Grant: On this episode of
"Ghost Hunters"... [ Bell tolls, knocker thuds ] ...the team and I are contacted by a desperate home renovator... I feel like this house
doesn't want me to leave. Grant: ...who's convinced that a property ruined
by warring lives... She destroyed the house. ...now refuses to let him go. What was that? Tony is selling this home. -Whoa. That's crazy.
-That's creepy. Grant: Chilling evidence
of a female apparition in a top-floor window
has the investigators on-edge. Oh.
Behind you. The team digs deep
for answers... Is there anything
you'd like to say to Tony? ...and uncovers
the spirit's secret agenda. -That...
-Whoa. Captioning provided by
A+E Networks Captions paid for by
Pilgrim Media Group, LLC Over 30 years of doing this, I've had more than my fair share
of strange experiences. I don't need any more. I'm not chasing that. My gratification in doing
paranormal investigation, what keeps me doing it is watching someone who's
terrified become empowered. That's the goal here. I get case after case of people
who are legitimately, in their mind,
in a crisis situation, and I can't get
to them fast enough. Well, uh, let me tell you
about this case. This is a gentleman
named Tony, and it's kind of
a unique situation. I live in Albion, New York,
at the Pillars Estate. Whoa. Kristen: Wow.
That's beautiful. Daryl: Pretty creepy. I won't take just any case
that comes my way. I have to have specific reasons
as to why I go, and, uh, this one was intriguing because Tony said something
in that call for help. He said, "It won't
let me leave." Usually, it's the opposite. People want to stay, and
the entity is pushing them out. Tony almost feels like he can't
get out of this place, and we have to
help him understand whether
it's paranormal influences or just his own attachment
to the place. Exactly. If there's another person there,
be they alive or dead, that's forcing you
to live your life in a way you don't want to live,
we need to fix that. Let's get out there,
and let's help Tony here. Okay. Yeah. Let's do it. ♪ Think we can make
the 6-hour trip in 4? We're gonna drive safe. It's a lifesaver. Let's see. What do you think? Nice. ♪ You know, a lot of times
when you have photos, you have, you know,
marks and stains on a window, where you're kind of creating
patterns, um, out of nothing, but with this particular photo, I mean, it's just
right off the bat, you can see
that it's a face, and not only can you see
it's a face, you can tell
it's an older woman. I think there's probably
paranormal stuff in there, and there's a lot we can do. Yeah. You and I head in. We talk to Tony. We've got Mustafa
talking to the grandkids. Mustafa: You know, it was really
interesting, you know, I was, uh, looking up the
history of the Pillars Estate and, um, saw that there was
a whole book written on them, and then I found out that
the authors of the book were actually the grandchildren
of William Carr, person who owned the estate,
and so I'm really excited to go and talk to them and to hear
about their experiences. ♪ Oh, there it is.
That's it right there. Oh, wow. Oh, wow.
Look at that. ♪ This is -- Wow, huge place. It's so beautiful. ♪ Look at this. Should I...? Go for it, please. Okay. [ Knocker thudding ] Kind of fun.
[ Laughs ] Hi. Hi, Tony. Tony. Hi, I'm Tony. It's good to see you. Kristen, very nice
to meet you. Well, come in. Thanks for comin'. Thank you. I've been expecting you guys. Oh, wow. Look at this, Tony. Holy moly. This is beautiful. McMurtrie:
Welcome to my home. ♪ Have a seat. Thank you, sir. Thank you. Thank you, thank you. This is lovely. How long did it take you
to get it to this state? Since 2006. To live. Yeah. I think I'm picking up
a Scottish accent? And your folks? We came here because
you have this house, and when you try to sell it,
you can't. How did you come
upon this house? Oh, you broke into the house? [ Glass shattering ] So for you, it was very easy
to see it in its glory, even though
it was run-down? Yeah. [ Camera shutter clicking ] [ Camera shutter clicking ] So you sent him pictures
of the house, so he could see
the state it's in. Yeah. And he saw a woman
standing in the window? Yeah. Now, what are some of
the specific things you've experienced? Well... Wow. [ Indistinct talking ] [ Piano keys play ] Wow. It was a higher note,
lower note? Okay.
Anything else? I was working here in the
ballroom, and I heard a... It sounded like little child
saying, "I'm over here." <i> I'm over here.
Over here.</i> <i> Over here.
Over here.</i> You think something
supernatural, maybe? Yeah.
I think it has to be a spirit because I searched for all
alternative answers, you know? And it was there,
and nothing else was. What can you tell us about
the history of the home? Oh. Grant: Oh. Our grandmother, Myrtie,
she kept the house very lovely. And Pat didn't. Mustafa: Oh, so Pat wouldn't
keep the gardens like the other
tenants would? No, no.
She didn't know how. So... Really? She didn't
how to garden. She didn't
know how to clean. S-She was a dancer. Our grandmother, Myrtie, she had
told one of her daughters that when she died, she would
never leave that house ever. And now, Tony's approach
to, uh, renovating the house, are you guys happy that you have
someone who wants to, like, maintain the... Yes, definitely. ...you know, historical
integrity of the house? Miller: Tony is very interested
in things looking grand and beautiful, lovely, and Myrtie does not
want him to leave. I think she really likes him. Why won't Myrtie want Tony
to leave? Well, because he brought
the house back to what it was. Yeah. And if somebody
else buys it, who knows if they'll
keep it that way? Grant: Tony loves this house. His discomfort stems
from the fact that he keeps stumbling upon
things that he's not expecting, so the best way
to comfort Tony is to try to disprove
any of the experiences he's had because that takes away
the unknowns but then to try to connect
with any entities here and give them a name
and a face. Once you do that, the unknown
becomes somewhat known. Once you know who it is, you can
then address the problem, and I think that's really
gonna empower Tony. We need to get some cameras
in there and investigate. ♪ We'll set one back
there shooting. Brandon: Right. Those two doors. Perfect. Get the one in the front
and one in the room. This is the room
where Tony saw, on the bed, a woman
laying down right there. Perfect. All right.
Cool. And right now, um,
I'm setting up a smartphone with a FLIR Thermal
Imaging Attachment. Uh, just outside of this window, they captured this
pretty phenomenal photo of a woman
in this window up here. If anything moves up there, we should definitely
be able to see it. So our next step, obviously, is to now try to sort
the fact from fiction. Daryl and I are gonna head
right into the ballroom to see if we can disprove
these claims of a piano playing. Meanwhile, Brian and Richel
are gonna head up and look for the attic to see if they can get
to the bottom of this compelling photo of the woman
in the window that Tony provided us. All right, team.
Uh, let's go lights out. ♪ [ Door creaking ] ♪ ♪ Richel:
This is Brian and Richel, and we're going to search
for the attic. So Tony presented us
a picture as evidence. This looks like it's an attic. Let's try it. Okay. And it appeared that
there was a woman standing in a window,
peering out. So we came up here to try to
figure out where this window's at and if anyone can get to it
and what it looks like if someone's standing there,
and you take a photo. Okay.
Let's look at these windows. What's over here? Actually, we got to go up. I think it's... Me first? Yep. Okay. Is this...it? I don't know
if this is it. I feel like it's too high. So this is the front
of the house, right? Uhh... Actually... No. ...this way
is the front... This way is the front? ...because there's
the garage. Okay. So this window is
extremely hard to find. None of these windows
look like the window that is in the photograph. This is the backyard. Also, Tony had mentioned
that it was a tiny space, and you have to be
careful where you walk. This can't be it. They're worried about somebody
getting in here, and this... I can get in here. Yeah.
Is there any other nooks? Let's go down a level. Down a level? Might as well, huh? What's this door here? This is strange. ♪ [ Creaking ] That's creepy. ♪ ♪ Brian: It's in here somewhere,
I bet you. I don't see no windows,
though. You don't see a window? No. Here. Okay. Staying on the boards. I know. Head down there. ♪ Just take your time, okay? You've got this. Just don't lean up. I'm not gonna. I'm gonna put the flashlight
in my mouth, so don't talk to me.
Okay? [ Laughs ] Okay. There's a photo that we were
given that looks just like a face
peering out the window, so Richel and I were sent
to try to debunk that claim. It's really hairy, and if you don't know
not to step on the boards or anything like that,
you could fall right through. See how they got those boards
right there? Mm-hmm. They're probably there
so somebody can walk, so go over there
and step on that and just don't
lean up, okay? Mm-hmm. Turn left. Huh? Look to your left. Oh. You see the window? Yeah. [ Laughs ] Okay. ♪ You can already see that
it would be very hard for anybody
to get in here and walk unless you're
a super small person. So you can't stand in here. Like, I'm crouched down... Yeah. No way.
Nobody is getting in here. ...to be in the window. There's no standing,
and in that picture, it looked like someone
was coming from, like,
looking from the side, and there's walls
on either side. Right. I don't know how anybody would
be able to get back here. There's no way.
I can't even see you right now. I had a hard time
finding it. I know. And I was looking for it. Well, why don't
you come out? I think we've done what we've
come up here to do. Okay. Richel: So let's recap. It's hard to find
the crawl space, and then once you find
the crawl space, it's hard to find the window, and once you find the window,
it's hard to get to the window. If you manage to get there,
it's hard to position your body the way that person had their
body positioned in the photo, so I do not believe
that it was anyone living. Man, them thighs are gonna
be burning tomorrow. Mm-hmm. I'm not working out
for the next week. ♪ All right. It's 12:15 a.m. Daryl and Grant
in the ballroom. Um, you said you wanted
to check out the piano. Grant: Yeah. I've dealt with pianos
that play by themselves often, and there are a lot
of different reasons, so... Grant: Daryl and I headed
into the ballroom, and our goal was more
to disprove some things, so I headed straight
to the piano. So the claims are, they're just
hearing one or two notes, not like a piano
actually playing. Just the note. Okay. Yeah, just
the one high note. Now, um, I want to open it up
and see if we can find
any signs of rodents. Good idea. Let's see. ♪ [ Strings plucking ] I've had many reports of pianos
playing before. I mean,
she looks pretty clean, like, no rodents
or anything in there. But it's usually due to things
like rodents in the piano, and you can find
evidence of them... All these screws are intact. ...or a loose part that falls and hits a string
or a string breaking. [ Note plays ] It rings out. Got you. But when we looked
at the piano, we -- we didn't find any
evidence of any of that. I was expecting to see a-a screw
or something that's loose. Right, that's
fallen off, right. Yeah. Daryl: So Grant and I
tried to debunk the piano. We looked underneath. We went through it, opened
it up, checked everything, checked all the keys,
couldn't find anything, so we don't know why
the actual piano is actually, you know,
keying off like it is. So we decided we're gonna do
an actual investigation here in the ballroom
to see what we can capture. Do you want --
Did you just hear that? I just heard that. What was that? What did you hear? I heard a, "Ooh," voice. Yeah.
Like a, "Ooh." "Ooh," yeah. Let's hang here for a second,
yeah? What time is it? I want to make sure
to mark that, 12:50. Okay. Daryl and I heard, uh, what
sounded like a woman go, "Ooh," right by us. I mean, it was right by us. ♪ Myrtie? Myrtie, are you here
with us tonight? My name is Grant Wilson. This is Daryl Marston. Do you know Tony,
who owns the house now? He brought us here 'cause
we know how to talk to you. Did you hear that? Over there? Yeah. I understand why you
would love the house, but I'll tell you what. We need you to interact
with us tonight. We want to help you,
and we want to help Tony, and we want
to help this house. There's that click again. Yeah.
I heard it. Yep. Hear this? We barely started, and we
already have these experiences. We're hearing these clicks
and taps from the other side of the room,
and we went to investigate them, couldn't really find
a source for them. Myrtie, we're only
approaching because we think you're trying
to communicate with us. I don't know.
That was weird. Hopefully, it was Myrtie. I just heard the click. Me too. Myrtie, is that you? ♪ Mustafa: This is Mustafa
and Brandon. We are at the top
of the staircase right near the window. Brandon: Yeah.
You got the Box ready? Yes. Let's go ahead and put that
in the back. Put the Box in the back? Yeah. Brandon: Mustafa and I decided
to investigate the second-floor landing,
where the story goes -- Myrtie, after finishing wrapping
Christmas presents, went upstairs
and passed away. This is also the area where Tony
saw the apparition of a woman laying in bed
in the bedroom just outside
where Myrtie passed away. So she used to like
collecting buttons. So while Tony has remodeled
the house to look a lot like it did back when William and Myrtie
owned it, a lot of the items
in the house actually didn't belong
to the family. That's why I asked Ruth
and Nicki to borrow some of their grandmother's
personal belongings, and I'm gonna use them
as trigger objects. Now, the idea behind
a trigger object is that you get an object
that belonged to an entity or is familiar to them
to try and trigger some sort of response from them. Brandon:
So for this investigation,
we're gonna be using a device
called a 3-in-1 Meter. It has multiple
functions... Okay. ...one, a geophone,
which detects vibration. It has an EMF detector, which detects
electromagnetic fields, and it has a temperature gauge. Myrtie,
are you here with us? My name is Brandon. This is Mustafa. Hello. I got to meet your grandkids,
Nicki and Ruth, and if they're anything
like you, Myrtie, I'm sure you're
an amazing woman. They brought some
of your, uh, belongings here. I heard you like to collect
rocks and, uh, buttons. Myrtie, we just want
to speak with you. ♪ I heard that you like
having houseguests. Do you like having a lot
of people in the house? ♪ Did you just
hear that, dude? What was that? I heard, like,
a woman voice. ♪ ♪ You didn't hear that? Mustafa: No. It sounded like in the room
you're in. It was kind of like,
"Huh," like that. You're still rolling in there,
right? Yes, sir. ♪ Myrtie, was that you? ♪ Brandon: So Mustafa and I went
up to the second floor to try and communicate
with Myrtie. Mustafa was lucky enough to get a few of Myrtie's
personal objects, so we had to utilize that
in the investigation. We took that
to the second floor, not too far
from the actual area where she passed away
in the bedroom where Tony actually saw
someone laying in the bed. Who? Hey. You hearing that? Yep. Oh, wow. Myrtie, you here with us? You heard that, right? Yeah. These EMF spikes are
direct responses. Can you make that go off again
if this is Myrtie? Are you? Myrtie, Mustafa
is walking up here. Is that okay? [ EMF beeps ] Yeah. Would you like me
to come closer, Myrtie? So we want to look
for a pattern. So it would be one thing
if the EMF was going off consistently, boom,
boom, like intermittently, but as you can see,
it's only gone off when we were attempting
to make contact with Myrtie, and, um, that's pretty
interesting. Was that you, Myrtie? ♪ All right, Tony.
Thanks for coming back. Okay. So we've had some teams
in the place... Uh-huh. ...you know, trying to get
in touch with Myrtie, trying to get to
the bottom of it, but we wanted you to come, and we wanted to go in there
with you and just, uh, you know, maybe you could join
our little investigation. We'll see if we can
reach out to Myrtie... Uh-huh. ...um, with you
being here... Yeah. ...because I think you guys
sympathize with each other. Okay. Mm-hmm. Great. Let's do that. Grant: So we're about halfway
through the night, and we have had some activity, but if Myrtie's here,
she's being cautious, so we decided to bring Tony into the investigation
as a trigger object. Tony has a relationship
with whatever's here, so we could play off
that relationship and hopefully get some activity
and therefore some answers. I'm gonna move this
'cause when we put the stuff closer to the door,
Tony... Uh-huh. ...it makes it, uh, probably more comfortable
for Myrtie to kind of... Yeah. You know, she could edge
into the room and try to manipulate those without feeling like
there's a trap... Yeah. ...here for her. So what we like --
what I like to do is, I like to just kind of come in,
relax, and just, uh, we'll talk. We'll reach out
to her. Okay. Myrtie, we're so grateful that you welcomed us
into your home, which is technically now
Tony's home, and he's done such
a great job repairing it. That must come
as a great relief to you. ♪ If there's something you want
to try to communicate to Tony, un, now is the time. ♪ Is there anything that you
feel comfortable asking her? Just like... Yeah.
She might answer you. Yeah. Yeah.
And it might -- The answer might not come
in the way you think. Yeah? It could be
an object moved, and that might -- might
tell you something, or you might get a touch
on the shoulder or... Yeah.
You know, like... It was over here? Yeah. And it didn't knock
anything off? Yeah. I mean, the only way
it could do that is maybe if it -- it hit
and then landed. Yeah.
It landed right along... It wouldn't be...
It'd be in front of you, not... Well... These? Yes.
These... These? Yeah. [ EMF meter whirring ] ♪ ♪ [ EMF meter whirring ] The equipment we had set up
wasn't registering anything until Tony mentioned his mother,
and that was the only time the TriField made any noise
or reacted in any way. How -- How does your mom's
personality compare to what
we know of Myrtie? W-Was your mom --
Was she loving? Oh, nice She shared that. Mm-hmm. I mean, it's just one spike,
but it got me thinking. What I'm --
What I'm getting at is, do you think your mother
might visit, and maybe we're thinking
it's Myrtie when it might be
your -- your mom? That device hasn't done anything
until you mentioned your mother. Yeah. What's your mother's name? Mary. I'm not -- I-I don't know. Grant: Beautiful thing about
paranormal investigation -- Why I've been doing it
for so long is, people call you in for help, and no matter how
much experience you have, you think you've got it
figured out, and then you come,
and you talk to them. You explore the minds. You explore the situation,
and sometimes, it throws you
a little curveball like tonight. You know, maybe it wouldn't hurt
to throw out a formal invitation
to her, you know? "Hey, come see the place,"
you know, and, uh, that may just be
what she wants. Yeah. ♪ Hey, guys. Hey. Hey, what's up? -Oh, great.
-Hey, guys. Guys, um, we were just
in there with Tony, and Tony casually
mentioned his mother, and the TriField spiked. -Hmm.
-Wow. That just got us thinking
a little bit. So maybe we've been, you know,
thinking Myrtie when maybe his mother, Mary,
might be present as well. And it's just
a hunch, guys... -Yeah.
-...in this. I want to try to
include his mom and see
if we can build off that, but also, now that
Tony's out of there... Mm-hmm. ...we want to see
how this place reacts now that we've primed
the entities, and Tony's not there
to scare. Let's stay grounded
and open-minded, and let's not bend anything
we experience to be his mother
because it's beautiful. Let's just do a normal
investigation including her, okay? Yeah. -That sounds good.
-Sounds great. So let's -- let's go in
and get right to it. ♪ Brandon: Brandon and Mustafa,
we're here in the ballroom next to this piano
that they've heard play. This device we have here
on top of this piano will not harm you
in any way. It'll help us communicate
as you can see. Are you the person that
we were talking to upstairs? ♪ Are we speaking with Mary
right now? So, yeah, Grant was just giving
us that information... Yeah. ...after the session
they just had with Tony. I mean, yeah, he was, uh,
talking with Tony, and this whole time... Ooh. Whoa. Whoa. Whoa. Those are EMF spikes. Right when you
mentioned Tony. Tony mentioned
that, um, his mother, whose name is Mary,
very similar to Myrtie, that she had
passed away. Ooh. Ooh. ♪ It's very clear
that Tony loves this place. He feels conflicted
about selling it. Is that you at the top
of the stairs? ♪ Hey, Mustafa? Yeah? Let's go up here
and take a seat. Go up the stairs? Yeah, up here
at this couch up here. Daryl: Mary, Tony's mother,
if you are here, can you set
the TriField off, please? And if we are speaking
with Myrtie, Myrtie, is there a way that you
can communicate with Mary and have Mary here as well? [ Clicking and whirring ] I take that as a yes. Myrtie, Tony's just concerned
with selling this home, and he wants to make sure that
it's okay if he sells this home. [ Whirring ] Whoa.
I take that as a yes. That was a good hit. Yeah. That was real good. That was loud and clear. Hey, team, this is, um,
Mustafa and Brandon. Just letting you guys
know we're shutting the doors in the ballroom, so if you hear noises,
it's us. Over. Brandon: So Mustafa and I were
investigating the ballroom when we started to hear
something behind us up towards, uh, the staircase
that leads into the house. Once we heard that noise,
we went up to the area. I'm gonna go grab
Myrtie's cup. We had great results
with Myrtie's trigger objects earlier in the hallway, so we're bringing
those out again, uh, to try and see if we
can get more responses. Yeah.
Put it right here. Why don't we sit
over here, dude? Yeah.
That's what I was thinking. Right there, like that. ♪ Oop.
EMF's going off. Look at it. Look at it.
Look at it. Whoa. ♪ ♪ Brandon:
Look at it. Look at it. Mustafa: Whoa. [ EMF beeping ] Oop. Yep. Myrtie, is that you? There it goes.
There it goes. That's... Oh. Oh. I wanted to try out
the trigger objects that Nicki and Ruth gave to me,
so we took the teacup, put it on top of a little, uh,
table they had there and started
asking questions. We started getting
a lot of activity, and it seemed
to directly correlate with the questions
that we were asking. Just so you know, Myrtie,
anytime we want you to say, "Yes," you make
the blue light go off. [ Beeping ] Oh! Look. ♪ Is there another person
in this house with you? [ Beeping ] Yes. Have you seen
Tony's mother? [ Beeping ] Whoa. Has she been in
this house before? [ Beeping ] Oh... [ Laughs ] These are, like...
This is crazy. This is, like,
direct responses. Thank you, Myrtie. Mustafa: It was incredible. I'm -- I'm like a kid
in a candy store, man. Is there anything
you'd like to say to Tony? Tell us whatever you want
to tell him. You can say it right
into the -- that red light there. Brandon: I think that we had
a really good session. I think that there's a very
strong possibility we were communicating
with Myrtie, and, uh, I can't wait
to get into the analysis, and hopefully, there is some
form of message for Tony. That was crazy, man. Thank you, Myrtie. Thank you so much again. Grant: Hey, team. I'm tired.
Let's get the lights on. Let's get the equipment down,
and let's get some rest, huh? ♪ So we came into this
really looking for Myrtie, and I think a lot of what
we've experienced points in that direction,
but it's kind of occurred while that maybe his mother
is here as well, and we pressed that idea,
and so if she's here, and she wants to be known, we should get some kind
of evidence of that. ♪ Did you just hear that? Daryl: I just heard that. McMurtrie: My mom's picture up
there was there. Was that music
playing you just heard? All right. I'm gonna start doing
some evidence review from the white
Pillars House. What was that? We heard it almost 100 foot away
on top of the stairs. I just got a weird noise that I have no idea
what it could've been. Brian: I may have
gotten something. Myrtie, is that you? [ Beeping ] We're playing it back,
and, uh, we'll see what it does. ♪ Grant: So, good
to see you again. McMurtrie: You too. Our goal was to figure out
who was here... Mm-hmm. ...just get a sense
of what you needed a-and how to make you
comfortable i-in your own home or how to make you comfortable
moving on from the home. We came in here with a clear
sense of what we could disprove. We're thinking, "Okay. We can
disprove the piano playing." Usually, you can find
some loose parts, like a screw that maybe
hit a string... Yeah. ...or evidence of -- of rodents
or something like that. I could find nothing. Yeah. We could probably disprove
the figure in the window. I've been doing this
for 30 years. I know the tricks that are
involved with windows, the dirt and reflections
and all this, and I went out there
and looked at it. Had a couple of other
investigators try to figure it out, and we just came up
empty-handed. So there's one piece, uh,
that I want to show you. We had our team, uh,
Brandon and Mustafa, were up on the landing
at the top of the stairs, where Myrtie had passed,
and we had a camera in the room where you saw the woman
on the bed, and we captured a voice
right in this area. It says just one word. Mustafa:<i>
This is Mustafa and Brandon.</i> <i> We are at the top
of the staircase.</i> Wow. ♪ Woman:<i> Here.</i> Yeah.
It's very clear. <i> Here.</i> It sounds like a woman saying,
"Here." Yeah. And if that's Myrtie, she might be saying,
"I'm here," you know? Yeah. Wow. So, uh, we got the vibe that
if there was something here that it was cautious, so Kristen and I decided to
bring you into the home... Yeah. ...for your benefit
and for the entity's benefit. In that conversation,
we were saying things like, "Hey," you know,
"You might be scaring Tony. We know that's probably
not your intention." Yeah. "But we're here as a team." Mm-hmm. "And we're prepared to talk.
Interact with us." We had zero activity
while you were in here... Oh. ...except for
that one hit, and I would like
to take you back. Yeah. ♪ We were all so focused
on Myrtie, and then we had this spike
as soon as you mentioned your mother. This is your mom,
potentially. Right then, our minds
started going, and then once we had
you leave the house, that's when it started
to happen, so we had our team,
Brandon and Mustafa. They brought out some
of Myrtie's things... Yeah. ...a teacup and a salt shaker
and a box full of buttons, and they put the teacup
right on this device that measures
electromagnetic fields, um, vibration and temperature,
and they were asking questions. I feel like we should show you
some of that footage. Mm-hmm. So... Brandon:<i>
Just so you know, Myrtie,</i> <i> anytime we want you to say,</i> <i> "Yes," you make
the blue light go off.</i> [<i> Beeping</i> ] <i> Oh. Look.</i> They're excited 'cause --
especially Mustafa. He knows so much
about her. <i> Have you seen
Tony's mother?</i> [<i> Beeping</i> ] <i> Whoa.</i> Oh. You can't deny that. And there's another piece
we want to show you. It's something to listen to,
and we want you to be honest, uh, with us
about what you hear, okay? <i> Are you the person that
we were talking to upstairs?</i> "Now"? "Ma"? Daryl: Right. Yeah. The last words your mom
said to you... Yeah. ...were what? Oh, wow. Hey, I lost my mom
last year. Yeah.
I'm sorry. Yeah. So for me... You're in this
lovely house. You always wanted her
to see it. Yeah. Yeah. Maybe she has. Yeah. Maybe she has. Kristen: Yeah. -Yeah.
-Yeah, bud. [Voice breaking] You came here,
and you rebuilt this house. Mm-hmm. And you made it, you know,
beautiful again, and in kind of a gift
for you now, we may have evidence that
your mother is here as well. Yeah. And there are some times
these situations that I've seen time
and time again where an entity is present
to help introduce another one. Myrtie has made her home
available to your mother. They share a lot, they have
a lot in common... Yeah. ...including... Me. ...this -- this wonderful
person... Yeah. ...who is continuing
their legacy. Yeah. With that being said, as comforting and loving as it is to have Myrtie here
and supporting you and, more importantly,
your mother here supporting you, I don't feel like
they should linger here. No. No.
Me either. [ Laughter ] Well, thank you, Tony. Thank you so much. Kristen:
Thank you so much, Tony. I really, really appreciate
everything. Grant:
So we finished the case, and what a beautiful case
it was. We did a lot of good here. That went really well. He's happy. -Yeah.
-Yep. You know, doing paranormal
investigation is a lot of work, and we do that not to
just find a black shadow. We do it to help people. I think we changed his whole
outlook on the house. Leaving someone better than
when you found them, taking all their fear
and replacing it with knowledge and love. He's not gonna sell it? I think if anything,
he's fallen more in love with the place. Good, good. Yeah. That's what
Myrtie wanted. Richel: I know I fell
in love with it. Oh, yeah. Grant:
It's cases like this that makes putting
this team together and coming back
all worthwhile. --<font color="#FFFF00"> Captions by VITAC --</font><font color="#00FFFF">
www.vitac.com</font>
