DIY Making A Needle Felted Fox-- PART 1

hi everyone welcome to part 1 of making this needle felted Fox this is the first tutorial that I've ever made and I don't have a professional filming setup in fact this is all just filmed on my cell phone so there will be some parts that might be frustrating because my hand gets in the way but I'm gonna do my best to talk you through it and help you to make your own needle felted fox so before you begin you need to make sure that you have a surface to felt fun like this foam pad and you'll need needle felting needles barbed needles this one is a 40 tee just the one I primarily use but I'm also going to use the black-handled 30 60 this is a clover felting pen it holds three needles so I use this for areas that are larger and these are acrylic safety eyes that I paint the back of and I don't use the safety clip I just glue them in place and then of course wool so this is the core wool which for this whole first part of the tutorial this first video this is the only wool will use and then you're going to need colored wools to make the fur of the fox in the next part of the tutorial I'm gonna start by making something of an armature it's not really to be poseable but it just kind of gives something for the wool to grip onto which you'll see in just a moment so I took one chenille stem and twisted it just in the center fold it in half and twisted it and then I took a second one that I folded it in half and twisted each end onto the end of the previous stem so so far I have two of these wires and now they're just sort of hooked together this is forming right now I'm going to twist together the two long pieces and that's gonna form the back of the Fox or its spine and as I go along I I'm gonna modify this quite a bit again this isn't really it's just something for me to be able to have the wool grip so this is a third piece now the third chenille stem and I'm twisting it I fold it in half and I'm twisting it I'm just doing the same thing I did with the second wire I'm gonna take the two ends that are hanging off and twist them with the two new ends that I just created this is just to make the back legs about the same link that's the front legs and that other piece sticking up it's gonna be what I'm gonna use as the tail and then I decided the front legs were slightly too long so I trimmed them a little bit don't worry too much about this step I don't even always have any wire inside of my sculptures and this wire itself you will see is gonna change dramatically from what it currently is before we finish now I am mixing some paint and I think it was maybe like a burnt sienna and a brownish yellow color it doesn't really matter just I'm trying to go for a sort of a rusty orange color to paint these eyes so I'm just painting the back side of the safety eyes and these are elliptical eyes because foxes have elliptical eyes I also use these for cats sometimes so just getting the backside painted I got a little bit of paint on the front it wipes right off it's pretty easy then I'm going to set that aside now I'm going to start forming the head so what I'm doing now is just rolling the wool into not quite a ball shape but kind of a flat pillow shape and once I get it kind of the shape I want to start with I'm gonna use my felting pen and get this flattened into a semi felted piece of wool so as soon as you start stabbing the wall it starts to felt and will hold its shape and I apologize that my hand is right in front of the camera I couldn't really tell that that was the case I'm trying to see what I'm doing while I'm doing it and the camera was off to the side so I could see what I was doing so now that I have the wool lightly felt it in place I'm gonna grab a couple of safety eyes that are unpainted and this all that I use to stab through my loosely felted wool so I'm just piercing this and poking these unpainted eyes through the eyes but I'm gonna use our still drawing at this point so these are just placeholders for now I'm not going to glue them in but I will felt felt them in place so that they will hold the shape that I'll need and for the next part of building this head what I'm gonna try to focus on is tightening the wool up cinching up all that wool so there's less air and the wall is more densely felted and while I do that I'm gonna be trying to hold the wool in place so that the two eyes stay in the same plane so that we don't have one that's further back and one more forward and also work on getting the spacing that I want between the eyes so I'm kind of scrunching the wool so that the eyes are a little bit closer to each other and just holding it how I want and felting in place right now I'm stabbing I know you can't see well but I'm stabbing through the side so let that we'll start to hold the eyes closer together and I just keep checking it I'm tucking some of the wool around that the extra wall that was hanging off the sides where it was too wide and I'm just kind of stabbing in the center of the eyes now to tighten that up and along the sides and you do have to be mindful of the needle that it could hit those plastic posts of the eyes these needles do break easily and I don't usually break needles but in this tutorial I did break two needles so just something to keep in mind that it's probably good to have extra needles and they're very fragile and so as I'm doing all this it's hard to tell in the video but I'm I'm trying to really feel what I'm if there's any resistance and if I feel that plastic rod I just stop so just kind of keep felting as you tighten up those eye-sockets kind of just rounding it making sure the spacing is good keep checking that the two eyes are in the same plane that they're not ones too deep and I'm just kind of squeezing that with my left hand and then felting that wool in place so kind of can hold it and get it how you want and then and then stab the wool in it it'll hold so that's just more of what I'm doing here I'm not really worried right now about the top or bottom of the head I'm just working on getting the spacing of the eyes correct and then being in the same plane so just doing some final tightening up of the wool the eye sockets are pretty well formed by this point the wool has tightened around them I've stabbed from all different angles and really tried to tighten that wool up around those posts that the eyes are attached to and now I am going to pull out these placeholder eyes and you can see that there is a hole that has remained and my eyes that I painted are now dry I'm gonna put just a single drop of this tacky glue and then I will press the eye into that hole and it'll go in nicely because it's already pre felt it around it and I am just gonna make sure that the pupils are both vertical you'll see me continue to sort of press the eyes in place as I continue to felt the wool around them there is glue now along the post so I continue to felt along these and press them so that it is where I want it to hold until that glue sets out better next I'm gonna start actually building up the shape of the face so I'm taking a little piece of wool and I'm rolling it into what will be just the start of the fox's nose and muzzle so I'm gonna lightly felt this just to get it to start to hold and I'm really only going to do this on on one end so I'm gonna stab it a few times till it really starts to hold its shape and then I am gonna leave the end that's not felted sort of long and split it which I'll show you just to give it a place to attach so I'm gonna pull that part open so what I have basically two two halves that I can then felt onto the face and this is going to have to be built up much more to create the fox's muscle this is just the start I'm just trying to get a sort of nub in place on the muzzle that I can then wrap more wool around and you'll see as I felt this that it is going to scrunch up a lot it's mostly air right now it's very light and fluffy it kind of looks like a little elephant or something okay found the nub is fairly solid and I'm gonna start building up more wool around it so I'm just taking small bits a couple inches long they're not real thick just pulling off a little bits of the robing and I'm gonna wrap around that nub just to get it attached to have an attachment point and I'm also going to be working on building up the the cheeks I guess you could call it under the eye sockets of the Fox needs to come forward it needs to stick out further than the eyeball so I'm gonna be working on building up the muzzle and the cheeks and also the brow of the Fox so above the eyes here I'm just working on the overall shape of the forehead and where it meets the ridge of the nose I don't want it to be too steep and I also I'm just going to keep building up bit by bit using just small pieces of the core well roving and slowly building until I get the shape that I want again I'm just building up the cheek area beneath the eyes and I'm gonna continue to build up the muzzle as well so sometimes I'm taking a piece of wool and wrapping it across the muzzle from side to side and sometimes from you know top to bottom across the forehead and down under the chin just trying to build it up from all different angles as I'm working on the cheek area beneath the eye I'm gonna start kind of tucking along the outer corner of the eye to create the angled shape that the Fox has it sort of tilts downward from the outer corner of the eye at an angle then it's just I'm going to follow up along the brow with that same angle so as I build up the cheek the cheek bones and the brow you'll start to see a angle forming along the outer corner of the eye and additionally I'm gonna go from the tear duct of the eye straight down the bridge of the nose on both sides so that it starts forming the shape where the eyes meet up with the bridge of the nose you'll see me do a lot of pressing the wool and holding it while I felt with the needle so that it will tighten it up in different directions depending on your like right now I feel like the muzzle was starting to point to downward in relation to the angle of the eyes you don't want it to look like a droopy muzzle so I tugged it upward with my left hand and then felted it in place and I'm doing a little bit of that even now as I wrap it under the chin I'm tacking it down under the chin and then sort of pulling upward felting upward so let the muzzle comes away from the eyes at the angle that I was hoping it's the wool itself is pretty forgiving you can just press it and hold it in the shape that you need it to be and felt it and it'll hold up to a certain point once it becomes really solid it has less flexibility obviously again I'm just gonna continue building up the muzzle the shape of the eyes and the cheekbones and the brow you so now I'm going to extend out the length of the muzzle so I'm adding a little bit of wool to the tip and I may end up doing this a few times just to get it to be the length of that I need it to be so I'm going to look at the side of the face and look at the angles that are being formed and right now it's pretty close to the angles that I want it to end up with I'm gonna start thickening the lower part of the muzzle so that I can begin to form the shape of the mouth so I'm gonna you'll see me lightly start to trace in the mouth just by felting in a row it pushes down that wall and I will get a rough outline of the mouth and then I will just continue to build on that I'll build up and around it so that the mouth line becomes clear and here you can see that angle that I was talking about off the corner of the eye how the brow sort of angles down so that the outer corner of the eye has a slant sort of downward again I'm just extending out the length of the muzzle here and now I'm gonna build up the chin or the the lower part of the jaw and I'm continuing to add little bits of wool to the upper part of the muzzle and just continue shaping that wall and smoothing it and that's just entirely done by stabbing a whole bunch of times with the needle the more that you stab it the tighter its felted here I'm just gonna keep refining the shape of the muzzle and and defining the mouth regarding the line that the mouth makes underneath the nose it's gonna be a little bit slanted downward so it's almost straight but there'll be a slight slanting downward when you look at it straight from the front and then as you go along the side of the face the mouth will pull back up again and if you pull it up more right at the corners of the mouth it'll give it more of like a smiling expression and then I'm just continuing to work on those angles out from the outer corner of the eyes now I'm gonna get ready to actually attach this head to my armature I'm just putting some wool kind of sandwich Inge the head portion of the armature or neck portion I guess onto the head just tucking in this wool it holds really well to these chenille stems which is why I used it but it's also they're not they're not very strong so it's also a little bit frustrating if you were trying to really make it hold its shape well I would recommend using floral wire if you really want it to hold its shape and you could always wrap the floral wire with the chenille stem so that it grips the wool cuz the floor wire by itself doesn't grip the wool very well but the chenille stems just really gripped that wool and as I attach this head to this sort of armature I realized that the head that I have built is way too big for this armature so I'm gonna extend parts of the armature you'll see and again this isn't really I have no intention of this animal being poseable it's just an armature there to give me something to wrap the wool and it speeds up the process of building the body but any time that you have wire inside the wall your needles are at risk of breaking so again really just be careful don't be shocked if the needle breaks and you know take your time this video is sped up a little so it looks like I'm stabbing this crazy fast in in real life I'm stabbing it much more carefully I'm gonna start wrapping wall now in the chest area and as I do the chest area I will wrap wool around the shoulder region and then pull it back into the center and across the chest and and just keep reinforcing the shoulder area you'll see it's got sort of a crisscross that wraps around although right now this is just the neck I'm just thickening up the neck and making the neck proportioned to the head which is going to take away some of the space that should that would have been the chest according to that size of the armature and you'll see the legs will start to look really miniature like this is a - hound fox so I will extend out the legs and make it more proportional about here I realize this is way too short so I'm gonna just twist on some more chenille stem to extend these front legs I'm just gonna do the same thing to the other front leg now I'm gonna begin wrapping that section of wool around the leg and keeping it kind of thin to start with and then I'm just gonna start getting it belted in place just gently carefully stabbing that wool around the wire and here I'm just starting to form sort of a nub out of the wool that will give me a place to build the foot on just some wool that I'll be able to to build up all the little toes and stuff so this isn't a highly detailed foot at this moment it's just a nub and now I'm going to build up the chest and shoulder area so I'm just tacking this piece of roving in place so that I can tug against it and create a tighter wrap so if you can wrap the wool pretty tightly it presses out the air and starts to speed up the felting process because now it's already squeezed and then you just felt it and it holds it better so just wrapping it around that shoulder and chest region so I'm pulling another fairly thin strip of roving so that I can wrap it around the other front leg and chest and shoulder area just getting that tack down again so what I can tug against it wrap it around the wire and the tighter that you make that wrap the less felting you have to do in the long run and if it's a thinner piece of wool it actually makes it smoother you don't get as many lumps in your wrapping again I'm gonna try and add just a little bit of wool that sticks out beyond the wire at the tip of the foot to give me something I can just kind of do more shaping of toes around without having a wire in the middle that is gonna just make it more likely for my needle to break again I'm just taking thin strips of roving wrapping it around the leg and across the shoulder and through the chest just to really strengthen that and make sure that there's adequate separation between the two front legs that the chest area will be clearly defined and that the legs are really solidly and securely attached to the chest and shoulder area here I'm just tightening up that makeshift foot so it's not quite as floppy this is when I actually am starting to decide what pose this Fox is gonna be in I initially thought I might make it standing but now I'm sort of playing around with the idea that I think I would like the Fox to be sitting so again this is just how I do this it could be literally different if I had initially anticipated making the Fox sitting I might have done things different I just go with whatever the situation is and just I don't have a one exact set way of making any of these animals I just kind of play it by ear I guess and see how things are going and what needs to be done so on this particular Fox this is the way I did it I just am gonna convert those two wires that are on the bottom those hind legs they're only gonna be just the lower part of the leg basically the hawk down I guess it might be and I will add in the upper portion of the leg which will have the knee just rapping more of the body now extending out its back getting that filled in with wool I'm not too concerned right now about the look of the wool I'm just getting it on there and then I'll tighten it and smooth it as I go I'm adding another strip of roving continuing to build up the body of the Fox I just tacked it in so that I can pull more tightly so I can start really tightening up the body I'm holding it firmly with my left hand so that it's nice and tight getting that part tacked down so now it's it's holding and it all of this will get belted much more through this whole process so that it's Denson and firm and I'm gonna do a lot of continuing to bend the body into the shape that I want I'm not really relying on these chenille stems to hold that shape it's the wool itself so what I'll do is bend it and hold it with one hand and then felt it into place right now I'm just sort of messing around with different possibilities how I might want the legs to tuck in a little more so that the the chest and shoulders are more defined start wrapping the rump of the Fox and the hind legs similar to how I did the front legs leaving just a little bit that sort of extends beyond the wire or I can build the little toes and paws sometimes I do felt small areas with the needle just very close to my other fingers I very very rarely poked myself I I think I've learned just over time to the depth that I'm poking and the length of the needle but it it's painful if they get poked so if you're not sure about doing it that way you can always just flip the fox over and let those hind legs lay on the felting pad and then stab it that way instead of stabbing it up in the air like I was just doing just to save your your fingers so I'm doing a similar crisscross pattern of wrapping the wool around the rump just like I did around the chest here I decide I'm gonna extend out the chenille stem for the tail so I just reached a small piece of chenille stem through that loop that was previously there that I had twisted and then attached it just twisted it on it doesn't have to be anything super strong I'm again gonna really create the shape using the wool now as I said before you absolutely don't have to have any of these wires I think for probably the first year and a half maybe that I needle felted I never put wire in any of my items and you can definitely form shapes I've just decided that I like to put the chenille especially in there just because it grips it so nicely and and then it gives me a really fast starting point for getting the shape that I want but I'm gonna create the shape of this tail using the wool and the position and and everything of the tail is gonna just be done through sculpting the wool itself I just wrapped the wool around the tail just like with the legs nice and thin and I'll just gradually build up the tail and at the tip just sort of tucked in the extra roving that was hanging over to start building a smooth shape here I'm going to start just thickening up the hindquarters of the Fox just wrapping more wool holding it tight and tacking it in place I'm just looking at the overall shape and I can see that this left front leg the elbow wasn't bending at the right direction so I just kind of bent it the way I'd like to start building it and I'm gonna keep working on the body thickening it and making it more dense so that eventually it's gonna really hold its shape and it won't flex in the meantime I'm gonna keep adjusting the curvature of the back and holding it and then belting in place like right now I'm kind of bending it it's a little hard to see but I'm using my left hand to bend it so that the curve is more pronounced here I'm just tightening up that wool that's kind of loose and fluffy this pen works good for large areas or any areas that you kind of want to felt quickly because it's got three needles and so it really presses down and tacks it on this little pillow that I'm making now is gonna become the knee area that's bent where the Fox is sitting and I'll build this up more and more but this is the start of it so there's no wire in this part it's just a little pillow of wool but I'm gonna just felt on to the body so that we start defining where the the knees and the haunches of the Fox are I'm just making the second little wool pillow to begin shaping the knee on the fox's right side just tucking it over a little bit so it's the shape that I would like just hold it in place and then begin stabbing it on to the body you'll notice that I am stabbing sort of along the edges I am gonna stab all through the rest of it as well but what I'm trying to do is begin to create the edge and define the edge of where the legs are I'm using this felting pen now to just make sure it's firmly attached I'm gonna work on this left shoulder a little bit more it's got a little bit of a weak connection there it's not reinforced very well and I want it to hold the shape of the fox's elbow in the right direction here so I'm just building that up again just really rapping firmly tightening up these shoulders and the attachment of the leg I'm pressing firmly with my left hand holding that wall and just gonna build up that shoulder just use this felting pen to tighten up the chest I want to make sure that it's also really defined that the two legs aren't touching each other that it's clear that there's a separation just kind of playing with different ideas of pose for the Fox the feet are sort of turning a little on the front which then gave me the idea that maybe I'd like the Fox to be sitting but starting to turn and look to his right so I leave them like that for now I'm just kind of play around with this idea of what shape it might be I'm just tightening up some of the wool that's a little bit loose around the foot area so it's not floppy so it's firm enough but I'll be able to build on top of it just like maybe I want this box to turn a little bit so I decide if he's gonna be facing toward the right I want the tail to come around so that we'll see his lucky tail when he's facing us now I'm just trying to lock in place the angle that I'm gonna want the head to be at right now I'm gonna be poking wool that's from the neck up into the head and wool from the head down into the neck and just really adding it secure and right now his head is higher than what I would what I ended up deciding to do so you'll see me change it several times it's it's pliable for quite a while so you'll be able to change your mind on the exact positioning of your fox just gonna continue building up the area where the knee and the rock of the Fox are again I'm just really tucking along the edge of this knee to make sure that it's really defined then I want to try and make sure that there's a clear definition between the rump and the tail so I'm just sort of folding this inward here to create a clear definition there I'm just tightening up the the wool in the leg area between the femur and the knee and the shin the the whole area or the leg is bent just making sure it's nice and tight I'm just starting to build up the tail more adding thin strips of roving getting them tacked on there and then wrapping them now as I do this I'm holding the tail in a curved shape because I want it to be curving a little bit towards the body so as I attach all that wool I'm just felting it into the position that I want it to be here I'm gonna make basically another one of those little pillows out of the wool I'm gonna add on to the the femur area between the knee and the hip just make it so I'm just tacking it on to the rest of all the portion on the leg right there and the top part where there'll be a an edge of the leg visible I'm going to just try and keep that edge remaining so all of this area back here I'm gonna go ahead and blend it I'm just smoothing that leg portion into the rump but along the front edge and along the top edge I'm going to try and allow the separation to to stay visible I'm just sort of tucking in some of the fluff here shaping the area that's basically the shin up to the knee now I'm up near the knee and then just tacking down more of the role that I just added in and again this whole portion should be smooth from the rump to where the leg is you can see on the right hand side it's not there's a you can still see the separation there so I'm gonna make a second little wool pillow and I will adjust that so where I'm tacking down right now it's the area that I want to end up smoothing and then where I'm wrapping it here in the front I'm going to leave a visible crease in the wool so that you can see where the the knee actually is this portion I'm gonna smooth and just have it blend in to the back and to the rump so we're just gonna tighten up all this wool and really just smooth it so that there isn't a clear division of the leg and the ramen is portion up here though I do want to keep that division and along the front here I want it to be clear just continuing to tighten up the wool along the whole body and try and keep getting the shape that I want just slowly working with it and adding more thickening up the torso here I'm just Criss crossing the wool again around the chest and neck giving it more support tightening up the connection between the head and the neck so that it'll really hold its position so I'm keeping that head turned and then just poking wool that's in the neck up into the head and again up from the head down into the neck I'm gonna add a little bit more wool to try and smooth out the lines where the hind legs were attached so it just looks like it's all smooth and just part of his rump wrapping this around also this little tail that kind of hung off of the wool reinforcing the part of the tail where it connects to the body just smoothing all all of this making sure it's nice and and belted a lot of what I'm gonna be doing is just tightening up the wool making sure it's all cinched up and not just full of air let's you've got a good strong felt to it and so I kind of feel it and just keep working with it squeezing out the air getting it all tightened up I'm gonna add more wool to the body just kind of got that tacked in place and I'm really wrapping it pretty tight which will make it really strong just smoothing that all tightening that you can kind of see out his waist it's sort of cinched up now I'm gonna do the same thing moving upward tacked it down and now I'm gonna really try and get it attached and smoothed on there it's just layer by layer it becomes thicker and more more densely felted I'm going to continue to thicken up the elbow region so right here is the fox's elbow elbow should be pretty close to right in line with its chest when it's sitting start to get a little more definition on that here I'm wrapping another small pillow shape just because I need to thicken up the area of the rump it was a little bit too dished in there so I'm just building it up adding a little hump on to the back like a camel but I will smooth all that out it's just to thicken it up so it has a nice smooth shape still working on making sure that elbow is is well formed and I'm gonna build now what's basically the I guess the bicep and in the chest area it's kind of a in-between maybe it's the pectoralis muscle building right here I'm just adding a small pillow and thickening that that portion that would be right above the elbow on the front and I'm gonna do that on both sides so I have another little bundle of wool and I'm gonna attach to its left side I'm just covering it with another little strip of wool getting that all tacked down so that we're starting to get the correct shape just adding a little bit more wool along the neck because I want to have more will to work with to push up into the head and be able to lock that head into the position that I want so I'm tacking it down along the lower part and then poking it up into the head tacking all that rules but it just really holds just again working on making sure that the front leg is defined this is the elbow right here I'm just gonna make sure that it has the right angles now what I'm doing is I'm curving the back a little bit so you see how I kind of pulled up on the body trying to make sure that the shape of the back is in the curve that I want it to be for the sitting position that I want it to hold and just adding more roll along that back area where I feel like it was just sort of become to divot 'add how to make sure his back is nice and smooth just adding another layer of wool back here smoothing it out checking the front legs so right along here is the scapula I'm just building that up so that it's more believable and the upper portion of it is essentially the collarbone right up against where the neck is where my left thumb is it's basically the collarbone so we'll try and make sure that there's a slight protrusion I guess right there right there just defining that the collarbone and scapula area adding a little bit more wool to the neck again making sure that tucks up into the head here again I'm I'm kind of squeezing so that it's like the Foxes is doing a crunch or sit-up er you know tightening those abdominal muscles because I'm trying to scrunch it to make sure that that will holds and the curve that I want it to hold I don't want it too stretched out I want it to look like it's it's sitting and right here I break one of the needles off of my felting pen it's not really a big deal I have extras but for the rest of this project I just leave these two in I suppose up another one would have broke I would have gone ahead and replaced them but two is okay so I just continue to work with the pen with just that table and on the back side of the front legs we're gonna start to want to define that leg this is just the beginning of the definition just to make sure that it's clear that there's a leg there and it's not just one big lump of wool above the elbow it's gonna need to sort of tuck inward um sort of paralleling that shape that is on the chest but it's I don't have it quite doing that yet so here I'm maybe smoothing this out a little bit the shoulder area just tightening up all this wool and I'm just gonna continue to make sure that I have the head really locked in place the way that I want it to be so I'm just I kind of have it scrunched exaggerated right now the head turned to the right a little more exaggerated just pulling down the wool that's up in the back of the head making sure it's really pulled down and tucked in there I find that if I sort of exaggerate the position and get it pretty tight it's easy to just gently pull if I need to loosen it just a little bit so I really make sure I have his head turned to the right and tucked and I'm just bending the legs a whole bunch it doesn't really matter right now they're just they're very pliable as they get more wool on them it'll stiffen up more but so this one this needle I'm using is the thirty sixty and it is a thicker gauge needle it's stronger I think I've only ever broken maybe one of these so they're kind of they're kind of good for areas that have a lot of wire or that you might be stabbing really farther in to the sculpture but I like the yellow one better in here it's where I brush the yellow one that's by 4tt and it is breakable there's wire in there and so I broke it but I have others so now I'm just going to build up the back of the head so that it can represent how the skull would be on a fox it wouldn't be like just sloped off in the back just gonna build it up a little bit so it's more rounded and then I'm kind of again folding it so that there's a good arch to the back so I'm kind of having it doing a crunch again making that curve shape and just belting it in place smoothing out some of the wall along the head it's moving out some of the legs so that it's not too puffed out and a little bit of wool through the chest to make sure that he's got a nice puffy chest I'm gonna keep it separated from the front legs I want to make sure that a nice clear definition still remains between the legs and the chest and that's pretty much it for this portion with the core wool there's still a lot more shaping that's going to be done and more definition but I'm going to use the other wool for that so we'll see you back here for part two of the Fox tutorial

Channel: Kreations By Krysta

Views: 62,692

Rating: 4.9400373 out of 5

Keywords: needle felted fox, how to needle felt, fox art, fox craft, how to make a fox, cute fox, red fox, needle felting tutorial, fox sculpture, fox miniature

Id: B2RwrxjX7KE

Length: 65min 36sec (3936 seconds)

Published: Thu Feb 06 2020