David Ellefson and Kiko Loureiro at Replay Guitar Exchange

[Music] and no how are you thank you for coming down here yes we are very sorry and bummed that we are not playing tonight you're not young so thank you for your support of wanting to come I hate to tell you but it was an awesome tour I don't know rub it in your face but it was really really awesome yeah I'm very pumped it wasn't gonna carry on so but it was very sudden last minute thing and we played Saturday hit the forum in in LA which I have you ever played the forum no I've never played the forum first time yeah it was awesome lives in LA obviously we started Megadeth in LA so only the big bands played the forum so this time we got to play the horn which was pretty cool so but you know such as such as showbiz yeah and such as rock and roll so then we got the news right after the show yeah literally right after the show so we packed our stuff as best we could we haven't let you have another tour coming up down to South America we're in like what two weeks right yeah we got the loud Water Music Awards next week and that's right really and Brazil two shows in Brazil and Argentina yeah so if you happen to be in the area come and see us in Brazil yeah but yeah so thank you - Kyle and rich and everybody here replay you know Kiko hack she has had some events some clinics with Ibanez scheduled I had something I did that I was head scheduled with my coffee with Nicko McBrain so we had a few things in place so we thought you know what let's just keep going you know so life keeps moving even when little hiccups happen we keep going so hey here we are so I assume you guys all just got out of church right and came over is that yeah we appreciate you coming over so so anyway but the other guys at the store they asked if we'd well gets Kiko maybe brought a guitar I think they have you out in here so this one's for sale by the way but there's another one for saying so so anyway you guys have any questions on parts or things or whatever I mean we're not here to play Megadeth concert unfortunately but you know we can play the little bits and pieces of things that if you want to ask any question any musicians by any chance a few kind of bass players here yeah bass players nice guitar players how about drummers you know the joke right what do you call a guy who hangs out with musicians a drummer right I can say that because they don't carry drums here so yeah we actually have three drums there right bad joke sorry hey I'm a bass player I like drummers so weird where plants in fact lots of Titans me and Kiko and Dirk verb yeren drummer Megadeth now we will go into our little jam room and and and Tim and jam yeah it would just start goofing off and jam and do different you know just different things you wanted to play something yeah Kiko usually throws out some bizarre riff and or Dirk will start playing some weird groove and will will groove around on something I mean sometimes we'll just warm up with like because we know that one right yeah we have to so that's kind of our warmup [Music] one minute yeah so you know one of the things I'll just speak to Keiko and Megadeth you know we what I actually had an opportunity to play together we knew each other a little bit we did a signing at NAMM for d'addario I don't know four or five years ago something like that and I certainly knew of him we'd go to Japan and obviously these guitar magazines and it'd be these big huge Angra ads and big like just you know stories on the band's over there and so I knew of his work and then we got to play together we did a thing called metal all-stars down in Bolivia and San Paulo and angrily yeah yeah no I was not the star I was not I started there but I was playing with Angra well but it was an interesting thing because there's like Jeff Tate myself Vinny Appice II was like cuz you write us Jesus from Greece and he decided not to come and so it's suddenly Jeff Tate that the idea was that it's kind of like I think the Ringo all-star the Ringo Starr all-star thing kind of started this concept where you bring a bunch of famous people in and everybody plays a couple of their songs and at the end of the night you get together and in his case you play a bunch of Beatles songs so I think that's what this concept was so each of us were gonna play a couple of our songs and Jeff Tate had a couple Queens reg songs which are quite complex actually a lot of really detail and of course they're very high five the way they recorded yeah and then he didn't guitar player to play this so Kiko got the call and he's over at Jeff's oh yeah well yeah in same hotel we were all in the same hotel so Tokiko yeah so we got to play together and and there's Linda song bad afternoon yeah yeah and so we get on stage and you know it's one thing to kind of sit and play with it woman yeah and it's one thing to count up jam with a guy and then it's another to get on stage and you got on stage and it was like unleashing the lion with this guy he's up on the drum riser and ripping around and I was like yes I might want to get his number just yeah ironically it was a weird moment in time as people know we kind of peaked around this whole rust and peace reunion thing which just you know Dave and I knew was probably not gonna happen but we you know we kind of that's at some management insistence we'd sort of tried it out and we became good friends with Marty again which is awesome and of course our different Nick men's is no longer with us but we you know we at least had that opportunity to try that out and to play and and and I mean shortly thereafter Dave calls me one day we had this he's we're talking about musicians and he calls me goes I found her new guitar player really Kiko so awesome you know I'm because no and it's at uh well I just played with him like a month and two months ago so you want me to call him and he said yeah give him a call so I think I just got home from Europe I go you go I'll see ya I said dude for better for worse your number came up and you're up to bat so do you want to join Megadeth and and because Megadeth we work really hard and it's Brit very intense and you know when you're in you're in and so Kiko like hundred fifty shows or something yeah so what did you study you said you learned you send us I asked you send a video of I think what tornado tornado and seemed funny bravi to LeMond or something or trust yet trust another one so Kiko yeah I wonder how now tornado that wasn't tornadoes know so keep like somebody's trust hanger I wrote a yeah I wrote a music business book back in the 90s and one of the guys interviewed was Billy Sheehan for the book and he had the quote I used from him you said you're gonna have to make the most critical career decisions at the absolute worst time and I think that was Kiko because he just came home from Europe he's jet lag he goes I'm sick and I said well can you get these videos to us by like tomorrow it's not I had two days there was a week and so I was in bed watching you know the videos I was watching everything you know ten hours of Megadeth you know I said I'm not gonna play I'm not gonna try I don't like playing when you're seek you know if I'm not feeling if I'm stressed if I'm sick if I'm not feeling well somehow I don't want to play I don't play I don't connect playing and music if I'm not feeling well I'm not the kind of guy that puts music when you're in a traffic you know if you're like stuck in traffic and you're like stressed I turn off the radio or something because they don't like to connect this stress feeling with music so I was just watching watching the soul you know like old videos and stuff a like okay like to absorb the the songs and then I when I was good you know better then I then they play the songs I did a video in two days and send it to you guys to you know to see it and the truth is it didn't matter what he played he was already in the band and that's when Dave makes up his mind that's what's happening so when he said I think I found a new guitar player he meant Keiko's in the band we don't know I've never heard him play he's in the band but it's but it you know is one of those things because one of the things that you know Dave had mentioned about bringing Kiko into Megadeth is you know mega dissol ways have this dynamic of Dave who's the real gutsy you know ballsy guitar player and then we've always had it's kind of the dichotomy of that as someone who's real smooth legato very musical and a whole other kind of genres and chapters of music and and so one of the things he said he goes is man I love the whole Brazilian jazz the nylon string thing that Kiko can do and that really I mean a really even on dystopia between conquer die poisonous shadows all these things that you know that Kiko was able to bring in and it's funny what every time we go into a hotel or we walk into a backstage dressing room there's a piano Kiko's over playing the piano factor you heard piano back there that was him playing he's sitting down playing piano so he's he's a guitar he's a piano player disguised as a guitarist I think is he's he's he's swooned many a a hotel guests in lobbies and tourist hotels around the world good we have a lot of good musical interaction between us so it's good right but that's what that's why you have some piano in the album because there was a piano the studious start playing then they've said that's good yeah let's use it yeah yeah very cool very cool does anybody have any questions about stuff you might wanna yeah playing with Adler what do you want to speak to that yeah he's asking Chris Adler from Lamb of God and recorded the dystopia Alma for us yeah we had some good moments backstage about the jamming with her right yeah doing some weird [Music] [Music] and one of the things that I would do is we would just go meet why did I be silly and I'd go into my hija right I go to her so we just do fun goofy things like that and I don't know you know Chris has played in a lot of great settings in fact we we did an appearance at Berklee College up in Boston because my dear friend Steve Bailey heads up the bass chair Department up there and there's did the head head of the bass department there's actually a group there's a student there was such a huge Megadeth fan day actually he started and Berkeley has allowed a Megadeth ensemble and all they do is they play and study and tear apart Megadeth so Victor Wooten was there and and so I you know Chris got to have a lot of these different experiences you know and for a guy who plays in such a brutal band like Lamb of God it was fun that's it with Chris and and and kind of open up all these different musical opportunities for him and actually I think Chris is in the band now with is in nitro with microphone and let go Angelo yeah so it's a great drama yeah we got to have a lot sometimes there's a lot of fun like that too just it I love I think it's probably fun we get to warm up a little backstage play some other kind of goofy things like that because then we get on stage were truly warmed up and ready to hit it you know so yeah yeah go ahead in the back yeah what I took play the song one of the Wyatt so is it just yeah which part exactly let me yeah let me know I know this I know no no no he said no poison was secured not oh boy in the shadows got some weed some poison in our world we can give you which one you say poisonous the quorum was the Cure ok yes see in our world we just go dude poison like we go dog patrol into poison and that means dawn patrol into poison was the Cure and then we'll go trust and we're going to poison you know that means trusting to poison the shadows so our code words yeah remember yeah so let's play what about you play a bit slower so again I can you wanted me to explain this alone or [Applause] [Music] [Music] [Applause] [Music] [Applause] [Music] [Music] try to remember [Applause] that's a difficulty it's an afternoon solo yeah before noon yeah go ahead the rock and ribs man they were good Nick oh yeah Nicko McBrain said that rock and rock and roll ribs place for about eight years I think right yeah 78 years so my friends Brian and Lisa they live down there now and they helped set all that up and it was great was we had an awesome time there were so many people there from Central American South America and it was just just great bill from Venezuela Nicaragua Costa Rica and stuff that are coming in so those fighters saying that the scorpions tour even you know the the most popular shirts in that show were obviously scorpions Megadeth and Iron Maiden and then so at that meet-and-greet it was basically just Iron Maiden and Megadeth and be great tutorial with Maiden again that's a really Megadeth Maiden is a it's a really good bill it's just a lot of fun yeah go ahead yep sure [Music] interesting thing about that it's funny that I recorded that on a bc rich so the neck was sticking way out like this and it's a weird thing when you the way the FID the little that little thing from the third to the pinky it's I have to hold the base in a very weird way when I play it because if it's back here too much it doesn't play right so every time when I do this little introduction thing to kind of cheer the crowd on and I have to kind of set myself up still somehow look cool while I'm doing it you know I love you got parts like that but there's certain ways sometimes you get to hold the guitar a certain way and yeah kind of actually totally fart you know so yeah sure a long time ago yeah I was 11 we play acoustic guitar Nilo you know chords how old you nice when did you start okay cool nice it's a good age to start yeah yeah sure in the orange yeah yellow sure yeah thank you determined soloing well he just needed one novel and I can't I met all the guys basically in the studio so you know when Dave showed me all you have we were still deciding some parts and then or here's Udo solo here and then he said that's of a song like Concorde I was would be mainly featuring me so you really depends and I think some some songs like threat is real in the beginning there's a solid but I think the idea of having a solo there was afterwards you know so never know yeah they seemed like they kind of I've just mics over the years with that is they kind of they almost sort of call to the guy you know there's some that are yet or too obvious coming off of something and if it needs it there's a real sort of attack to it you know Dave will often grab those just kind of the way he shreds and starts a solo and then other times yeah when pains like someone has some some if you have a like more more chords more harmony so would be not Dave and then he likes more to solo more like in the one chord solo over a one riff kind of thing and I remem don't remember which song but I remember one solo I start doing like it was kind of a fusion he said no no do some more Brock and then I was like steel like fusion he said like okay okay I do it I'll take this was too much for like right if it's soloing over a riff there was you know I remember when even we were writing counter the cryptic writings album there was a moment with Marty when we were talking about how the key center can shift across the riff you know because the riff is and something skull beneath the skin from killing is my business which has all these you know half you know if these half tones in it you know and and all the especially a lot of diminished and harmonic minor and you know between major and minor is one thing but then we kind of get into a lot of this these diminished you know these half steps and how their digit the key center of a solo can shift so much within that and that's an interesting observation I never noticed that about Dave that he'll solo over kind of the one riff thing yeah it seems like yeah it likes more like the panettone kind of thing right and like you know like thread is really yeah so you see like it more yeah to get this kind of sound right or pentatonic so more day that's more Dave well I spend like a month and a half during this talk of just trying to understand the whole thing well you know it's funny when I go home I'll just soften turn music off you know and sometimes like like this last week just let my back rest from having a you know having a 12 pound bass on my shoulders for the last forty years of my life you know kind of starting to hurt a little bit yeah so sometimes I'll just turn music off or you know sometimes just the sound of silence you know pun intended you know is a beautiful sound you know cuz we're around music all day and I think probably for us just kind of guarding against loud volume coming at you that sometimes it's nice to have things that that aren't metal screamin at you and then often times like when we're in Japan I just put on all my old kiss records you know and I listened from to destroyer and the b-sides of love gun and you know just kind of be a fan again and a lot of the things I like to listen to our things that I that I grew up on I mean I even bought like the oldest LD viola electric rendezvous which I love does Anthony action was the bass player and he played with a pick with Steve Gadd I think on drums and it just sometimes just go back and revisit my youth we just kind of remind me why I started playing what got me inspired in the first place because as much as we are living the dream and we get to live the dream thanks to all of you to who support what we do you know there does come that point where you just kind of you go back to likes you to make sure you don't lose the plot you know like what why why did I start this in the first place sometimes it's good to get those inspirations back yeah I was listening a lot of scorpions legally yeah yeah yeah yeah the old stuff you know just to get you know I was a big fan I am big fan but yeah for this purpose of you know put you back to the you know teenager years but released I was listening coming here classical music just because of that to get out of the you know and the noisy thing but actually sometimes of the classic oh can be also very you know but of cacophony going on so yeah I was listening to see values now I did yeah i when when always I mean yeah I mean in the beginning was like the the basic stuff you know and sometimes sometimes I still read about it try to understand some stuff I hear like uh some names and so like what is that then I I try to understand a little bit but the basic theory when I was you know teenager else I was curious to understand the names but you don't need to know theory to be a good musician you don't yet you just saying you know if you don't like it don't don't do it I think you really can't destroy as well you know when you're starting when you're starting and this if the teacher starts saying cuadernos whatever names you know names and then you don't play waiting somebody teaching names is boring you know so first play and then if you feel like I want to know the names I want to understand why this chord sounds so good something like that then you can you know London a large part that Y is kind of the scientific explanation of the spirit of music you know I think the music that comes to us that you can just play at any moment that you know two people play or when you pick up an instrument and play there's just kind of this I've really learned that in my years as a musician being in the room and some when someone will start to write a song whether it's me or then another guy says ah dude that's that's cool let me jump in on some drums or someone else will come in and start think there's this just this spirit in the room that is unexplainable you know I've like of everybody just gets moved you look kinda like when you go to a concert you know and you hear a song and everybody's rocking together like there's something about that that you know that that is just unexplainable you know that's kind of the human spirit that we have and then yeah to go into I found that to that sometimes to get into the mechanics of music and and then while that I remember reading about the Beatles that they started to learn as they're making records they started to understand theory a little more so they could communicate with Orchestra musicians and they could communicate with other musicians it helped it's kind of like I guess maybe speaking a foreign language it's also nice if you can write it down and a little bit so you can communicate it with other people you know but but yeah really just the spirit of music is that's why we're all here you know we didn't get the sheet music sit down and you know have a chair it's like we're here just because when there's songs and music we all play that that bring us together you know so it's great it's the explanation is secondary to just quiet and how it happens the dude in the except t-shirt since we're in German metal mode here this week yeah [Music] it's funny you should ask that because we were just talking about how we're gonna work on this next record because we live in three different cities and you know last record we recorded in Nashville Dave lives in Nashville national it's a great town to record in because there's so much music there and all the all the support you know if you need a guitar the bang you could make a call half hour later it's there you know it's in and and really you know great qualified you know engineers and all that kind of stuff there so but in the writing process I mean I guess we probably all records you know sometimes when me and Kiko and Dirk were just like recording ideas the backstage over this last month I mean they're probably just like how you would break the iPhone out and put it on the floor you know it's so it can be as primitive of that because again it's about it's like the theory thing how do I communicate this idea to Kiko a month from now or call Dave up and go hey I got this thing give a listen to this and you know that there's a lot of that recording things into the voicemail over the years you know so I mean it's just a matter just kind of remembering the idea somebody get in the room and say oh yeah that's right it goes like this you know and we can just communicate as musicians any any song info' it is it's kind of a tough question I mean like we come out with hangar 18 lately which is funny because we used to open with trust and in 2013 we did up a gigantic and hell yeah was on there and Vinnie Paul's been a big Megadeth fan because man y'all slideshows fantastic I think really damn man I tell you hangar 18 that's the song you know so one night we tried it is like wow that's pretty cool it works and it just students it from then on so you know I come out with you know I don't see how about you but you know for me pretty much my songs in the room are the ones you guys like you know you know there's this thing the conjuring right this thing when Dave what came out and said I'm not playing the conjuring Ameri well here's the story of the conjuring we've taken that song in and out of the set for what 30 years because we put it in you know and it you know it's cool it starts kind of this nice haunting thing and then we get into it and it just it's it's a great song on the record it's a great song but live it just kind of went to this place where it just sort of leveled off a little bit so we'd pull it out and I remembered when Jimmy De Grasse was in the band we'd put it in we keep pulling out we put in we keep pulling out so finally Dave says and no one can really noticed until Dave says one day we're never playing it again now since a dude I want to hear the conjuring it's a you didn't last month when we took it out of the set and all of a sudden you can't have it you want to hear it again you know so you know so some songs I think when we you know pick the setlist lots of times you know we'll let Dave kind of have the final say on it for vocal purposes what works well for him but he'll come in and they'll say hey what do you think about this what do you think about that yeah I'm changes around and it depends if he's a festival you know be shorter if is a festival it's not a no matter of festival that is you know changes a little bit if it's a matter of fastball in the other bands are really aggressive so we try to put setlist a little bit more right so we have you I like to play dystopia this is a kind of nice showcase of a nice showcase of the guitar solos the backing vocals the the duet and so it's a song that has a little bit of everything so it's a good song the last one [Laughter] man it was I get goosebumps just thinking about it man it was it was it was awesome well you know the funny thing is they listed it right and they say you know Megadeth they listed the band names and that was kind of what you're listening for and then when she posed the envelope out she goes best game it goes to dystopia and we're like who's that we just won Wow yeah I was like this few seconds off yeah what's happening I've been there a few times you know and not one you know the Grammy goes to not you you know that feeling and it's a shitty feeling I'm not gonna lie cuz yeah well you know there's such this buildup you know and the truth of it is it's great when you get the nomination it's always kind of a pat on the back and because you it's it's the gold standard I mean it you are in the elite club you know just even be recognized and nominated it's great and then you go and you you know you're seeing you know JLo and Shakira and you know Taylor Swift of the big in the Indian theater in the business and you're like oh wow like we're really here like this this could happen you know and then you get that close you know and and and it doesn't happen like oh you know and then our far Twitter's barbed social media blows up from all of you going so thank you for your support you know yeah I mean I mean honestly you know from the beginning of this band you know we make songs and go on stage and play them for you you know I mean not that really is the truth of the matter but it was nice to win I'm not gonna lie it was it was cool so lucky cause lucky gets in the band one record wins a Grammy yeah he's obviously been the missing link you know so the Jackson basses interesting story so me and Dave and Chris Poland and I think 1987 went down to the LA sport's arena to go see Judas Priest and and docken was opening and so Jeff Pilson was playing a charvel bass and I noticed it had a great sound he was playing through svt's I think and it just sounded awesome so a couple days later went to the Guitar Center on Sunset Boulevard in Hollywood it's kind of their big flagship store and I saw Jackson bass on the wall it looked like what Jeff was playing in Dokken so I pulled it off the wall plugged it into a gallien-krueger head at the time ended in subpar key speakers and man it was just like it was right there and it just had this tone about it you know and and Dave and I it's just at the same time we drove out to to Jackson when grover jackson owned the company out in East LA and we sat down and he made me that first silver base which is why I do the silver thing the Quicksilver and and Dave had they had a v-day wanted a flying bee because we're playing BC rich at the time and be super rich didn't have any feed guitars so he wanted a V Robin Crosby from rat had King B because he's a big guy and his nickname was King you know so that was what he had the King bee so Dave took that guitar and modified it into a 24 fret because I think Robin had it as a 22 frets so Dave turned it into a 24 fret because to kind of mimic what he had with his BC riches so he and I together just started this Jackson path and you know for many many years and and you know the Jacksons were and I think probably the big turning point for me was when we did the rust and piece album when we did hangar 18 I that that whole beginning of the song is in you know is in this D right so I had and there were no and I didn't have a five string bass and five string basses were very new at that time in 1990 there's only a couple of them out there like music man had one and so me and the producer Mike clink went around LA to baby stores music it was trying to find a bass that would sound similar we waited hangry teen is the last song I think I recorded for the album because we knew we had this this this detuning issue and I wanted to play it down low not up not up high so we went around looking and there was just really nothing out there so I just I did the poor man's five string like I just did right now I just tuned to down [Applause] [Music] [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] [Applause] [Music] [Music] now that part of the story is awesome until you get to the back end of the song and then all of a sudden I had to go to three board right and then I then I had to punch in it literally stop right there and punch in and record the back half of the song because then at that point I had to tune up because you're good so now I had a dilemma we're gonna go on tour and I needed a five string bass so I called Jackson and what we basically did is we took we slightly widened the normal four string neck and there were really very there were no five string pickups out there I think bartolini was the only one that that really at the time is before EMG had one and so we just took the it was a so far like up like a precision bass and we just widened it as far as we possibly could and to make it so I could you know pick up the low string and that was that black five string that I had when we did like the rest in peace to her question the Titans and all that stuff it's like the only five string I had so if anything ever happened to it we would've been able to play hangar 18 so sometimes necessity is the mother of invention you know and then that began really a long process you know a long relationship with Jackson even from then on but the five string basses and here we are today and now technology is better there's no better pickups and bridges and everything obviously this is a four string but why have I mostly play the fives just to keep one bass to me if it works keep it you know I've done I've one year I think I'm counting on an extinction I was changing basses all the time and sometimes my tech would forget to change a battery or turn and wireless on and they got for the big moment of peace cells you know and God fussing around and it's so embarrassing [Music] so I just like you know if it works I'm keeping it maybe more zeal guy yeah yeah well I woke up this morning and immediately went swimming right outside my door was a pool so and I like to swim I started swimming because like I said I've been you know I'm 52 I started playing my was 11 so for you know over forty years I've had a base on my shoulder and and I get a lot of neck and back problems head banging and stuff and and inside I still feel like I'm 18 but my body tells me otherwise someday and so it's been recognizing chiropractors and physical therapy no physical therapy people and stuff just to you know massages and things like that but you know lift weights we're always at the gym yeah Tim yeah fell jeans yeah hotel gyms are always cardio weights doing stuff and yeah I've been trying to run lately I always hate hate it running but I'm trying now because it's the best way to whenever you're on tour just go and run for half hour for one hour you know you know not so much I mean that's obviously pretty brutal um you know to do that you know but yeah I mean we're all all four of us are at the gym working out Dirk dude never worked out workout with Kiko what name threw his back out in this last year stop trying to get healthy that's okay I mean Dirk's a vegan and you know but yeah we're definitely a very health conscious band I mean our rider is so thin and so we I mean you'd walk in and go what the heck is this we thought you're a rock-and-roll band you know but looks like Whole Foods in there you know but uh you know we take we take pretty good care of ourselves then you have to I mean in order to keep its I have a chiropractor at home and he said look you're basically like a professional athlete and at your age yeah it's not easy to do like four or five shows a week and traveling on top of that yeah it's optional yeah Zeppelin one sweet picking well basically trying to correct normally so what so I am left-handed so sweet picking was very difficult for me but so when you play alternate picking that's the sound right so it's very clear so normally when you start like young players you know and they do the sweep picking like there's note in this note sounds like that so the trick is you have to practice to try to sound exactly like the alternate picking so alternate picking right so then then I'll try to play a lid you can go faster but don't start fat is easy it's very easy to play faster sweeping to do this very easy right but there is gonna happen this kind of sound it's there's no nothing's happening and if you change for the alternate so it's almost the same sound but the sweep picking template month way faster yeah all right yeah there's a little kid after yeah but if you first okay is amigos Ecuador saludos you can say something to which we play in Ecuador yeah we played was was the first show of the South American tour last year yeah said quad or yeah yeah it's really cool now in Megadeth because like half of the band is not from America so between Kiko with his language expertise and Dirk being from Belgium grew up in France I remember there's a moment on the bus I think your wife was over there and she's from Finland and so we're sitting on the bottom and me and des ever look at each other like I don't know what's going on here with these guys there's like a whole conversation going it's like the UN you know on the front lounge of the bus their goal is exciting we're an international band and our music reaches all these international yeah when you were in Europe so every country language you kind of speak a little bit you know nobody Kiko what are they saying about us Toledo kid there yeah my first song was your first I know I think mine was proud married by Creedence Clearwater Revival because there could it was super simple so the first song I wanted to play it was not my first song but it was this one I hope I can play you know [Music] this one nakusha guitar but then my first guitar lesson was this one that was the first lesson and then the second the second last one was second second second week and the third week I was back though yeah pretty good well I think we're gonna go sign some stuff and take some pictures and do all that kind of stuff so thank you everybody for coming thank you for the talk [Music]

Channel: Replay Guitar Exchange

Views: 304,146

Rating: 4.8817983 out of 5

Keywords: megadeth, replay guitar exchange, ibanez guitars, jackson guitars, david ellefson, kiko louriero

Id: CFZsv7McE0c

Length: 44min 54sec (2694 seconds)

Published: Mon Nov 06 2017