Great Reads from Great Places: Natural World

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[ Music ] >> Michael Pearce: Hello. I'm Michael Pearce, Director of The Alabama Center for the Book and affiliate of The Library of Congress. The Centers for the Book help carry out the mission of The National Center which is to promote books, reading, libraries, and literacy nationwide. We also promote our state's literary heritage by putting a focus on books and authors with a connection to our states. Every year as part of the participation and The Library of Congress National Book Festival, we each choose a book with a local connection. This is part of the Great Reads from Great Places Imitative. You can learn more at read.gov. Today we are speaking with Great Reads authors from several states. They were invited by the Affiliate Centers for the Book from Alabama, Arkansas, Arizona, Colorado, and Missouri by the Wyoming State Library to speak about their work and books that opened the world to them. We conclude, with a panel discussion of how interacting with the natural world including reading about the natural world has helped people cope with life during the pandemic. >> Rick Bragg: My name is Rick Bragg. And we're going to talk today about kind of a dog [inaudible] called The Speckled Beauty. I found an old illegitimate Australian Shepard starving to death on a ridge line behind our farm. Oh, I guess about four years ago. And men in my family are not good at being careful. And everyone told me to leave him alone. That it would bring only grief to bring him down. And I ignored him for three days. And he never left. And we think he came here to die. We think he found a place to sit and watch you know the livestock and watch the smoke come out of the chimney and you know watch something that maybe he remembered. But about three days was all I could stand. So I went up and fed him half a loaf of raisin bread which I'm sure is health food for a dog. And carried him back down the mountain. And he has tortured us ever since. He [inaudible] stampedes the livestock. And because he's only got one good eye, he runs them mostly in a circle. So he doesn't know where he's taking them. And they don't where they've been. And he tortures the cats. And he tortures the UPS man. And [inaudible] may not have to get a car ride to the airport in Atlanta or Birmingham and he tortures and holds hostage the limo drivers. So he's - he is just as bad as everyone warned us that he would be. But there's a thing about bad dogs that I discovered. A lot of people down here they don't go to the psychiatrist when they get down. You know it's just not done. And so we just call it Larry McMurphy called it living beside a river of melancholy. And I've been down for some time. I've been sick and I'd been down. And I discovered that when you're - when you buy that river of melancholy you don't need a good dog. A good dog is great for a good day and a slow day and a sweet day. But you need a bad dog to rip and tear at [inaudible]. And he is, he is made a life better which I guess every dog on the earth just does naturally. >> Rick Bragg: If you grow up in a house where the only two books in the, in the whole place are you know the New Testament and spring seed catalog, just about any book is going to help. But I loved books that took me away. I know what the end of the Pulpwood Road looks like. But you know McMurtry took me to the American west. James Clavell took me to Asia. Dickens took me - Dickens was a time machine. Dickens should have been a southern writer you know. Every book I've ever read that [inaudible] was either a time machine or a rocket ship. And I hope that, I hope that, that my books give people that chance you know of the American south. I think that lots been written about the old south. Not a lot has been written that well about the new south. Because it's just not as much fun to write about. You know it's mean, it's nasty and it's - just as mean and nasty as the old south but without the romance. So, trying to write about the south and in my case the working class blue collar south has been one of the great challenges and one of the great satisfactions in my life. And the best thing that happens is when somebody calls and says you stole my [inaudible]. You know I live in [inaudible]. Or I you know I live in Birmingham England and your people are my people. And they're not talking about [inaudible]. They're talking about matters of class. And people who pull in nets in the Pacific Northwest want to fight me over who's people are tougher you know. So, I hope that they see the value in the people. And I hope they love the story. >> Katy Duffield: Hi. I'm Katy Duffield and I want to thank you first for having me here. I'm honored to have Crossings as the Great Reads selection for Arkansas. I'm the author of more than 40 books for children. And I write both fiction and nonfiction for children. But my true passion - I write for various ages, but my true passion is children's picture books, books for younger readers. And then my latest book nonfiction, it's my first nonfiction picture book is Crossings; Extraordinary Structures for Extraordinary Animals. And the gorgeous illustrations in it were done by Mike Orodan. As for Crossings, a few years ago I read a newspaper article about some underpasses that were being built in Florida for - that would protect endangered Florida panthers that were being hit by cars as they cross the highways in Florida. And these underpasses were built to help the panthers move safely from one area to another. And I wanted to know more. I found that really fascinating because I'd not ever heard about these wildlife crossings before. So, I began my research. And I learned that were many different types of wildlife crossings that exist around the world. And some of these that I cover in the book are there are tunnels in New Zealand where the small blue penguins cross under to get back to their nests. There're specific - specifically built bridges that Christmas Island crabs use to - for their migration times. And ropes that monkeys in Costa Rica use to cross busy roads. And also there're even in Massachusetts they have these tiny tunnels that go underneath the roads to allow spotted salamanders - animals creatures as small as spotted salamanders to travel beneath the road to get from one place to another. And there're many others as well. And it was - I was just a such a fascinating topic to me. Once I learned that there were all these different structures, I felt that would be a wonderful topic for a picture book. And Crossings was the result. >> Katy Duffield: All right. Thank you for the question. This may sound like a bit of a copout, I guess but I can't say that there's any one book that has opened a world for me. Because there was so many infinite worlds to discover in books. And explore every time we turned the pages of any book, there's an opportunity to learn and grow. So, I feel like every book that I read it opens a world for me in some way. But then the picture book lover that I am today I'd like to share some recent picture books that opened worlds for me and that I believe will open worlds for many children as well. One of them being the animal lover in me, and I hope animal lovers in many kids I'm sure. This is called 14 Monkeys A Rainforest Rhyme by Melissa Stewart and the art is by Steve Jenkins. And it's a beautiful, amazing book that just discussed 14 monkeys that live in a particular area. And I think it's something that kids will really enjoy. And it opens up that natural world for kids and for animal lovers to learn more. And also, I have a book called Thank You Omu. And it's by Oge Mora. She did the art and the words. And it opens a world of sharing and caring for others. It's a beautiful fictional story. One of my favorite books right now that shows you know just the love. The way to love and care for others. And another one that's pretty new and not - it hasn't been out too long is called All of Us by Kathy Erskine and illustrated by Alexandra Boiger. And it's a beautiful book that opens up the important world of belonging. And showing how even though we're all different, we're all the same. So another book I would really recommend that opens, opens worlds to your heart. And one final one is Alma Fullerton's No More Plastic. She's both the author and the illustrator. And what is really cool about this book, it's a book about activism. Opens up the world of activism to kids and adults. And shows how we can make changes that can make a difference in the world. And that one of things that's really cool about this book is Alma did the illustrations all with recycled plastic or plastic pieces. It's about you know it's about reducing our use of plastics and - but it's a really beautiful book to open the world to show young readers what they can do when they have a cause and you know have something that they want to, that they want to work toward to make the world a better place. As far as my books, helping - sorry. As far as my books helping to open worlds, like I said I write a lot - most of the picture books I've written so far have been fictional books. So, and a lot them are humorous and I think there's a place in the world for humor to open worlds for kids that are you know that are facing hard, hard times. And then I have been writing more nonfiction books. And Like I said many of those are about animals and nature and that type thing. So, hopefully that will open, open new worlds to subjects like Crossings that people don't know a lot about yet. >> Carter Goodrich: It's Carter Goodrich. And my book is Nobody Hugs a Cactus. I have one of those final dreams of the night, one - a couple - well, several years ago now where it was just an image or a tableau of this cactus sort of leaning out with its mouth open wide. It was a little frightening actually. But I woke up with that in my mind. And I thought well, there must be a story in that. And so I proceeded to put one together. And the idea of setting in the dessert was - made a lot of sense for me because I'm - I think I approach these things more visually than as a writer. And I liked the idea of an ecstatic stage with this plant basically not moving. But a story ahs to be told so it's going to be the world moving around him. And it was kind of fun to stage it. I enjoyed that quite a bit. And having various characters passing by and the central character Hank, this cactus just stays in his pot, in his window. And he's an unpleasant little fella in the beginning. Well, pretty much throughout until the end. It's pretty much autobiographical I think in a lot of ways. The story, it's - I'm - I've been living and working alone for most of my life. So, I've had to watch myself in terms of not becoming this strange guy in town who's yelling at people through his window or anything like that. And I - so, I - the most difficult part of the story was trying to figure out a proper ending. And with the help of my editor, at Simon and Schuster I - we managed to hammer something out. And I think it worked pretty well. That's my book, basically. >> Carter Goodrich: The, the books that I was familiar with in - growing up, my father was a painter. And we - he loved to read a lot of the classics to us, the illustrated classics. N.C. Wyeth and Martha Rackham and artists like that. But - and I just loved pouring through them and disappearing into the paintings while he read. So, I felt like I traveled the world in that respect. It was, it was, it was really my favorite time of day, in the evening when he'd pull these books out and - like Treasure Island and Kidnapped and King Arthur. All these great old stories that were taking place at different times in history and different places. So, it was a wonderful experience for me as a little kid in Washington D.C. And traveling in that respect. I think that my books I'm not so sure that they take people into the world. I think what has surprised me by doing them is the reactions I get from kids and their parents and their grandparents which I never really expected to affect some of these kids the way they have. And I'm pretty much - I'm not a very positive happy guy. But - and my humor's always - or my way of dealing with life has always been more on the dark side. I found that that has - it has a place in children's books. But it can't overwhelm them. And to my surprise it was the things that were kind of sending a positive message. And helping, helping a kid navigate the world in that respect, that I was hearing back about. And it suddenly became - it was a revelation for me. And I began to - I think it's changed me a lot, the reactions of these youngsters. And the things they see in it and the things they're learning from them and the humor they find in it. It's been great. I feel like I've improved as a person [inaudible] just by having this opportunity to get these stories out to kids. I'm not like that little cactus anymore. I've - I have changed for the better. And I think that's how they've taken me up into the world. That's, that's pretty much the most I can say about it. >> Jessica Lanan: So, my name is Jessica Lanan and I am the author and illustrator of The Fisherman and the Whale, which I actually have here. So, I'll hold it up for you. And this is my first book as an author and illustrator. And it is a wordless book that tells a story of a fisherman who goes out and finds a whale. And ends up rescuing that whale. And the story idea came to me because I had been reading a little bit about a story of rescue - well, several stories actually in the news. And one particular rescue off the coast of California where a fisherman helped with the rescue of the whale and got the opportunity to look into the whales eye. And he had this moment where he felt really connected to the whale. And he felt empathy with it, that this is a creature with it's own feelings, with it's own opinions. And then that idea just kind of stewed in the back of my mind. And it was when I was listening to a piece of music that had a lot of cello sounds. It was very whale-y sounding. And I just got the idea for this - making a book out of this, came all at once. And then it was off to the races with figuring out the pacing and making a dummy book and all that kind of stuff. And then figuring out how to tell this story without words. And that was important to me because the whale has it's own language. Whales sing, they have a beautiful language which is very complex. And so do we. And I thought if I wrote English words on there it would sort of pull the whole story into the realm of human and out of the realm of whale. But if it's visual, if it's pictures - it's not that whales actually read books, but they do look at things though. I thought that maybe it was little more universal. So, that is The Fisherman and the Whale. >> Jessica Lanan: I was read to by my mother. She read us - I have fond memories of listening to her read us The Hobbit and some longer stories like that. And then I had a collection of picture books that my grandfather would send. Every Christmas and every birthday he would send the most beautiful book he could find. They were just beloved to me. I loved to pour over the pictures and imagine myself in this other place. I loved the fairy tales and kind of folk tales like St. George and the Dragon. I would try to copy the dragon pictures with the fire coming out. It was so exciting. And I loved Greek mythology and those kind of wacky stories of all these different characters and having different kinds of drama. Enjoyed those. What else? I guess books you know they were a way to see new places and travel in time. And they were also a way to travel into someone else's mind, into someone else's experience and get a sense of what is it like to be this other person. Or you know kind of step into the mind of the author for a minute. Because every, every author - I don't know if every book is a little bit autobiographical. But every author puts a little bit of them self in every one of their books in different ways. Like The Fisherman and the Whale. Sure it's about nature on the one hand. But I was, I was realizing why this idea of the eye appealed to me so much. And that spread, the two eyes are facing one another. And - let's see if I can find it. Show and tell here. But it's this idea of being seen. Of like having someone notice your voice and care about, care about you. And kind of see how you're doing. And I guess that idea is one that really appeals to me, is that we have this capacity as human beings through story telling and through listening to story, to see one another and to connect one another. Which is one of the things I love the most about books. >> Bridget Heos: Hi. I'm Bridget Heos. I wrote the book Treemendous. I've written more than 100 books for kids both fiction and nonfiction. And the idea for Treemendous came when I was with my little daughter walking around the neighborhood. And there was a bumper crop for acorns that year which I later read happens from time to time. And the neat thing is it seemed to coincide with resurgence of wildlife. And we lived in the city. Not a very natural area at all. A lot of concrete. But my daughter loved books. Or I'm sorry - ducks. And this duck family happened to move in at the same time and we got to watch the babies grow up. And it was just a special time. So, I wanted to write something to appreciate that oak trees. Because I read that ducks do eat acorns. So, maybe they were related. I wanted the tree to write the story about itself. Because for one thing that's how I see the world is that everything has a point of view and a story to tell. And also, I think it adds a little bit of suspense. If I'm writing a story about an acorn that becomes a tree, I know it's going to become a tree and you know it's going to become a tree. But the acorn doesn't know that. And I think that's true in life, that maybe others have faith in where you're going but you not - may not have that faith for yourself. And you just have to take things step by step. And so that's how I wrote the book. It's illustrated by Mike Ciccotello. And my favorite illustrations of his are when the tree is still a acorn. I just think it's so cute. So, that's Treemendous. >> Bridget Heos: I'll tell a book that kind of reopened my world. It was when I already had children. And it was the Dinosaurs of Waterhouse Hawkins. You can see it's well worn. It did lose the cover, but I'll show you the title. This is a book that my son loved. I - when I was little, I loved fiction books and I loved the world of Beatrix Potter. And you know I would [inaudible] the little animals and their clothes, I think I knew it. I knew that they had a double life. But my son, when he was little loved nonfiction. And the neat thing about that is I kind of lost sight of the magic of the world. And his love of nonfiction reintroduced me to the magic of the world. But the magic of the real world. And how incredible that we live on a planet that had dinosaurs. And even today that has whales and on a smaller scale lightening bugs and flies. We just have such - we live on such an amazing planet. And reading these nonfiction books opened my eyes to that so I wasn't' walking around with my eyes closed anymore. And that's what got me started writing nonfiction. And So, I hope in my own books that I'm sharing the wonder of the world. And just even if terrible things are happening in your life or you feel really bad, just to belike well we have, we have water. Like we have air. It's amazing. And so, I like to think about that myself. And hopefully my books instill or reinforce that sense of wonder in kids too. >> Casey Rislov: I'm Casey Rislov and I'm an author of six books so far. And Rowdy Randy's the book that's won this distinguished award. And it was my fifth book. And Zachary Pullen is the illustrator. And he's also from Wyoming. And he's won this award before which I thought was kind of neat about Dee and the Mammoth so. This book Rowdy Randy kind of came about with I loved animals in the west. Like your bison, your elk, and all that. And I don't really feel like there's a lot of books out there about that. I keep - when I go to parks and stuff, I see the same animals, or I mean the same books. And so I thought it would fun to do - show some more of the west with something new. And build it in size from small to large, like the horn toad. You know and then the rattlesnake. Everybody's scared of the rattlesnake. And then the bison of course. Which people think you know are furry and you know, let's go pet it. But it's not. Anyways, so, but I also wanted to collide it with another idea of chaos. It's kind of fun to read those books, that just build, and build, and build where there's just so much going on. And I think in the animal world, as we know even having pets, that that can happen pretty easily. So, it builds up to a stampede in my book which is a pretty big deal. I can't imagine trying to control that. You know 1,200 pounds of cow running around. And that's just one. And then you have a bunch. And they don't really know what causes a stampede. They don't you know it could be lightening that frightens them. It could be a predator that's going after them. And in my book, which you know could darn happen, is a horsefly. So, my book is about all about a horsefly causing that kind of trouble. And it's at their ranch is kind of where we put it. Because if you come out west you will - you see these - people on ranches do see these same animals that you would see you know in Yellowstone and stuff. They might have bison hanging out. They feed the elk and stuff. So, it was kind of fun to show what a horsefly would do in a situation you know all these animals to choose from, to be around. >> Casey Rislov: My mother was a very big reader. You could find her on a Saturday just reading books. So, for her she always had stacks of books for us everywhere. And one of them - a couple of the collections that I really liked, I know it sounds kind of funny for my age group, but Dr. Seuss books. I loved it, I loved it for all the creatures he invented. And I loved it for all the silly words he made up too. I mean for me it was just that world, that world. And that's a lot of fun. My favorite of his was A Walk - The Wocket in a Pocket. I just, I don't know. I would stare at those pictures all day long. And then another set of series of books that my mom got, she - you could do clubs at the time for these particular groups. Dr. Seuss and then the Disney books. And my favorite one for like the Disney books when it would come in, I just loved when Mickey Mouse was Aladdin and the Aladdin series. So, anyway. So, that what sticks out to me, what I loved. And it was the adventure I think in Disney that you know a lot of their stuff is really built around that. For Wordy Randy I kind of told you it's about kind of the - the parks and all those animals that people love to visit, including me. I mean l live right there but I can't get enough of seeing these animals. They're you know they're majestic. They're dangerous. And man do they live in a tough world. I can't imagine living in that kind of environment all year round. So, they - it's just an interesting topic for me to start with. Just to go out there and watch them. And you can find these animals throughout all the western states. But again, you have to get off that manmade path, those highways and stuff. Or go into the parks to see those stuff. So, I think my book kind of opens it up to what those animals look up close. And I think Zachary Pullen did a really nice job - he did a realistic portrait of these animals. Bison and stuff looks really neat up close. Because Rowdy Randy being a horsefly of course, you know she thinks she's pretty tough because according to my book, she's the toughest cowgirl in the west so. She would get right on that bison's nose and have her little tough pose. You know like I got this. So. And then another part of it besides the animals that this book, this book does because of course she's a horsefly is the bug. And so, bugs are a nuisance. So, it kind of gives you that whole what does a day in the life look like in a horsefly or any bug for that matter that is bothering us. >> Katy Duffield: Life in the pandemic. We've all been closed up so much adults and children. And it's so important for - in my opinion to get outside to be able to walk and just enjoy. Maybe even hike. And I think Crossings although we can't hike where all the - maybe where all the wildlife crossings are, we can still get outside and view nature. And just you know get that breath of fresh air. With Crossings I've had quite a bit of interaction on my website. I have several YouTube videos on there of the actual, some actual wildlife crossings in the world. One in Banff in Canada and different places. And I think people have really enjoyed reading the book and then going on the website and viewing some of those videos to - that show the actual animals using the crossings. It's, it's pretty fascinating. Because your - you might be surprised you know by all the things that you see, the different, different sized animals and different - the variety of animals. And that sort of thing. So, you know hopefully that is something that getting out in the natural world will help, will help kids and adults cope with the pandemic. >> Jessica Lanan: That, that's a great question about the natural world and how it guides us through times that are tough. I don't live near the ocean. My books about the ocean. But I live in Colorado. And we've got incredible access. I live in Boulder Colorado and just there are trails everywhere. And we have wonderful access to nature here. And during the pandemic it was particularly fortunate because when we couldn't go do normal activities or social activities, we at least had this outlet like to be able to go hiking and to connect to nature and see you know trees and animals and just be outside. And it's made me aware of what a privilege that is. And how not everyone has access to them. And that my hope is that having grown up in that environment and kind of feeling it in my bones, I can create images that will at least give readers, give children the chance to see places that maybe they can't' travel to. And to feel that sense of beauty and appreciation for nature that we can take for granted out here in the west sometimes. >> Jessica Lanan: Anybody else? >> Bridget Heos: Well, for me reading about the natural world is comforting in a crisis. And it's twofold. For one thing, if a scientist is researching a problem to me that shows they care about it. So, let's say a loved one has a disease and it's not very well researched even though it's common. Well, that tells me why don't people care about this? Why aren't they researching it? But if I see that they are researching it, I say yeah, they get it. They care and they're researching it. And then the second part of it is that once they research it and understand it, that's the first step to tackling it. And you know treating it. Like in the case of the virus, once we know where it's coming from it's like a villain in a story. Now you've got them. Once you know what their motivation is, it's like oh, I get it. I can talk them out of this you know. And so, with the virus once they understood it, they could give us advice and create a vaccine. So, I love reading scientific articles about crisis and problems because it shows that level of caring. And then it's also that first step to doing something about it. >> Casey Rislov: Mine talks about it too where just like yours Bridget on the - that it's healing both ways and the research part of it. Because life outdoors is healing, I think in itself. And you know it's neat to watch that ladybug and watch the seasons change. Those leaves and stuff. So, I feel like there's always new knowledge to be found. And the best way to do it is just to step outdoors. And so, then that's when you can do your kind of figuring out what's make - getting your [inaudible] for the day. And then you can go back to the book and go research it like you were talking about. Or go you know find some more information on that. And whether you go to the library or look online. And then - or the other way. You open up a great book about the outdoors. It's going to probably send you out there to go check it out. And it's just it's a very healing process I think both ways, the natural world. >> Carter Goodrich: Bridget, you made a point about the - how extraordinary this planet is. And the unbelievable range of life, plants and animals, insects. And that - this has been - I've been thinking about that a lot especially since all the business with the traveling you know this idea to travel to mars. And all the excitement over that. You know maybe we can start over on this dead poisonous planet. And I - it's made me see this planet so much more now when I, when I go out. It's, it's an extraordinary place. Just you can just be in a local neighborhood and take one square foot of somebody's lawn. The amount of life in that square foot, the impossible number of species of bugs and plants is just mind blowing. And it is an extraordinarily beautiful, beautiful unusual, unique place. So, I think that there is a lot of healing in that. But there's also a lot - for me I mean like when you look at what's happening right now, it's alarming and it's sad. And I'm glad that we're finally paying attention to it. But I wonder you know if we've waited a little too long. This unbelievable jewel of a planet is in peril right now. Not to be a downer or anything. I know this is supposed to be all that. But I think just people do need to pay a little bit more attention in where we live. It's just it's mind boggling. Even in my neighborhood here in LA just going out for a walk is -I feel like I'm seeing everything now. I'm really seeing everything. And it - it's quite something. I hope, I hope more people are experiencing that with all that we're going through right now. >> Rick Bragg: [inaudible] ran into time where - let's face it. Crowds will kill you. Taking the walk through the grocery store can be dangerous. And then especially in my state where people have fought against the signs of this disease. So, I found that the best place in the world to be is under a tree. I have worked in the pasture more than I have since I was 16. And I find myself running a saw and burning brush piles and clearing up damage. We had tornadoes. We're about to have one outside now if y'all are listening good. And that notion of just - I spent probably 15 minutes the other day watching a rabbit. You know. Just sitting there trying not to move, watching a rabbit. Then it occurred to me it wasn't the damn rabbit. But just standing at the edge of the pond, counting minutes. I stopped the other day and I'm a mean old curmudgeonly man. And I stopped the other day on the same [inaudible] road in northeast Alabama, to get a turtle our of the middle of the road. And I remember at the last minute, you always have to ask the turtle which direction it wanted to go. So, I had to remember to make sure I didn't' just defeat the whole purpose of putting the turtle so that it'd just have to do the whole journey over again. And I think being out in that natural world has been a, not a cure, but a balm for all this. And reading about it is the next best thing. I read about 50 pages of Call of the Wild by Jack London. And I was 14 years old again. I just think it's a wonderful, wonderful balm. >> Carter Goodrich: I noticed that both - I lost both of my parents a few years ago and toward the end of their lives, they - I'd spend time with them, and they were - had become obsessed with trees. And the end it's really all they, they cared about or talked about. And I took my father out for lunch and wheeled out him out of a hospital. He was just watching these, these huge trees blowing in the, in the wind. And it was interesting. It was unexpected. I didn't quite understand it. But both in their own way had become just really taken with trees all of a sudden. And I find now suddenly that I'm beginning to understand it oddly. That I pay more and more attention to them. And there's a, there is a great comfort that the exude. They're, they're the most patient creatures you can imagine. And they've seen, the older ones, have seen so much swirling around them. All the craziness of our species, that there's something fascinating about it to me. I - I'm happiest now when I'm just sitting somewhere where I have a good view of a tree or several. And I think I could do that all day now. So. Yeah, I - this has been a, this has been a difficult few years for everybody. Not just the COVID but I think everything that came before it. It's hard to, to find a way back. You know a lot of my friends are having a lot of trouble. And I - maybe that's the best route back right now, at least I think it is for me, to spend more time out. I don't that it - I don't see where books really come into it. But actually it's one of those things that it's easy enough to do. And pretty worthwhile I think at this point. I feel like I've had - I've kind of lost faith right now in everything else. My own, my own species, I think. It's just, it's just been a bewildering time. But I keep taking this off point so. I'll stop talking. Any of you can take the mic. >> Casey Rislov: Well, I was just going to say another point. I think about nature that everybody's kind of touched too is that curiosity piece. Even if you are just looking at a tree. And that you get that childlike self about yourself because you start wondering about things. And that was one of my favorite parts of Rowdy Randy of all my books that I've done, is then I had to dive into okay well if I'm going to write about a horsefly, I better know more about a horsefly then it just bites. So, I think the one thing when you are outdoors is you do, you get childlike. You got 100 questions. And I have a 12 year old right now. I'm getting a lot questions nonstop. So, my nine year too. But right now it's like my 12 year old's kind of doing a little more. But you know it's like the horsefly. Did any of you guys know that only the females are the one that bites. She's got to get that blood. She's got to get that protein for her eggs. So, I just think a part of. >> Rick Bragg: That is not at all surprising. >> Casey Rislov: Right. Oh, I make them stop and think about it for a minute though. I'm like okay, what do you think? I like to throw it back at him. But I do, I think I don't. Nature brings you back to that slowness that Carter's talking about. That childlike curiosity and then you can just take it from there. You know. And find that. And that's for me, that was the best part of why ready Rowdy Randy. And when I go visit schools and stuff, I don't just read the book. You want to go into some of that background. Hey, did you know? Did you know that those cowboys really can stop that 1,200 pound cow? I mean look at your teacher try to wrangle you 30 kids in line. I go think about those cowboys wrangling that. So, it - I don't know. I think it's kind of fun to learn about that. So, I find myself act very childlike when I'm doing these children's books. >> Rick Bragg: If you do a dog book and I think every writer on earth is officially [inaudible] except those who [inaudible]old soul. And I guess that would be cat people. But I - if you did a dog book you have to read a lot into the dog. You know you - because dogs don't give very good quotes. So, you have to read a lot into why the dog does what the dog does. And the bad thing about that - maybe a good thing considering what we're talking about. About taking a refuge somehow in nature is now whenever I see any animal of any kind, I try to interpret what it's thinking. [ Music ]
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Channel: Library of Congress
Views: 228
Rating: 4.3333335 out of 5
Keywords: Library of Congress
Id: 6XBByBG6BxM
Channel Id: undefined
Length: 48min 43sec (2923 seconds)
Published: Fri Sep 17 2021
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