Fahadh Faasil Interview with Anupama Chopra | Aavesham | Film Companion

I came back to do two films and go back you know everything is a bonus everything is a bonus you have to have images to put on Instagram right I I have never turned on the camera on my phone you know so NAIA sang in Aim so I had no clue she sang in AIM and she never told me that F when you do a scene like that do you ever scare [Music] yourself but such a pleasure to have you back on film companion thank you m uh we've done interviews before but this is the first inperson one those were on zoom and it's such a pleasure to finally meet you thank you absolutely the feeling is mutual and I'm nervous and excited yeah please don't be nervous I know giving interviews is not your favorite thing but we'll try and make it fun yes of course yes I want to start with your very singular ability to create Menace on screen right you're not a physically imposing man but on screen you're really terrifying um shami was terrifying right um that repressed rage in joji in M you're beating a dog to death um you know uh of course the cop in pushpa God knows what awful things you're going to do in the next F right and even even ranga with with aish he's of course charming and he's so charismatic but there's a sliver there that you know he's capable of doing terrible things which we see in the Dum shad's SC right which becomes uncomfortable we know that this could go wrong very easily what are you tapping into to summon that kind of unhinged intensity yeah so um this is how I see it uh and I don't think I don't think of it as a singular effort uh if if a different lensing was used for shami I don't think it would have been this impactful one if the girls my wife and my sister if they didn't react the way how they reacted for the shot I don't think shami would have made an impact I don't think shami would have made any impact without Susan's background I don't think uh shami doesn't shami speaks very measured uh in a very measured manner and that totally belongs to sham so I believe there are more you know uh talents and more people involved with this process so I don't see any of this happening alone and I cannot do this alone of course yeah and again with aim or so so yeah M it's good that you asked me about it so I had a big debate with Mari till the release of the film I kept telling him nothing would change if you take take off that killing the dog scene you know the character would still be the same uh Mari was convinced but he had sort of worked on an edit pattern which you know intercuts few of act activities as well so uh so yeah so I I I I I wanted that off the so even you didn't want to kill a dog no no I I I don't like to do such things you know um someone else told me yeah so another time I've done this before is pushpa one the end so uh the idea was just to make an impact uh with that activity so that uh the characters carried you know people leave with a uh that was intention of Pusa one uh for M and I honestly wanted it out you know and I don't enjoy shooting such things also and I'm a dog lover like you know so yeah so uh to avoid all these contradictions that's why I talk less and I I don't but F when you do a scene like that do you ever scare yourself no no I I I smell ketchup when I do all that you know because they put ketchup on my face and you know I know it's not a dog you know so no there's no scare Factor at all U you you're never like holy what's inside me that's allowing I asked that after giving the shot for the Peeping shot for shaming M that was the only time I've actually judged something uh as soon as it was captured U otherwise my process or how I do it is at the edit table you know I mean I see it at the edit table or and that's the end of it I don't see the finished film you know I see you don't watch your own movies I watch much later you know like um I watch Dr like few I think few months back so yeah uh uh my call is when I see the final edit that's when I can judge the film the best and you know so yeah I remember after shami that shot uh you know everyone was excited and I went went to Shaman I told him are you happy you happy so you know uh it's it was so the character or I don't know what made so impact I have read reviews where ranga reminded them of shami and I don't even know how you know maybe it's the way I look you know otherwise they don't even talk the same way or they behave the same way so i' i' I've been been hearing that for a long time shami in my characters and it's not intentional I mean shami was so powerful you know yeah yeah yeah so I've heard this about the actor who did psycho he could never come out of it the next film he did was after 12 years or something like that so yeah yeah so well with with ranga I have to say that that I don't think I'd ever want to spend time with shami ranga I could happily hang out with my my favorite thing was the towel dance okay which just was so joyful and you know as I was seeing it father I was just thinking like look at the abandon that this man has done this with right there is not a shred of vanity this is not you're in a towel and and you're just Jing all over the room and there is no point at which this is being done to show us ABS or muscles or which is which is normal where I come from right um how do you let go of vanity completely uh I I don't know I I how how do I see I uh even if I have to do a ha do kind of a thing I I don't I don't want to I don't want to depend on any external factors to pull off a performance or a make make a uh make a mark yeah make a mark you know I I think the process is internal you know uh when you work internally Everything Changes the the way he walks the way he behaves everything changes and and I'm I'm I'm very comfortable with that uh and U yeah so my wife just said you're taking off your shirt just look presentable that's all so yeah so I I try to do that but and more than everything it was a celebration of the character and uh it was even Wilder what jitu wanted to do was like you don't much did you do it no we didn't show it we didn't sh because um time Factor was a major because I I get introduced at the 20th minute or something like that so Z was always worried about that and he wanted to pack certain things for the first half uh yeah so the there there are a couple of very interesting scenes we uh took off I mean we shot and we took off then there are scenes we didn't shoot so that character itself was so wild so you could come up with any scene and somehow sort of make it work you know yeah yeah so if you look at it in fact I was talking to jitu and a few other friends it's it's maai and you know so maai and circuit how good was he how good was Aman he just fabulous I I know I know he he was so he's a I don't know if you've seen him earlier in Roman yes yes of course U very interesting actor very interesting actor and I think he internalizes because I've never spoken to him about how how how are we going to do it uh you know how are we going to say it he's never asked me anything we were ready all the time you know and I was so comfortable with them I was so comfortable the the only reason I wish to do a second BST to you know do more scenes with him how lovely yeah I I love working with him what a what a guy yeah did you have you remember you had talked earlier about um how directors give you a phrase or a descriptor like Angelie Menan gave you Noble Warrior for Bangalore days right did jitu give you anything for our uh this the character is Loosely based on someone jutu met when he was in college in Bangalore so he he told me certain things about the character which I found very very very interesting and uh yeah so there were certain things uh J said uh one thing very he he came he like initial days of at least the first two weeks of shoot shoot he uh came and told me was that so this guy he observes people talking like if two people are talking He he'll observe and he'll smile and that's very weird you know he he's not even in the conversation he smiles and he kept telling me that so it's not evidently it's not used in any part of the film but ranga is like that ranga is like that and that that was a that's what you held on to yeah yeah yeah so even if he's not there in he's enjoying he's enjoying he's just happy to be alive well my favorite thing was when he said he doesn't get enough likes on Instagram that just killed me I thought that was just fabulous he wanted to be an actor these are all back stories of ranga earlier so he's a failed actor he's a failed actor yeah that explains we had we had a we had a scene that uh was he he had a he was a major fan of a particular kind of actor and all that all those were there too much of information in so yeah so hopefully the prequel should have that what fun what fun but listen what a banner year for malum cinema right you've got manal boys pralo of which you you are one of the co-producers of course Brahma yogam araj with it's one after the other right like not even a month apart there things are coming a few weeks apart but here's the thing apart from pralo in most of these films just women are not even supporting actors they're like not even you know they they they're like almost not there uh the presence of mothers very strong in aan right you don't see it you feel it you feel it no no absolutely and I'm just wondering is it just a coincidence or with me it's absolute coincidence it's because of main reason is that I I don't start my films on time I don't finish my films on time otherwise I would have had alav film pleasing early this year yeah so it's for me at least for me it's purely uh you know it just happened like that uh but I you know uh evidently for aim I kept asking J I want a scene with my mom you know I shoot something you know flashback or something and this boy would never do that he'd say that's that's old yeah like who would shoot flashbacks now you know you take it as a challenge and do it in a single shot you know I mean so uh I I crave to bring in such emotions on screen and I want to do such films and all that uh but yeah like I said I I go in a very unplanned manner I I do think that's exciting so but my next film has a lot of uh women in it and women will love the film well listen women love aish too so you know it's not it's just like I was just wondering like why is this such a pattern but you know you know that you are credited with um sort of redefining the hero in malum Cinema I've read so many articles about how uh of course shami was the kind of symbol of of you know completely poisonous patriarchy but you've also played ordinary men you've played broken men and and I read this piece about how you are malyalam Cinema's first metrosexual actor uh and you know and and how your take on what a hero should be has actually kind of broken that idea of a mustache twirling alpha male right is this something about that is by Design is it intentional or is it just choices that you made I mean I these are all reflections of things have felt over the years and the life have seen the world have seen people have met um so these are all the impact of all that on me you know I mean the decisions I make now to do a film yeah it's purely because of the individual I am and things I believe in um so uh yeah so I I I it's never fancied me you know uh how good-look the hero is or his ability to to pull off something the villain cannot pull off I mean it never fascinated me I I for me I I wanted things to be as real as looking out of the window you know the images I see from my car or um you know I mean that's the only exposure to public I have they don't see me but I see them you know uh so I I wanted to be honest to that you know U but you know there are see this is this performance gives you high you know uh and it's different for each actor or each individual uh I I pick on something Char dulka might be you know his excitement is something else raju's excitement would be something else uh but the idea is to do what you believe in and you know make it entertaining and that's just what I I I do and and to come back to my our initial conversation about U and I just want them want audience to watch it and just leave it there you know you know the film will find them if it's you know truly haunting and all that they don't have to keep going back to the film the film will eventually find them yeah so I for me it's just I I I want to do what I've I've seen in my growing up or there's so much more for me to do I feel you know like yeah so I want to stick to that you know um f every time not that we've talked many times but the few times that you've given interviews um when I said that you're a pan Indian star you've always kind of deflected it you've just said like put it on the side so I I want to share a story with you right about two two years ago we set up it was like November December we set up this actor's Round Table um and there's this big Bollywood actor aista who who said yes and 2 days before I got a call from the manager saying not going to show up no excuse nothing like why don't know then I met him about a month later on a flight um so we were sitting right across from each other he had no escape from me I didn't ask but he said to me I didn't come because I thought you were going to put me in a room with fad fil and you didn't and that's why I didn't show up okay so that's the level of impact you have and the grief that you've given me unknowingly but but do you have more of a sense of it now especially post pushpa and and what that film did do you ever sit down to think that okay I am huge even beyond the boundaries of Kerala no I don't think push do you have a sense of it no I have no sense of it I don't think pushpa has done anything to me absolutely I tell sua that I don't have to hide it I don't have I I have to be very honest I'm doing I'm doing my stuff here compare I mean yeah so no disrespect or anything I don't think uh people expect uh Magic from me from pushpa no um it's pure collaboration love for sugua uh my stuff is here very clearly my stuff is here that's one two it doesn't get into me because I I I and a lot of my friends here think that believe that Vicki goel is the fine of the decade uh Rajkumar ra is one of the finest actor India has ever produced uh ranir I mean best actor in the country so for me I don't know what they see in me or you know it's I mean uh I I was surprised in the initial uh that I mean people are following films here like you know they're watching Gangi they watching trans and I kept wondering what what what does it connect like you know uh what is it that they identifying and even now I believe it's the the art form that they are yeah and more than the performances and the actors and all that it's the setting up and the way the stories are being told and you know the honesty in the narrative and all that so it it is always I I was uh I always wondered what was the connect that the audience outside Kerala had to uh certain films and it it it it started around 2018 2019 times but now uh I mean now even when I travel uh there are non- malum speaking families who made it a ritual to watch malum releases and all that so that is very exciting but for me to believe that pushpa would change me pushpa would take me to a different no I don't believe that I I don't but do you believe you're a pan Indian star no I'm I'm I'm just an actor here you know I have nothing to do with pan India and all that I just do my stuff and I I do what I believe in and the idea is never films do business that's you know that's that's secondary uh but the films I do here I don't I can ever do it anywhere else yeah you know now I can you know I I can I can easily set up a film in Tamil you know I mean everything would fall in place but everything would fall in place except the idea you know I I assume it be the same in Hindi as well uh so yeah so so the freedom here is what you treasure the most yeah as an artist what it gives you is is what nourishes you yeah and and they are and it's okay if I don't promote the audience understand this guyy like he's very shy it's okay so but we'll insist that you promote no no no I of course see see I'm not saying it's it's a it's a good thing that you don't promote your films uh I just I just want to interact after people see it so it's not promotion then you know yeah uh so that you know people have taken it wrongly that I don't come out in R so I I I keep telling everyone so I what I I spent a year making this film uh and now for me to come and explain what this film is about I don't think it's fair let them just watch it and we'll you know it's much better to discuss after the audience have also discovered what you were trying to attempt yeah um yeah so otherwise um so what are we talking pan India stardom no no no there's nothing like that no nothing like that okay listen uh I spoke Karan after he watched aim what did he say he loved it so he calls after watching he's called me after watching trans and kumang very sweet and you know and he you know there are moments about the film that he'll specifically point out and you know so uh I I I I I I speak to wikii almost like for every every releases of his and Rajkumar I love that pan India that you know that you're interacting bonding yeah interacting with your talents I mean your friends and they all absolutely brilliant guys you know so I love that and you know nothing beyond that and no Hindi film has appealed to you no script has appealed to you yet I I had said yes to the first script that came U which also and um so this is like five six years back and I don't know he he couldn't sort of put in place and eventually had to do it with another actor then I had moved on and nothing serious has come you know nothing nothing I I find um I I I I messaged in last night did you see chamila I loved it yeah it's Fab I loved it yeah so I've been hearing about chamila for the last two years because uh when malen K was in raan studio chamila was also there right and it was RA who told me about shamila and and then I started Googling about it so I was waiting for this film and I loved it and I spoke to and um so yeah so the right film's not come and my language my I understand very little Hindi and you know so I have to play a South Indian who speaks Hindi in Kashmir or something you know it's fine we'll take it I I don't have a problem please just just do it let's see let's see but yeah I I am open to it uh like I said I don't work on timelines and all that but of course if i' I've done telu films I've done Tam films yeah uh yeah someday I want to do it but I don't know when yeah okay I have to ask you this speaking of pushpa there's a lot of chatter about how you are uh Indian Cinema's highest paid villain is this is this true at all and does money factor in at all far into your choices yeah money is of course a factor of course a factor uh but money is not the only factor I mean see uh something has to excite me for me to leave my house you know and it's just not money uh like I said I love interacting with sugua I absolutely he's my brother like I know anytime I need something he's there and we doing a commercial uh you know uh Indian film now like you know bua represents uh yeah so so I go there with that understanding and my sensibilities are that and uh and there's there's happiness around working you know with all everyone there and I'm absolutely enjoying that uh but I don't know if I'm the highest paid vain I don't know well it would be nice why not I don't know you know um f I'm before I met BR b r so uh this like much before I met him uh so he had reviewed one of my Tamil films I won't say which one uh where again I played a villain and he said uh I did it for some foreign car or something it was the paycheck yeah it was on the review oh my God so you've never done a film for the money ever no no no really see I I make money even I've made lots of money with kumang nights I've made lots of money with trans yeah so I don't have to go to acting for it yeah yeah I don't have to depend on that and and this is not their fair I I I belong to a family uh who did Cinema for over 40 years and and I know how instable this business is and all that I wish for is financial instability I I still believe I'll manage you know even if everything goes I know I'm only worried about the instability as an individual I'll have you know uh how I'll change as an individual and I've seen people changing who who been in this business yeah close family friends and all that yeah um yeah so I I wish I wish I I I I stay stable regardless of my films doing well or you know bad or good yeah it's a tough one yeah yeah I know I know I know and that that I wish for that you know anything else i' I I I came back to do two films and go back you know everything is a bonus everything is a bonus you know I I came for Holiday um my Visa renewal didn't happen my mom was asking what are you doing what are you doing what are you doing every day she was asking so one day I said I'm going to write a film then she gave me like 3 four months off like okay he's writing a film and all that I was not doing anything I was I was just rolling around and then I met um director Ren renan and he put me up with UD UD and you know and that's how my first comeback happened then one more and go back and then sha happened and you know everything is a bonus you know I I I never aimed for all this or I never wish for all this I was given all this you know yeah so if that Visa had come through I would have gone are you serious I mean I love that country it took me I I landed in that country when I was 18 yeah and I was there till I was 26 yeah so there's a strong bond I have that country yeah I would have gone back then now I don't know yeah but you know the last time we talked about this that that how do you stay grounded right despite success and and you said to me that um that morning there was no milk in the house you na said go down and get the milk and you went down and got the milk can you still do that that path can you still go down and get the milk I still do that right he's looking at you for yeah I still do that I still do that yeah yeah if my mom is not watching we had gone for Eid lunch and uh I didn't have cigarette and I couldn't have I couldn't ask anyone to buy a cigarette so I went out and bought a cigarette so yeah I I and you don't get mobbed no yeah no they look at me they smile and and that's enough for me the moment they asked me for a selfie I run you know I see the most I expect from all that I do is just an acknowledgement you know just smile you know uh nothing more you know I I I tell openly that don't watch my bad films watch it only if it's good you know uh so I think I'm at a stage where people are beginning to understand and there's a freedom I get here to go out U you know and that's cool man I'm I'm I'm enjoying that the selfie is only I don't I don't like that you know no offense but I don't like to be photographed and especially when I'm out with my mom and my wife and you know so you don't want fans coming up to you and saying like I don't want anyone not just f i I would never use the term fans and all that I don't want like just smile at me man that's the best you can give me uh and there are a lot of people who just do that just do that you know and they're beautiful yeah they're beautiful yeah well you know I was I'm I've just started reading this book by Ed zck who a American Oscar winning producer he made um Shakespeare in Love so he won an Oscar for that and he talks about the complexity of success and the nobility of failure and I thought those were such interesting yeah yeah yeah you know terms I've never thought about it like that after two decades what do you see that do you see complexity in success and nobility in Failure so I'll be honest with you um today I'm sensible enough to structure my films in a way that even if it doesn't do any magic in uh the box office um everyone involved is covered yeah but still people see me upset when my stuff go wrong you know and they come and ask me what is it what is it like there's nothing to be worried about you know so I always tried to answer this in a way that uh when you're doing a film that that film is the result of your thoughts and your belief system and the society you've the way you've observed and all that so when a film fails uh for me what hurts the most is that my thoughts were wrong the way I looked at things the way I was thinking all that was wrong and that uh that that's very you oh that's hurtful like you know so to know that uh you you were you were absolutely wrong about something very like your your the way you observed something was not the way it would have actually fell out that that's that's very disturbing and and that happens only through failures in a successful film no one would ever talk about yeah so yeah I mean uh I've I've I've learned more from things not working than and uh things work films working so you know even before the release of trans everyone involved knew that the second half of the film had an issue uh we tried to address it but there was no way to conclude the film The Way We wanted to or we had to change the entire Narrative of the second half so in a situation like that we were prepared like it's it's going to be a toss you know uh sometimes there are total surprises like you know uh so yeah so but has has the experience made it easier to deal with failure or do you still like it's really still very heartbreaking I I'll just simply put it in a way my wife tells me you've been doing this for 12 years man you know get over it yeah yeah yeah yeah actually yeah so U it doesn't I'm it doesn't affect me like how it used to uh I I move on fast now you know now I feel that I'm uh time is also a factor I'm running short of time or you know so now I move on very fast yeah there's no time to like mourn it no no no no you could be right or wrong but never be in a position where you're doubtful you know so I I I yeah so I I move on very fast now you a is also behind me now like even I for me the most important thing is the film I'm shooting at the moment so yeah yeah you know um I've seen a few ads that you've done right you're selling ice there a penthouse there there's a por well I I have to ask because again F because a lot of actors in Mumbai speak about themselves as a brand right they talk about I'm creating a brand do you ever think I mean you're not on social media you know and you're very clear that you don't want to be but do you ever think about yourself as a brand no no um so no then all my films should work right yeah all my films should have a minimum guarantee and all that no there's no such guarantee that F Fazil comes with um so I I strongly don't think think I am a brand or I I I Endor primarily because they believe they believe that not because I believe it they come and tell me you should endos and you know and um it's again performing so for me the I have fun there too you know uh and I I did an ice cream branding with my wife we totally enjoyed that looked like fun and they they would send us ice cream every weekend and that was like so you did it for the ice cream yeah know and all all every flavor they had would come home you know like every new flavor they were releasing that would also come home you know okay so we we can basically seduce you with ice cream that's it ice cream is also one factor yeah but F here's what I am fascinated by that despite all the accolades right and all the awards and everything you still speak of yourself as a very insecure actor you know you you talk about you know going to the monitor you talk about talking about lenses with the dops because because you're not convinced 100% that you yourself can do it when I started this conversation you immediately gave credit to everybody else except to what you bring to the table right do you think P insecurities is like something that fuels you that actually enables you to be better um see uh I don't know if it's insecurity or the fact that I don't know anything about cinematography I don't know anything about music music I don't know anything about uh audiography so I I feel that I can always ask you know I like when you do a particular shot and you go to the Monitor and I can I can like honestly asked how would how would this look in 85 and there are time shu's laughed like he's literally hit me and laugh no one would shot that 85 man so sometimes shaiu gets sparked you know hey that's interesting yeah that's try that so I I for me I think I the fact that I can always ask is only because I don't know if I'm a person who who aware of all these things I'll think I'll you know I'll think and then ask I I absolutely don't don't have to think especially when I'm working uh within my team and um so it's a for me it's a trial andar process and uh and this interactions also to basically to explore them you know not just explore me I I'm sure I you know in whatever small way I have challenged Chu I've challenged zutu so I think it's a uh process that happens within U you know the technicians and you know the bond I I I share with jutu the way I function with him may not be the same how I function with another uh director you know may not like maybe totally different from delish bin so so uh all this is a factor how I crack them how they crack me uh I I still believe it's it's a mixture of everything you know I think one individual I don't think can do anything there no no absolutely especially with Cinema but do you have a sense P when you do a shot like do you ever get really happy with what you've done do you feel like okay I nailed it I've got happy a couple of times not like I need it and all that that's too much there there were a couple of shots that in in life I was couple of shots no not a couple like some seven eight shots there in your entire filmography seven eight shots that you were happy with yeah yeah I think and the rest see rest I I see it as a film or the scene you know whether it's U actually working whether it's actually taking this film ahead or the screenplay ahead my worries are that than how I am but there you know there are certain scenes where I have to be really good you know so yeah uh there are times I I I was really happy with my work yeah good to know good to know okay I'm almost done but but I have I have two more questions for you one is that of course you're not on social but we see you on nazia's Instagram Fe right uh she just posted a picture of the two of you on a beach and she said something like now we can chill or something like that right do you does she have to run this by you before she puts you on her social media no no no AB you're cool with whatever she's yeah yeah she's a I mean she's a star herself she's an IND of course she is no but are you conscious about what is going out there about you I know my wife is putting it right you don't care I don't care I mean if I'm bad the blame goes to her so uh yeah I mean um someone asked me uh so nazia sang in aam so I had no clue she sang in AIM and she never told me that I called her up and ask you sang You Sang now yeah yeah not sing I just hummed something for Sushin and so like we give total freedom to each other and we love our stuff you know I mean uh the way we function and so yeah so she's absolutely she can do whatever she wants with her life her life is also me now so yeah so and she's never tried to convince you to to go get on Instagram or anything or it's just an impossibility she knows it's impossible like you you have to have images to put on Instagram right I I have never turned on the camera on my phone you know then when I you know when when you're doing a wildlife trip or something otherwise I don't even turn on the camera so or someone else is to take pictures from me and you know I have to right yeah so I have no I'm not I'm not that exciting as an individual I'm quite boring like in in a group of 10 I would be the person who talk the less uh yeah so I'm boring basically you know when when we last talked you said nazia told you ke uh just make some sense does she still give you's instructions because I I I okay so there's um you ask me a question I want my answer will never be to the point it will just go around go around but the answer will be somewhere there it's it's up to the listener to pick up the answer yeah that's how I function or that's the way I know how to talk that's why I don't talk so she's always worried about that she's always worried about that you know you start somewhere then you go go go go go go but you come to the point sometimes you don't come to the point at all you know so just be aware of that uh so yeah I mean it's good that she sees me as just I am you know she sees all my weakness uh my insecurities so I I'm very fortunate that way you know so you know maybe that's the um I think that that that makes a lot of difference in the life you're living yeah you know so I'm very very fortunate that way and we are fortunate to have you as an actor thank you ma'am uh I absolutely I don't know what all I spoke about but I absolutely enjoyed my conversation with with you there you go there you go I I know I know so we don't have to wait another 3 years yeah maybe 2 and a half years or maybe to the point I do something that's exciting for you to come all the way from Bombay to do it I mean um I assume that Raam did excite you to a great extent so next time you see something exciting please come let's have it sh okay I'm just going to put this out there on camera that I've been chasing this for years so you have done major and a lot of exciting work you've just not been ready to talk I did what aim other than that what did I do I didn't see you soon aim and and listen what you did in Vikram I thought was so EXC F no but so what yeah you were amazing I did it for him I wanted to just watch that man on screen you know it was so much fun absolutely absolutely even Raj s yeah so you know they they are they're all magical you know the vibe they give you they they you know my interaction with them has only wanted me to look forward to cinema much more yeah you know so they've given me the energy or the fuel to uh even M sir and L S so I replenish your love you know they they sort of recharge you for another 10 years yeah you know how lovely yeah so I wish I could do that to my juniors who you know who are coming up and and they're all brilliant actors I mean I love nlin FR one of the finest actors I've seen in recent times so yeah so the cycle yeah continues you have to pay it forward yeah yes of course very important very important very important yes I have to yeah you know whatever knowledge or whatever I learned from you it'll only make sense if I can pass it on to someone else and go you know and inshah I will to do that yeah you will I have complete faith and I will return absolutely man thank you like CH from Hindi movies thank you anytime ma'am any thank you thank you this was so lovely thank you [Music]

Channel: Film Companion

Views: 648,706

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Id: 80IBnYZEXDU

Length: 42min 41sec (2561 seconds)

Published: Mon May 06 2024