want to make sure that your canvas is dry so you know you could actually take an extra long break if you'd like to or you can use any kind of ingenious kind of fanning method your hands your mouth a piece of paper anything of that nature or you could do the easier way which i did was just take out a blow dryer and blow dry so whatever way you'd like to get your canvas dry unless it's already dried by now um you'll want to dry it so the flour that we are going to be emulating is a hibiscus flower so they have these really big floppy petals um i think there's uh let's see one i think there's five five or six petals i think there's five petals to the flower um so we're going to be making these really big floppy petals so we're just gonna do one petal at a time and then by the time we're done we'll have distinct areas to color in with each petal so the first thing i'm going to do is create like a u-type shape so i can give you a marker that's about i would say about a third of the way over from the left hand side and maybe about a quarter of the way up your canvas so you can just give yourself a little marker in through there this is like the bottom of the u and then i'm going to have it coming up to about here and on the left hand side it'll come up a little bit higher than this one so these are about three inches apart and then i'm just going to kind of connect my markers something like this and it doesn't have to be a perfect you it can have a little bit of movement to it that's going to make it look a little bit more natural so know that it does not have to be perfect and you can kind of really scrub that that pencil mark on there so because we're going to be using the pencil as our guide underneath our red paint in a minute too so you can get your pencil nice and dark that'll that'll help you in the long run so then what i'm going to do is i'm going to this petal that we're doing right now is kind of flopping over towards us so this is the going to be represent the inside of the flower so i'm going to take it from here and i'm going to make myself a a big kind of floppy petal coming in through here but i i don't want it to go down too far so i'm going to come a little bit to the right of here maybe almost to the right side here and i'm bringing it down this is about as far down as i want it to come this is about maybe two inches from the bottom of my canvas so that just gives me an idea when i am creating this shape that i don't go farther than that so that gives me that'll give me some good balance to the painting i've got it coming down in through here and then as i come over on this side i'll start to wobble my line a little bit along the edge of that little petal to give it some movement so i'm going to just kind of give it a little bit of a rippled kind of edge in through here and yours doesn't have to be exactly rippled like mine this is just something that'll give you a good um good shape to it so then the next one that i'm going to be doing is it's going to be one coming from the center and it's going to travel way far over here so what i'm going to do is i'm going to come from this corner i'm going to come up maybe about two inches and travel over to the left hand side until i'm about i don't know an inch and a half to two inches away from the edge of my canvas and i'm going to connect here to here with an arcing motion so something like that and then what i'm going to do is from the center of this you or a little bit to the left however you want to do it this is going to represent the right side of this petal so i'm going to bring this up in through here in again an arcing kind of motion like this and i don't want necessarily needed to go as high as here or you don't want to go much higher than here once you go get right about here this is where you're going to start to ripple the edge of that petal so i'm going to just kind of get loosely give myself a little bit of a fun ripple along the edge of this petal and then i'll close it off in through here so it's kind of smooth along the side like this and like this and then you ripple that edge so i'm going to do the next petal which will come on this side so i'm going to travel down this petal a little bit make myself a bit of a marker and then what i'm going to do is i'm going to come from this inside in through here right about here and i'm going to hit this marker here and the end of it is going to travel right to about here so this is almost i would say if this is about your halfway in your canvas it's a little bit to the right and a little bit below and yours doesn't have to be in exactly the same position as mine this is just giving you um petals that will look like they belong to the same flower and then i'm just going to bring this up in through here and then just kind of travel this around the edge and here's where my ripply edge starts to appear and again yours can be similar in ripples to mine or you can make yours look much different than mine whatever is visually appealing to you just go with it i have two more to tackle in through here so i'll do this one next i'm going to come down from here i'm going to travel into this petal maybe about an inch inch and a half the tip of it or the the part that i want to be the farthest down i'm going to put right about in through here and then i'm going to have the inside of it come i would say maybe about two inches down this particular petal so something like that so this is going to be my edge that is the closest to the bottom and i'll just have all the others this outside edge is going to ripple a little bit so i'm going to kind of ripple this in through here and then maybe bring this down around here something like this and again yours doesn't have to be exactly as mine i'm just giving mine some nice ripply edges and then this is gonna maybe come in and up around here these veg these are going to be kind of flopping over at it once we paint them in looks like my pencil travel a little bit too far on that one so then this one in through here i've got one more to tackle this one i'm going to have a little bit kind of more of a unique shape we might see the underside of it a little bit so i'm going to come down this petal maybe about an inch or so make myself a little bit of a diagonal line that's about i would say a half of an inch tall to an inch then the corner or the tip of my petal is going to be somewhere in this vicinity so i'm about an inch away from the edge of my canvas and i'm a little bit diagonal from this one in through here and then i'm going to from this marker i'm giving myself a little bit of a swirly mark so this is going to represent the underside of that particular petal and i'm going to just give this a little bit of a rippled edge in through here and then i'm going to come down from here maybe about an inch or two and then this is going to be the other side the other ripply side of that particular petal the outside edge of the petal and we are going to be utilizing our medium brush for the next step so once you've got all of your beautiful petals in place you can and again make sure that you have a nice firm edge with your pencil because that's going to help when we put the first layer of paint on in just a minute so you can scrub that pencil on or even use a dark pencil if you want to and then we will be utilizing our medium brush for the next step so you can just get ready all right so we're going to do for the next step is we're painting the first layer of our flower i'm going to be using my medium brush and i'm going to be using a red paint so i know that my red paint is translucent which means i can see my pencil mark underneath if your paint is not as translucent as mine you may want to do an outline at least on the interior pieces of your petals with maybe brown or something like that so you'll be able to see the outline underneath your paint or conversely you could leave a tiny bit of a space between each petal of unpainted canvas and that will help you to keep the information for yourself of where each petal kind of separates and i'm just bringing my red all the way to the edge of my pencil mark making sure that i cover it entirely i'm using a good amount of paint on my brush so i can have a nice full coverage but i don't necessarily need to do it in any fancy brush stroke i'm really just looking to kind of maintain the the style of the edges that i had put into place with my pencil and then just getting a full coverage of red paint on the rest of that petal so i also know that because my paint is see-through that i am going to be able to see some of the details of my background through that paint and i'm okay with that at this point because we're going to be doing many more layers on these petals that will help us to hide any of that background um information that may be showing through the petals at this time so just giving you a little bit of you know vote of confidence that you don't have to worry if your paint is not covering up some of that information behind and it also because it's not covering a hundred percent it's providing me with a natural gradient from a lighter red to a darker red down at this bottom left which will help to add to the dimensional element of the flower when it comes to adding highlights and shadows and things of that nature so that's just a natural thing that will happen because my paint is see-through and we made the background darker down at the bottom so before we um are done with the first layer of i said our first layer of the flower but i really meant the first layer layer of all flowers because we're going to be doing some out of focus ones too that while we have the red paint on our brush before we go on to the next step we'll put some out of focus little blossoms or flowers off in the distance and all i'm going to need to do for that is add a teeny tiny bit of water onto my brush with my with my red paint so i just added a bit of water wiped it off on my paper towel and i'm just picking some spots to add some out of focus little flowers i wanted to have maybe a similar shape so maybe i'm just adding a little pocket of a color in through here maybe i've got a pretty one over and through here water is going to be your friend you're just really rubbing in an out of focus flower or the essence of a flower i know that they're going to have a little tip to the edge of them and then maybe i'll put a little bit down in through here i really just want the red to be represented in a soft fashion throughout the rest of the painting so wherever you feel like you want a bit of red to be represented and that's all i'm going to do for that and then we are going to be let's see we're going to switch back to our pencil for the next step so once you've got the first layer of your flowers on you can put your medium brush away take out your pencil and get ready for the next step alright so what we're going to do for the next step is we're drawing an outline of our hummingbird i'm going to be using my pencil and i'm going to be putting it up in this right vicinity the the hummingbird that we are doing is a ruby throated hummingbird it's got these beautiful natural tones and it's native to well in the summertime it's up in north america where i am in the region um in the upper northeast so these birds come around my house a lot and they're super pretty so i thought it'd be great to to paint one of them so when i do birds i do like to teach that that you can start by drawing a bird with two basic shapes a circle for the head and an egg for the body so it doesn't matter what bird it is it could be a swan it could be a flamingo it could be a penguin or a palaquin they all have a basic circle that you can start with for their head and the body can be an egg with the pointy part being where the tail is and then they have different length necks or different size necks different length feathers different beaks and all the rest of the stuff is much different but those two basic shapes can start any bird so i'm going to start with my head is going to be a little bit to the right of the center of my canvas so if this is about the center i'm going to go a little bit to the right and i'm going to come down about two or three inches that's going to be like the top of my head and then i'm going to come down maybe about an inch and a half and that's going to be the bottom so this is going to represent my first shape which is going to be a circle and it doesn't have to be a perfect circle just something that can get you started through this process and this is about the the size that i want mine to to be so that's that's how i'm going to start that and then my next shape is going to be my egg so this egg is going to be kind of long and slender as far as eggs go but it still will have the same basic shape and i'm going to have the the body or my egg is going to be i would say about almost three times the length of my head so i'm gonna go maybe about four inches away from here and that's going to be the tip of my egg and the width of my egg is not much wider than the head so i'm going to start right at the bottom of my circle and i'm going to give myself an egg type shape that is not much wider than my original circle it can be a little bit wider but not too much something like that is going to give me my my egg shape and then what i'm going to do is i'm going to connect these two to get rid of the that slender area where the neck is so i'm just going to kind of connect this in through here with a soft kind of diagonal line and same thing in through here i'm going to connect here to here with like a soft diagonal line now what i'm going to do is i'm going to put my my beak on so i want my beak to be coming down it almost like in a diagonal type direction from here so i'm going to start with just the original kind of length of my beak and these beaks are really long and a little bit curved at the tip and as they meet the head they meet it gradually so i'm going to from this part of my circle i'm going to give myself a gradual meeting point and then i'm going to do the same thing for my head so i'm going to come from my head and i'm going to come down into my beak something like this so that's going to give us a natural entry into the beak and of course you can adjust it a little bit if you'd like to now i'm going to move to my tail my tail is not much it's probably about a third or half the length of this of the egg shape and it's just going to kind of gently come right off the tip and through here it's not a very big tail just just something in through here will work like that and then i'm going to put a couple of wings on here so my first wing i'm going to start this is going to be the back wing i'm going to start that one right about here and i'm going to give it a gentle curve almost all the way up to the top of my canvas maybe about a half of an inch to an inch away from the tip of my canvas and then the next one is going to come down back from here maybe about a half of an inch and i'm going to give it a similar curve and it's going to end up right about here so similar curve end up right about there i have to close this wing off so what i'm going to do is going to come back up this wing about a third of the way and that's going to give me the close-off point for there and then i'm going to come down here maybe about i would say an inch and that's going to give me the place where i close this one off so something like that and that is all i'm gonna do for my sketch for my for my hummingbird so we are going to switch back to our medium brush for the next step so when you get your outline done you can put your pencil down take out your medium brush and get ready for the next step alright so what we're going to do for the next step is we're doing the base coat of our hummingbird i'm going to be using my medium brush and the colors that i'm using are brown white green and red so there is distinct kind of color sections to the bird there's a reddish type section in through here which is probably why it's called the ruby throated hummingbird because it's got a ruby looking throat so there's a reddish section in through here there's a lighter section in through like the shoulder and the front of the chest then the rest of the body kind of is green and then they have like brownish wings so we're gonna just kind of tackle one section at a time and again don't be alarmed if you can still see your pencil underneath because that's going to be fine because we've got many other steps to go so i'm going to start with just brown paint on my brush and i am going to be doing my first layer of my beak so we are using kind of a bigger brush to do a small area so one of my tips is to get a nice pointy brush on a big brush is take it and put it in your paint and spin it on the side of your palette just spin it round and round on the side of the palette oh now there's that song [Music] and then once you do that you're just going to without much pressure color the beak so i'm just going to just with the tip of my brush just paint right over my pencil mark and i let off my pressure at the end of the beak so it's nice and pointy while i have that brown on my brush i'm going to add i'm going to do this back wing in through here i'm just going to start with brown to get a pretty dark area going in through here and once i've got that area started i'm going to pick up brown and white to finish that that wing and when i do this wing i'm going to be overlapping this edge in through here with the tips of the feathers that are going to hide that edge of the um of the pencil because i don't want to have a clean pencil mark i want to have a feather type look to the edge of that of that wing and i'm not over blending so this way it almost gives me like a striped type effect for those for those feathers and then while i've got the brown and the white on my brush i'm going to tackle the next wing right here but i want it to be a little bit lighter and it's going to come into the body a bit so again just brown and white and i'm going to i want it to be lighter than the one that i just did especially on this edge where they meet so it looks like it's in front of it so i'm going to bring this down to here bring it all the way to the edge of that wing right in through there and what i'm going to do is i'm going to start this area in through here with these little feathers that almost come into the body a little bit so i'm bringing it down into the body a little bit like this and then all of my feathers are going to kind of come out of this central area in through here so i'm going to bring them like this i'm just reloading my brush with a little bit of brown and white so this can give me like a striped effect and i've got the brown and the white on my brush and i'm bringing them past my pencil area so it covers that pencil edge and they can be nice and ruffled along the edges they don't have to be a perfect sort you can certainly have them looking you know without it looking too straight you can get some great dimension on that and if you want there to be a little bit more in through there you can just pick up a little bit more brown and just have fun tweaking those those colors as you want and then what i'm going to do is i'm going to wash and dry that medium brush and i'm going to put on my red section so just wash and dry picking up some red paint and this is going to be the area it's going to meet the top of that beak and it comes kind of halfway into the face and then back into this area and they don't necessarily have to be exactly in the same position that mine are um but it is in this general vicinity and i'm not doing any fancy brush stroke i'm really just looking to get a base coat on here and to get it to meet the edges of my of my pencil mark so i'm just bringing this in through here and bringing it just about to the top of the egg that we had created earlier so something like that will work for me then i'm going to wash and dry this same brush so i can go on to my next color which is going to be green so washing and drying my medium brush i'm going to be using green paint as my base coat for the entire head so whatever section you have left on your head you can just paint it in with some green paint just get it to naturally kind of merge into that beak and if you overlap the red section a little bit that's totally fine even if they blend in with one another that's totally fine because we're going to be doing when we do paint the details onto the bird we'll get these sections to look like they belong together anyways and then this little bit of green is going to come right back into where those feathers are and you don't again you don't have to have a perfect edge to it you can really get it to look a little bit on the messier side it's also going to come along this area in front of the wing and it comes down in through here when i was looking at these birds because i i i know that they're around my house but when i go to paint something i've gotta i've gotta look up some references for it so i did find that the that bright belly area that we're going to tackle in a minute can be a very large area or a very small area so i am opting to do more green i'm opting to have my green section really nice and large but some of the some of the these birds they have less green and more of a tan color underneath their their chest and their belly but i wanted mine to have a lot of color so i'm going i'm opting for more more of a green um section on my bird and i went all the way into that tail now i'm going to wash and dry my brush and i just have this last little section to go it's going to be mostly white with just a touch of brown on my brush so i've got white with just a little bit of brown and i'm just going to get this entire kind of belly section in through here and again if yours goes lighter or darker than mine it's okay it doesn't have to be exactly the same color um because again we've got another step that will allow for any modifications on it and then let's see what are we going to do for the next step we are going to be using this same brush for the next step so once you've got your base coat i guess we could have done this section when we did the wings but i guess i didn't think that far ahead but once you've got this section on here you can wash and dry this medium brush and get ready for the next step all right so what we're going to do for the next step is we're painting our stem for this big main flower and some beautiful wild grass throughout the bottom of the painting so i'm going to use my medium brush the colors that i'm using are brown green yellow and white and i'm going to start with this main stem that's in focus so i'm going to be starting with green and brown on my brush the only thing that i really have to concentrate on is i want to see part of the the main uh bulb part underneath and i wanted to make sense with this center area so i'm just going to kind of plan it out before i do it so i'm going to just kind of come from left to right and give myself almost like a little bit of a u type shape down in through here and then just get that to be colored in and again i have green and brown on my brush at the same time right now which is going to provide a great um nice natural base for for this and then i'm going to give myself a nice sturdy stem pretty maybe like a quarter of an inch wide because this is a big flower i know it needs it needs a good a good sized stem to hold it up and then i'm going to do a couple of little leaves or other stems coming off the side again i'm just starting with green and brown on my brush right now this is give providing me with a great starting point where i'll have good dimension within it i'm going to have a big kind of stem or leaf coming up over in through here this this is going to be my my probably the only identifiable leaf per se that i do but i just want to have something that's nice and representational of this particular um type of flower so they have these big um hearty leaves on the on their stems so that's going to be that one and then i'm going to still use just my green and my brown and put a couple of additional pieces of wild kind of grass throughout here and in a second i'm going to start introducing yellow and white so that way i'm going to be adding some bits of sunshine throughout the rest of the painting so that's i think all i'm going to do for that and now i'm going to start introducing yellow on my brush so i'm going to put a couple bits of yellow down this stem maybe a bit in through here i'll add white in a second but what i'm doing is i'm progressively getting lighter and lighter on these colors so it really gives it that um natural kind of highlights throughout the throughout the grass and again you could have this as vibrant as you want you could have as many pieces as you want i love the wild side of nature so i end up doing probably more than i should when it comes to like these grassy things but i just enjoy the process and like having fun like i like my my brush to just kind of go wild but i am having different lengths of grass so it ends up looking like there's long pieces and short pieces i just started introducing white at this point because i'm i'm really looking at this point i'm i'm i'm i'm wanting my sunshine to kind of peak its head through so i just started introducing yellow and white into my my little grassy areas and i like my grass to have movement to it so you can see that some of my pieces of grass are curved over that to me just speaks to gravity taking over when they're they're long and they've got the weight of the you know their their height is just pulling them down a little bit and adding some better with the with the white on them is going to make them look a little bit more in focus and you can really keep adding as many as you want you can have them overlapping one another you can have little ones peeking out behind here so feel free to bring this into whatever vibrant intensity that you want you can really get it to be really visible and really have it stand out in front of that out of focus background that we did i'm adding a bit of a highlight onto my my stem and this leaf in through here just to make sure that you can that pops out as well and then i'm just going to continue to add my my little bits of grass with their sunshine off in the distance or even close up whatever again speaks to you is where you should take this and then we are going to use the same medium brush for the next step so once you've got your beautiful wild grass on here you can wash and dry i think i want this to be just a little bit brighter wash and dry this brush and get ready for the next step all right so what we're going to do for the next step is we're painting shadows in the flower i'm going to be using my medium brush and i'm going to be using brown and red paint if you want to you could also use a little bit of black if you wanted to really be intense and and have deep deep shadows but i think i'm going to get away with just brown um and red so i'm going to start with some brown paint on my medium brush and i know that i want my deepest darkest area to be in through here and underneath wherever i feel a leaf would be casting a shad or a petal would be casting a shadow on another petal so i've got it really dark in through here and i know that my paint will get a little bit darker as it dries so i am aware of that so if it's not dark enough for me while it's wet i know that it will get a little bit darker when it dries so i can certainly just account for that so i'm gonna put it nice and and thick kind of in through this area once i've got it in the area that i want without washing my brush i pick up a little bit of red and i get that color to blend in with the neighboring red that's there so that way it doesn't look like just a distinct section of brown it starts to actually look like it's just fading from the brighter red down to the darker brown and these petals do have curve to them so now that i'm starting to add the details onto them my brush stroke will start to take on the direction of that particular petal so this one might have a little bit of a shadow next to it from this one so you can certainly add a little bit more brown on here if you wanted to so that's going to tackle that inside area and this one is kind of the inside of this that's going to be flopping over so that's why i put a little bit of of darkness in through there i think i want a little bit shadow underneath here so i didn't wash my brush i still have a little bit of red on it i know that the brown will overpower that red so i'm going to put a little bit of a shadow here if you feel like you have too much paint on your brush just have your paper towel ready and just keep wiping any excess paint off of your off of your brush onto your paper towel so i'm adding a bit of a shadow in through here it might have a little bit of a shadow coming here but not much when we go to do the highlighted areas of the petals that will also bring out um you could in essence kind of make a a lesser a lighter shadow than these by adding more intense of a highlight and you'll see what i'm talking about in a minute but you can see i am utilizing the direction of my brush stroke at this point to get that shadow to blend into the main red area this flower or this petal in through here i think i would have a little bit of a shadow down here because my petal is flopped over like this so back here is the farthest away from my light source so i'm actually going to put a little bit of brown on my brush at the edge of this particular petal and i did brown now i'm picking up some red and i'm just making sure that it blends in with the main red area and then i can just kind of pull it up to make sure that it's got that little curve that i that i i'm gonna want but just making sure that i've got enough paint on that edge before i start adding my my highlights and stuff so that's good for that one in through here this tiny little area in through here is the underside of this petal so i know that there'd be a nice shadow down in through there so add a bit of brown wipe my brush off on my paper towel pick up some red just to make sure that it blends in with that neighboring area so something like that this one here isn't going to have much i mean it might have a little shadow in through here because this petal might have a little cast a little bit of a shadow on this edge so i'm going to just put a tiny bit in through there this is actually going to be the little lip of that um petal so i just want a little tiny shadow in through here and then i'll just blend it into the neighboring red as it's as it's dry just make sure i've got good coverage here and my petals all of my petals are going to be steered from the center so if this is the center my curve is always going to be coming out or away from that center point and then let's see what are we going to do next we're going to use this same brush for the next step so once you've got your shadows on here you can wash and dry this medium brush and get ready for the next step all right so what we're going to do for the next step is we're doing our highlights on the petals so i'm going to use my medium brush the dominant colors i'm going to be using are white and red but i'll also be using yellow and if i need to i can certainly go back into my brown if i need to do any a little bit of blending so what i'm going to be doing here is i'm going to be putting in a really bright highlight and then blending it into the rest of the petal so my highlights are going to be steered by my light source which is the sun as well as the contour of these petals so if they're curved the the part that's poking out the most will have a little bit of a highlight and then wherever is closest to the light source which might be the some of the edges that will have a really bright highlight too so i'm going to start with white paint on my brush to get these really vibrant highlights in they might look too bright to start but we'll get them to blend in in a minute so i've got white paint on my brush i'm going to have i'll start with this one here i know that my light source is here and my flowers kind of tipped a little bit so i think that i have a pretty bright highlight over here on this edge maybe on some of these little tips of the um of the flower themselves something like this and you can see my brush is going in a curved type fashion away from the edge and then i think i would have a pretty big highlight in through here and i'm trying to leave soft edges um on these bright areas that i'm doing so that way it doesn't i i won't have difficulty blending it in with the neighboring colors so as i do it i'm just kind of pulling it out and these petals um are not only rippled at the edge they get their ripple because they're rippled throughout the petal themselves so they would in essence kind of have almost like a striped look to them because there's high spots and low spots within that particular petal so i've got my highlight on in through there i'm just gonna pick up some more white and go for the next one so this one i think would catch some bright little highlights on these tips in through here as well as maybe maybe the the curve is going like this but it gets a little bit darker over here so i'm not going to do too too much just a little bit of a little bit of paint on my brush to get that edge to be a little bit lighter and again this is going to blend in better when i um when i add the the red back into it but i'm just getting the the idea of where i want these these highlights at the moment and i'm just bringing this towards that center so i'm always going to be pulling these in a curved fashion towards the center of that flower adding some more white to my brush this highlight because this petal is flopping over towards us my part that's closest to the light source is probably going to be in through here so i've got my bright highlight on my brush i'm going to i might have a little yellow on my brush too which is fun i'm going to give my highlight in through there and then what i'm going to do is i'm going to take it and i'm going to curve it down and back up so this is taking it around this corner and giving it a highlight on the part that is bumping out the most and again it will look better once we um once we get it to blend in with the neighboring colors but this just kind of gets gets it started for us and i'm going to just kind of pull this down a little bit with a little my my brush is almost on the dryer side right now which is helping me get just a little bit of highlight along the other part without making it go too too dramatic and then i'm going to pull a little bit with the remnants on my brush i'm just going to put a little bit in through here as well and again it's very bright right now but i will dull it down in a minute just getting that on there i'm going to go ahead and do this one over here this one actually has a little kind of cute um like a lip to the to the petal that i've got over here on the edge so i'm adding a bit of a highlight in through there and then i've got a little bit of a highlight on these edges that might be caught catching the the sun underneath this one they might they might be poking their head a little bit from from underneath that one and catching a little bit of the sun so you can sometimes use your imagination to to decide what what areas getting the most the most highlight from the others and then again i'm steering it towards the the center of the flower so something like that and then i have this one last one in through here so this one i think would get it a lot in through here and then a bit on the tips so i've got the white paint still is where i'm starting so i've got my white paint kind of hitting some of these tips like this and you don't have to hit them all some of them are gonna be hidden behind the other ones some are gonna catch the a lot of the sun some are gonna not catch it because they're being shielded or covered by another portion of that flower and then again i got a really bright part in through here so now that i've got the the brightest parts established now i'm going to start using red yellow and white to get them to blend in with the rest of the flower right now i did not wash my brush but i picked up red and yellow so i actually have all three colors on my brush at the same time and the reason why i use yellow also when i am doing highlights for red objects is because the yellow helps to make it not pink it will because if i just used oops that petal just grew a little bit um if i just use red and white everything will turn pink on me which is not necessarily a bad thing but for me i do like to maintain the integrity of the red and by using a little bit of yellow in my highlights that helps to provide me with a nice natural highlight as opposed to it just being pink and you can of course just keep adapting your little bright highlights if you want them a little bit more or less you can just keep adding little little bits here and there but you can see how utilizing the red yellow and white on top of the area that i just designated as my highlight area now it looks nice and natural so you can certainly continue to play with it you might have to do a couple of different layers to it but that's where i'm going to start so red yellow and white on my brush kind of utilized to blend that highlight that i did into the rest of the flower so i've got them on my brush you can even paint over that highlight a little bit and again it still is being steered towards the center of the flower and this is a time where you would continue to add as much paint as you need to to get the proper coverage on that flower because when we use the red paint red paint again is very see-through so you may need multiple layers in order to get it to cover any background information that it might still be showing through through the the paint itself and again i'm just utilizing my red yellow and white to get these highlights to be nice and natural and vibrant and that one's looking pretty good to me maybe maybe a touch more of the of the highlight color and you can use a lot of paint you can use a little bit of paint whatever works for you sometimes um starting with less paint is an easier road to travel down simply because you can control the um the quantity and the intensity of it but if you're comfortable with it you can certainly add a lot of paint onto your brush but sometimes if you use too much paint on your brush what happens is your brain tells you keep blending keep blending and then it would all turn into one color so you just want to go with wherever your um your comfort level is and if you need to use more or less in accordance with how how your brush goes you know if you if you're able to control how much you're using and able to control the light spots and dark spots as you want to then you can certainly use a lot of paint but if you're having trouble getting one area to be of a different value than the next it might just mean that you need to back off on your quantity of paint use a little bit less and that will help you to control the intensity of it and you can see i just keep fiddling with these areas i'm going to continue to utilize that curved brushstroke and my red paint is definitely showing through as beautiful vibrant colors right on top of that highlight i can add those little streaks if i want to and i can keep making it in a lighter or darker value like i want a couple more streaks in through here so i'm just adding a bit more red and again those streaks are going to just tell the viewer that this has a bit more ripple to it and i want this to look like it's kind of curving into the inside of the flower so the highlight does not just have to be on the edge where it's meeting the internal area you can have that highlight away a bit i'm going to add just a touch more highlight in through here i feel like i took a little bit too much of it away but that's the that's the beauty of doing this you get to just kind of keep tweaking it until you feel like you've got that intensity the way that you want and i keep building it so it looks like it's got a lot of volume and a lot of dimension to it yeah that's looking good i can i can feel it popping out towards me now i just want a touch more in through here to give that that curve to it and then i'll move right on to my to my next petal in through here so i'm just gonna put a bit more red and yellow on my brush to get this internal vibrancy going making sure i've got good coverage get it to blend with this little bright edge that i've put on here so just you know sometimes you can just re-wet your brush and that that will help to get these to blend in with one another yeah that's looking good i like in highlights do it for me i don't know why like every time i go to do highlights it it almost feels like that's that's the final piece that that these um little things need to give them their their life they they it tells you that there's dimension to it and it just it gets me all excited when i do my highlights i don't know why it might just i don't know that's why i paint i paint for the joy of it and this is one of those this is one of those times on every painting i'm like yeah this is where i have my fun but i have fun the whole time but that's definitely gives gives me the most giddy up when i'm when i'm getting onto these highlights so again i just kind of reloaded my brush with some red and yellow without washing it so i still had a little bit of remnants of my of the white and i'm just going to get this to blend into these highlighted areas and then i'll enhance those highlights again if i need to with with a touch of white and again you can have it look a little ripply you can have some areas that are lighter than others there are these hibiscus flowers do come in multiple colors too so they do have a lot there's some pink ones um i know that i saw pink ones i don't know what other colors they come in but they they red is the most popular that i saw and i think that they do come in pink they might even come in white too so if you want yours to be of a different color you're going about this and you're like oh i really wish this was a white flower you could probably get away with doing it in in white or definitely a lighter tone of red you can go pink so really just bring it to whatever place makes you do your happy paint dance like the highlights make me do mine and then i just uh i think that's it oh maybe i might touch that that petal a little bit more but you can just keep tweaking this until you feel that you've got you know your highlights exactly where you want them to be and then we are going to be utilizing our small brush for the next step so once you've got your beautiful flower with its gorgeous highlights on it you can wash and dry your small brush and get ready for the next step alright so we're going to do for the next step is we are doing the eye beak and shadow areas on our bird so i'm going to be using a small brush and i'm going to be using black brown and white and how i'm going to do this is i'm going to first put my eye in place so i have my small brush i have black paint the eye is about midway between the um kind of where the face converges with the beak in through here and here so i would say somewhere about here and it almost straddles where the green meets the red area and i'm just using black paint i'm adding just a touch of water to my black so it's a little bit more fluid so i have a nice paint stroke here so i've got it coming over my red area just a little bit it's probably like the size of a really small pea the bigger you make it the more it's going to look look like a young bird the smaller you make it the more it'll look like a more mature bird i don't know why that is it just is then what i'm gonna do is i'm gonna take that black paint and i'm gonna make a little um underline on my beak to have a dark shadow underneath the bottom part of that beak so really just a tiny slender line down the bottom part of that beak you might not even be able to detect it depending on how dark your brown paint is then what i'm going to do is i'm picking up brown and black on my brush at the same time and i'm going to be doing my shadowy kind of areas which are going to be all along the bottom portion of the bird it's going to be down below the tail i'm going to have some behind the feather area and there's also some darker areas i don't know if they're necessarily shadowy but they'll be just some darker areas along this area so i'm going to just start in through here with some i'm going to call them polka dots so i have black and brown on my brush and i'm just polka dotting this bottom side of the um of the throat area or of the neck area and as i'm coming down to where it meets the grayer area or the what's going to be the wider area i'm just pulling it in this up a little bit i'm just going to keep reloading my brush with black and brown and as i go down past this section i'm going to be using more of like a little bit of a feathery kind of stroke so i'm just bringing my brush in these little gentle kind of dash type marks you can also add a touch of water to your brush because you're working in such a tiny little area that to get nice smooth little brush strokes you might end up wanting to have a touch of water on your brush and that's going to give you nice little pointy marks and again i'm using black and brown and maybe a little bit of water on my brush also i'm bringing some of these darker little feathers up into this area a bit because they'll act as shadow underneath the feathers that we're going to put in that area in a minute so again black and brown maybe sometimes i have more brown on my brush maybe sometimes i have more black on my brush the diversity will make it look more natural i'm bringing some down in through here and you can see i'm leaving some of those green feathers showing and then i'm going to add some through the bottom section of my tail so these are going to be a little bit longer so they look more like lengthy feathers as opposed to the shorter ones that i've got going on in the belly now i'm going to travel right behind this wing in through here and i'm going to give myself some dark areas that in my head are being shadowed by the wing so i've got some little bits of darker areas in through there and then i'm going to put some of this darkness down the back side of the of the bird also even down towards that tail and again this is going to provide little shadows for underneath the other feathers that we're going to be putting on there and then i'm going to travel into this little area in through here so again excuse me black and brown are still just the colors that i'm using with a touch of white i'm going to put a little bit of this darkness in through here and again i'm not really doing too much but i am thinking all the while that these obviously are little shadows but they're also representational of feathers so i'm just making these little tiny dash type marks that have a bit of a curve to them and that helps to sell the story of all of these being little tiny feathers as i move towards the head this is where i'm gonna instead of doing the little dash type marks i'm gonna go back to those dots that i did on the underside of the throat and this is going to represent these little um they look almost like sparkly little marks to me when i look and i look at these bird these look they look like little sparkles they're probably just shorter feathers or shorter fur but for i don't know if birds have fur um but anyways so i'm gonna i'm using more of a dotting type technique gonna do little dots in through here just a bit i'm going to do some along the meeting point where it the green meets the red area i'm bringing it all the way to that eye but again i'm just polka dotting so i want to be able to see the other colors that are around it and near it so i'm again i'm just brown and black i'm just doing these little tiny polka dots all throughout this section i'm going to bring it all the way up the top of the head as well just a little section of these of these polka dots and again i'm not doing much just these little tiny polka dotty type colors and then i am before i go call this a finished step i need to finish my eye so without washing my brush i'm going to put a tiny bit of white paint on my brush and i'm going to give it a little tiny sparkle dot kind of in the upper left hand corner and then if you want you can also add a bit of a little highlight underneath that bottom left hand corner and you can add a bit of a highlight or a little mark up in the upper right hand side of that eye like on the almost i don't want to call them eyelashes but just adding these little bits of twinkle above and below and then in the eye and that's all i'm going to do for the eye and for those shadowy parts so we will use um actually let's we're going to switch brushes to our medium brush for the next step so you can put your small brush away take out your medium brush and get ready for the next step all right so what we're going to do for the next step is we're doing the first step on our i think it's called the stamen the center thing that comes out the um out of the flower so i'm going to be using my medium brush and i'm going to be using red and brown paint so red and brown on my brush at the same time i want my hummingbird to be kind of tapping into the side of my stamen so the top of my top of it is going to come somewhere in through here and it's going to be a gentle kind of long wavy line and it's going to end up in through here so i'm just going to and my my the tip of my hummingbird is going to be maybe about a half of an inch away from the center of it because it's going to be drinking out of the little tiny pollen ends to it so i'm going to start this a little bit lower than my the top of my head maybe somewhere in through here and it's going to be about i don't know a quarter of an inch wide or so and it's going to just have a long gentle kind of curve to it and the brown helps it so you can see it on top of the other colors that you've done and we'll do a highlight in a minute but this is this is just our first little step then i'm reloading my brush with some red and brown so i can get there's these um little ball things on the top so i'm going to put maybe three or four in through here so i do little stick things and then a little ball at the end of it and then what i'm gonna do hold on just let me get my little my little ball things on the end here sometimes the the little detail that you thought was going to be the easiest turns out to be the the trickiest i'm going to switch back to my small brush once i've got these little balls on the top so once you've got your main structure to it and the little ball things on the top you can put your medium brush away take out your small brush and get ready for the next step all right so what i'm doing for the next step is i'm finishing my stamen i'm going gonna use my small brush and the colors that i'm using are red brown yellow and white so how i'm gonna start this is with red and brown on my brush at the same time and i'm gonna put a whole bunch of tiny little almost uh what can we call them just little stems i guess is it is the best way for me to to call these coming out the edges or the sides of this particular structure i am using a little bit of water on my brush also so i can get these to be nice and thin and i'm getting them to come out in different directions so they look really nice and natural i'm utilizing the browns so when you do get to this area in through here you can actually see them on top of the flower itself so red and brown are my color is the color combination that i'm using to create these little stems and you can have hundreds of them the more you have of them the more natural it's going to look and i they can be different lengths and they can come out from the center they can come out from the sides they can be you know much farther than here they really they they there can be a lot of them i've seen these flowers that have very few and then i've seen them have a ton so really you can have as much fun with it as you want and then once you've got the little areas popping out of course i've got some that are right near my beak so it looks like my beak is going to be drinking out of that particular section then what i'm going to do i'm not going to wash my brush i'm adding red yellow and white to my brush and i'm going to add a bit of a highlight on top of this area in through here i don't want to take away from the shadowy areas so this is just going to kind of be just a little subtle highlight so you can um see the dimension to it and then what i'm going to do is i'm going to add a hot little highlight onto those bubbly parts at the top so i have i just added some more red and white to my brush and i'm just adding a bit of a dimensional highlight to those then i'm going to wash and dry my little brush and i'm going to pick up yellow and white and a lot of yellow and white because i'm going to do the little ends to those tiny little prickly areas that we put and i want them to have a lot of paint so they almost look three-dimensional so i have a lot of yellow and white on my brush right now and because i have a lot of paint on my brush i'm able to just make one polka dot for each one of these little dots that i want to have on here i'm sure there's a much more technical term than dots but i'm sure that they it has something to do with the pollen too but i don't know what the technical name of these little dots i i was surprised that i even knew the name of that was a statement so so to know that part the anatomy was was definitely a bonus for me um and i'm making sure that i've got some good sized ones they're all over the place as long as you've got them occupying the area where you put those little skinnier pieces coming out of the center structure then it's going to look nice and realistic and i'm not blending them at all some of them are whiter than others some of them are yellow more yellow than others so this way they look really nice and natural i'm trying to not be systematic i'm trying to give you know little clusters here some poke out a little bit further so nature has a way of being very unorganized at times so if you can make yours a little unorganized it will look nice and natural as well and then we are going to use this small brush for the next step so once you've got that all nice and constructed you can wash and dry your small brush and get ready for the next step all right so we're going to do for the next step is we are finishing our beautiful bird i'm going to use my small brush this is going to be just kind of like the final details of it which would include some little highlights to the feathers i'm going to use my small brush i'm going to use a whole bunch of colors i'm going to be using yellow and white in through here and in through these feathers i'll also be using green and white i'll probably be using white and brown in through here that might be it so yellow green white brown maybe a little red but we'll we'll see how it goes so i'm going to utilize the same type of brush stroke that i did when i was adding those darker aries so when i'm on the head or when i'm on the throat area it's going to be a polka dot type brushstroke when i get into the bigger body areas in through here where i feel like the feathers would be a little bit longer that's when i'm going to utilize more of a kind of a curved dash type of brush stroke and then when i get to that tail it's going to be a much longer type brush stroke so i think i'm just going to start at the top of the head and i'm going to be using yellow and white to start and i'm going to be adding these little yellow and white polka dots on top of the green and you can eat one time pick up white one time pick up yellow if you feel like you want more green you can certainly add more green to it the green to me is a under color here but you could certainly add more green to it if you wanted to you could even use a different kind of green like more of a phthalo green or a more vibrant green with a little bit of blue in it i do want this to look like it transitions nicely into that dark area so i will overlap some of those dots and if i need to i can bring the brown dots into my area that i just painted so you want to make sure that you overlap those so they look natural together and that you've really kind of covered the entire area with with a second layer of um of something be it polka dots or feathers or brush strokes or whatnot so now i'm going to move into this area into here so this again is going to be yellow and white are going to be my dominant colors to make this really pop out and look a little bit more three-dimensional and like it's got almost like a shimmery look to it these um the hummingbirds i think what makes them so fascinating is their feathers are just so shiny and vibrant even when even in this particular um breed of the bird with the natural colors that it possesses they still just shimmer in the sun and they're just so brilliant and and beautiful so adding these little flecks of white is gonna make this look like it's shiny in in a sort in a way so i just think that they're they're just such beautiful birds and they're so hard to see too when we have them in our house it's almost like if we see one we call all the neighbors oh my god i saw a hummingbird today because they're so elusive they move so fast so they're just really kind of cool little creatures and you do want to make sure that the beak portion that you've done whatever you need to do on there i'm going to actually add a bit of a highlight onto the top of the beak with some brown and white on my brush so brown and white just so i have almost a little bit of a shine to my beak as well i'm not going to go all the way to the top edge of it i'm going to go a little bit away from the top edge and that's just going to add a bit of a shine to it so you can see that it's got like a little roundness to it there we go and maybe a touch more in that eye there we go so now i'm going to move on to this section here with a little bit of white on my brush i know that this is going to be my lightest of my light areas i will add a bit of brown in a second but just adding these um these lighter feathers in through here i think i have a little remnants of yellow on my brush too which is totally okay we're just going to add we're just going to let happen what's going to happen these colors should look like they're merging together anyways so if i have a bit of another color on my brush that's okay so i'm just getting these to look like little little feathers in through here that are gonna overlap that green area so white with maybe a touch of brown to get these to overlap that green area i want them to look like they belong together it's looking cute i think i want a little bit more brown up in through here just to get these to again look like they are merging in with one another and that they don't look like um cut out sections you want these feathers to look kind of like they're laying on top of each other so we've got that in there and then i'm going to go ahead and move into this section so this is similar to the head where it's going to get yellow and white but i might use a little bit more green in this section or a little bit more brown because to me this would be a little bit darker down here my doggies have all of a sudden decided that they want to to come to my painting party so i might have to pause in a second if they if they don't find a way to settle down i think they're hungry it might be that time of day where they're they're they're letting me know that it is time for them to eat but we'll see if they calm down in a second so again yellow green and white are my colors for this section in through here making it look like it's blending in with the neighboring colors and i think i want it a little bit darker down here so i'm adding a touch more brown to just make sure this is nice and shadowed down in through here and it looks nice and realistic to me i like my my paintings to have a nice realistic feel and look to them and at making sure they have enough shadows enough dimension that helps to um to please my painterly my painterly eye so you can certainly um tweak yours whatever way you feel is going to to make it bring it into your your visual preference on this tail area i want this to look a little bit more on the bluer side as opposed to using yellow i'm just going to use green and white as my highlight on this tail part so green and white are on my brush right now and these are going to be longer strokes and because i'm not using yellow white when it sits next to the yellow it will take on more of a bluer type appearance for the green so it will end up looking a like a little bit different of a colored green than um the one in through here so you can play with the look of uh of a color just by what it sits next to so that's a fun uh fun aspect to to play with as you're painting and then i'm just gonna kind of oh i need some feet or a foot anyways but first i think i'm going to make this a little bit darker in through here i'm adding a touch of black and brown to my brush to just make sure this has a nice deep shadow in through here because this side would definitely be a little bit darker i think and if you felt at this point that you needed to add anything more to your wings you could certainly do that i want a little tiny foot so i am using a touch of watered down black paint my foot is going to come somewhere below this wing in through here so maybe somewhere about here and it's just going to have a couple of little tiny curves to it the little town they have teeny tiny little feet something like that and then i'll add um just add a tiny bit more here then i will add a little bit of of a highlight so a teeny tiny bit of white paint just gives me a little little tiny detail in through there and then of course you can sit here and and tweak this all you want if you feel like you need a little bit more shadow here or a little bit more highlight there now's the time to do it but we have one tiny little step left to go and it is going to be with the small brush so once you've got your beautiful bird all nice and executed and you've got all the little feathers twinkling as much as you want you can wash and dry this small brush and get ready for the next step all right so we are on to the final step this is the final step of every painting which is to sign it so i usually sign mine in the bottom left or the bottom right corner i'm going to be using my small brush and i'm going to be using black paint you could certainly use any color that you would like i usually just use something that i've used with in the painting you could go lighter or darker you could i use my initials as my signature you could use a symbol or you could put the date or your first name whatever you want to be your identifying mark is totally fine and that is going to conclude this painting i hope you enjoy the process i hope you painted yourself a beautiful hummingbird and a big gorgeous flower and i look forward to painting and sipping with you again sometime [Music] you

Channel: Michelle the Painter

Views: 71,884

Rating: 4.9210625 out of 5

Keywords: how to paint, paint and sip, acrylic, painting, tutorial, beginner, simple, easy, painter, class, step by step, learn to, how to, paint, sky, landscape, realistic, peaceful, beautiful, best, top, instructions, ontop, country, on, white, flower, floral, single, one, large, up, stem, leaves, yellow, green, open, stunning, plant, nature, natural, petals, petal, summer, day, inspirational, over, sun, pretty, art, wall, hill, perennial, spring, hibiscus, red, hummingbird, ruby-throated, sunrise, sunset, flying, drinking, feeding, stamen, wings, beak, bird

Id: WDujccYzDB4

Length: 83min 53sec (5033 seconds)

Published: Sat Feb 13 2021