JACK HARLOW IS A FASHION NO (MET Gala 2022 Roast Pt. 3)

[Music] hello everybody my name is lukmar and this is holland mode and today on we are here with part three of our meth gala roast in review if you have not watched part one or part two i recommend you go and you do so because the first one is most definitely a breakdown of some of the most popular people of the evening to the wider mainstream cultural audience but we're going through the rest of the looks and breaking them down in alphabetical order if you haven't seen part two well go and watch that and if you want to know what the theme is which is guild and glamour i'd go watch our explanation video super duper good pretty in depth without further ado we're just gonna get into this part three experience there's quite a lot of looks to get through so buckle in a lot to discuss first up gonna now gunna is wearing a custom tom brown look it's made up of a cape that is embroidered with this gold sort of thorn embroidery and then underneath is a jacket and a pan and both of those have the tom brown four stripe band which is a signature of the brand in gold embroidery two and then gunna is wearing or carrying a hector bag that has essentially been fully crystallized by his jeweler overall there's a lot going on the gilded glamour thing i think in a very literal sense is coming through in the gold embroidery all throughout do i think that it hits the theme in a gilded age sense no i did some research trying to like figure out what was going on with the look i even reached out to kind of stylish no response back i get it though it was a friday but i do think the hector bag weirdly enough is like some gilded age element we talked about it a bit before when we were looking at anita's outfit in the first video i believe essentially women of the gilded age would drip themselves in ridiculous amounts of pearls precious gemstones and jewelry and so i'm wondering if that kind of is where we were going with this in terms of decorating that hector bag because i did research on the gram that hector bag was not always decorated he was not always full of crystals next up we have gwen stefani and she is wearing a custom vera wang look now it's made up of a little silky bandeau crop top glove and made up of a large skirt that is full of fabric flowers and large gatherings and drapes and ruffles and i think the most obvious thing that we can see is the neon element this is like a neon acetate yellow the neon colors we'll discuss i think as time goes on but neon was technically invented i think or at least discovered in the 1890s but not color wise it was more so like the neon gas was discovered so if that's what we're technically going for here okay will i say that maybe we can talk about the synthetic color history and you know how that sort of came around during the gilded age yeah i'm not completely sold on that though and that's just in general it's the same thing with glenn close and that valentine i'm just not sold on that am i a little bit more sold on putting a crop top with a large sort of big gown skirt that isn't really super duper bustle style but like at least it's large and it's big and it's meant to be sort of dramatic and over the top yeah i would say that this skirt feels at least a little bit more 1870s really early 1870s than the 1880s 1890s we can actually see when gwen has turned to the side that it looks like there is actually a bustle that's been created in the back i will say this has a very sort of early 1870s silhouette to me because it's not totally flat in the front which is what happens when you hit like the mid-1870s but it feels like it's still kind of wide in the front still a little bit dome-shaped we're moving out of like the 1860s silhouette but at least there's a bustle like there is a slant like you can see it i would say it has more of a shelf bustle that's more 1890s which i would say is more the second bustle period than the first but at least there is a bustle it's it's with this big gigantic skirt and again we can even see when we zoom in that the way that the flowers come down on the train accentuates the fact that there is a bustle shape brilliant gwen she's on it listen i'm gonna give her the neon i'm gonna give her synthetic color i'm gonna give her bustle i'm gonna give her decoration regarding the bustle and again what we did up top was a nice crop top make it a little bit modern make a little bit easy i am sold gwen stefani a thank you holla back to this girl when we need her to come next year knows what she's doing next we have hillary clinton and she's wearing altazara which is a custom look it's a maroon gown with a slow over off the shoulder flounce at the top and then it's just pretty much fitted i mean listen in and of itself the look more or less to me has a very women of the gilded age look sans bustle you don't even the bustle's not there but i would say that weirdly enough like overall you know we could pick any random like uninteresting wealthy woman of the time period and say like oh i could see this like there literally are dresses i believe one is of mrs gould it's a maroon gown although shockingly for the 1890s when mrs gould was around her dress looks better than hillary's so this sort of like exciting thing that was about this dress and i'm using exciting really sparingly here was hillary had a 60 names of like famous women throughout history embroidered at the edge of this little flounce and my thing is listen if it had been women that were from the gilded age and had really amazing like accomplishments like madame cj walker or a leslie frank a ida b wells or susan b anthony or any number of women from that period that like really did stuff during the age to fight for unions or to work on women's rights and rise to prominence and be in competitive business competition with men of the period had we done that i would have said like yeah sure but it just felt like we were doing random women throughout history that was just like here give me brownie points which just doesn't feel super duper um theme i understand that also the knight of the mad gala the roe v wade draft was leaked did hillary know about this i don't know i understand it it just feels a little bit gimmicky in that sense it just feels like give me my political brownie points and my thing is i'm more than happy to give political brownie points if it's actually education on people from that period that we should know about not all of them are out there listen like harriet tubman yeah icon like ruth bader ginsburg save that for a different matt gala you're gonna save that for some time else but ruth was always and that's my issue next up we had ho yeon zhang and she is wearing louis vuitton now this is a look from a louis vuitton collection of the past it's a blue suede dress with some side bust cutouts it has little black leather elements going on and a knee-high black high-heeled boot i mean it's just like a strapless cocktail and we're getting very 1960s from that in my opinion which we're like about a solid 60 years off the other thing is i feel like nicola has referenced the gilded age just a little bit maybe not even just the gilded age but like victorian era dress in collections of the past i just wonder why we didn't shoot for something like that because this feels a little bit confusing i just feel like we could have went more oriented absolutely i always understand that like she is literally a south korean model and actress so like the gilded age of america why would she give i get it i do i understand but i still think we could have brought more next we have iman her mom and she's wearing oscar de la renta now this is a custom gown that the model here is wearing do i think it looks beautiful on her absolutely i think it's one of the most striking but most simplistic look of the night in that sense of it's really just about this pleating the color is gorgeous the way that that double train fans out from the shoulders and like a halter sort of style you have that front cut out that showcases like clavicle pit a nice little thigh leg moment going on too i will say at first when i started i was like it's not on theme and do i necessarily think it's still one thing [Music] questionable do i think that there is maybe possibly the slightest chance that oscar de la renta was referencing louie fuller who was a ballet dancer for the folly berger yes do i think that she was a french dancer dancing in france during the period yes do i think that we were bringing it over to the united states i'm unsure but there are images of her wearing these very very long train like pleated gowns this one that i'm showing on screen is from 1902 so i'm not sure whether or not it's really really on theme one or two years i'm willing to like give a little little tiny baby bit leeway but that's kind of where i was wondering if this inspiration is coming from do i know no if it is okay if it's not no no but overall i do think the dress is beautiful if it's referencing louis fuller who was a dancer points if not proud of myself for the research but disappointed in oscar de la renta next up is iris law and she is wearing moschino now this is a bronze silver e and gold feather halter style dress that exposes the midriff and then sort of comes in and creates a mermaid trumpet style effect will say that was technically invented by marcel roshan in the early 20th century so not on theme i also will say i mean like yeah the blue and the gold gilded shore but again if anybody's going to be like oh well it's the natural form yeah my ass that's just not the case here it's just not on theme and that's a disappointment next up we have jack harlow and he's wearing shivan shi now this is a brown chocolate double suit jacket and again if we look at the suit jacket as jack is holding it it's flat no curvature no pull away no none of that so like not on theme automatically pants blah the shoes blah the shirt blah it's just not on theme and listen did jack harlow have one of the most memorable moments of the met gala and he said love you to emma chamberlain and emma chamberlain said love you back and then produce that face that honestly i've laughed at like 47 different times yes and so i thank both of them for that but do i think that jack is something no the suit jacket does not hit the morning suit the afternoon suit the day suit the evening suit the night suit the afternoon suit none of the suits and my thing is like we could have just done like a really high collar that was stiff and starched and creased but like we didn't do that we could have done like a cravat we just did a regular tie and i think that's my issue here is there's ways to like do the menswear where it's really simple and really easy and really fun and references the period and we just like did a big boxy suit jacket and brown silk why like why not just do a tad bit of research and matthew liam's is american matthew disappointing if we want to talk about somebody that did the theme did it well and did men's wear let's talk about jeremy pope wearing dion lake now you're probably gonna say look this is just so dramatic it's so over the top it's so ostentatious that would have never been worn absolutely of course it wouldn't have been worn but that's the point this is a leather jacket a fabric that really wouldn't have been used in like a tailored sense during that period but the great thing about dion lee and jeremy beaupier is what we did is the fall away of the period the jacket that as these sort of two little ends meet around you know the waist area they start to split apart and come down and create a little bit of drama a little bit of kooky crazy now here this leather jacket obviously does that it's a little bit more gay nightclub in a brooklyn warehouse which very on brand for dion lee but it's also nice in the sense that we still have tails they split there's a little bit of a train a little bit of drama a little bit over the top moments and then we have this pant situation which we can't really see his hips but like his hips are exposed so it's kind of like ostentatious menswear which we'll take at this point cause like it's allowed the jacket honestly i think genuinely hits the theme i think that it's a great take on what i would say is like the university suit and the way that it really dramatically sort of flared out was super different than what menswear would have been at the time period and honestly still is keeping like the dion lee isms of the brand alive and happening overall jeremy pope i think killed it theme is on point it looks great it's cool menswear it has drama it hits tailoring i'm sold next up is jessica chastain and she is wearing gucci now this is a custom look and evidently like she's trying to go full sort of fortune teller here now did a little tiny bit of research into this because i was like fortune tellers i don't know probably still like sailing witch trials at this point during the guilded age technically no fortune tellers were around during the period there was obviously like a little bit of not on that much love there were laws that were against fortune telling during the time but people still fortune told they told the fortunes will i say that there's like a bustle involved here no there isn't from the back you actually can't see any sort of protrusion so that's not going on but do i think that weirdly enough the natural form is hit to a degree here yeah you can see obviously like that there is a very very tight waist there is no puffed sort of jigo sleeve which i think would have been like a great little nod just to create some sort of drama there but we can also see the front ruching of this maroon sequined skirt situation in the front it is gathered it is sort of texturized and when you put that together with the nipped waist maybe possibly i will say i'm not super duper sure on the dress codes of fortune tellers of the time period but i do know that they did exist they were a thing i would say that this is maybe referencing more early 20th century sort of movies and tv references to fortune tellers but i do think an element that's really really cool is the way that this snake which is a gucci house code sort of slithers into that keyhole cutout and then around the neck and then down the arm is really really cool really really smart jessica chastain i'm not sure is really on theme but i mean i know that at least fortune tellers existed during the gilded age so maybe we'll let it slide a little bit although you know i wish she was doing a little bit more drama like this on the red carpet because like this is a fire look in general in context questionable next up we have joe jonas and he is wearing a custom louis vuitton piece now this look is most definitely referencing the louis vuitton fall 2022 runway collection it is a double-breasted men's laser from underneath we can see that it definitely looks like a style from fall 2022 underneath in the lace pieces of lace sort of trickle down to create tails of sorts or almost like a train i think it's an interesting look because again with the lace technically like it was on on trend it was definitely something that was worn during the period the double-breasted suit has a little bit more wedding kind of suit style very very formal but like a take on very very formal like menswear of the time period was very subdued and not super out of the box i appreciate that joe like went for it at least there's something here and again if you're not able to like do a crazy custom reference moment to the period at least like we're trying it seems like to some degree and again we can just talk about like upcycling during the period and like clothing and have that happen and even like the richest people of the time period did it because it was a thing mrs astor did it so like yeah we'll let it slide next up is johnny sir from nct and he is wearing a custom peter doe look this is a full silk satin style and it has the peter doe tattoo stripe so when we're talking about eva chen in the past video johnny also has that except there's no sort of opera glove now this is a waistcoat vest and then a black tailed long jacket and then a simple sort of pant now my thing is i do think that the tailed coat is really fun and definitely sort of references the tuxedo tail coats of the period although it's a little bit longer and a little bit less sharp i think maybe with the vest had we gone a little bit more low cut and curvaceous it would have hit the period more most definitely i will say that the waistcoat has an 1880 sort of cut to it a lot of them were sort of curved quite low but this one to me seems a little bit more the casual everyday sort of waistcoat style do i think that obviously like i would have liked a little bit of drama yes do i think that this is peter doe sort of doing the very simplistic minimal sort of attention to detail style that he normally does yeah and do i think that that fits into the less ostentatious menswear styles of the period yeah i don't think there's anything kooky crazy going on do i maybe wish that we had like a shirt or something underneath to like do a cravat of some sort yeah i think that would have been cool but overall like i guess it technically does sort of hit the casual menswear vibe of being boring and blonde and interesting but at least with peter doe we're creating an interesting tale code we're bringing in house codes it's very sort of of the time period but more modern again next up is john batiste and he is wearing ralph lauren i love this look i think this is a great reference of going through and referencing a few different styles of the gilded age now we obviously have like the big wide lapels and that waist coat underneath you can see kind of scoops very very very very very low which i love i think the black velvet is really really nice i think it works i think it plays into like what men of that upper class would have worn and then another thing that's really really great is you can see the little notch or the buttons that hold this jacket together and again i think it references those smoking suits from you know turkey in the middle east i think that john batiste and ralph lauren here did a great job of taking pretty much a really simple sort of menswear look which john bautista is not always like doing simple menswear but really going for casual vibes and we're going to insert little elements of gilded age dress from the period into it to make it sort of nice little subtle details and i think that was done really really well i have to say like listen i'm not normally one to be like oh wow simple menswear but it's hitting the theme it's hitting the vibe it's hitting a moment and it looks good next up is jordan roth and he is wearing tom brown in a two-piece sort of situation similar to blake lively but first up we have jordan in this coat now this is a black version of a coat from the ball 2022 tom brown collection that just came out and the thing is it's a large sort of dome shaped coat it feels very sort of crinoline inspired more 1850s 1860s i would say mixed with like tailoring although the look in general was inspired by tuxedos and menswear like the mid-1880s but what happened is this coat which is made out of like mohair and moire and sequins as we can see is brought down and creates a skirt this continuation and conversation about the tuxedo obviously i think is important but i also want to say when the code is on we can see that this collar is really really low my issue really is they're just subtle little details that we could have done and i feel like for jordan it would have been great to have that high really stiff starched collar just to sort of create that in their menswear gilded age clothing reference but when we get the jacket off and around the waist jordan said that it created a bustle i don't know about that i think that it creates a sort of overskirt silhouette yes i won't say that it completely busts old though do i think that it's a smart sort of day to night look yeah um depending on whose day to night it is but yes i just don't think it's bustled i think it creates large overskirt sort of feeling and has a very 1860s kind of feeling to it maybe 1890s but maybe you can say that it's like 1890s inspired because obviously like the bustle sort of lost its prominence and things became a little bit more simple and the dome shape of the skirt came back to a degree but yeah i'm not like completely sold on that i think there are little elements when the jacket is taken off that i think are really really smart the little sleeve garters are cool it's definitely a reference to the late 19th century menswear sort of styling and dressing it was something that did gain popularity during the latter half of the 19th century so feel like it's a cool little nod the craft jacket is like definitely interesting what i've loved it a little bit more had it been flared out just a little bit yeah possibly but like i'm not gonna i'm not gonna go crazy and then we have a corset that is underneath that is covered in black sequins and again i think it's an interesting sort of take menswear women's wear reconstructing the idea of gender during that time period overall i don't like love the look in the context i don't hate the look in the context i think we're stretching the truth a little bit here but do i think it's a great tom brown look that again in like any other context i'd be gooped and gagged over yeah absolutely i'm not completely sold on the storyline but i'm not unsold on it either still deciding on whether or not i'm going to purchase next up is julian warren she's wearing tom ford and tom ford before this matt gala made a statement something along the lines of i don't like the met being a costume party wow we're referencing regency our address here so let's talk about costumes tommy it most definitely is a reference to regency style dress we can see that there is sort of vampire bust line even though it's not really technically empire but you know you have a little green neoclassical take on drapery does it hit right at the underbust no but do i think that that little gathering that goes right down the center is very regency inspired yeah i think so overall again like the neoclassical sort of style didn't really seep into the gilded age it wasn't something that really was looked at or touched upon all that much and especially not in sort of like polite high society i feel like even though we're saying we're not doing costume party like we're technically doing costume party and defeats the purpose also again like i just wish we'd gone for a gilded age thing i get it if designers are like listen i don't want to do costume i don't want to do blah blah but there's ways of going about referencing the period without it being costuming we could have done a front drape that would have really channeled that that idea we could have done a nice jacket over top that sort of had like a beautiful tailored element to it there's a lot of ways to go about referencing that period without it being a costume experience even though technically the period also enjoyed costume i'm not understanding this dress because it's so bridgerton to a degree that it's hard to sit there and say oh we weren't trying to do a costume next let's talk about jody turner smith now when you look at this look you might say oh not on theme get into it and i thought that too but i will say i'm wondering if this is a reference to burlesque which most definitely did become popular during the gilded age it was something that sort of happened and a lot of these styles of body suits with fringe definitely was something that kind of did become popular costume on this stage of the theater i won't say that the depleted train is exactly what was going on behind but we can actually look at you know stage costume from like the 1870s to the 1880s and see that there is a bit of fringe going on these styles did sort of create body suit silhouettes that did expose the legs and the arms and so i'm wondering if that's really where jody was going with it and if that's the case i like it do i think that it's hard to make those styles look chic yes because they you know from the photos they're not the chicest in the world but it's a very interesting thing to see and if that's what jody was going for absolutely see it if that's not what she was going for disappointed in you jody but i'm gonna put it in that i think that's what she was referencing now next up we have casey musgraves and she is wearing prada now this is a custom look it is black plunging neckline gown with a slight train that is covered in sort of firework embroidery that's quite colorful and she's carrying a big feather fan and opera length gloves now in my head i'm wondering if casey was sort of going for burlesque dancers of the time period i don't think that this dress exactly like hits the performance aspect but it might hit more the risque evening wear risque sort of day where styles that you might have seen on stage during the time period again that's a guess the other thing that i've read is this is a reference to holly go lightly breakfast at tiffany is made famous by audrey hepburn i will say i have read breakfast at tiffany's the book it takes place in like the 40s in new york so there's no gilded age situation going on there so if that's the case controversial in my head i'd like to think that it's a reference to burlesque styles of gilded age my research is leading me to believe that that's not the case but in my head i'm going to do my best but if we're going for hollywood lightly not on theme very disappointing very upset with ukc i do think that there are little elements that we could have done to maybe make it a little bit more gilded edgy you know a little bit more of like a bustle wouldn't have hurt because honestly there are images of literal burlesque dancers wearing like short short short dresses that have bustles we could have done that i know yamiche we're seeing here eye-to-eye we could have done that didn't happen very disappointed we should have pushed for that team casey musgraves ex prada and that's the truth next up is kaya gerber and she is wearing alexander mcqueen now this is a custom look it is filled with floral silver embroidery and it's a majority i believe floral motif that's going on i personally am wondering if it's a reference to william morris the arts and crafts movement not founder but sort of big kahuna if you will who essentially pioneered this idea of bringing handcraftedness back to art and textile design when it came to post-industrial revolutionary do i think that for like the singular mcqueen dress besides be shafer or b carazzini that i've seen that this is what we could have done in terms of alexander mcqueen victorian fashion no and i think that's the most disappointing part is that there are a lot of designers that definitely have referenced it in passing but like the victorian era is very much so like a overarching influence on the brand from the first collection that alexander mcqueen ever put out to one of his last collections that he ever put out while he was alive we could have done a little bit more drama and again i just think that in this space a crazy over-the-top outlandish alexandra queen look is not a big ask from sarah burton there's a lot of commerciality there's a lack of theatricality from alexander mcqueen collections today and that's okay-ish on a red carpet where we really could have went over the top ridiculous crazy delivered the theatrics that are needed not only from the met gala but from the brand alexander mcqueen it's a real disappointment to have not seen that at all i understand listen william morris bringing it back strawberry thief giving it to the girls i get it i understand and i'm here for it but do that on any other red carpet do that at the oscars do that at the enemies do that at the tonys don't do that here give us jack the ripper stalks the victim give us horn of plenty give us any one of the alexander mcqueen victorian inspired collections that really truly showcase the beauty and the understanding of victorian aesthetics that this brand is known for and that's my thing kyle looks like pretty sure great not what i really care for here and especially when you have kaya as who we're dressing there's no excuse not to have done something major and sarah burton herself references victorian styles next let's talk about karli kloss now she is wearing a custom giveaway dress essentially in my opinion it's referencing lingerie i mean we have a black sort of opaque bra and then there's lace that's piping it we have lace that comes down from like pelvic area down to accentuate the thighs and the legs it's very much a lingerie slip dress bra bustier inspired just turned into a dress it's gorgeous it is like a genuine i think it's a beautiful beautiful beautiful dress and i think it's a great take on lingerie and i say that genuinely i just don't really see the gilded age influence i'm not saying that i'm an expert on lingerie of the gilded age but even so i'm pretty positive that lingerie of the period was not like seductive or opaque pretty positive that a lot of it was pretty conservative obviously depending on who you're sort of you know looking at and what they're wearing it was something that more or less was pretty buttoned up not really see-through not super duper provocative in that regard and so listen i think it's a nice look but in my opinion do i think it fits the gilded age theme if it does somehow okay great but even then i don't think it fits into that like burlesque dancer sort of experience situation either like there's just not really like a look that i'm understanding where that's coming from next up we have kate moss and she's wearing burberry this is a custom look it's essentially an off-the-shoulder black velvet gown that is meant to look like a double-breasted coat of some sort and the silky lapels are sort of the neckline they accentuate the bust in the same way that i said about amy schumer i'm not seeing except for the whip stitch i'm not seeing it here either it just feels like a kind of blah boring lazy way of like taking menswear from the period and turning it into a dress next up we have carrie washington and she is wearing a custom tory birch look it's an off-the-shoulder corseted bodysuit with chiffon drape with a poofed shoulder not understanding the theme not understanding sort of any of it listen had we had like a little silver chain strap situation i'd say okay listen modern madame x by sergeant but that's not maybe it's referencing burlesque of the period maybe in a corset yeah it's great to have a corset but kind of meh in general you're i mean like i expect more from miss washington i do next up we have kid cudi and he is wearing kenzo now this is a custom version of a kenzo look by nico and nico from my understanding specifically said that this was a look that was from the kenzo archives from like 1984. like almost 100 years off babe almost 100. so i think what they did is they just added this large cape over top and said like we're going for it and listen do i love a wool blue cape absolutely i think it's done just in the context of the gilded age not really seeing the vibe like have the collar been a little bit higher great have we done like a cravat great do i see the synthetic color element yeah absolutely i do but besides that with the little ruffly sleeves we're not loving it any other context probably actually would be very very happy about it and i like seeing archival kenzo do not get it wrong fashion nerd in me is like oh yeah but no no no next up we have kiki lane and she is wearing custom probable gorung it's a full pink gown and essentially i would presume that it has a boned corset situation going on at the bus i would say that it's a boned corset situation going on at the bodice but it flows into a sort of large pink skirt and then the neckline and the wrapped sleeves decorated with artificial fabric flowers now artificial fabric flowers very much so on point for the period we can see it in a bunch of different sort of ways the decorative buttons again are probably wrong signature and also play into the history of the period so again we're hitting it there in our decorative elements we wish that we'd done like a little bit more bustling yeah but at the same time we could maybe sit there and say like s shape even though it's not really dramatic i don't completely hate it i wish the skirt had been a bit bigger i think it would have emphasized a little bit more but besides that i think that honestly like between the color and the decorative elements of the buttons and the fabric flowers pretty decently on theme uh you know i'm not mad about it i think it's a nice dress in general and i think that i'll let the themage slide because i think we're combining a bunch of different elements i'm into kiki lane i always was always will be next up is cody smith mcphee and he is wearing bottega now this is a white striped button-down shirt those leather pants that look like they're jeans but they're not jeans they're leather black boots and red leather gloves i don't know of any bottega red carpet looks that were worn by women although i think there could have been like moments there i'm just not seeing the gilded age referentials here the striped shirt jeans maybe of lower class people working class people absolutely but i think we just really wanted to take the jeans from the runway and put them on the red carpet it's just my thoughts i don't think it's on theme listen i think cody smith mcphee and botega are great do i think it has been proven that looks can be turned i just wish that we went for it it feels like we just went to it it's not the same thing next we have chris jenner and she's wearing oscar de la renta now this is a sort of neoclassical drape and like a bright sunshiny yellow with a little bit of silver bugle bead embroidery along the edge of that asymmetrical top drape layer not seeing the gilded age reference listen i'm not saying that there weren't some off the shoulders and some draping going on that might be similar to you know what's going on here but in general i think we should uh we should have went for it i think she looks better than any other met gala red carpet i've ever seen in my entire life that she's attended do i think that this fits the theme no next we have la la anthony and she is wearing a custom laquan smith garment this is like a halter crystal top with an off the shoulder body suit and then draped sarong skirt which had we done a little bit more here actually could have been a brilliant showcase of laquan smith doing the gilded age characteristics but done with that laquan smith's sort of like sexy edgy appeal and i just don't think we we hit that there i think my biggest issue is the skirt i feel like we could have done a lot more in terms of drape like something kooky crazy definitely referential to the period i understand like that drape is a drape but i think that we need a little bit more effort the off the shoulder element i don't think is bad at all i think that it definitely does sort of play the evening wear of the period and i think the idea of adding in the crystal top sort of gives it a little bit more dimension and again it allows that plunge to go deeper which then sort of makes it even more sexy because at most you would have hit the bosom area i respect that idea again we can talk about the bodysuits playing into burlesque elements and the thing that i also love is there's a hat the hat headpiece experience lala went for it very grateful it's like pulling teeth to get somebody to wear a hat do i think we could have taken it a few steps further absolutely next up we have laura harrier and she is wearing h m now this is a look that in reality most definitely like touches on the period it's a jacquard and like a dark gray it has little sort of gold or silver chains that are laid across it and sort of help to shape that bodice there is a simplistic jacquard strap situation and of course it fits really really beautifully it does like it it does fit and then we have the gathering of the skirt and sort of pulls out it's definitely more of a modern take on the style and if we look at laura from the side you can see that there is a bustlization it's not super dramatic it's not super over the top but it does exist which honestly that's all i can ask for at this point do i wish that maybe there was a little bit more tailoring going on with a little jacket or something at all i think that it is very monotone in terms of detailing most definitely i do think that silhouette wise we've captured something really really nice here really really well we got a bustle technically not a bustle it's more like a petticoat because she said it was a petticoat but like still we got some sort of junk in the trunk in terms of dressing and i'm happy about that do i like the gloves no do i like the pearl chokers no do we wish we'd done a little bit more in that regard absolutely but overall she got the dress right so i'm going to take that next we have lena mafufe otherwise known as lana situations on youtube and she went full bustle listen we love to see it we're grateful somebody actually took the theme for real and listen the other thing is like a youtuber no less thank god so essentially this look is by marcorian which is a us-based brand again shout out lana she knows what she's doing it's full of little delicate floral embroidery which honestly i will take personally love the motif no but do i think that the nice little beautiful floral embroidery moments fit into the orcac elements of the period and what would have been worn yeah i think so i think it's obviously a little bit more kitschy and cutesy more carrion is a little bit more kitschy and cutesy so i get it but the thing is like she added an actual bustle like there's a bustle element going on here what the little hot pan is underneath the lining that little silvery line i don't know her i don't want to know her i'd like her to go away but there's a bustle i appreciate it i'm grateful for everybody saying youtubers who needs them evidently this mac gala did because she's here she's bustled she got the bbl next up is lena weith and she is wearing versace now this is a custom look and now i tried to deduce i looked this up a couple times couldn't exactly find real inspiration apparently according to versace it was southwestern styles and then turn of the century tailing which is like 1900s taylor like 1900 tailoring so 1899 1900. i think the color of the very versace i think that in reality the studs and the embroidery that goes upon the lapel and then sort of pipes comes down to the end of that jacket not super southwestern but like i understand the southwestern influence and referencing going on there i do think that it's rather intricate and all that i know that code starting at 1900 definitely were like this one would have been so we're cutting it close but technically 1900 is still the gilded age there is a little sheer top underneath it's like almost like a checkerboard of embroidery but it's like killer and all that and i feel like maybe i don't know references like maps or i think it's a little bit niche gilded age i think we're cutting it right by the cusp but i think it's like there again personal limit no but like i think that we're hitting the theme i think next up is lenny kravitz doing a full corset moment proud this is a custom chrome hearts look and so it does have a corset you can see all the way through there is a lace sleeved cape top situation and black leather pants will i say that it's a mustang theme thing no but like is it a man wearing a corset yeah and that's good you know overall do i think it like is a little bit blah and i say that blonde in the same sense that i would say about amy schumer and kate moss wearing long coats and sort of saying like oh look at us menswear tailoring lenny kravitz i think is the reverse like yes it's a great disneylanding and of course it yeah i think we could have like gone a little bit further with it yeah the lace again like listen i get it period piece sure but like even with chrome hearts it's a brand that is about jewelry correct when we discuss the gilded age and we talk about american women dousing themselves in jewelry and fine gems and oysters and pearls and we didn't think to do that for a jewelry brand questionable no questionable that's questionable to me that's my thing we could have taken this farther for lenny in the same way we could have taken a father for game loss you got to spice it up a little bit because now we're at the point where it's like this is kind of casual see it wants a red carpet next up is leslie odom jr and he is wearing fendi it's pretty much just like a cropped double-breasted jacket that showcases the white shirt underneath and like again starch collar like if we're not going to put a tie there starched collar not that hard not that difficult i like the hat i don't know what's going on with the hat but i like it and the little mary jeans have me laughing but again menswear on theme i don't think so i don't think so listen i checked the fendi thing nobody gave a reference point so i know somebody's going to come in the comments be like but like nobody give a reference point next up we have lyla moss now i know a lot of you are going to be like luke so not on theme and listen that's what i thought at first i was like all right let's get into it but doing my job aka researching looking at burlesque inspiration and then i found a garment of somebody wearing a bodysuit like this from the 1890s and it looks just like a lot of the moss and burberry's how technically is it on theme like yeah and did i mumble that whole thing absolutely and like will i repeat it now here's the thing this burberry look is essentially a sheer fitted garment over a light beige bodysuit it says burberry on it the burberry horse and all that sort of stuff crystallized over top which is like a fun little thing it comes down there's little burberry horses there and all that sort of stuff but then you look at that image the burlap stanza from the 1890s and i'm like it's technically the same thing i mean like it's the same i don't want it to be on theme but it's on theme and so now that lila's on theme i mean like i don't think it's the worst sort of incorporation of ricardo tishi's burberry motifs and styles i mean you can see it in that burberry like it's very much so taken burberry and expanded it enlarged it made it something that the name in and of itself is incorporated in the designs it's been like that since his debut collection so like technically i get it when you put it alongside these burlesque performers it's very much so in theme with just him as a designer sort of taking body suits and busties and things like that and putting sheer sort of tight fitting overlays over top like it does make sense in reality so i hate to be the bearer of bad news here but she's on theme and i mean like technically it's a pretty decent on theme moment from both lila and ricardo tishi because incorporates his burberry his own design aesthetics and the guilded age next up is lily aldrich and she is wearing kate which is a new york based brand it's essentially a sheath dress in swarovski crystals and then it has little sleeve garters if we want that create a sort of secondary train or like a double tail train situation i just don't really see the gilded age part like yeah of course like a train is gilded age to a degree but like why didn't we bustle the crystals why don't we bustle the fabric when we manipulate it i understand it's crystals and like da da should fall straight whatever but like then why use crystals also i don't really feel like this is exactly like a super kate fabric like the thing is if you look at old kate collections they're literally like little miniature baby chico sleeves it's kind of like a house code so why wouldn't we do that is what i'm saying is i'm not understanding why the designers weren't just actively working through their own house codes because i'm sure that some of their house codes incorporate different elements of this period karachi crystals doesn't so thank you but no thank you not on theme next up is lily allen it's chanel it's pretty grotesque i have to be completely frank i'm not going to mince words i'm not going to waste time it is god dang ugly is sin the embroidery is god-awful it has nothing to do with the gilded agent again like carl lagerfeld vergini both referenced the gilded age victorian dressing throughout their careers at chanel thus far so like why not just do that you could have taken a feather and made a feather bustle train oh my god and i just thought about that right now like is that insane that's nuts i just thought about that so anybody being like well i haven't seen your design i just gave that one to chanel for free so you're welcome next up is lily james and she is wearing custom versace and the same thing with anita like the pearls like yeah okay sure dripping in diamonds dripping i'm i'm not super duper sure about that i know that the pearls all sort of are like encrusted and all that sort of stuff on top and like we could talk about the whole idea of like putting yourself in jewels and disaster and all that that's great i don't think that that's where lily james was going with it but this this whole thing was about like freedom of women and the gilded age i know it's currently a very not great topic to question freedom of women and i understand why but i just don't think she would go for the theme i know i don't think i think she was like i don't want to do that i don't care and that's what happened here do we think it's like a prettiest dress sure absolutely do i think that we're going for the theme no and do i think they were just like tacking on explanations to be like i didn't care but we can just say this that's what i think is happening so not on theme not interested no thank you next up is louisa jacobson and she is wearing gabarelli this is from the fall 2022 eau couture collection and here's the thing hear my thing why didn't we stay on theme denis benton did it why couldn't we miss marion brooke here's my issue is there's like a little tiny baby waist ruffle maybe we can all like lie to ourselves and say that we were referencing the burlesque dancers and the bonton of the gilded age and if we were at least i mentioned it it could possibly be a reference here i don't think it was because i don't think that that was a part of the collection and i think there are some like more obvious sceparelli looks like that carrie mulligan one that is a good example of doing gilded age and again if we were gonna do it like we could have bustled that skirt we could have made it a lot shorter and then sort of done like big two-two skirt referencing burlesque et cetera et cetera i just think miss luisa was like i wore enough of it on set i'm good so if you're doing gilded age you should have just done gilded age and then show the girls how to do it and everybody would have put you on the best dress list it's true it's the truth next up is lucy boynton and she is wearing chanel now this again like not on theme at all it's just some embroidery and it's boring is next up miss madeleine petch and she is wearing moschino now this this it's a great example of doing the theme as you go sleeve and everybody would have been safe all you had to do was god damn g go sleep like it's not that hard i love this zhigo sleeve i like the way that it's sort of gathered and pleated and cumberbunt to it to a degree i also like the fact that it's attached to the crop top and it plays all in there and again it's sort of modernization we're getting a little bit natural for me here but i'm not opposed to i like the idea of mermaid situation going with the g go i'm i'm fine with that there's you go sleeve exists i don't really care it looks great pass the test thank you miss madeline and last but not least we're talking about maisie williams she is wearing tom brown now this is a white boned corset with a pleated jacket shrugged over the shoulders i think it's part like skirt jacket situation now there's the decorative buttons we can see them they exist all throughout the pleating of the garment is most definitely again a reference to that sort of decorative style of the period i wonder if this is essentially sort of like deconstructing the extravagant decorative elements of the bustle sort of styles and bringing it into something more a little bit jacket shrug shouldery making a little bit more languid could possibly be that you can also possibly be not and i'm just over explaining like i've done i'm not sure i'm not do i want to think my hunch is correct absolutely it's just i don't know so if my hunch is correct great i think it's fun think it's a different way to do it very tom brown so that is the end of today's video let's do a best and worst of this part three situation best i'm gonna give two i'm gonna put like john batiste in there laura harrier madeleine petch in there jeremy pope gwen stefani in there as for were stressed i will put jack harlow in giving she was just boring and didn't really fit good it was sad lily allen and chanel you know why yeah hillary clinton very bad it's just ugly sorry and so yeah that's that on that link in the description box below check out part two part one the theme explanation see you guys in the next one and tty oh

Channel: HauteLeMode

Views: 337,759

Keywords: hillary clinton, clinton, hoyeon jung, lena situations, met gala, met gala 2022, kim kardashian met gala 2022, met gala 2022 emma chamberlain, met gala 2022 vogue, vogue, vogue 73 questions with, kris jenner, laura harrier, jack harlow, jack harlow met gala, jack harlow met gala 2022, jack harlow met gala interview, emma chamberlain met gala, emma chamberlain, emma chamberlain jack harlow, lenny kravitz, kid cudi, hautelemode, fashion, style, roast, met gala roast, 2022, celebrity

Id: JZQ0kTFLF5Y

Length: 49min 29sec (2969 seconds)

Published: Thu May 12 2022