First Lady Michelle Obama Speaks at the Fashion Education Workshop

Video Statistics and Information

Video
Captions Word Cloud
Reddit Comments
Captions
Anna Wintour: Hello. For those of you that I didn't get to meet this morning, I'm Anna, and I'm so honored to be here today with all of you to celebrate education and fashion. And it's a great, great privilege to be able to say a few words to introduce the First Lady, whose vision and leadership have brought us all together. The word that comes to mind when I think of the First Lady is "nurture," and not only because she is such an engaged and loving mother. Through such exceptional programs as Let's Move, Joining Forces, and Reach Higher, she is constantly thinking about how best to provide all of us with the right ingredients for a full life, especially our young people. And education in her view is the key to that whole thing. We have to nurture our minds and the minds of the next generation, and that's why we are here today as she has once again turned the White House into a center of creativity and collaboration for students from across the country. Now, nurturing and fashion are not words you might expect to hear spoken of together; fashion is often dismissed as anything but. I beg to differ. Fashion provides employment and opportunity for people around the world. Some of you students learned today about the nuts and bolts of the business, which is just invaluable. After all, as anyone at the top of their field will tell you, it's almost impossible to soar without first knowing every inch of the terrain before you. One of my first jobs in the states was at New York Magazine. And one of the very first designers who came to see me there traveled by subway carrying a small bag of sample designs. He was the CEO of his own company, the PR, the one that answered the phone. He was a one-man show. That young man's name was Michael Kors. But fashion nurtures our culture in other ways, as well. As I've seen time and time again, it can be a powerful instrument for social change, raising awareness of causes from AIDS to breast cancer to hunger. Fashion also allows us to think about who we are individually and as a society and to be creative and bold every single day. In the end, it really doesn't matter if you follow the latest trends. What matters is that you feel your best, ready to tackle anything. I think the First Lady is the perfect embodiment of this basic truth and as such, she has certainly been a great, great source of inspiration to me and I'm sure to all of you. It used to be that I would come down here to D.C. I felt I represented an industry that was decidedly unserious. I was the woman from New York in the funny clothes -- (laughter) -- who kept insisting that fashion mattered. The First Lady, with her confidence and elegance, has shown us all that you can engage with the vital issues of our time, and you can do it with a style and authenticity that can make a difference for families all across the country. But she can probably explain it the best. And so, ladies and gentlemen, please welcome the First Lady of the United States, Michelle Obama. (applause) First Lady Obama: Well hello everyone. How are you doing? Audience: Great. First Lady Obama: Okay, all right. We're just going to break this up one moment and just say, is this not cool? (laughter) I mean, come on. You're in the White House. There are some of the most impressive people in fashion here to teach you all, and to reach out and to mentor you. And there's food. (laughter) What more could you ask for? Well welcome to the White House. And let me start by thanking Anna for that very kind introduction and for her tremendous passion and leadership in making this day a reality. We started cooking this up a little while ago and it's just been a thrill to be able to bring this vision to reality. So Anna, thank you so much. I also want to thank everyone from the Parsons, the New School for Design, for helping us today, the Fashion Institute of Technology, the Pratt Institute of Technology, along with all of the incredible designers and entrepreneurs, the fashion journalists who have taken time out of their very busy days to be here with all of you. Let's give them all a round of applause. (applause) And there are two groups that I want to give special recognition to. First, all of the students and faculty from Parsons who created the incredible décor that you see here on the tables in the East Room. Well done. (applause) Thank you guys. Thank you so much. And second, I want to recognize the two winners of our design competition for this event. The dress that I am wearing today and the dress that you see here were designed by two students who are with us today, Chelsea Chen. Chelsea, stand up please. Chelsea designed this dress. (applause) Great job. (laughter) And Natalya Koval. Please stand up. Natalya designed this dress. Well done. (applause) Oh, did it switch around? Natalya designed this dress, Chelsea designed that dress. Well done. (laughter) Good job. They're both students at FIT and Natalya and Chelsea, thank you. Thank you for your creativity, thank you for your passion, we're very proud of you. I hope you had fun doing this and I want to thank the designer mentors who helped them bring their ideas to life, Philip Lim and Lela Rose. Philip and Lela, thank you both for working with Natalya and Chelsea today. (applause) In these dresses that you see and in this room we see the incredible promise that lies within our next generation. And that's really what today is all about. It's about all of you young people who are here in this room with us and all the young people who couldn't be in this room, and your dreams. We really do focus on how you're going to get where you're going to go. And that's what this is all about. I know that many of you are hoping to one day pursue a career in fashion and that's why we invited you here today because we want you to really understand what it's going to take to be successful. And we want you to see first-hand that a solid education and the willingness to work hard is really at the core of what it's going to take to achieve your goals. Education and hard work, it's that simple. Today's workshop is one in a series of events that we have done over the past six years for young people across the country. We have been doing this since the day we entered the White House for young people. We want them to be in this house and experience the things that they are passionate about. And this workshop is one of many, whether it's music or dance or poetry, our mission is always the same: to inspire you guys to dream bigger, to reach higher, and then most importantly, to pull somebody up with you along the way. Because you're sitting in these seats makes you really special, but it doesn't make you unique because you know for every kid that is sitting in this chair, you know probably 10 others who could be sitting in this chair. So that's where the give-back comes in because you've got to be thinking, "I was lucky and blessed to be here, so what am I going to do to share these gifts with somebody else?" Now when it comes to the fashion industry so often people think it's all about catwalks and red carpets and who wore it best. And whether some famous person wore the right belt with the right shoes, like I'd know what that's like. (laughter) But the truth is that the clothes you see in the magazine covers are really just the finished product in what is a very long, very complicated and very difficult process, as I've come to learn working with many designers. What most people don't realize is that there are so many different aspects to this industry, whether it's business marketing or technology and manufacturing, even agriculture, that produces the wool and the cotton that ultimately becomes our clothes. It's a big, complicated industry. The industry is also a huge contributor to this economy. Last year alone Americans spent more than $350 billion on clothing and footwear, and about 1.4 million American workers are employed annually by retailers and others in the fashion industry. So, a lot of jobs, a lot of income that is generated by many of the people who are sitting in this room. But for so many of you, whether you're already in the industry or aspiring to be there some day, I know that in the end fashion is really about passion and creativity. Just like music, or dance, or poetry, it's what drives you. It's what gets you out of bed each morning. It's what you write about in essays in school and what you read about in the news. It occupies every ounce of your daily lives. I know this because with creative people that's what their passion does. It makes everything else worthwhile. Fashion is about so much more than just a pretty pair of pumps or the perfect hemline. For so many people across the country it is a calling, it is a career, and it's a way they feed their families. So that's why we thought it was important to bring the industry to the White House and to share it with all of you who are coming up in the next generation. Today in your break-out sessions you all have had a chance to see all the different aspects of the industry. And there are many, many more aspects, we just didn't have the time. But you learned the business sense that you need to strike out on your own. There's a very entrepreneurial aspect to this industry. You learned the writing and verbal skills that you need to communicate your inspiration with others because the bottom line is that if you can't share your thoughts and ideas, no one will hear them. There's no mindreading in fashion design. You have to be able to articulate what you want so you have to be a reader, a writer, a thinker, a communicator. You learned the highly-specialized construction skills that you all can only learn through hours and years of education and practice and technical training. You know, this doesn't just come out of just talent, sheer creativity. You have to practice it, you have to learn it, you have to study it. And those are the kind of concrete skills that you all will need to succeed. And it's important for you all to know that there is a concreteness to this work. And it's easy to lose sight of that because it's easy for us to look at the accomplished people in this room and think, "Well, it must have been easy being Jason Wu," right? Jason's like, "Not so much." (laughter) Yet the style and creativity have just flowed from these people since the day they were born. It's easy to think that it's easy. But these folks will tell you that that's never really been the case. What they have learned over the course of their illustrious careers is that the path to success is rarely ever easy or obvious. Instead, they know that in order to succeed, they know that you have to be prepared, they you've got to hone your skills in college or at design school. You've got to be willing to take some risks and you also have to be prepared to fail, a lot. All these things are essential for the journey. And that's true for fashion, but it's true for everything else. Risks, failure, is a part of being great. So embrace that. Don't fear it. And the most important thing you've got to do is work, and work, and work, and work, and work. That's it. It's hard work. Sorry. (laughter) Years and even decades before you can achieve your goals. Just take Sara Blakely, for example. After she graduated from college, Sara worked at Disneyworld, buckling in people into their seats for the rides. Dag, Sara. (laughter) Sara did that for a while, and then she went on to sell fax machines for an office supply company. And then she got this idea and she took a risk. She devoted her entire savings, $5,000, to start her own company. She spent two years planning and researching her new business ideas in the nights while she was still selling fax machines. She pitched her idea to factories and mills asking them to help her make the product a reality. And, of course, she was turned down again and again and again. But finally a manager at a factory liked her idea and today, 14 years later, Sara's idea, Spanx, is a multi-billion dollar company with products selling in more than 50 countries. (applause) So. And we all wear them -- (laughter) -- with pride. And then there's my friend Maria Cornejo who grew up in Chile knitting and sewing clothes for her dolls. When she was 11 her family fled to England as political refugees and Maria didn't speak a word of English and she says she always felt like an outsider. But then she realized that she could make a career out of fashion. So she went to design school and she studied fashion and textiles and she started her own business. And today Maria's got a company based in New York. She won a national design award for fashion. She is one of my favorite designers. She's earned fans all around the world and she is probably one of the sweetest, most gracious people that I've met over the course of these years. So to all of you guys in this room, I want those stories, the stories of Sara and Maria, and I'm sure there are many, many others as you talk to people at your tables. I want those stories to show you that there's no magic to being successful in fashion or in anything else. What is required is a willingness to work long nights, to suffer through rejection and failure, to rise above all of that, all the doubts and the fears and the anxieties, whether you come from, you know, the city, the suburbs, no matter who you are, where you come from, all those feelings are natural. It's a natural part of life. Maybe you do feel like an outsider. Maybe you've been told that your ideas aren't any good. Or maybe your family doesn't have much money. Maybe you're the first one in your family to go to college and you're wondering whether you're even going to make it. Whoever you are, wherever you come from, I want you, again, to know that those worries and doubts are natural. It's okay. Every single person in this room, including me, everyone who has been successful at anything, has doubted themselves and has had someone else doubt them. But what successful people don't do is let their doubts and fears shut them down. That's what you cannot do. They brush off the doubters, they brush off the haters, they reach out for help, which is key. They use those emotions to inspire them to work even harder to create their futures. So today I want all of you to know that you belong here. You belong right here in the White House. Yeah, yeah. So, look, you belong right here next to Jason Wu and Anna Wintour and Narciso, and I could go on. You belong here. This is your home so own it, okay? Because if you can sit at these tables and spend this day here and meet with all these great people, then you can do anything. But you have to know that and you have to tell yourself that every single day. Remember this moment and remember that the First Lady of the United States told you that you can do anything you want to and we're counting on you. We are proud of you. Your President is proud of you. He knows this is going on. He's just a little busy. (laughter) So I want you to take advantage of this day. I want you to network with each other. I want you to continue working hard, you know, and know that failure is a part of the growth that you will need to be great. So we are so pleased to have you here. And if you feel like this day was special it's because we think you all are special and you all are worthy of the efforts that we put in to making this day special for you. So thank you, guys. Thank you so much. (applause) So now I'm going to make sure you guys eat. The plates are -- oh yeah, some people have eaten, that's good. (laughter) Make sure you continue to eat and I'm going to pass the stage on to Lilliana Vazquez, who is going to introduce our panel. And I know you guys are still fired up, ready to go, ask questions, all that good stuff. So Lilliana, please come up and join me and you can introduce the panelists. (applause) Lilliana Vazquez: So I really am so excited to be here in front of you and the panel that I have the honor of moderating today is an incredible group of people. So they're all scattered amongst you. Praval, you step up here and join us. (applause) Jason -- there's Jason right there. (laughs) Jason Wu: Thank you so much. Lilliana Vazquez: Diane, who's at table nine, it's a fabulous table. (laughs) (applause) Female Speaker: Thank you. Lilliana Vazquez: Tracy Reese. (applause) And then Edward, where are you? I've been hanging with you all day. Mrs. Obama: Isn't this a great feel. Lilliana Vazquez: I know. (applause) And then Jenna Lyons. She's right in the front. (applause) Lilliana Vazquez: Okay, so really quickly -- I want you guys just in one quick sentence. Female Speaker: Hello, hello. Lilliana Vazquez: Do you want me to use the wireless? I think Diane's is actually not working as well. Diane von Furstenberg: No, no. Oh, now it is. Lilliana Vazquez: Okay, there we go. Now we have audio. So really quickly -- nope. Still one more, yeah. Neither is Edward's. Want to raise your mic if it's not working? Praval Gurung: Hello. Hello? Okay. Lilliana Vazquez: Jen, are you good? Jenna Lyons: I'm good. Lilliana Vazquez: Jason? Good? Jason Wu: Yes. Lilliana Vazquez: All right. So really quickly, if you guys could just introduce who you are and what you do. Praval, we'll start with you. Praval Gurung: Hi everyone. I'm Praval Gurung and I'm a fashion designer in New York. Edward Wilkerson: I'm Edward Wilkerson. I'm the creative director of Lafayette 148. Diane von Furstenberg: I'm Diane von Furstenberg, and I'm an old fashioned designer. (laughter) Tracy Reese: I'm Tracy Reese. I'm also a fashion designer. Jason Wu: I'm Jason Wu and I'm a fashion designer. Jenna Lyons: I'm Jenna Lyons. I'm a designer and creative director at J. Crew. Lilliana Vazquez: All right, thank you guys. Well, I'd have to say that it's really difficult to have a dialogue about fashion today without mentioning just one of our panelists. I think we can all agree. They are easily some of the most respected and recognized names in this business. And I could probably spend just the next hour listing the accolades of just one of them, but I only have 45 minutes. Now their companies represent more than a few billion dollars in sales. They have a combined experience of over 125 years in the industry. Now that does not make them old by any means at all; that makes them experienced vets that are here to inspire you and show you the ropes. And, of course, their companies employ thousands, tens of thousands of jobs across the U.S. and abroad. But enough talking about who they are. I really want to focus this panel on talking about who they were. Who were they as students? Who were they as young people just like you when they were in high school? And, of course, who were they as young designers when they were really just starting to make a name for themselves in this business? And what I really hope to accomplish is to demonstrate that as diverse as they all are and as different as their paths and their backgrounds may be, education is the one common thread that really unites all of their success stories. So you guys have had very storied careers and I know there's been a lot of special moments, but going back to what Mrs. Obama said, what has been the coolest moment that just made you stop dead in your tracks and say, "Wow, I cannot believe this is happening to me"? It could have been when you were younger, now, what's that one kind of moment where you thought, "Okay, I got this." I'm going to start with you. Tracy Reese: I think today is pretty great. Lilliana Vazquez: (laughs) I echo that sentiment. Tracy Reese: Yeah, I think we all feel that way. And I think being here and the path to getting here has been amazing. It's been tough. It hasn't always been fun. Don't get into fashion if you want glamour. That's really not -- it's a side note, it's not the main event. But yeah, this is wonderful, we have wonderful careers. And I think -- I'm looking at Zack and, you know, he's smiling because we all know we do what we love and I think that's the most important thing you can take away: do what you love and put your love into it. Lilliana Vazquez: Absolutely. Diane? Diane von Furstenberg: Well, I think the most important thing to know is that whatever you do at the base, you have to be serious. And if you are serious first, then you can have fun at the top. Then you can be frivolous, mischievous, crazy. But what is important is that the foundation is serious. That's the most important thing. We all, you know, when we start and we are young, unless you know from the very beginning that you're going to be a pianist or doctor, most of us -- I mean, a lot of us don't know where we are going to go, and don't know what we are going to do. And when you are young it is most important that first you study because that first moment of studying, that is what will stay with you forever. And then you kind of have to -- I mean, you know, life is full of possibilities and there are doors there and sometimes there's a door that you don't think is a good door for you at all, and you push your door and your life changes. So my advice to anyone is just keep your eyes open and be open, be open to everything, just be curious. And, you know, when I met a man who had a factory, he had a printing factory and well he also made the jersey, when he came and invited me to be a and intern and to look at what he did, I had no idea that this man was going to be the most important person -- almost the most important person in my life. And then I came to America and whatever and then I made a few little dresses in his factory -- Lilliana Vazquez: Or just the iconic wrap dress that everybody has at least 10 of, yes. Diane von Furstenberg: But, no, but at first it was just, you know, I was very shy about it and I was just -- and then I walked into Vogue and there was Mrs. Vreeland, you know, the Anna Wintour of my time, and she -- nobody understood those stupid little dresses that didn't look like anything. She said, "This is great." Lilliana Vazquez: I love that. Diane von Furstenberg: So she encouraged me. And then I followed the encouragement and I listened to her assistant, who said, "Do this," and "Do that," and I did this and I did that. That was '72. In 1976 I was in this room having dinner. I was next to President Ford at the time. And I had -- and I was also on the cover of "Newsweek" at 28. Lilliana Vazquez: So that was your moment. Diane von Furstenberg: That was the moment. Lilliana Vazquez: That was her moment. What an amazing moment. Diane von Furstenberg: And it was just a few years. It doesn't mean that after that it was all heaven and roses and this, because it isn't. It is never roses and there's always difficulties and the challenges change and everything, but the most important thing is to be serious and to be true to yourself, because truth will never fail. Lilliana Vazquez: Thank you, Diane. That was unbelievable. Now, let's rewind for some of you, go back in time here. I want to know, Praval, what piqued your interest in clothes first? Praval Gurung: Just so whoever doesn't know I'm from Nepal, it's a really tiny little country between India and China. And so, when I -- I went an all-boys British Catholic school and I was very different from the rest of the boys there and all I wanted to do was, you know, sketch and just be -- I was pretty much lost in my own world. And I was told early-on I was very different in a good way and a bad way, but a good way for my family, I mean, not so great way for my peers. And so that's what I, you know, kind of understood that the thing that I had was I was different, I was constantly told I was different, and that led me to discover different things. That led me to discover -- pushed me instead of to the sports field, you know, I went to the library and I started exploring more. And my first -- even in Nepal, was a "Vogue Magazine," you know, and it was there that I think, you know, I just understood or kind of like, you know, was excited about it. So this was way back in the '90s. And then when -- so I was always kind of -- I think the thing about fashion -- at that time I didn't know whether it was going to be my career because everyone back home in Nepal, I'm probably the first fashion designer from Nepal. And then, you know, at the time when I wanted to -- when I told everyone besides my family, my family was very supportive, but when I told everyone that I wanted to come to America, I'd never been to America, and I traveled everywhere else. I'd never been America and I applied to Parsons School and I told everyone, you know, "I want to study fashion." And everyone was like, "Well, that's a good hobby, but what do you really want to do?" You know, so that was the thing. That's how it started for me, so -- Lilliana Vazquez: And I'm sure others here have heard that same expression where, "Oh, that's a great hobby to have, but how do you really, you know, start to turn that more into a career?" Now Jason, I know you started designing doll clothes, is that correct? Jason Wu: Well, it's -- Lilliana Vazquez: So you had tiny, itty bitty designs. Jason Wu: Well, I mean, I can relate a lot to Praval's story -- Lilliana Vazquez: Yes. Jason Wu: -- because I definitely grew up different and, you know, my brother was very athletic and I was very not, I'm still not. (laughter) So, now, I mean, I just -- you know, I wanted to have dolls like during my birthday and I wanted pretty things. And it wasn't really so cool in Taiwan, you know. People were like, "Oh, that's weird." (laughter) And it was weird. But I learned to accept that over the years, that being weird is fine and being weird is good, and being weird makes you, you. Lilliana Vazquez: Makes you unique. Jason Wu: And it took me a very -- I mean, it's easier said than done, it took me many, many years to realize that. I don't even think I realized that until I was in my 20s. I just felt like, "Well, I guess I'm stuck with me, so I'm going -- Lilliana Vazquez: Be the best you you can be. Jason Wu: -- to be the best me I can be. But, you know, definitely it was really, you know, coming to America that I realized that there were so many opportunities that you could do and be whoever you want to be. And for me to be sitting here in the White House in front of Mrs. O and all of you is really -- it's a life-changing experience. Lilliana Vazquez: I think it is. Now Jenna, you have incredible style. Now, in high school I definitely made a lot of fashion mistakes. What would you say was the best and worst trend when you were in high school. Jenna Lyons: Oh, God. I had asymmetrical hair. It was not a good look. (laughter) That was probably the worst one. I feel like I didn't get a good question. Can I answer their question? Lilliana Vazquez: Oh, you have lots coming. You want to answer -- Jenna Lyons: I want to answer that because I think it's amazing -- Lilliana Vazquez: You have an incredible story. Jenna Lyons: Well having -- listening to their stories what is amazing to me is I had no idea and I'd actually not heard your story. But listening to feeling different I think -- I don't know if any of you have ever felt a little bit outcast. I know that I did. I grew up with a genetic disorder which was awesome. I had conical teeth, which if you don't know what that means, my teeth looked like little posts, little, round, yeah, that was not so fun. And I had huge bald spots on the back of my head, which I did not even know I had until I heard the girls whispering behind me saying, "Oh my God, look at her head." (laughter) And so I was pretty much teased pretty mercilessly for most of my young age and I thought that I was also super skinny and really tall, and so I thought that I didn't have any sense of who I was or what I looked like or my size, and so I would shop in the big and tall section, which there was no, you know, j brand jeans and tall and skinny. Like that did not exist. So I looked a little strange at school. I was dressed in gigantic clothes and it was strange. Anyway, I took a home ec class, which I don't know if you guys know what that is, it's home economics where you learn how to balance a checkbook. I failed that part. Lilliana Vazquez: Do you guys what home ec is? Jenna Lyons: It's home -- Lilliana Vazquez: Yes. Okay, well, the older people in the room definitely do. (laughter) Jenna Lyons: And one of the things we had to learn how to sew. The cooking part and the balancing checkbook part I never went back to. The sewing part rocked. I was really into that. But what was incredible was that we actually had to make something for ourselves, so I had to measure my own body and actually pick a pattern. And when I did that I made this watermelon skirt which I really remember distinctly, and I went to school the next day and like the most popular girl in school, Darlene Patterson, asked me -- (laughter) -- I remember -- where I got my skirt. And it was the first time anyone had ever given me a compliment about something that I had not only done, but how I looked and I realized that not only did it -- was it fun for me to actually make it, but I realized how transformative the experience was and how feeling good about myself was -- really made me feel better just overall and so it made me want to be able to do that for my life because it was actually something that not only did it make me feel good, but I realized it was a way I could make other people feel good. Lilliana Vazquez: I love that. And I think everybody finds their way to fashion in such different ways. But there's also, you know, an emotional connection to it. For you it was very emotional. But let's go back to talking about how you transitioned from being passionate about fashion or design or clothes and -- Diane von Furstenberg: Can I just say something before because I think it's important for everybody to know from the story of Jenna, is that what I think is also important is that you have to realize that your vulnerabilities are as valuable as your strength and you have to put your vulnerabilities and your weaknesses and your sense of differences in the category of assets. Lilliana Vazquez: Absolutely. Diane von Furstenberg: And that's another good trick. Lilliana Vazquez: Incredible advice. So, let's talk about someone, you know, your educational path to fashion. So Tracy, talk to me a little bit about this because you attended public school in Detroit, correct? Tracy Reese: I'm from Detroit. I'm a proud Detroiter. And I went to public school, you know, from elementary through high school. And, you know, I was super-fortunate that my mom was so involved in our lives and in our education. And it was important to her that we stay in public schools. And she was always at school and she was always threatening to be at school -- (laughter) -- to make sure I was eating lunch instead of chocolate milk and ice cream sandwiches and -- you know, one time I was doing that and she was like standing outside the door and I was like, "She's really here." (laughter) But it was important to her and she shopped around and she changed regions for us and did all kinds of stuff. But it's interesting because out of three girls, I was in the middle and I was always shy, I didn't speak, I didn't talk, I let my sisters talk. They were both really popular and that was fine with me. I admired them, I loved that about them, and I was fine to just sort of step back. And fashion really brought me out and it gave me a voice. But going to public school, I think you have to make opportunities for yourself, and I think it's important to be involved in your school environment as much as possible. I had clubs every morning. I was at school at 7:15. French Club, Honor Society, American Youth Hostels. (laughter) We go cross country skiing. But I wanted to be involved, and I had a high school, luckily, that promoted that kind of involvement, and it was exciting. But I got to meet people from other curriculums and other neighborhoods and developed a community of friends. And everybody was doing stuff and we were able to support each other. And luckily we had fantastic teachers who enlightened me about Parson's. And I didn't think I would be a designer, because same thing, it's a nice hobby, is what you kind of felt or were led to believe. And my mom and I sewed together all the time. We made outfits and we had races and, you know, if you finished your outfit first, you had to buy the other one a metallic belt. A metallic belt, a metallic cummerbund belt, because that was the trend. But I always thought it was a hobby, I didn't think it was a serious profession until I came to Parson's and I won a scholarship to Parson's for a summer program for high school students. And I was always very focused in school and very competitive, mostly in a good way, and it was important for me to achieve and get good grades, and that allowed me to get scholarships to school. So, the summer program for students was -- for high school students, was amazing, and I encourage you all to look for these opportunities. They're not going to present themselves to you, necessarily, but if there's something that you're interested in, do the research and find out what opportunities are available to you. What can you, you know, how can you access your dream? Lilliana Vazquez: Absolutely. Now, Edward, I want to talk to you a little bit about going back to your high school days. You were also very creative from the start. You're an incredible artist, you're an incredible designer. What are some creative and easy ways that these students and underclassman in college can expose themselves to creative environments, or skills if maybe they're not offered in their high school. Edward Wilkerson: Well, you can go to a museum to start, you know? I was constantly in museums. But I wanted to be an architect first, so design really came second. I basically, the teacher said, "We don't think this is for you." Lilliana Vazquez: Really? Edward Wilkerson: Yeah. Lilliana Vazquez: So they discouraged you? Edward Wilkerson: Discouraged me? Kicked me out of the class (laughs). Sent me to the principal's office, and he said, "Well, what else would you like to do?" I said, "I'm interested in clothes." He said, "Well, why didn't you go to art and design?" And I said, "Well, they didn't accept me." He said, "I know the principal. Show up tomorrow." That's how it happened. And then I wanted to go to FIT. I took the test twice: No. I got into Parson's with a scholarship. Lilliana Vazquez: Did you guys hear that? He just said he took the test twice and then -- Edward Wilkerson: You go for an interview. Lilliana Vazquez: Yeah. And then he got -- yeah, exactly. Lilliana Vazquez: Right. Then I got a scholarship to go to Parson's. But, you know, just going through that kind of exposure, my wanting to expose myself to different buildings, it was just natural, it was innate. I didn't study architecture. I did for one semester, but it was just something I had inside me, like design. And then into Parson's, my junior year, they said, "We don't think you have what it takes." I heard that one more time. And I was already working, I got my first summer job at Anne Klein in my junior year in high school. And I worked for Donna Karen for 15 years, and then I went on to Calvin Klein. And it was a great experience, because I exposed myself to these people. I actually got my job my junior year by walking to up and down 7th Avenue, riding in the elevators, to see who could see my portfolio, okay? And it's amazing that I didn't get any response from the smaller houses. When I went to Calvin Klein, they said, "Come back in an hour." I went down to Anne Klein, I was hired. Lilliana Vazquez: Right on the spot? Edward Wilkerson: Yeah. Lilliana Vazquez: That's great. Now, if you guys can all think back to when you were applying to college. For all of these student's, it's a really stressful time in life. You know, you're stressed about what school you're going to choose, what program you're going to be a part of, how you're going to pay for college. There's so many things that contribute to being stressed about it. So as these young people near graduation, what do you think they should be looking for, specifically, in a program? What did you look for in a program? Jenna, what did you look for in a program when you were starting? Jenna Lyons: I mean, I think when I was looking it was so different than what it's like for you guys now. I mean, when I was looking for a program, there were no choices, there was no -- you couldn't be merchandiser, you couldn't be a stylist, you couldn't be a hair and makeup person. None of those jobs, I didn't even know they existed. So, I think what I was looking for maybe isn't necessarily as relative to what you guys are faced with now. I think there's so many more choices. There was no internet when I was looking for colleges so I couldn't Google fashion, or Google beauty, or any of those things, or magazines. I didn't know that you could be editor at a magazine. I just didn't know. And so, I think, all I would say is research is probably the best thing. And good news is there's Google. Use it healthily, vitally, and see what is exciting to you. You know, you may not want to be a designer, you may not feel as comfortable sketching, but you may love clothes, and maybe you'd be a great stylist. Or maybe you could actually be an amazing tech designer, and you want to do more about how the clothes are made. Or maybe you want to do something where you're actually working on fabric, and maybe textiles get you excited, and maybe you want to do fabric research. There's all kinds of jobs. Lilliana Vazquez: Ton of opportunities. Jenna Lyons: The other thing I think is so incredibly helpful, and if you can before you are looking for college, if you can during high school years, is try and get an internship. It doesn't matter what level their kind of company, anyone can be exposed to see kind of what goes on. I was actually Edward's intern (laughs). Lilliana Vazquez: Was she a good intern? Jenna Lyons: Twenty four years ago. Edward Wilkerson: Excellent. Diane von Furstenberg: And actually, when you are an intern, remember one thing. Be the first to arrive, and the last to leave, and they'll notice you. Tracy Reese: And I think that, you know, Mrs. Obama talked about working hard. I think we all have to be prepared to work hard. I still work hard. I've been in this industry for 30 years, and I know that I'm blessed to be in it, and I'm happy to do the work. And my parents told me when I was kid, you know, it's like, "Be prepared to work twice as hard as anybody else to achieve what you want." And that's no joke, and it's not just one of those things your parents say. It's about you rising to the level, you know, that you hope to be at, and what it's going to take to get there. And also what it's going to take to feel comfortable when you arrive. I mean, do you know what you're doing, you know? Do every job, do every job on the way up, and treat every experience like you own the company. If you're sweeping the floor, then be the best floor sweeper. Jenna Lyons: Make it shine. (laughter) Lilliana Vazquez: That's right. Tracy Reese: It's true, it's true. You have to do everything. I've done every tiny and mercurial task in my company, outside of -- I'm really not good at the computer. That was before my time. Let's be honest. But I've done everything. I've shipped, I've picked and packed, I've written invoices, I've calculated my orders by hand, because it was before computers. I've cut my production, I've sat in factories, I've put hang tags on my clothes and poly bags, I've gathered it up and run to receiving at stores, you know, trying to get my foot in the door, rented junk vans to drive them. Diane von Furstenberg: But also, hard work -- don't scare them. Hard work -- Tracy Reese: (laughs) No, they need to be scared. Diane von Furstenberg: Hard work is actually fun, okay? Tracy Reese: It is. If you love the work. Diane von Furstenberg: It is fun. If you like what you do, it is fun. Tracy Reese: Right. Diane von Furstenberg: And the most humiliating moments that you encounter will end up to be your best souvenirs and your best stories when you're famous. Remember that. (laughter) Lilliana Vazquez: Did everyone on this stage intern during their college experience? Edward Wilkerson: Yes. Lilliana Vazquez: Yes? Okay, so who has a grueling story about their favorite day as an intern that wants to share? Female Speaker: On camera? I don't know. Lilliana Vazquez: This is being livestreamed, remember (laughs). Anybody? Jenna Lyons: Oh, you're looking at me. Lilliana Vazquez: I'm looking at you because you did say something. Jenna Lyons: I did -- okay, so I was, I barely made it through college I did not have a lot of money. My mother was a piano teacher, not exactly the most lucrative job you can have. So we were, it was pretty tough at the end, and I was interning at Donna Karen, and I don't know if you guys can really, it's hard to put this into perspective. But when I was working at Donna Karen when Edward was, it's kind of shocking to hear the story that you didn't get in, because he's probably one of the most incredible designers I've ever seen. I'll never forget walking in and seeing his sketches on the wall. I was mesmerized. I don't know if -- I think I told you this, that I took them and drew over them at night and just sketched up. He was incredible. At any rate, so I was excited on my first day. And I came in sweatpants, because that's kind of all I had, and everyone is wearing like 40 ply cashmere and like, dripping in it in like seven layers, and I'm like, "Hi, I'm your intern." I was kind of mortified. And the room was tiny, so there was no place to hide, and so I went over and said, "What can I do?" And Anne Gorfinkle, who was the founder of Parson's said, "Can you just go and clean that closet?" I was like, "Yes. I am on that. I will clean that closet right now." So much happier in the closet. (laughter) And I went into the backroom, I went and walked in there and it was unbelievable. It was their vintage closet, so it was all of their archive samples of beautiful beaded garments and vintage pieces that they had collected for inspiration, and I got to spend the entire day cleaning closet. It was the best day ever. Tracy Reese: So see, cleaning a closet isn't that bad. You never know what's behind the doors of the closet, so. Edward Wilkerson: And Anne was an intern, too (laughs). Female Speaker: Everybody was an intern. Edward Wilkerson: I was not an intern. I was never an intern. I went straight to -- I didn't know about internships. (laughter) I didn't know about it. There were no blogs. I said, "I need a summer job." You know? Lilliana Vazquez: It was a different time. Edward Wilkerson: Yeah. Lilliana Vazquez: Now you guys have so much access to find out about internships online. I mean, if you just Google the word "internship," who even knows how many listings will come up? And I think that the lesson is that everyone, you know, that's done it, it's been an incredibly positive experience. So, Praval, I want to ask you. What's one of the most positive learning experiences that you had as an intern, and where did you have your internship? Praval Gurung: You know, the first thing that I think, with internship, or like working as an assistant designer or design assistant at different houses, what I learned pretty early on was -- you know, when -- a lot of us, when we were in school, we had this idea about you, you want to be a designer, you want to be famous, and all that stuff, the glamorous aspect. I pretty much learned early on that, you know, fame is the byproduct of hard work, and that was the first thing that I learned when I was an intern there. So, my internship was at also Donna Karen. And, you know, so -- yeah, it was. And, however, you know, it was pretty much that kind of thing. The internship, what it taught me was, there were a few things that you needed to have to, you know, follow your dreams and everything was the passion, commitment and the grit. You know? I think it's -- there are a lot of talented designers out there and a lot of talented people out there. What always question myself and as a student, as an intern, as an employee, and now as owning my own company also, I always question, "How long are you willing to go on?" You know, that kind of commitment is what I think is going to take you further, because talent alone doesn't do it, passion doesn't alone do it. I think it's how long -- the grit factor is extremely important. So, I mean, for all the students who are going to apply, I think the best thing to do is research, internship, talk and explore, and rightfully, all of them have already said, and I'm just reiterating what they said. It's the ability, the willingness to make mistakes, that's the first thing that you need to appreciate it, and then to just go for it, and that's pretty much it, yeah. Diane von Furstenberg: And if you get depressed, write your diary. (laughter) Lilliana Vazquez: You could turn it into a best selling book one day when you guys are famous designers. Diane von Furstenberg: I mean, there's no better friend than a diary when you're depressed, because you can just download it. And I think -- Praval Gurung: Just make sure you don't write anything, you know, not a burn book. Diane von Furstenberg: Oh, doesn't matter. Praval Gurung: You want a diary, not a burn book. Diane von Furstenberg: As long as you say the truth. I think the most important -- the other big advice that I will tell anyone, but especially young people is that the most important relationship in life is the one you have with yourself. And if you have that and if you are your best friend, then it's just much easier, and any other relationship after that is a plus, and not a must. Edward Wilkerson: I have to tell you, I learned so much from my interns that I have, you know? Because of the technology today, what they teach me, so much -- they actually enhance my work. So, you know, we welcome interns at our office. Lilliana Vazquez: So, let's talk -- Oh sorry, go ahead. Tracy Reese: One more word on interns, because internships are so important. Because you get to go into a company and decide if it's really for you, if this work really is something that you want to do, if it's what you thought it was, if maybe what's different about it draws you in even more. And you also get to meet people and network and show people the best of you, you know? I mean, these are people that you can call for references. I've hired so many interns in our company, and it's really if I see someone who -- they've got a good personality, and they fit in well, and they're willing to do whatever's necessary, I will hire that person over someone who's extremely talented. Because I know that they're going to help me run my company, you know? And they're going to take pride in their work. Lilliana Vazquez: So let's talk about getting these internships. When these students are putting together a resume, or a portfolio, what are the important things that you guys look for that they can focus on? Whether they can focus their coursework to kind of help them pursue that, or what are those buzzwords and what should they be doing outside of school? Because I don't think fashion is just about what you do in school, it's also pursuing it through hobbies and interests. What are things that stand out on a resume, or in a portfolio? Edward Wilkerson: Their skills. Lilliana Vazquez: Jenna has great -- Jenna Lyons: I have some. Okay, rule number one. Spell my name right. (laughter) Lilliana Vazquez: Spell her name right. Jenna Lyons: I mean, the number of times I've gotten letters from people. First of all, they're not hand signed, nothing -- like, spell the name right, do some research, find out who the person is that you're sending the letter to. It's so important, I cannot believe how sometimes people make simple mistakes. That resume goes in the trash. If you can't take that moment to spell someone's name right, it's important. The other thing is, write a handwritten note. It's so important, it's so hard to cut through these days. And with email, like don't email somebody and ask for an internship. Write a handwritten note. It stands out, people remember you. Don't write it on crazy handwriting paper, just pick something clean and normal, black and white is good. Don't go crazy, no flowers. And those things, like, they're meaningful, they'll stand out, because it's so unusual to get a handwritten note and a hand addressed note in the mail. And I'll look at that before I'll look at the ton of other things that come through my email box. And I think you can't underestimate. And also, write a thank you note. If you get an interview, or if you get someone who calls you back, send a thank you note. It really matters these days. It matters more than you will know, because as email and electronics have become -- it's changed the industry, it has made the communications and the way that we communicate so much more valuable when someone takes that time. So, think about that, and the personal touch is really, really valuable. Most companies, we have them, have a part on our website that lets you know where to go to find an internship. I would imagine that most of the bigger companies that you know do. I don't know if you guys, some of the smaller companies, but -- and oftentimes, especially with smaller companies, if you're interested in them, you have no idea. They don't have the time to go and search for you, so you have to search for them. If you want to work for Jason, write him a handwritten letter, and tell him why. Trust me, that will be more meaningful than like, just putting your name in line and putting it in an inbox. Jason Wu: I mean, I agree, I mean, it's like always take the time and -- to know what you're getting into, and as to Jenna's, what Jenna said, when you write a letter, double-check. Don't' say, "Dear Mr. Woo, I would love to intern at Donna Karen." (laughter) Jason Wu: Edit your letters would be very nice. I've gotten that before, and you know, always edit your letters, and then be personal. Because people, no one can take that away from you. You are the only you there is, and just by a simple note that has no frills, can mean the world. I mean, I keep all of my notes, and I just think that they are something that I really remember, especially today when there's so much noise and there's' so much disposable things, that when someone send s the time to send me something -- and trust me, it always get to the person, no matter how big the person is, it always gets to the office. Lilliana Vazquez: I think sometimes people get worried that it's not going to get routed to the right person. Jason Wu: Yeah. Lilliana Vazquez: But you guys have assistants in departments that will make sure that it gets to the people that you're trying to get it to, so make the effort for sure. Jenna Lyons: Well, and it stands out. A handwritten note will stand out, and I think people give it more care, honestly. Diane von Furstenberg: And work, work on your portfolio. I mean, your portfolio is so important. What you show, and how much love, and the presentation and the cleanness, and the point of view. And also, your portfolio is actually not important just for the people that you show it to, but it's important to you, because it's really your first juice. It's your first collection at school, or it's your first drawings, and they actually, later, much later, if you look at it, you will realize that it actually said a lot about who you are and even who you became. So your first portfolio, your portfolio is very, very important. So love it, treat it with respect, make it beautiful, improve it, and cherish it. Cherish it. Jason Wu: It's a diary. Jenna Lyons: You don't need to have one for an internship -- Lilliana Vazquez: You should love it. You should want to look at it all the time. Now we talked about technology a little bit, and how it's really changing this industry. So with technology, I'm guessing a lot of new jobs have emerged. And you know, not everyone in this room wants to be a designer. Female Speaker: (inaudible). Lilliana Vazquez: And have gone, yes. And I was talking to a group of students earlier, and just in that group, somebody wanted to be a stylist, somebody else wanted to be a fashion merchandiser. So, knowing what you know about the industry, what are some of the new careers that are emerging, that, you know, maybe we didn't have a chance to be a part of, but that all of these students, when they enter the workforce, they will have that opportunity? What are some of the newer career tracks that maybe they can think about following? Praval Gurung: I think, I mean now, there's a designer, there's a technical designer in the design field, you know? There's like so many aspects to it, there's a print designer and all that stuff. Female Speaker: And 3D, yeah. Praval Gurung: Yeah, 3D. And then there's -- various, in public relations, and, you know, there's like a -- earlier on I think they used to just have a PR Director, PR Manager, VP of Communications, now they have a Social Media, you know, Director. There's -- the technology has completely changed how we interact, you know, in this industry. So, I mean, is there anything else you guys can think of? Jenna Lyons: I think there's a whole -- I mean, from where -- Praval Gurung: I wish, I mean, no, I wish the question should be answered -- I mean someone like Eva Chen, you know? I think you might have a -- she's very prolific out there. Lilliana Vazquez: Yeah. I'm going to come out to Eva. Because do you mind if you take that question? Yeah. Eva Cheng: Yeah. (laughs) Praval Gurung: Sorry. Lilliana Vazquez: Not to put you on the spot. And then I'm actually, as soon as I ask her the question, I want to hear from you guys. I know this morning I asked you to think about some questions. So if you have a question, please raise your hand and find me, or there's also two people with mics circulating around, if you can grab one of them, they would love to take your questions, right guys? Yes, okay. Female Speaker: She has a mic. Lilliana Vazquez: Oh, you do. Okay, great. Here, I'll bring you mine. Eva Cheng: I love being put on the spot very spontaneously with absolutely zero preparation. Praval Gurung: I'm sorry. I think you're brilliant at it. Eva Cheng: But that's why I love you, so. Praval Gurung: I think you're brilliant at it, that's why. Eva Cheng: So, you know, Praval brought up the very, very good point of social media and all of you guys in this room being high school and college students are on Facebook, Twitter, Instagram. I know all the designers here in the room are all obsessed with Instagram. So that is a career path that's opening up for so many young people right now. In our office, we have a Social Media Director named Virginia Nam. She came to us from Rebecca Minkoff. And it was her job, literally, to be behind the scenes with Rebecca, tracking her every move, taking pictures, Tweeting, Instagramming, doing Vine videos, Snapchatting for her. And it's a 24/7 job. All of you guys that are on social media know, it doesn't turn off, ever. But it's an amazing opportunity, and every designer sitting up there, they have a social media department, as well, and all the designers are on social media. One word of caution. AS students, you know, if you are on social media, just remember that you're leaving kind of digital bread crumbs of your personality. This is kind of not really answering the question, but -- Diane von Furstenberg: You're on record. Eva Cheng: You're on record, basically. And it's not uncommon for us. For instance, when I -- my assistant, actually, I found through social media. She followed me on Twitter, and then she sent me an email that basically was like -- this is so embarrassing. So she -- I had Tweeted, like, "I can't get this horrible song out of my head." Just to be honest, it was Maroon 5, like Adam Levine song, and it was stuck in my head. And I was like, "If I hear this song one more time." And she wrote me an email that was like, "I have that song stuck in my head too." And she introduced herself, and she talked a lot about Lucky and why she loved the magazine, and she made it personal, as Diane mentioned. And so we kind of connected through social media. So, if you use it wisely, you can find a job as well. But don't use it indiscriminately, don't post pictures of yourself doing things you wouldn't want your teacher, or your mom, or your future boss to see. That is all, so -- Diane von Furstenberg: Your children. (laughter) Lilliana Vazquez: And can I add one thing to the social media? I can't even tell you that some of the best people on social media are incredible journalists and writers. So these are not people that are just funny because, or interesting because. A lot of them studied English in college, a lot of them are story tellers. So you get to craft a voice in college, and study and take classes that create that for you, so that you can go on to do the social media path as well. Thank you so much, sorry to do that. Okay, you're -- she's Tweeting right now. So who has a question, because I know -- oh, here, I'll come to you. Will you say your name and introduce yourself and tell me what school you're from? Female Speaker: My name is Heaven. I'm from Richard Wright. And I just want to know, like when you make your outfits, or your designs, what goes through your heads? What do you think about? Tracy Reese: You know, for me, a lot of times I'm thinking about the customer, the person that I hope is going to wear the clothes. That's a big part of it and super important to me. Sometimes you have an inspiration, you saw a beautiful painting, you traveled to someplace amazing, there are colors that, you know, you saw on the beach, or in the city that inspired you, or wonderful textiles. But ultimately, I want the clothing to get worn, so I'm thinking, "How can someone wear this fabric? How can I make this a beautiful dress or a coat or something like that that someone can wear and enjoy and really get some use out of? Edward Wilkerson: I immerse myself. I travel a great deal. So I basically immerse myself, whether I'm in Bali, or I'm in Asia, or you know, I just make it come to life through prints, through fabric, depending on the season. I try and be creative as I possibly can, and then like Tracy said, I have a customer that I sell to. So I try and stay -- keep her in mind at all times, you know? Depending on her body type, there's so many different body types out there, and you can't really dress everybody, but that's where the challenge comes in, is figuring out how can you maximize a garment, and how many people can wear it? I'm constantly thinking like that, because, you know, I just can't go off into my -- the dreaming has to stop at some point, and it has to land into reality, so that's where the real challenge comes in for me. Female Speaker: Thank you. Jason Wu: For us designers, it's generally, you know, I always call it -- like, I call myself, we're like kind of like blenders, and we take all the experiences that we experience, not just visual things, but things that we experience, things that we hear, and things that we see, and things that we feel that may or may not happen within our industry, in fact. Don't look for inspiration just in your field, look for it outside of the field, because I think that's when you really find fresh ideas. And you take all of that, and that's what I'm thinking, and that becomes your work, you know? You put it all together, and -- Diane von Furstenberg: And every designer approaches it in a different way. We talked about Maria Cornejo. She's all about geometry. I mean, were you good in geometry? I mean her construction of her clothes are so incredibly clever and wonderful. Somebody else comes from another -- you know, everybody has a different point of view how they get there. Me, I just like to make it practical and sexy, and somehow combine it, you know? And everybody goes their own way, and everybody finds their own, you know DNA, and then after that you call it a DNA or brand, or -- shut up, you. Lilliana Vazquez: Alright, we have one more question, table nine. Make it a good one. Stand up. What's your name? Female Speaker: My name is Lauren Mejia. I'm from High School of Art and Design. And my question is before you guys were fashion designer, did you guys have any inspiration that motivated you to want to be a fashion designer? Edward Wilkerson: I'll answer that, because I'm from Art Design (laughs), and Art Design has great teachers. You're in the fashion design department? Oh, it's wonderful. And my teacher, my draping teacher is the one who actually encouraged me to get out there, familiarize myself with different designers. So she was really a big help. She actually got me my first interview with Mary McFadden. And from there, I felt like I could do anything. Lilliana Vazquez: Okay, and I actually think we have time for one more question. You had a question? Hi. Go ahead and stand up. Tell us your name and your school. Male Speaker: Hi. My name is Edison. I go to the Baltimore Design School. And I was just wondering, one thing that's always worried me when I start to think about it is how do you get started in this whole process of getting an internship and getting your first job? And in a way, I suppose, how much paperwork is there going to be? Jenna Lyons: I'll take that one. So most companies, like I was talking a little before on like, on the website, if you go to most company's websites, at the bottom of their website, there will often be a little thing that says, "Contact Us." Just click on that and write an email to -- because you're going to get just an HR Department at that point. And you can say, "Is there -- who do I write to? What is your internship look like? Do you have an internship program?" Because you first need to find out if the company even accepts interns. Not all companies can take them, so you can -- that you can do in email. And then once you get that information, you can ask, "Who do I in fact address this to?" At that point, then when you find out that there's somebody, a point person, then you can go ahead and write that proper letter by hand, spell their name, ask the spelling ten times, and go ahead and then send a formal request letter. And I blanket bombed, I sent many. But the other thing is most often the schools will help you do that as well. I went to Parsons and Parson had a Board and a person in the office who would help you get connection to the people who were looking for interns. So oftentimes the schools, the colleges will have access. If you're in high school and you're looking to get an internship, you're going to have to do a little -- but there's not a lot of paperwork. It's not hard. We're not looking for paper pushers. We're looking for people who are interesting and creative, so we're not really interested in making you fill out a bunch of forms and all that, it's pretty straightforward. We will work you hard, to the bone. Lilliana Vazquez: And Diane, I think you wanted to add to that. Diane von Furstenberg: Yeah, I just want to say one thing before we wrap up. Because we talk about many things, but we forgot to mention the word "dream." And I think that dream is the most important thing. And we happen to be sitting today in the White House that was built on a dream, and with a President and a First Lady who made that dream come true. And we are very privileged to have you as a President and as a First Lady, and I wanted to thank you very much, because it's dreams that will make us go forward. And so, don't ever forget to dream, and just -- you'll make your dream come true. (applause) Lilliana Vazquez: So before we end the panel today, I want to play a quick rapid fire question game for your guys. Prepared very, very important questions to have you answer. So we'll just go down the line. I'm going to start with you. So I'm going to call out the question. Pretty much a one word answer, okay? Because we're a little pressed for time. Ready? Favorite class in high school? Praval Gurung: None now, sorry. I would say draping. Lilliana Vazquez: Draping? Okay. First record or CD you bought? Don't date yourself. Edward Wilkerson: Stevie Wonder. Lilliana Vazquez: Oh, I like that. Who should everyone follow on Instagram, Diane? Diane von Furstenberg: Oh Rihanna. Lilliana Vazquez: Oh. (laughter) Lilliana Vazquez: This is their audience, they're into that (laughs). Oh she was banned from Instagram? I don't know. Yeah, okay. Who should everyone follow on Instagram? Diane von Furstenberg: Michelle Obama. (laughter) Lilliana Vazquez: Michelle Obama. Yes, I love that. Okay, here's a better question. What did you wear to your prom? Tracy Reese: I made a dress in white took file with gold piping. Lilliana Vazquez: Oh, do you have a picture? Tracy Reese: It was a flapper dress. Somewhere. Lilliana Vazquez: You should post it on Twitter so they can see it. Jason, if you were a teacher, what would you teach? Jason Wu: Pastry. (laughter) Lilliana Vazquez: He has a sweet tooth. Jenna, which book did you read in school that really positively shaped who you are today? Jenna Lyons: Positively. Oh. (laughter) Lilliana Vazquez: Or just that you loved, that they should all read. Jenna Lyons: A book that you should all read? I'm going to say "The Fountainhead," by Ayn Rand. Lilliana Vazquez: Okay, back to you. Which language do you wish you could speak? Praval Gurung: Chinese. (laughter) Praval Gurung: No, seriously, I do. I mean, I think it's the -- that's the thing that's like the most important. Lilliana Vazquez: Absolutely. Edward, favorite dessert? Edward Wilkerson: Mango sorbet. Lilliana Vazquez: That's a light one. Jason, favorite dessert? Jason Wu: Macaroon. Lilliana Vazquez: Okay, Diane. What person do you wish you could take a road trip with? Diane von Furstenburg: Alive, right? Lilliana Vazquez: Yes, alive. (laughter) Diane von Furstenburg: Otherwise I would say Leonardo DaVinci. Alive, the President? Lilliana Vazquez: I'm wondering if she can make that happen? (laughter) He would go along for a ride as a passenger. What is the last song you downloaded? Tracy Reese: The last Prince album. Lilliana Vazquez: Was it good? Tracy Reese: Like, I -- you know, I'm an old school Prince fan. Yeah, it is good. Lilliana Vazquez: What's your favorite word, Jason? Jason Wu: Cool. (laughter) Lilliana Vazquez: Okay, and Jenna, what's a surprising hobby you have that we may not know? Jenna Lyons: I was going to say, like, that I can say in public? Jason just told me I should say lumberjack. I'm going to go with that. Lilliana Vazquez: Lumberjack, okay. Then, besides your IPhones, what is one thing that all of you do not leave home without? Praval Gurung: My backpack. It has everything there, so yeah. Lilliana Vazquez: Edward? Edward Wilkerson: Oh, gosh. I kind of take everything with me all the time. Lilliana Vazquez: Tissues today, your allergies (laughs). Edward Wilkers: Yes, my allergy medicine. Diane von Furstenburg: My camera. I mean, that's the most important -- my Canon camera. I always have it on me. Jenna Lyons: Mints for me. I just threw myself in there. Go ahead. Tracy? Tracy Reese: Lipstick. (laughter) Jason Wu: Man purse. (laughter) Lilliana Vazquez: A man purse. Jenna? Jenna Lyons: Oh God, I thought it was going to be a trick question. I don't know. I always wear this ring. It never leaves my hand. Lilliana Vazquez: There you go. All right, well thank you guys so, so much. Female Speaker: Thank you. Male Speaker: Thank you. (applause) Lilliana Vazquez: And also, thank you to all of these incredible students for letting us be a part of your day. This is, I know, an amazing experience for you, but it is really a privilege to have spent this day with you. So thank you guys so, so much, and thank you for everyone who asked questions. I'm going to pass it over to our beautiful host, Mrs. Obama. (applause) Mrs. Obama: Thank you all so much. Let's give our panelists another round of applause. Lilliana, thank you. You did a great job. (applause) Well, I don't know about you but that was pretty fascinating. I mean, I am not interested in developing a career in fashion and I found it riveting, so I hope you all did, too. Now, let me just say one thing: If I were you, you all -- students sitting in here -- I would be either writing somebody in this room, I'd be getting a card. I would get my personal notes together right now, because my letter would be addressed to whoever -- I was one of the students that was at the White House panel, I attended this workshop, we sat in the lunch, I mentioned something that they heard or a quote. And I'd say I was -- you know, now is the time to get -- this is an opportunity. This is a door. And so all of you, you're competing with each other. And now you've got to think about, how are you going to use this opportunity? Just don't sit here and eat the lunch and take a nap and go to the next workshop, but figure out how you're going to turn this into the next thing that you want to do. You guys have the easiest step into a lot of these internships. Because my guess is that they're going to remember you, right? Panelist: And don't be shy. Mrs. Obama: And don't be shy. Networking is the key. The people who are successful are the people who are willing to reach out and say, hi, my name is X, you met me here, let me tell you something about myself. Look a person in the eye, speak clearly. That's what's going to get you to the next step. So the question -- now you're next challenge is, what are you going to do after today? What are you going to do with this opportunity? And if you're not going to do anything with it, then give it to somebody else. Give it to somebody else -- somebody in your class, somebody in your school, a sister, but don't waste it. This is really special, so make the most of it. It won't be the last door that you have access to, but this door is real different. And you have to think, when is the next time I'm going to be invited to the White House? Because I think about that all the time. (laughter) I tell my kids, take a look around now, because you may never get invited back here again. (laughter and applause) But I want to thank everyone here for making this dream -- this was really a dream of mine in so many ways, to have this industry and all those who have supported me, who do so much for people to make us feel beautiful and ready to get out there. Let me tell you, fashion plays an important role in my confidence. My ability to do my job is really linked to how I feel about what I'm wearing. So this is some big stuff. So I'm grateful to all of you for everything you've done for me, everything you've been willing to do for these young people. And let's keep thinking about what more we can do. That's always -- what's the next step. So I am grateful to you all. I hope you guys have enjoyed the day. I think there is more stuff to come. I was supposed to say something. Have I said everything I'm supposed to say, Meredith? (laughs) Okay, all right. You guys take it easy. Enjoy yourselves.
Info
Channel: The Obama White House
Views: 173,670
Rating: 4.5519128 out of 5
Keywords: Live, White, House
Id: 6t_m9VdJuGQ
Channel Id: undefined
Length: 74min 42sec (4482 seconds)
Published: Wed Oct 08 2014
Related Videos
Note
Please note that this website is currently a work in progress! Lots of interesting data and statistics to come.