This video was made from the support of SONY -SONY A7S3 has new color
S-CINETONE / What's different? -Let's take some time to compare -with S-LOG3 -and the color profile called S-CINETONE -and see if CINETONE is a really pretty color -without any color correction -Let's compare this in detail -First, for S-LOG3 -there's a precondition to do color grading -there's a precondition to do color grading
S-LOG3 is filmed on the premise of color gradation -and that is SONY color profile that we film
S-LOG3 is filmed on the premise of color gradation -Highly dynamic range
S-LOG3 is filmed on the premise of color gradation -At the same time, it has the advantage of
S-LOG3 is filmed on the premise of color gradation -being able to express the colors freely
S-LOG3 is filmed on the premise of color gradation -being able to express the colors freely -being able to express the colors freely
But it takes a long time to edit -and it consumes a lot of time
But it takes a long time to edit -so it can be a bit of a burden for those who don't know of -so it can be a bit of a burden for those who don't know of -color correction -or don't have time -Also, the noise is quite hard -so if you don't delete the noise -so if you don't delete the noise
S-LOG3 also causes a lot of noise -it can be toxic
S-LOG3 also causes a lot of noise -But, for this SONY S-CINETONE -But, for this SONY S-CINETONE -But, for this SONY S-CINETONE
SONY VENICE Cinema line camera introduced the color -there's a VENICE camera
SONY VENICE Cinema line camera introduced the color -which is SONY's cinema camera line
SONY VENICE Cinema line camera introduced the color -It's a color derived from the color profile
SONY VENICE Cinema line camera introduced the color -It's a color derived from the color profile
Source: SONY CINETONE REPORT -used in VENICE that embodies the cinematic color that we can see -used in VENICE that embodies the cinematic color that we can see -or feel -in dramas and movies -in dramas and movies
Literally, it's a color that's like a movie vibe -and it's a color that we really paid a lot of attention to the skin tone
Literally, it's a color that's like a movie vibe -so that we can quickly -do color gradation -Another feature is that it has -stronger contrast and color in a dark area
Source: SONY CINETONE REPORT -And at the highlight section -the contrast is rather low and soft -Then we'll have time to see -if it's really the color of CINETONE
Can we just use S-CINETONE, not S-LOG3? -that we don't need to do
Can we just use S-CINETONE, not S-LOG3? -S-LOG3 -For this video
Deep review -I used CINETONE and S-LOG alternately
Deep review -while filming at two cafes in Jeju Island -And the setting values and everything else is the same -and we're showing you -how we changed the color -First, in the case of S-LOG3 -when you take a completely flat image -when you take a completely flat image
The original S-LOG3 contains all areas in a flat color -and correct the color this way
The original S-LOG3 contains all areas in a flat color -you can create the color you want -you can create the color you want -by bringing out all the dark and bright area -In the case of S-CINETONE, you can't bring -In the case of S-CINETONE, you can't bring
S-CINETONE can't be as dynamic as S-LOG3 -a dynamic range like S-LOG3
S-CINETONE can't be as dynamic as S-LOG3 -but you can think of it as a color profile -where you can make a good color even if you don't do
-But, the original or color correction alone creates a pretty vibe -color gradation or do it roughly -color gradation or do it roughly -Also, in the case of S-LOG3
ISO Comparison -the minimum ISO level is 640 -so you can say that ND filters are -almost essential when shooting outdoors
Due to the high minimum ISO value of S-LOG3, ND filters are essential -Of course, it was possible with this SONY A7S3 -Of course, it was possible with this SONY A7S3 -to bring down ISO digitally -but it's literally just that you lowered the brightness digitally -so noise -is still severe -So, for S-LOG3 you need to prepare a lot of things -On the other hand, S-CINETONE -has a minimum ISO of 100 -so you can take pictures comfortably -compared to -S-LOG3 Skintone -Let's talk in detail about the skin tone -Let's talk in detail about the skin tone
Unlike in real life, the skin tone of S-LOG3 is expressed as matte -This video is the original of S-LOG3
Unlike in real life, the skin tone of S-LOG3 is expressed as matte -and if you add a color grading like this -and if you add a color grading like this
Personally, I don't recommend S-LOG3 in case of the skin tone -so you can express the colors like this
Personally, I don't recommend S-LOG3 in case of the skin tone -Now, you're looking at the original S-CINETONE -Now, you're looking at the original S-CINETONE
S-CINETONE definitely expresses the skin texture in a rich way -You can see that I did the color grading here
S-CINETONE definitely expresses the skin texture in a rich way -How does it look? -I heard that especially this CINETONE color
When it comes to the skin tone, the color looks reliable and usable -took much care of the skin tone
When it comes to the skin tone, the color looks reliable and usable -Let's focus again and watch the comparison video -Let's focus again and watch the comparison video -This time, I took a film
Sky shooting -This time, I took a film -of the sky, which has especially strong highlight -of the sky, which has especially strong highlight
When it comes to dynamic range, there's no color like S-LOG -In S-LOG3, which has a strong dynamic range
When it comes to dynamic range, there's no color like S-LOG -you can see that it catches all the details of clouds
When it comes to dynamic range, there's no color like S-LOG -you can see that it catches all the details of clouds -while in S-CINETONE -while in S-CINETONE
But this S-CINETONE is much better than other profiles -you can see a lot of clouds flying
But this S-CINETONE is much better than other profiles -at the same setting range
But this S-CINETONE is much better than other profiles -at the same setting range -Let's compare the pictures this time
Picture comparison -Of course, it's rare for people -who take pictures with S-LOG3 -but for those who don't know these parts -even if it's the same RAW file -even if it's the same RAW file
Even if it's a RAW file, the influence of the color profile still remains -you can see that the color profile of the camera
Even if it's a RAW file, the influence of the color profile still remains -is quite affected by the picture
Even if it's a RAW file, the influence of the color profile still remains -is quite affected by the picture -If you see this folder -9813 picture was taken with CINETONE -and 9814 picture is an original S-LOG -you can check this -Though this has the same exposal setting range -If you see Light room histogram -you can see the totally changed pictures -That means the picture was taken with S-LOG -is very dark -is very dark
When setting up the S-LOG profile, the exposure value of the picture is significantly low -But, the photos taken with CINETONE
When setting up the S-LOG profile, the exposure value of the picture is significantly low -show the exact exposure that brings back the exposure range -show the exact exposure that brings back the exposure range -I checked -If there are people who set the color profile -as S-LOG -and take pictures -this is why I recommend -avoiding those set values -as much as possible -Another thing I can show you are -the picture 9869 and 9870 -This also -was taken with each colors -Let me show you -Even though they're photos of the same place -and the same exposure value, it shows a huge difference in brightness -CINETONE recovers the appropriate exposure value -just by exposure +1 -while S-LOG photos have to be raised to +3 -that is the difference between -the two photos in a huge range of exposure value 2 -So let's wrap up the video -S-LOG3 seems to be the answer -when filming a video, when you say you're a master of video editing
If you're a color grading expert and have a lot of time, choose S-LOG -and you're in a position to
If you're a color grading expert and have a lot of time, choose S-LOG -spend a lot of time -spend a lot of time -But if there are people who don't want to -pay much attention to editing while saving time -pay much attention to editing while saving time
But, if you're satisfied with the color of the camera and want to work quickly, choose S-CINETONE -you can say that it's clear
But, if you're satisfied with the color of the camera and want to work quickly, choose S-CINETONE -to go with CINETONE -Also, CINETONE's color profile -Also, CINETONE's color profile
Also, the color of S-CINETONE is very accurate and suitable for photos -shows a very accurate exposure
Also, the color of S-CINETONE is very accurate and suitable for photos -with the color of the photo shoot
Also, the color of S-CINETONE is very accurate and suitable for photos -with the color of the photo shoot -so it's a good choice for photographers -to use CINETONE color profile -I spent some time to -compare this famous color, S-LOG3 -with SONY's new color -Hopefully this video is helpful -and I'll see you at the nex video -with another fun contents -Thank you This video was made with the support from SONY
